{"id":870016,"date":"2026-01-22T10:00:00","date_gmt":"2026-01-22T09:00:00","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/?p=870016"},"modified":"2026-01-27T15:08:21","modified_gmt":"2026-01-27T14:08:21","slug":"namm-mises-a-jour-en-direct-temps-forts","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/fr\/gear\/namm-mises-a-jour-en-direct-temps-forts\/","title":{"rendered":"NAMM 2026 \u2013 Mises \u00e0 jour en direct & temps forts"},"content":{"rendered":"

Kris, Guillaume, et la team Thomann ont atterri en Californie pour le NAMM 2026 ! Rejoins les avec nos nombreux partenaires, d\u00e9couvre du nouveau matos et profite de l’\u00e9nergie d’un des plus grands \u00e9v\u00e8nements du monde de la musique. \ud83c\udfb6<\/p>\n

On va pr\u00e9senter des nouveaut\u00e9s \u00e0 travers nos vid\u00e9os, sur notre blog et sur YouTube au fur et \u00e0 mesure du show. Des premi\u00e8res impressions, des secrets des coulisses seront partag\u00e9s sur nos stories Instagram. Ne les loupe pas ! \ud83c\udf1f<\/p>\n\n\n

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Nouvelles p\u00e9dales MXR & Dunlop | Way Huge, EVH & Iron Maiden <\/strong><\/h2>\n\n\n\n
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Vous \u00eates actuellement en train de consulter le contenu d’un espace r\u00e9serv\u00e9 de YouTube<\/strong>. Pour acc\u00e9der au contenu r\u00e9el, cliquez sur le bouton ci-dessous. Veuillez noter que ce faisant, des donn\u00e9es seront partag\u00e9es avec des providers tiers.<\/p> Plus d’informations<\/a> <\/div>

D\u00e9bloquer ce contenu<\/a> Accepter le service requis et d\u00e9bloquer son contenu<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n

Au NAMM 2026, MXR et Dunlop ont pr\u00e9sent\u00e9 une large s\u00e9lection de nouvelles p\u00e9dales allant du fuzz classique \u00e0 la distorsion high-gain moderne, en passant par des wah signature. Dans cette vid\u00e9o, on te propose un aper\u00e7u d\u00e9taill\u00e9 de la Way Huge Jumbo Fuzz, de la EVH Modern High Gain et de la Iron Maiden Wah, en mettant en avant leurs caract\u00e8res sonores distincts et leurs usages respectifs.<\/p>\n\n\n\n

PUBLICIT\u00c9<\/div>
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Nouvelle gamme ESP\/LTD 2026 <\/h2>\n\n\n\n
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Vous \u00eates actuellement en train de consulter le contenu d’un espace r\u00e9serv\u00e9 de YouTube<\/strong>. Pour acc\u00e9der au contenu r\u00e9el, cliquez sur le bouton ci-dessous. Veuillez noter que ce faisant, des donn\u00e9es seront partag\u00e9es avec des providers tiers.<\/p> Plus d’informations<\/a> <\/div>

D\u00e9bloquer ce contenu<\/a> Accepter le service requis et d\u00e9bloquer son contenu<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n

La pr\u00e9sentation ESP\/LTD au NAMM 2026 met l\u2019accent sur l\u2019extension des s\u00e9ries existantes et l\u2019ajout de nouveaux mod\u00e8les signature et baritone dans plusieurs gammes de produits. La nouvelle collection comprend des collaborations avec des artistes, des mises \u00e0 jour de la s\u00e9rie japonaise E-II ainsi qu\u2019un large choix de guitares LTD, des mod\u00e8les d\u2019entr\u00e9e de gamme jusqu\u2019aux instruments professionnels, confirmant l\u2019orientation vers le metal moderne et les designs haute performance.<\/p>\n\n\n\n

\ud83d\udc49 D\u00e9couvre tous les nouveaux mod\u00e8les ESP\/LTD ici<\/a> \ud83d\udc48<\/strong><\/h3>\n\n\n\n

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Wampler Pedalhead<\/h2>\n\n\n\n
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Vous \u00eates actuellement en train de consulter le contenu d’un espace r\u00e9serv\u00e9 de YouTube<\/strong>. Pour acc\u00e9der au contenu r\u00e9el, cliquez sur le bouton ci-dessous. Veuillez noter que ce faisant, des donn\u00e9es seront partag\u00e9es avec des providers tiers.<\/p> Plus d’informations<\/a> <\/div>

D\u00e9bloquer ce contenu<\/a> Accepter le service requis et d\u00e9bloquer son contenu<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n


Le Synergy Wampler Pedalhead est un ampli de puissance st\u00e9r\u00e9o compact et puissant, pens\u00e9 pour s\u2019int\u00e9grer facilement sur un pedalboard et fonctionner avec des mod\u00e9lisateurs num\u00e9riques et des pr\u00e9amplis. Il offre un ressenti proche des lampes dans un format r\u00e9duit. Avec six mod\u00e8les d\u2019ampli de puissance, un chargeur d\u2019IR int\u00e9gr\u00e9 et un contr\u00f4le MIDI, il est con\u00e7u pour devenir le \u00ab moteur \u00bb central des setups guitare modernes, en configuration directe ou hybride.<\/p>\n\n\n\n

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Larry Carlton \u2013 Nouveaux mod\u00e8les 2026<\/h2>\n\n\n\n

S\u00e9rie S7 \u2013 Finition Swirl & table en fr\u00eane<\/strong><\/p>\n\n\n

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Larry Carlton<\/p>\n

S7 SW Blue Swirl<\/h3>\n <\/span>\n\n
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Larry Carlton<\/p>\n

S7 SW Black Swirl<\/h3>\n <\/span>\n\n
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Larry Carlton<\/p>\n

S7 Ash Top Amber Burst<\/h3>\n <\/span>\n\n
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Les mod\u00e8les S7 2026 se distinguent par leurs finitions Swirl Black et Blue spectaculaires, rejointes par une version Ash Top raffin\u00e9e en Amber Burst. Bas\u00e9s sur la plateforme ST bien connue, ils int\u00e8grent des micros HSS avec split de bobines, des frettes en acier inoxydable et des m\u00e9caniques \u00e0 blocage, combinant un look audacieux et des performances modernes.<\/p>\n\n\n\n

S\u00e9rie L \u2013 L7 DX et L5<\/strong><\/p>\n\n\n

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Larry Carlton<\/p>\n

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Larry Carlton<\/p>\n

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Larry Carlton<\/p>\n

L7 Dx Amber Burst LH<\/h3>\n <\/span>\n\n
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Larry Carlton<\/p>\n

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Larry Carlton<\/p>\n

L5 Tobacco Sunburst<\/h3>\n <\/span>\n\n
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Larry Carlton<\/p>\n

L5 Amber Burst LH<\/h3>\n <\/span>\n\n
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Larry Carlton<\/p>\n

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La nouvelle L7 DX fait monter la gamme single-cut d\u2019un cran avec un binding de caisse, des m\u00e9caniques \u00e0 blocage et des humbuckers LC Custom-2 pour un feeling plus premium inspir\u00e9 des LP. Positionn\u00e9e entre les L3 et L7, la nouvelle s\u00e9rie L5 propose une option plus accessible avec des humbuckers splittables, une construction en acajou et un son single-cut classique.<\/p>\n\n\n\n

Q7 et T7 \u2013 Nouvelles couleurs<\/strong><\/p>\n\n\n

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Larry Carlton<\/p>\n

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Larry Carlton<\/p>\n

T7 SW Blue Swirl<\/h3>\n <\/span>\n\n
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Larry Carlton<\/p>\n

Q7 Hollow Transparent Blue<\/h3>\n <\/span>\n\n
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Larry Carlton<\/p>\n

Q7 Hollow Transparent Black<\/h3>\n <\/span>\n\n
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Larry Carlton<\/p>\n

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Les mod\u00e8les Q7 et T7 de Larry Carlton re\u00e7oivent de nouvelles finitions vibrantes pour 2026, \u00e9largissant leur attrait visuel sans modifier leur conception de base. La T7 s\u2019enrichit de versions Blue et Yellow Swirl, tandis que la semi-hollow Q7 adopte les finitions Transparent Blue, Transparent Black et Hollow Amber Burst pour un look plus color\u00e9 et haut de gamme.<\/p>\n\n\n\n

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Vous \u00eates actuellement en train de consulter le contenu d’un espace r\u00e9serv\u00e9 de YouTube<\/strong>. Pour acc\u00e9der au contenu r\u00e9el, cliquez sur le bouton ci-dessous. Veuillez noter que ce faisant, des donn\u00e9es seront partag\u00e9es avec des providers tiers.<\/p> Plus d’informations<\/a> <\/div>

D\u00e9bloquer ce contenu<\/a> Accepter le service requis et d\u00e9bloquer son contenu<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n

<\/p>\n\n\n\n

Blackstar TV-10 A Head et TV-10 B Head<\/h2>\n\n\n
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Blackstar<\/p>\n

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Blackstar<\/p>\n

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\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 568 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"TV-10\n <\/div>\n\n
\n\n
\n\n \n

Blackstar<\/p>\n

TV-10 B EL34<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 548 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"TV-10\n <\/div>\n\n
\n\n
\n\n \n

Blackstar<\/p>\n

TV-10 A 1 x 12" Beige<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 438 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Les t\u00eates Blackstar TV-10 A et TV-10 B reprennent le son pl\u00e9biscit\u00e9 du combo TV-10 dans des formats de t\u00eates \u00e0 lampes compacts, offrant respectivement des sonorit\u00e9s am\u00e9ricaines (6L6) et britanniques (EL34) \u00e0 10 watts. Avec des contr\u00f4les simples, des sorties \u00e9mul\u00e9es prises apr\u00e8s l\u2019\u00e9tage de puissance et des baffles 1\u00d712 assortis, elles proposent un caract\u00e8re lampes classique dans une configuration flexible, adapt\u00e9e aussi bien au studio qu\u2019\u00e0 la sc\u00e8ne.<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

Korg Phase8 Limited Edition<\/strong><\/h2>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Phase8\n <\/div>\n <\/div>\n \n \n
\n \n

Korg<\/p>\n

Phase8 Limited Edition<\/h3>\n <\/span>\n\n
\n Note : 6.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 969 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n



Le KORG phase8 est un synth\u00e9 \u00e9lectro-acoustique \u00e0 huit voix qui g\u00e9n\u00e8re le son gr\u00e2ce \u00e0 des r\u00e9sonateurs en acier mis en vibration physique, combin\u00e9s \u00e0 des modulations, s\u00e9quenceurs et effets de type synth\u00e9. D\u00e9velopp\u00e9 par KORG Berlin, il offre une interaction physique directe, des r\u00e9sonateurs personnalisables et une approche hybride unique qui brouille la fronti\u00e8re entre instrument acoustique et synth\u00e9tiseur \u00e9lectronique.<\/p>\n\n\n\n

Reloop PTB-2<\/strong><\/h2>\n\n\n
\n \n \n \n
\n \n
\n
\n \"PTB-2\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

Reloop<\/p>\n

PTB-2<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (4)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 249 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n



Le Reloop PTB-2 est un mixeur DJ compact pens\u00e9 pour la mobilit\u00e9 et la flexibilit\u00e9 en conditions r\u00e9elles. Il combine une configuration classique 2+1 canaux avec le Bluetooth, une interface audio USB-C et des contr\u00f4les analogiques directs. Gr\u00e2ce \u00e0 un routage flexible, un crossfader personnalisable et une alimentation USB-C pour une v\u00e9ritable portabilit\u00e9, il est con\u00e7u pour les DJs qui ont besoin d\u2019un mixeur fiable, peu encombrant et utilisable partout.<\/p>\n\n\n\n

Harley Benton NAMM 2026 Releases<\/strong><\/h2>\n\n\n
\n \n
\n
\n
\n
\n
\n \"ST-Modern\n <\/div>\n\n
\n\n
\n\n \n

Harley Benton<\/p>\n

ST-Modern Plus MN HSS GMB<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (12)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 348 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"ST-Modern\n <\/div>\n\n
\n\n
\n\n \n

Harley Benton<\/p>\n

ST-Modern Plus HSS DRM<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (20)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 348 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Victory-BK\n <\/div>\n\n
\n\n
\n\n \n

Harley Benton<\/p>\n

Victory-BK LH Classic Series<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 148 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"SC-Custom\n <\/div>\n\n
\n\n
\n\n \n

Harley Benton<\/p>\n

SC-Custom III Purple Satin<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (3)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 298 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"SC-Custom\n <\/div>\n\n
\n\n
\n\n \n

Harley Benton<\/p>\n

SC-Custom III Moritz Yellow<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 298 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"SC-Custom\n <\/div>\n\n
\n\n
\n\n \n

Harley Benton<\/p>\n

SC-Custom III Silver Sparkle<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (4)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 298 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"SC-Custom\n <\/div>\n\n
\n\n
\n\n \n

Harley Benton<\/p>\n

SC-Custom III Quilt Midnight<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (11)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 298 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"SC-Custom\n <\/div>\n\n
\n\n
\n\n \n

Harley Benton<\/p>\n

SC-Custom III Baritone AB<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (8)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 348 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"TB-70VS\n <\/div>\n\n
\n\n
\n\n \n

Harley Benton<\/p>\n

TB-70VS LH Deluxe Series<\/h3>\n <\/span>\n\n
\n Note : 8.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (3)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 198 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n



La gamme Harley Benton du NAMM 2026 enrichit ses s\u00e9ries phares avec de nouvelles finitions. De nouvelles couleurs arrivent sur les mod\u00e8les ST-Modern Plus, tandis que la s\u00e9rie SC-Custom arrivent de nombreux nouveaux looks, y compris une version baritone. Le tout est compl\u00e9t\u00e9 par deux nouvelles guitares pour gauchers, confirmant l\u2019accent mis par Harley Benton sur la vari\u00e9t\u00e9, l\u2019accessibilit\u00e9 et des instruments riches en fonctionnalit\u00e9s \u00e0 des prix abordables.<\/p>\n\n\n\n

<\/p>\n\n\n\n

PDP Concept Acrylic: Kit and Snare<\/strong><\/h2>\n\n\n\n

<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"PDP\n <\/div>\n\n
\n\n
\n\n \n

DW<\/p>\n

PDP 14"x6.5" SN Clear Acrylic<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 398 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"PDP\n <\/div>\n\n
\n\n
\n\n \n

DW<\/p>\n

PDP Concept Clear Acrylic 4pc<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 2\u00a0539 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

<\/p>\n\n\n\n



La s\u00e9rie PDP Concept Acrylic r\u00e9invente les batteries en acrylique en utilisant un mat\u00e9riau transparent non seulement pour les f\u00fbts, mais aussi pour les cerclages, cr\u00e9ant ainsi un impact visuel spectaculaire et un caract\u00e8re sonore distinctif. Disponible en kit 4 f\u00fbts et en caisse claire 14\u2033, la s\u00e9rie promet des rimshots percutants, l\u2019attaque acrylique classique et un hardware PDP moderne sur l\u2019ensemble.<\/p>\n\n\n\n

Orange OR60<\/strong><\/h2>\n\n\n
\n \n
\n
\n
\n
\n
\n \"OR\n <\/div>\n\n
\n\n
\n\n \n

Orange<\/p>\n

OR 60 Orange<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (2)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 2\u00a0399 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"OR\n <\/div>\n\n
\n\n
\n\n \n

Orange<\/p>\n

OR 60 Black<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n \n 2\u00a0299 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n



L\u2019Orange OR60 est un ampli guitare tout lampes de 60 watts fabriqu\u00e9 au Royaume-Uni, con\u00e7u comme l\u2019ampli monocanal le plus polyvalent jamais propos\u00e9 par Orange. \u00c9quip\u00e9 de lampes 6L6, il offre un grave bien tenu et une r\u00e9ponse claire. Avec la commutation double volume, les options Bright, les contr\u00f4les Presence et Resonance, le power scaling et la boucle d\u2019effets \u00e0 buffer \u00e0 lampes, il excelle aussi bien comme ampli clean puissant que comme plateforme flexible pour p\u00e9dales.<\/p>\n\n\n\n

\n
<\/div>
<\/div>

Vous \u00eates actuellement en train de consulter le contenu d’un espace r\u00e9serv\u00e9 de YouTube<\/strong>. Pour acc\u00e9der au contenu r\u00e9el, cliquez sur le bouton ci-dessous. Veuillez noter que ce faisant, des donn\u00e9es seront partag\u00e9es avec des providers tiers.<\/p> Plus d’informations<\/a> <\/div>

D\u00e9bloquer ce contenu<\/a> Accepter le service requis et d\u00e9bloquer son contenu<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n

DW True-Cast Bronze Snare & Collectors Series Pure Walnut Kit<\/strong><\/h2>\n\n\n
\n \n
\n
\n
\n
\n
\n \"14"x04"\n <\/div>\n\n
\n\n
\n\n \n

DW<\/p>\n

14"x04" True-Cast Bronze Snare<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n \n 4\u00a0598 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"14"x07"\n <\/div>\n\n
\n\n
\n\n \n

DW<\/p>\n

14"x07" SN Walnut Ebony Burst<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 1\u00a0198 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Walnut\n <\/div>\n\n
\n\n
\n\n \n

DW<\/p>\n

Walnut Satin Ebony Burst 6pcs<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 9\u00a0198 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n


DW place la barre encore plus haut avec deux nouveaut\u00e9s marquantes : la True-Cast Bronze Snare en \u00e9dition ultra limit\u00e9e, dot\u00e9e d\u2019un f\u00fbt en bronze coul\u00e9 au sable d\u00e9velopp\u00e9 avec Dave Elitch pour un contr\u00f4le d\u2019accordage exceptionnel et une grande puissance, limit\u00e9e \u00e0 seulement 100 exemplaires dans le monde. \u00c0 ses c\u00f4t\u00e9s, le kit Collectors Series Pure Walnut marque l\u2019arriv\u00e9e des premiers f\u00fbts 100 % noyer dans la gamme phare de DW, offrant un son riche aux graves profonds, une esth\u00e9tique luxueuse et le savoir-faire du Custom Shop californien.<\/p>\n\n\n\n

ISOVOX Pro<\/h2>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Pro\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

Isovox<\/p>\n

Pro<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 3\u00a0899 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n



L\u2019ISOVOX PRO<\/strong> est une cabine vocale mobile enti\u00e8rement repens\u00e9e, con\u00e7ue pour offrir une acoustique contr\u00f4l\u00e9e et ind\u00e9pendante de la pi\u00e8ce, afin d\u2019obtenir des enregistrements coh\u00e9rents partout. Avec un int\u00e9rieur plus spacieux, un syst\u00e8me acoustique de r\u00e9f\u00e9rence am\u00e9lior\u00e9, un support micro ajustable et une ventilation active ultra-silencieuse, elle est id\u00e9ale pour les voix, la parole et la cr\u00e9ation de contenu dans des espaces non trait\u00e9s.<\/p>\n\n\n\n

Warm Audio Retro 64<\/h2>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Retro\n <\/div>\n <\/div>\n \n \n
\n \n

Warm Audio<\/p>\n

Retro 64<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (2)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 149 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n



Le Warm Audio Retro 64<\/strong> est une version moderne et accessible du mythique Electro-Voice 664. Gr\u00e2ce \u00e0 sa conception dynamique Variable-D, il limite l\u2019effet de proximit\u00e9 et d\u00e9livre un son pr\u00e9cis et \u00e9quilibr\u00e9. Avec une excellente r\u00e9jection hors axe et des m\u00e9diums bien pr\u00e9sents, il excelle sur les voix, les amplis guitare, la batterie et les applications broadcast, aussi bien en studio qu\u2019en live.<\/p>\n\n\n\n

Blackstar ID:X Floor Series<\/h2>\n\n\n
\n \n
\n
\n
\n
\n
\n \"ID:X\n <\/div>\n\n
\n\n
\n\n \n

Blackstar<\/p>\n

ID:X Floor One<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (2)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 188 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"IDX:Floor\n <\/div>\n\n
\n\n
\n\n \n

Blackstar<\/p>\n

IDX:Floor Two<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (2)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 234 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"IDX:Floor\n <\/div>\n\n
\n\n
\n\n \n

Blackstar<\/p>\n

IDX:Floor Three<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (4)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 277 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n



La s\u00e9rie Blackstar ID:X Floor<\/strong> int\u00e8gre la technologie de mod\u00e9lisation d\u2019ampli de la marque dans un format multi-effets compact au sol, avec des contr\u00f4les intuitifs et un son pr\u00eat pour le studio. Disponible en trois versions, elle propose des voicings d\u2019amplis polyvalents, une \u00e9dition approfondie des effets int\u00e9gr\u00e9s et une connectivit\u00e9 moderne pour la pratique, l\u2019enregistrement et la sc\u00e8ne.<\/p>\n\n\n\n

PRS 2026 Silver Sky Wild Blue Ltd. Ed.<\/h2>\n\n\n
\n \n \n \n
\n \n
\n
\n \"JM\n <\/div>\n <\/div>\n \n \n
\n \n

PRS<\/p>\n

JM Silver Sky RW Wild Blue LTD<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 2\u00a0899 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n



La PRS 2026 Silver Sky Wild Blue<\/strong> est une \u00e9dition signature John Mayer ultra-limit\u00e9e, produite \u00e0 seulement 1 000 exemplaires dans le monde. Elle se distingue par sa finition turquoise inspir\u00e9e des influences personnelles de Mayer. Avec les sp\u00e9cifications classiques de la Silver Sky et les micros 635JM, elle combine le son et le feeling embl\u00e9matiques du mod\u00e8le avec un fort potentiel collector.<\/p>\n\n\n\n

Yamaha Pacifica SC P11 Series & Chris Buck Signature Revstar<\/h2>\n\n\n\n

<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"JM\n <\/div>\n\n
\n\n
\n\n \n

PRS<\/p>\n

JM Silver Sky RW Wild Blue LTD<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 2\u00a0899 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Pacifica\n <\/div>\n\n
\n\n
\n\n \n

Yamaha<\/p>\n

Pacifica SC Std+ 11S SW<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 969 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Pacifica\n <\/div>\n\n
\n\n
\n\n \n

Yamaha<\/p>\n

Pacifica SC Std+ 11SM BM<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 969 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Pacifica\n <\/div>\n\n
\n\n
\n\n \n

Yamaha<\/p>\n

Pacifica SC Std+ 11S DB<\/h3>\n <\/span>\n\n
\n Note : 7.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (2)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 969 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Pacifica\n <\/div>\n\n
\n\n
\n\n \n

Yamaha<\/p>\n

Pacifica SC Std+ 11SM PMG<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 969 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Pacifica\n <\/div>\n\n
\n\n
\n\n \n

Yamaha<\/p>\n

Pacifica SC Std+ 11S PMG<\/h3>\n <\/span>\n\n
\n Note : 8.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 969 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Pacifica\n <\/div>\n\n
\n\n
\n\n \n

Yamaha<\/p>\n

Pacifica SC Std+ 11SM Ash Pink<\/h3>\n <\/span>\n\n
\n Note : 6.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 969 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Pacifica\n <\/div>\n\n
\n\n
\n\n \n

Yamaha<\/p>\n

Pacifica SC Std+ 11S Ash Pink<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 969 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Pacifica\n <\/div>\n\n
\n\n
\n\n \n

Yamaha<\/p>\n

Pacifica SC P11S Shell White<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 2\u00a0199 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Pacifica\n <\/div>\n\n
\n\n
\n\n \n

Yamaha<\/p>\n

Pacifica SC P11SM BM<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 2\u00a0179 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Pacifica\n <\/div>\n\n
\n\n
\n\n \n

Yamaha<\/p>\n

Pacifica SC P11S BM<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 2\u00a0179 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Pacifica\n <\/div>\n\n
\n\n
\n\n \n

Yamaha<\/p>\n

Pacifica SC P11S Sunny Orange<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 2\u00a0199 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Pacifica\n <\/div>\n\n
\n\n
\n\n \n

Yamaha<\/p>\n

Pacifica SC P11S BMB<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 2\u00a0199 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Pacifica\n <\/div>\n\n
\n\n
\n\n \n

Yamaha<\/p>\n

Pacifica SC P11SM Ash Pink<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 2\u00a0179 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Pacifica\n <\/div>\n\n
\n\n
\n\n \n

Yamaha<\/p>\n

Pacifica SC P11S Ash Pink<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
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\n \n 2\u00a0199 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n


<\/p>\n\n\n\n

La Yamaha Pacifica SC P11<\/strong> apporte un design single-cut de style T \u00e0 la famille Pacifica, avec un corps en aulne profil\u00e9 et des caract\u00e9ristiques haut de gamme comme des frettes inox, un manche \u00e0 radius compos\u00e9 et un hardware verrouillable. \u00c9quip\u00e9e de micros Reflectone d\u00e9velopp\u00e9s avec Rupert Neve et d\u2019une \u00e9lectronique push\/pull polyvalente, elle associe jouabilit\u00e9 moderne et sonorit\u00e9s single-cut classiques.<\/p>\n\n\n\n

D\u00e9velopp\u00e9e en \u00e9troite collaboration avec Chris Buck, la Revstar RS02CB<\/strong> transpose son mod\u00e8le Custom Shop de longue date en version de s\u00e9rie. Elle dispose d\u2019un corps chambr\u00e9, d\u2019un manche renforc\u00e9 en carbone et d\u2019une finition Honey Gold. Ses micros type P90 au voicing personnalis\u00e9 et son chevalet wraparound TonePros offrent un son dynamique et expressif dans un instrument stable et taill\u00e9 pour la sc\u00e8ne.<\/p>\n\n\n\n

\n
<\/div>
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Vous \u00eates actuellement en train de consulter le contenu d’un espace r\u00e9serv\u00e9 de YouTube<\/strong>. Pour acc\u00e9der au contenu r\u00e9el, cliquez sur le bouton ci-dessous. Veuillez noter que ce faisant, des donn\u00e9es seront partag\u00e9es avec des providers tiers.<\/p> Plus d’informations<\/a> <\/div>

D\u00e9bloquer ce contenu<\/a> Accepter le service requis et d\u00e9bloquer son contenu<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

 Korg Kaoss Pad V<\/h2>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Kaoss\n <\/div>\n <\/div>\n \n \n
\n \n

Korg<\/p>\n

Kaoss Pad V<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (4)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 579 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Le Kaoss Pad V est un processeur d\u2019effets et de sampling ultra intuitif, dot\u00e9 d\u2019un contr\u00f4le Dual-Touch permettant de modifier plusieurs param\u00e8tres simultan\u00e9ment. Dans un format compact pens\u00e9 pour la performance live, il combine 170 effets, le loop sampling, une interface audio USB et de puissantes fonctions d\u2019automation.<\/p>\n\n\n\n

Neural DSP Quad Cortex Mini<\/h2>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Quad\n <\/div>\n <\/div>\n \n \n
\n \n

Neural DSP<\/p>\n

Quad Cortex Mini<\/h3>\n <\/span>\n\n
\n Note : 8.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (20)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1\u00a0299 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Le Quad Cortex Mini int\u00e8gre les sons d\u2019amplis, de baffles et de p\u00e9dales haute r\u00e9solution de Neural DSP dans un format compact parfaitement adapt\u00e9 au pedalboard. Avec l\u2019acc\u00e8s au Cortex Cloud, le chargement avanc\u00e9 d\u2019IR et un routage flexible, c\u2019est une machine professionnelle pour les guitaristes modernes.<\/p>\n\n\n\n

Boss GX-1 Guitar Effects Processor<\/h2>\n\n\n\n

<\/p>\n\n\n

\n \n \n \n
\n \n
\n
\n \"GX-1\n <\/div>\n <\/div>\n \n \n
\n \n

Boss<\/p>\n

GX-1 Guitar Effects Processor<\/h3>\n <\/span>\n\n
\n Note : 8.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (15)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 255 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Le Boss GX-1 est un multi-effets compact pour guitare et basse int\u00e9grant la technologie AIRD Amp et un workflow ultra direct. Sa large palette d\u2019effets, le Bluetooth, l\u2019alimentation par piles et l\u2019\u00e9dition via application en font un outil polyvalent pour la pratique, l\u2019enregistrement et la sc\u00e8ne.
<\/p>\n\n\n\n

Epiphone Fatoumata Diawara SG<\/h2>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Fatoumata\n <\/div>\n <\/div>\n \n \n
\n \n

Epiphone<\/p>\n

Fatoumata Diawara SG<\/h3>\n <\/span>\n\n
\n Note : 8.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 649 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Cette guitare signature au design SG associe une construction classique en acajou \u00e0 une \u00e9lectronique polyvalente incluant coil split et commutation de phase. Sa finition rouge marquante associ\u00e9e \u00e0 l\u2019accastillage dor\u00e9 lui donne un look \u00e9l\u00e9gant, tandis que son caract\u00e8re sonore m\u00eale esprit vintage et flexibilit\u00e9 moderne.<\/p>\n\n\n\n

Rane System One<\/h2>\n\n\n
\n \n \n \n
\n \n
\n
\n \"System\n <\/div>\n <\/div>\n \n \n
\n \n

Rane<\/p>\n

System One<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (3)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 2\u00a0498 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Le Rane System One est un syst\u00e8me DJ autonome haut de gamme avec plateaux motoris\u00e9s, \u00e9cran tactile et contr\u00f4les de performance avanc\u00e9s. Gr\u00e2ce \u00e0 Engine OS, \u00e0 l\u2019activation int\u00e9gr\u00e9e de Serato DJ Pro, \u00e0 l\u2019enregistrement onboard et au contr\u00f4le des \u00e9clairages, il r\u00e9unit tout ce qu\u2019il faut pour un setup DJ pro sans compromis.<\/p>\n\n\n\n

AKAI Professional MPC XL<\/h2>\n\n\n
\n \n \n \n
\n \n
\n
\n \"MPC\n <\/div>\n <\/div>\n \n \n
\n \n

AKAI Professional<\/p>\n

MPC XL<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
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\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (10)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 2\u00a0499 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

La MPC XL est une station de production autonome haut de gamme avec grand \u00e9cran multitouch, pads de derni\u00e8re g\u00e9n\u00e9ration et une puissance de calcul impressionnante. Con\u00e7ue comme le centre n\u00e9vralgique du studio, elle offre des fonctions compl\u00e8tes de s\u00e9quen\u00e7age et de sampling, de nombreuses options de connectique et le contr\u00f4le direct de mat\u00e9riel externe, le tout sans ordinateur.<\/p>\n\n\n\n

<\/p>\n\n\n\n

PRS SE Ed Sheeran Cosmic Splash<\/strong><\/h2>\n\n\n
\n \n \n \n
\n \n
\n
\n \"SE\n <\/div>\n <\/div>\n \n \n
\n \n

PRS<\/p>\n

SE Ed Sheeran Cosmic Splash<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1\u00a0759 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

La PRS SE Cosmic Splash Hollowbody I Piezo Baritone (limit\u00e9e \u00e0 seulement 1 000 exemplaires dans le monde) associe la signature musicale d\u2019Ed Sheeran \u00e0 un design inspir\u00e9 de ses peintures Cosmic Carpark<\/em> de 2025. Les incrustations symboliques sur la touche, la longueur de diapason baritone et le syst\u00e8me de micros magn\u00e9tique\/piezo flexible en font un v\u00e9ritable statement, aussi bien visuel que sonore.<\/p>\n\n\n\n

La construction hollowbody apporte ouverture et r\u00e9sonance, tandis que le diapason long garantit punch et d\u00e9finition, en particulier dans les accordages graves. Gr\u00e2ce \u00e0 la combinaison de humbuckers classiques et d\u2019un syst\u00e8me piezo, tu peux m\u00e9langer facilement des sons \u00e9lectriques et des textures acoustiques. Un instrument pens\u00e9 pour la cr\u00e9ativit\u00e9, la performance et dot\u00e9 d\u2019un vrai potentiel collector.<\/p>\n\n\n\n

<\/p>\n\n\n\n

HEDD Type 20 A-CORE<\/strong><\/h2>\n\n\n
\n \n
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\n \"Type\n <\/div>\n\n
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\n\n \n

HEDD<\/p>\n

Type 20 A-CORE left<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
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\n \n 1\u00a0766 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Type\n <\/div>\n\n
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\n\n \n

HEDD<\/p>\n

Type 20 A-CORE right<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
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\n \n 1\u00a0766 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Le HEDD Type 20 A-CORE est un moniteur de studio 3 voies et le fleuron analogique de la marque. Son c\u0153ur repose sur le c\u00e9l\u00e8bre tweeter AMT, associ\u00e9 \u00e0 un chemin du signal enti\u00e8rement analogique sans DSP. L\u2019objectif est une restitution ultra pr\u00e9cise et stable en phase, sans traitement num\u00e9rique.
Con\u00e7u pour les configurations nearfield et midfield, il d\u00e9livre un son puissant et d\u00e9taill\u00e9 avec une excellente s\u00e9paration spatiale. Au lieu de corrections DSP internes, HEDD mise ici volontairement sur une approche analogique classique, id\u00e9ale pour ceux qui recherchent transparence maximale et r\u00e9ponse imm\u00e9diate.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Neve 1073DPX-D<\/strong><\/h2>\n\n\n
\n \n \n \n
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\n \"1073DPX-D\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

Neve<\/p>\n

1073DPX-D<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
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\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 4\u00a0399 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Le Neve 1073DPX-D combine deux sections de pr\u00e9ampli et d\u2019\u00e9galisation 1073 classiques avec une conversion moderne 24 bits \/ 192 kHz dans un seul appareil. Il fait ainsi le lien entre le son analogique l\u00e9gendaire et les workflows studio actuels.
En plus de pr\u00e9amplis micro et ligne haut de gamme, l\u2019interface propose une extension ADAT, des points d\u2019insert et la possibilit\u00e9 de renvoyer des pistes DAW \u00e0 travers les circuits 1073. Il est donc aussi bien adapt\u00e9 \u00e0 l\u2019enregistrement qu\u2019au traitement et \u00e0 l\u2019enrichissement des pistes au mix avec le caract\u00e8re Neve embl\u00e9matique.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Martin Super D-18 & Super D-28<\/strong><\/h2>\n\n\n
\n \n
\n
\n
\n
\n
\n \"Super\n <\/div>\n\n
\n\n
\n\n \n

Martin Guitar<\/p>\n

Super HD-28<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
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\n \n 5\u00a0098 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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\n \"Super\n <\/div>\n\n
\n\n
\n\n \n

Martin Guitar<\/p>\n

Super D-18<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
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\n \n 3\u00a0799 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Pour l\u2019ann\u00e9e mod\u00e8le 2026, Martin introduit avec les mod\u00e8les Super D une nouvelle variante de Dreadnought. Le corps est environ 20 % plus grand que celui d\u2019une Dreadnought classique, ce qui apporte plus de volume, des basses plus profondes et une dynamique accrue, tout en conservant l\u2019esth\u00e9tique embl\u00e9matique de Martin.
La Super D-18 mise sur l\u2019acajou pour un son chaud, direct et tr\u00e8s projet\u00e9. La Super D-28 associe ce volume \u00e9largi au palissandre pour un rendu particuli\u00e8rement riche et complexe, avec des harmoniques marqu\u00e9es, pens\u00e9 pour une puissance et une profondeur maximales.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Roland GO:MIXER Studio<\/strong><\/h2>\n\n\n
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Roland<\/p>\n

GO:MIXER Studio<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
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\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 279 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Le Roland GO:MIXER Studio est un mixeur USB mobile et une interface audio con\u00e7us sp\u00e9cialement pour les musiciens, streamers et cr\u00e9ateurs de contenu. Il permet des enregistrements en 24 bits \/ 192 kHz et offre des connexions flexibles pour micros, instruments et appareils mobiles.
Les effets int\u00e9gr\u00e9s, les fonctions loopback pour le streaming, les m\u00e9moires de sc\u00e8nes et l\u2019int\u00e9gration \u00e9troite avec l\u2019application font du GO:MIXER une solution compacte tout-en-un, parfaitement adapt\u00e9e aux setups cam\u00e9ra et aux workflows modernes.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Mesa Boogie 90s Triple Rectifier<\/strong><\/h2>\n\n\n
\n \n \n \n
\n \n
\n
\n \"90s\n <\/div>\n <\/div>\n \n \n
\n \n

Mesa Boogie<\/p>\n

90s Triple Rectifier<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 4\u00a0179 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Le MESA\/Boogie 90s Triple Rectifier fait son grand retour en tant que t\u00eate high-gain de 150 watts \u00e0 deux canaux, fid\u00e8le au circuit original qui a marqu\u00e9 le son guitare des ann\u00e9es 1990.

Avec une \u00e9norme r\u00e9serve de headroom \u00e0 lampes, une rectification commutable et le punch typique Rectifier, cet ampli d\u00e9livre toute l\u2019agressivit\u00e9, la puissance et le feeling qui en ont fait une r\u00e9f\u00e9rence incontournable du rock et du metal modernes.<\/p>\n\n\n\n

\n\n\n\n

\ud83d\udcf8 Tu veux vivre le NAMM en backstage avec nous ?<\/strong><\/h2>\n\n\n\n

Alors checke notre story Instagram pour encore plus de nouveau matos, d\u2019infos et de fun. Clique ici ! <\/a><\/p>\n

PUBLICIT\u00c9<\/div>
\"\"<\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Derni\u00e8res nouvelles et sorties de produits directement depuis le NAMM 2026 depuis la Californie. Blog en direct mis \u00e0 jour r\u00e9guli\u00e8rement ! \ud83c\udfb6\u2728<\/p>\n","protected":false},"author":63,"featured_media":10008684,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[926],"tags":[6252,27759],"class_list":["post-870016","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear","tag-namm-fr","tag-namm-news"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":12,"formatted":"12 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/870016","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/users\/63"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/comments?post=870016"}],"version-history":[{"count":15,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/870016\/revisions"}],"predecessor-version":[{"id":10008737,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/870016\/revisions\/10008737"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media\/10008684"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media?parent=870016"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/categories?post=870016"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/tags?post=870016"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}