{"id":326992,"date":"2018-12-29T10:19:28","date_gmt":"2018-12-29T09:19:28","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/?p=326992"},"modified":"2020-04-02T19:21:23","modified_gmt":"2020-04-02T17:21:23","slug":"hit-the-tone-my-bloody-valentine-akai-samplers-2","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/it\/gear\/hit-the-tone-my-bloody-valentine-akai-samplers-2\/","title":{"rendered":"Hit The Tone &#8211; My Bloody Valentine &#038; AKAI Samplers"},"content":{"rendered":"<h3 style=\"text-align: center;\">My Bloody chi?<\/h3>\n<p><strong>My Bloody Valentine<\/strong>, per la barba di Merlino! Stiamo parlando di una delle <strong>band pi\u00f9 iconiche degli ultimi 30 anni<\/strong> che ha inciso uno degli album &#8211; pietra miliare del genere <strong>shoegaze<\/strong>, ossia <a href=\"https:\/\/open.spotify.com\/album\/3GH4IiI6jQAIvnHVdb5FB6\" target=\"_blank\" rel=\"noopener noreferrer\"><em><strong>Loveless<\/strong><\/em><\/a> (Creation, 1991).Shoegaze, un genere nato nel <strong>Regno<\/strong> <strong>Unito<\/strong> a fine anni &#8217;80 che fondeva <strong>dream<\/strong> <strong>pop<\/strong> a <strong>noise<\/strong> <strong>rock<\/strong>: <strong>muri<\/strong> di <strong>chitarre e<\/strong>\u00a0<strong>feedback<\/strong> sovrastati da <strong>melodia<\/strong> <strong>pura<\/strong> e storie <strong>malinconiche<\/strong> e\/o tristi. Il <strong>nome<\/strong> deriva dall&#8217;usanza dei <strong>chitarristi<\/strong> del genere di guardarsi le <strong>scarpe<\/strong> (o meglio, i <strong>pedali<\/strong>) durante la performance. <strong>Ride<\/strong>, <strong>Slowdive<\/strong>, <strong>Lush<\/strong>, <strong>The Boo Radleys<\/strong> e i <strong>Pale Saints<\/strong> sono solo alcuni degli esponenti del genere. I My Bloody Valentine, <strong>quartetto<\/strong> di <strong>Dublino<\/strong>, sono capitanati dal <strong>brillante<\/strong> <strong>Kevin<\/strong> <strong>Shields<\/strong>.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 100%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-326992 gallery-columns-1 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Loveless-album-cover.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-326307\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Loveless-album-cover.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Loveless-album-cover-150x150.png 150w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-326307'>\n\t\t\t\tLoveless (Creation, 1991)\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<hr \/>\n<h3 style=\"text-align: center;\">Ho capito, ma perch\u00e9 sono cos\u00ec importanti?<\/h3>\n<p>Nel <strong>febbraio<\/strong> <strong>1989<\/strong>, un anno dopo la pubblicazione del fantastico <a href=\"https:\/\/open.spotify.com\/album\/2iNVUmIuWuri8dYNG37yie\" target=\"_blank\" rel=\"noopener noreferrer\"><em><strong>Isn&#8217;t anything<\/strong><\/em><\/a> (Creation, 1988), la band and\u00f2 ai <strong>Blackwing Studios <\/strong>di<strong> Southwark (Londra)<\/strong> per registrare il loro <strong>secondo<\/strong> album. Il resto \u00e8 storia! Pochi altri dischi nella storia della musica popolare hanno al proprio interno una storia tormentata per quanto riguarda il processo di creazione e, al contempo, un&#8217;influenza che \u00e8 durata nelle decadi successive come <a href=\"https:\/\/open.spotify.com\/album\/3GH4IiI6jQAIvnHVdb5FB6\" target=\"_blank\" rel=\"noopener noreferrer\"><em><strong>Loveless<\/strong><\/em><\/a>. Kevin Shields, leader della band <strong>volle<\/strong>, <strong>diresse<\/strong> ed ottenne un <strong>nuovo<\/strong> <strong>sound<\/strong>. L&#8217;incisione richiese<strong> 2 anni<\/strong>. Il quartetto and\u00f2 in diversi studi di <strong>registrazione<\/strong>, <strong>assunse<\/strong> e <strong>licenzi\u00f2<\/strong> <strong>fonici<\/strong> (<strong>16<\/strong> parteciparono all&#8217;album) e mand\u00f2 quasi in <strong>bancarotta<\/strong> <strong>Creation<\/strong>, una delle <strong>etichette<\/strong> <strong>indipendenti<\/strong> pi\u00f9 in voga in Inghilterra durante quel periodo. Ma il risultato valse la pena. Nonostante le vendite <strong>scarse<\/strong>, <strong>Loveless<\/strong> fu amato dalla critica e oggi, <strong>27 anni<\/strong> dopo la sua pubblicazione, viene ritenuto uno dei <strong>migliori<\/strong> <strong>dischi<\/strong> di tutti i tempi. Le <strong>chitarre<\/strong> <strong>urlano<\/strong>, le melodie brillano: i MBV furono in grado di reinventare la chitarra nella <strong>musica<\/strong> <strong>moderna<\/strong>. Dopo altri <strong>22 anni<\/strong> da Loveless, Shields pubblic\u00f2 il <a href=\"https:\/\/www.youtube.com\/watch?v=FAWl6YeCN_w\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>terzo<\/strong> <strong>album<\/strong><\/a>. Perch\u00e9 tanta attesa? Perch\u00e9 egli non voleva pubblicare un disco inferiore a <a href=\"https:\/\/open.spotify.com\/album\/3GH4IiI6jQAIvnHVdb5FB6\" target=\"_blank\" rel=\"noopener noreferrer\"><em><strong>Loveless<\/strong><\/em><\/a>.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-2 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 100%;\n\t\t\t}\n\t\t\t#gallery-2 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-2' class='gallery galleryid-326992 gallery-columns-1 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"225\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/MBV-live-225x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/MBV-live-225x300.png 225w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/MBV-live.png 750w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<hr \/>\n<h3 style=\"text-align: center;\">Come \u00e8 stato creato Loveless?<\/h3>\n\n\t\t<style>\n\t\t\t#gallery-3 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 100%;\n\t\t\t}\n\t\t\t#gallery-3 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-3' class='gallery galleryid-326992 gallery-columns-1 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"146\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Akai-S1000-300x146.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Akai-S1000-300x146.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Akai-S1000-768x375.png 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Akai-S1000.png 900w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Lo so, lo so: la gente segue questa band per le <strong>chitarre<\/strong>. Ma ci si dimentica sempre dei <a href=\"https:\/\/www.thomann.de\/it\/campionatori.html?ref=intl&amp;shp=eyJjb3VudHJ5IjoiaXQiLCJjdXJyZW5jeSI6IjIiLCJsYW5ndWFnZSI6Iml0In0%3D&amp;viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>campionamenti<\/strong><\/a>! Il batterista, <strong>Colm<\/strong>\u00a0<strong>\u00d3 C\u00edos\u00f3ig<\/strong>, non fu presente per la maggior parte del processo <strong>d&#8217;incisione<\/strong>: di fatto, suon\u00f2 solo su <strong>due<\/strong> pezzi dell&#8217;album,<em><strong> Only Shallow<\/strong><\/em> e <em><strong>Touched<\/strong><\/em>: le batterie furono <strong>campionate<\/strong> per risolvere il problema. Shields utilizz\u00f2 un campionatore <strong>stereo<\/strong> <strong>digitale<\/strong> <strong>a 16 bit\/44.1 kHz AKAI S1000<\/strong> &#8211; uno dei primi <strong>campionatori<\/strong> <strong>professionali<\/strong> della sua categoria. L&#8217;essere <strong>digitale<\/strong> permetteva di <strong>tagliare, suddividere, mischiare e assemblare<\/strong> diversi <strong>loops<\/strong> assieme. <strong>Alan<\/strong> <strong>Moulder<\/strong>, il fonico con cui <strong>Shields<\/strong> lavor\u00f2 di pi\u00f9, disse &#8220;il campionamento ci era sconosciuto. <strong>L&#8217;S1000<\/strong> lo conoscevamo a malapena, e la creazione dell&#8217;album rappresent\u00f2 per noi un processo di <strong>esplorazione<\/strong>, <strong>sperimentazione<\/strong> e <strong>apprendimento<\/strong>. A volte sentivamo i risultati suonare diversi da come ci aspettavamo, e capivamo: avevamo abusato della <strong>polifonia<\/strong>. Non sapevamo come correggere la cosa, ma non importava: Kevin amava quei suoni e li utilizz\u00f2 cos\u00ec, imperfetti, nel disco.<\/p>\n<hr \/>\n<h3 style=\"text-align: center;\">Ok capito. Come lo riproduco a casa?<\/h3>\n<p>A meno che tu non riesca a trovare un <strong>AKAI<\/strong> <strong>S1000<\/strong> vintage ad un mercatino dell&#8217;usato russo, sar\u00e0 difficile riprodurre il setup al 100%: <a href=\"https:\/\/www.thomann.de\/it\/akai.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>AKAI<\/strong><\/a> smise di produrre il prodotto nel <strong>1993<\/strong>. Ci\u00f2 nonostante, la <strong><a href=\"https:\/\/www.thomann.de\/it\/akai.html\" target=\"_blank\" rel=\"noopener noreferrer\">casa giapponese<\/a><\/strong> ha continuato a creare <strong>campionatori<\/strong> di <strong>alta<\/strong> <strong>qualit\u00e0<\/strong> durante gli anni per tutte le tasche: <a href=\"https:\/\/www.thomann.de\/it\/akai_mpx16.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>l&#8217;MPX16<\/strong><\/a> \u00e8 certamente il migliore tra essi. Il <strong>campionatore<\/strong> permette di <strong>riprodurre<\/strong> e <strong>incidere<\/strong> file <strong>WAV<\/strong> su <strong>schede SD<\/strong>, ha l&#8217;opzione di lanciare i <strong>samples<\/strong> dai <strong>PADS<\/strong> o da un <strong>controller<\/strong> <strong>esterno<\/strong>, cos\u00ec come <strong>tramite<\/strong> <strong>USB<\/strong>\/DAW o input <strong>MIDI<\/strong> <strong>standard<\/strong>.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-4 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-4 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 100%;\n\t\t\t}\n\t\t\t#gallery-4 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-4 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-4' class='gallery galleryid-326992 gallery-columns-1 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"257\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/MPX16-257x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/MPX16-257x300.png 257w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/MPX16.png 580w\" sizes=\"(max-width: 257px) 100vw, 257px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Come i suoi predecessori, questo campionatore registra suoni a qualit\u00e0 <strong>16 bit \/ 44.1 kHz<\/strong> tramite input <strong>jack<\/strong> <strong>1\/4<\/strong> o con <strong>ingressi<\/strong> <strong>stereo<\/strong> per microfono. I campionamenti vengono salvati direttamente sulla <strong>scheda<\/strong> <strong>SD<\/strong>. \u00c9 possibile assegnare i vari <strong>clip<\/strong> ad ogni <strong>pad<\/strong> e regolari <strong>individualmente<\/strong>. Grazie ad uno <strong>schermo LCD,<\/strong> <strong>pad<\/strong> retro-<strong>illuminati<\/strong>, alimentazione tramite <strong>USB<\/strong> o alimentatore incluso, possibilit\u00e0 di pre-caricare suoni tramite SD, c&#8217;\u00e8 ben poco altro da chiedere.<\/p>\n<div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"youtube-content-blocker\" data-borlabs-cookie-content=\"PGlmcmFtZSB0aXRsZT0iTGl2ZSBzZXNzaW9uIHdpdGggc2FtcGxlciBBa2FpIE1QWCAxNiIgd2lkdGg9IjUwMCIgaGVpZ2h0PSIyODEiIHNyYz0iaHR0cHM6Ly93d3cueW91dHViZS1ub2Nvb2tpZS5jb20vZW1iZWQvdXNpNDQ3UUl0VnM\/ZmVhdHVyZT1vZW1iZWQiIGZyYW1lYm9yZGVyPSIwIiBhbGxvdz0iYWNjZWxlcm9tZXRlcjsgYXV0b3BsYXk7IGNsaXBib2FyZC13cml0ZTsgZW5jcnlwdGVkLW1lZGlhOyBneXJvc2NvcGU7IHBpY3R1cmUtaW4tcGljdHVyZTsgd2ViLXNoYXJlIiByZWZlcnJlcnBvbGljeT0ic3RyaWN0LW9yaWdpbi13aGVuLWNyb3NzLW9yaWdpbiIgYWxsb3dmdWxsc2NyZWVuPjwvaWZyYW1lPg==\">\n<div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-youtube\">\n<div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.thomann.de\/blog\/app\/uploads\/borlabs-cookie\/6\/brlbs-cb-youtube-main.png')\"><\/div>\n<div class=\"brlbs-cmpnt-cb-main\">\n<div class=\"brlbs-cmpnt-cb-play-button\"><\/div>\n<div class=\"brlbs-cmpnt-cb-content\">\n<p class=\"brlbs-cmpnt-cb-description\">Stai visualizzando un contenuto segnaposto da <strong>YouTube<\/strong>. Per accedere al contenuto effettivo, clicca sul pulsante sottostante. Si prega di notare che in questo modo si condividono i dati con provider di terze parti.<\/p>\n<p> <a class=\"brlbs-cmpnt-cb-provider-toggle\" href=\"#\" data-borlabs-cookie-show-provider-information role=\"button\">Ulteriori informazioni<\/a> <\/div>\n<div class=\"brlbs-cmpnt-cb-buttons\"> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Sblocca questo contenuto<\/a> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-accept-service role=\"button\" style=\"display: inherit\">Accettare il servizio richiesto e sbloccare il suo contenuto<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<hr \/>\n<h3 style=\"text-align: center;\">Altre alternative?<\/h3>\n<p>Oltre ad\u00a0<a href=\"https:\/\/www.thomann.de\/it\/akai.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>AKAI<\/strong><\/a>\u00a0ci sono svariate alternative disponibili sul mercato:<\/p>\n<p style=\"text-align: center;\"><strong>Sopra i 1000 euro<\/strong>\u00a0abbiamo i due candidati principali:<br \/>\nL&#8217;eccellente\u00a0<a href=\"https:\/\/www.thomann.de\/it\/pioneer_toraiz_sp_16.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Pioneer Toraiz SP-16<\/strong> \u00a0<\/a>e l&#8217;<a href=\"https:\/\/www.thomann.de\/it\/elektron_octatrack_mkii.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Elektron Octatrack MKII<\/strong><\/a>:<\/p>\n\n\t\t<style>\n\t\t\t#gallery-5 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-5 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-5 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-5 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-5' class='gallery galleryid-326992 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"136\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Pioneer-300x136.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Pioneer-300x136.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Pioneer-768x348.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Pioneer.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"144\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Elektron-300x144.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Elektron-300x144.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Elektron-768x368.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Elektron.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p style=\"text-align: center;\">Dai\u00a0<strong>400 ai 500 euro<\/strong>\u00a0abbiamo il versatile\u00a0<a href=\"https:\/\/www.thomann.de\/it\/roland_sp_404a.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Roland SP-404A<\/strong><\/a><strong>\u00a0<\/strong>e il\u00a0<strong><a href=\"https:\/\/www.thomann.de\/it\/korg_electribe_sampler_red.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Korg Electribe Red<\/a><\/strong>:<\/p>\n\n\t\t<style>\n\t\t\t#gallery-6 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-6 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-6 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-6 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-6' class='gallery galleryid-326992 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"271\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Roland-404-A-300x271.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Roland-404-A-300x271.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Roland-404-A.png 397w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"214\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Korg-Electribe-300x214.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Korg-Electribe-300x214.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Korg-Electribe.png 436w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p style=\"text-align: center;\"><strong>Sotto i 200 euro <\/strong>troviamo altri campionatori di ottima qualit\u00e0 quali\u00a0il\u00a0<a href=\"https:\/\/www.thomann.de\/it\/korg_volca_sample.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Korg Volca Sample<\/strong><\/a>\u00a0e il\u00a0<a href=\"https:\/\/www.thomann.de\/it\/teenage_engineering_po_35_speak.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Teenage Engineering PO-35 speak<\/strong><\/a><strong>\u00a0<\/strong><\/p>\n\n\t\t<style>\n\t\t\t#gallery-7 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-7 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-7 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-7 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-7' class='gallery galleryid-326992 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"225\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Korg-Volca-sample-300x225.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Korg-Volca-sample-300x225.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Korg-Volca-sample.png 481w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"298\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/TE-speak-298x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/TE-speak-298x300.png 298w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/TE-speak-150x150.png 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/TE-speak.png 339w\" sizes=\"(max-width: 298px) 100vw, 298px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<hr \/>\n<h3 style=\"text-align: center;\">Conclusione<\/h3>\n<p>L&#8217;odissea che fu registrare <a href=\"https:\/\/open.spotify.com\/album\/3GH4IiI6jQAIvnHVdb5FB6\" target=\"_blank\" rel=\"noopener noreferrer\"><em><strong>Loveless<\/strong><\/em><\/a> ci insegna diverse cose: la prima \u00e8 che \u00e8 possibile <strong>creare qualcosa di nuovo sempre, basta usare la fantasia<\/strong>. La seconda lezione riguarda l&#8217;uso della <strong>tecnologia<\/strong>: in quanto musicisti dobbiamo <strong>abbracciarla<\/strong>, e non <strong>ripudiarla<\/strong>. Nonostante gli album pi\u00f9 amati di tutti i tempi siano, quasi sempre, al 100% <strong>analogici<\/strong>, la <strong>tecnologia<\/strong> gioca in essi un ruolo <strong>fondamentale<\/strong>. I <strong>My Bloody Valentine<\/strong> non ebbero paura di sperimentare con le novit\u00e0 tecnologiche per riuscire a trasformare in realt\u00e0 le idee nella loro testa.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Conoscete i My Bloody Valentine? <\/p>\n","protected":false},"author":25,"featured_media":330537,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[10728,1285,10692],"tags":[6031,6033,6029,6035,4880],"class_list":["post-326992","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-didattica","category-gear","category-ispirazione","tag-90s-it","tag-akai-it","tag-indie","tag-mbv-it","tag-sampling-it"],"category_colors":{"color_key":"learn","css_classes":{"text":"cat-learn","text_light":"cat-learn-light","bg":"cat-bg-learn","bg_light":"cat-bg-learn-light","border":"cat-border-learn","text_on_bg":"cat-text-on-learn"}},"reading_time":{"minutes":4,"formatted":"4 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/posts\/326992","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/comments?post=326992"}],"version-history":[{"count":0,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/posts\/326992\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/media\/330537"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/media?parent=326992"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/categories?post=326992"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/tags?post=326992"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}