{"id":868483,"date":"2024-12-12T14:55:45","date_gmt":"2024-12-12T13:55:45","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/?p=868483"},"modified":"2024-12-12T10:07:26","modified_gmt":"2024-12-12T09:07:26","slug":"son-signature-linkin-park","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/fr\/gear\/son-signature-linkin-park\/","title":{"rendered":"Le Son Signature de Linkin Park : Amplis, Guitares &#038; Secrets !"},"content":{"rendered":"<p style=\"text-align: center;\"><strong>Pour toute une g\u00e9n\u00e9ration (voire deux), les hymnes du groupe californien Linkin Park sont la bande originale de l\u2019adolescence, la parfaite illustration sonore du doute existentiel, des angoisses et de la sensibilit\u00e9 \u00e0 fleur de peau de cet \u00e2ge charni\u00e8re, l\u2019\u00e2ge parfait pour tomber amoureux d\u2019un album pour toute la vie. Celles et ceux qui avaient quinze ans lorsque Hybrid Theory, Meteora ou m\u00eame The Hunting Party s\u2019en souviennent forc\u00e9ment.<\/strong><\/p>\n<figure id=\"attachment_868531\" aria-describedby=\"caption-attachment-868531\" style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2024\/12\/Linkin_Park_-_From_Zero_Lead_Press_Photo_-_James_Minchin_III.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-868531 size-large\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2024\/12\/Linkin_Park_-_From_Zero_Lead_Press_Photo_-_James_Minchin_III-1024x768.jpg\" alt=\"son signature linkin park\" width=\"1024\" height=\"768\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Linkin_Park_-_From_Zero_Lead_Press_Photo_-_James_Minchin_III-1024x768.jpg 1024w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Linkin_Park_-_From_Zero_Lead_Press_Photo_-_James_Minchin_III-300x225.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Linkin_Park_-_From_Zero_Lead_Press_Photo_-_James_Minchin_III-768x576.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Linkin_Park_-_From_Zero_Lead_Press_Photo_-_James_Minchin_III-1536x1151.jpg 1536w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Linkin_Park_-_From_Zero_Lead_Press_Photo_-_James_Minchin_III-2048x1535.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption id=\"caption-attachment-868531\" class=\"wp-caption-text\">James Minchin III (rights holder), CeriRoberts (Warner Records representative)<\/figcaption><\/figure>\n<p style=\"text-align: center;\">Ceux qui \u00e9taient le 3 novembre 2024 \u00e0 l\u2019U Arena de Nanterre pour le grand retour d\u2019un Linkin Park ressuscit\u00e9 s\u2019en souviennent aussi ! Ils en ont encore les oreilles qui sifflent.<\/p>\n<p style=\"text-align: center;\">\u00c0 l\u2019occasion de ce comeback tout \u00e0 fait r\u00e9ussi, nous vous proposons une r\u00e9trospective des grands moments du groupe. Et surtout \u00e0 travers le mat\u00e9riel des guitaristes du groupe. \ud83c\udfb8<\/p>\n<p>&nbsp;<\/p>\n<h2 class=\"western\" lang=\"fr-FR\" style=\"text-align: center;\"><span lang=\"fr-FR\"><b>Hybrid Theory et l\u2019<\/b><\/span><span lang=\"fr-FR\"><b>amour des PRS<\/b><\/span><\/h2>\n<p><strong>Mike Shinoda<\/strong> est la t\u00eate pensante du groupe. A ce titre, il passe indiff\u00e9remment du <strong>clavier<\/strong> \u00e0 la <strong>guitare<\/strong>, sans parler du <strong>chant<\/strong>. Il se montre aussi plus myst\u00e9rieux sur ses pr\u00e9f\u00e9rences en mati\u00e8re de matos. <strong>Brad Delson<\/strong> de son c\u00f4t\u00e9, (le fameux guitariste au casque viss\u00e9 sur les oreilles) n\u2019a jamais cach\u00e9 <strong>son amour pour les guitares de Paul Reed Smith<\/strong>.<\/p>\n<blockquote><p><em>\u201cLa Custom 24 est ma guitare principale en live, et sans doute celle qui me suit depuis le plus longtemps. Elle me donne le son \u00e9quilibr\u00e9 que l\u2019on recherche, et en plus c\u2019est une tr\u00e8s belle guitare.\u201d<\/em><\/p><\/blockquote>\n<figure id=\"attachment_868542\" aria-describedby=\"caption-attachment-868542\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.thomann.de\/fr\/prs_custom_24_ch_539603.htm\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-868542 size-medium\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2024\/12\/PRS-Custom-24-CH-e1733219812705-300x166.jpg\" alt=\"son signature linkin park\" width=\"300\" height=\"166\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/PRS-Custom-24-CH-e1733219812705-300x166.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/PRS-Custom-24-CH-e1733219812705.jpg 508w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-868542\" class=\"wp-caption-text\">PRS Custom 24 CH<\/figcaption><\/figure>\n<p>La marque du Maryland a sa pr\u00e9f\u00e9rence depuis le premier album, <strong>Hybrid Theory<\/strong>, sorti en 2000. Pour l\u2019enregistrement de ce dernier, il a utilis\u00e9 une <a href=\"https:\/\/www.thomann.de\/fr\/search_dir.html?smcs=dac8dd_2677&amp;sw=PRS%20CE%2024&amp;sp=solr&amp;category%5B%5D=GIEGSG&amp;cme=true&amp;filter=true\" target=\"_blank\" rel=\"noopener\"><strong>CE24<\/strong><\/a>, avant de passer sur la <a href=\"https:\/\/www.thomann.de\/fr\/search_dir.html?sw=PRS+Custom+24&amp;smcs=dac8dd_1614\" target=\"_blank\" rel=\"noopener\"><strong>Custom 24<\/strong><\/a> avec laquelle il reste associ\u00e9 \u00e0 ce jour.<\/p>\n<figure id=\"attachment_868543\" aria-describedby=\"caption-attachment-868543\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.thomann.de\/fr\/prs_ce_24_fire_red_burst_601862.htm\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-868543 size-medium\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2024\/12\/PRS-CE-24-Fire-Red-Burst-e1733219778661-300x174.jpg\" alt=\"\" width=\"300\" height=\"174\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/PRS-CE-24-Fire-Red-Burst-e1733219778661-300x174.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/PRS-CE-24-Fire-Red-Burst-e1733219778661.jpg 503w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-868543\" class=\"wp-caption-text\">PRS CE 24 Fire Red Burst<\/figcaption><\/figure>\n<p>La diff\u00e9rence entre les deux mod\u00e8les est tout simplement que la <a href=\"https:\/\/www.thomann.de\/fr\/search_dir.html?sw=PRS+Custom+24&amp;smcs=dac8dd_1614\" target=\"_blank\" rel=\"noopener\"><strong>Custom 24<\/strong><\/a> a le manche coll\u00e9 alors qu\u2019il est viss\u00e9 sur la <a href=\"https:\/\/www.thomann.de\/fr\/search_dir.html?smcs=dac8dd_2677&amp;sw=PRS%20CE%2024&amp;sp=solr&amp;category%5B%5D=GIEGSG&amp;cme=true&amp;filter=true\" target=\"_blank\" rel=\"noopener\"><strong>CE24<\/strong><\/a>, mais dans les deux cas on retrouve le corps acajou \u00e0 double pan coup\u00e9 avec table rapport\u00e9e en \u00e9rable bien flamm\u00e9.<\/p>\n<figure id=\"attachment_868529\" aria-describedby=\"caption-attachment-868529\" style=\"width: 400px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2024\/12\/Braddelson2010kroq.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-868529\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2024\/12\/Braddelson2010kroq-206x300.png\" alt=\"\" width=\"400\" height=\"583\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Braddelson2010kroq-206x300.png 206w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Braddelson2010kroq.png 600w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a><figcaption id=\"caption-attachment-868529\" class=\"wp-caption-text\">Chiragddude at en.wikipedia<\/figcaption><\/figure>\n<p>Delson s\u2019accorde en <strong>Drop D ou Drop C#<\/strong>, et pour les graves de \u201cWith You\u201d c\u2019est une <a href=\"https:\/\/www.thomann.de\/fr\/ibanez_rg7421ex_bkf.htm\" target=\"_blank\" rel=\"noopener\"><strong>sept cordes Ibanez RG<\/strong> <\/a>qui a eu sa pr\u00e9f\u00e9rence.<\/p>\n<p>La <strong>PRS Custom 24<\/strong> reste encore <strong>sa guitare principale<\/strong> \u00e0 l\u2019heure actuelle pour le gros son \u00e9pais. Il a notamment <strong>plusieurs mod\u00e8les aux finitions custom.<\/strong> Notamment avec le soldat de la pochette de Hybrid Theory en gris et en rouge.<\/p>\n<figure id=\"attachment_868541\" aria-describedby=\"caption-attachment-868541\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.thomann.de\/fr\/ibanez_rg7421ex_bkf.htm\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-868541 size-medium\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2024\/12\/Ibanez-RG7421EX-BKF-e1733219818616-300x138.jpg\" alt=\"\" width=\"300\" height=\"138\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Ibanez-RG7421EX-BKF-e1733219818616-300x138.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Ibanez-RG7421EX-BKF-e1733219818616.jpg 479w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-868541\" class=\"wp-caption-text\">Ibanez RG7421EX-BKF<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<div class=\"advads-content-injection-before-2-h2 advads-entity-placement\" style=\"text-align: center;\" id=\"advads-3644757916\"><div class=\"advads-adlabel\">PUBLICIT\u00c9<\/div><div id=\"advads-3566000162\"><a href=\"https:\/\/www.thomann.de\/intl\/index.html?utm_medium=display&#038;utm_source=partnersite&#038;utm_campaign=branding&#038;utm_content=thoshop&#038;utm_term=gemischt\" target=\"_blank\" aria-label=\"2502_Gear_Banner_Gemischt_729x90_EN_v01\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01.jpg\" alt=\"\"  srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01.jpg 728w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01-300x37.jpg 300w\" sizes=\"(max-width: 728px) 100vw, 728px\" width=\"728\" height=\"90\"   \/><\/a><\/div><\/div><h2 class=\"western\" lang=\"fr-FR\" style=\"text-align: center;\"><span lang=\"fr-FR\"><b>Des amplis au gain infini<\/b><\/span><\/h2>\n<p>C\u00f4t\u00e9 amplis, Delson est un aficionado du <strong>Dual Rectifier de Mesa Boogie<\/strong>. On voit d\u2019ailleurs deux t\u00eates empil\u00e9es derri\u00e8re lui dans l\u2019\u00e9glise du clip de <a href=\"https:\/\/www.youtube.com\/watch?v=kXYiU_JCYtU\" target=\"_blank\" rel=\"noopener\"><strong>\u201cNumb\u201d<\/strong><\/a>. Il faut dire qu\u2019avec leur face avant en m\u00e9tal embouti, il est difficile de les rater. Le Dual Rectifier, un mod\u00e8le lanc\u00e9 en 1992 par la marque californienne, est devenu<strong> un symbole \u00e0 part enti\u00e8re du m\u00e9tal des ann\u00e9es 90 et 2000. <\/strong>Avec un son bien compress\u00e9 dont la r\u00e9serve de gain semble infinie. C\u2019est exactement ce qu\u2019il fallait \u00e0 Brad Delson pour les gros accords tenus gorg\u00e9s de saturation dont il est le sp\u00e9cialiste.<\/p>\n<figure id=\"attachment_868559\" aria-describedby=\"caption-attachment-868559\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.thomann.de\/fr\/mesa_boogie_dual_rectifier.htm\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-868559 size-medium\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2024\/12\/Mesa-Boogie-Dual-Rectifier-Head-300x167.jpg\" alt=\"son signature linkin park\" width=\"300\" height=\"167\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Mesa-Boogie-Dual-Rectifier-Head-300x167.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Mesa-Boogie-Dual-Rectifier-Head.jpg 528w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-868559\" class=\"wp-caption-text\">Mesa Boogie Dual Rectifier Head<\/figcaption><\/figure>\n<p>Bien s\u00fbr, tout le monde n\u2019aura pas l\u2019utilit\u00e9 d\u2019une t\u00eate 100 watts. Surtout au prix de la manufacture am\u00e9ricaine ! Mais le son du <strong>Dual Rectifier<\/strong> est devenu un incontournable dans la plupart des simulateurs d\u2019amplis. Y compris sous forme de p\u00e9dale d\u00e9di\u00e9e comme la UAFX Knuckles ou la Walrus ACS1.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_868557\" aria-describedby=\"caption-attachment-868557\" style=\"width: 150px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.thomann.de\/fr\/walrus_audio_mako_acs1_mk_ii.htm\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-868557 size-thumbnail\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2024\/12\/Walrus-Audio-MAKO-ACS1-MK-II-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-868557\" class=\"wp-caption-text\">Walrus Audio MAKO ACS1 MK II<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_868558\" aria-describedby=\"caption-attachment-868558\" style=\"width: 150px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.thomann.de\/fr\/universal_audio_uafx_knuckles.htm\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-868558 size-thumbnail\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2024\/12\/Universal-Audio-UAFX-Knuckles-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-868558\" class=\"wp-caption-text\">Universal Audio UAFX Knuckles<\/figcaption><\/figure>\n<p>Sur <a href=\"https:\/\/www.youtube.com\/watch?v=U6R-twDkrcI&amp;list=PLlqZM4covn1EbvC_6cuERQ59QaMbPkUyE\" target=\"_blank\" rel=\"noopener\"><strong>Meteora<\/strong><\/a>, Delson exp\u00e9rimente pour la premi\u00e8re fois avec le m\u00e9lange de diff\u00e9rents amplis. Pour profiter de leurs caract\u00e9ristiques sonores compl\u00e9mentaires, il ajoute donc un Marshall Super Lead (le fameux Plexi) \u00e0 son Mesa.<\/p>\n<p>&nbsp;<\/p>\n<h2 class=\"western\" lang=\"fr-FR\" style=\"text-align: center;\"><span lang=\"fr-FR\"><span lang=\"it-IT\"><b>Le Pedalboard du Boss<\/b><\/span><\/span><\/h2>\n<figure id=\"attachment_868528\" aria-describedby=\"caption-attachment-868528\" style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2024\/12\/Brad_Delson_at_Soundwave_2013-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-868528 size-large\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2024\/12\/Brad_Delson_at_Soundwave_2013-1024x659.jpg\" alt=\"son signature linkin park\" width=\"1024\" height=\"659\" \/><\/a><figcaption id=\"caption-attachment-868528\" class=\"wp-caption-text\">Brad Delson \u00e0 Soundwave 2013 &#8211; rights : Chealse Vo<\/figcaption><\/figure>\n<p>C\u00f4t\u00e9 effets, Delson fait dans le simple et efficace. <strong>Il utilise essentiellement des p\u00e9dales Boss,<\/strong> le standard de l\u2019outil facile \u00e0 remplacer en cas de gal\u00e8re. <strong>Le noise gate NS-2<\/strong> (le fameux \u201cnoise suppressor\u201d) est l\u00e0 pour <strong>calmer le bruit de fond g\u00e9n\u00e9r\u00e9 par le gain du Dual Rectifier<\/strong>. Il utilise aussi <strong>deux compresseurs identiques Boss CS-3 r\u00e9gl\u00e9s diff\u00e9remment pour s\u2019adapter \u00e0 diff\u00e9rentes situations sonores. <\/strong>Il utilise aussi\u00a0des effets plus marqu\u00e9s de fa\u00e7on ponctuelle : un chorus Boss CE-5, un Flanger Boss BF-3, et <strong>un filtre Ibanez LF-7<\/strong> qui n\u2019est plus fabriqu\u00e9 mais qui sera avantageusement remplac\u00e9 par la nouvelle Source Audio Artifakt. Le tout pour reproduire des sons lo-fi cr\u00e9\u00e9s en studio.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-868483 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Boss-NS-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-868567\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-868567'>\n\t\t\t\tBoss NS-2\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Boss-BF-3-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-868566\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-868566'>\n\t\t\t\tBoss BF-3\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Boss-CE-5-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-868565\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-868565'>\n\t\t\t\tBoss CE-5\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<h3 style=\"text-align: center;\"><a href=\"https:\/\/www.thomann.de\/fr\/boss_chorus_flanger_phaser.html\" target=\"_blank\" rel=\"noopener\"><strong>\ud83d\udc49 Toutes nos p\u00e9dales BOSS ici \ud83d\udc48<\/strong><\/a><\/h3>\n<p>Pour la tourn\u00e9e de Hybrid Theory, Delson branche directement son pedalboard dans ses amplis. Cependant, \u00e0 l\u2019\u00e9poque de Meteora, les p\u00e9dales sont rang\u00e9es dans un rack au fond de la sc\u00e8ne. Tout \u00e9tait organis\u00e9 en presets via un switcher Voodoo Lab Ground Control.<\/p>\n<figure id=\"attachment_868563\" aria-describedby=\"caption-attachment-868563\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.thomann.de\/fr\/voodoo_lab_ground_control_pro.htm\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-868563 size-medium\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2024\/12\/Voodoo-Lab-Ground-Control-Pro-300x215.jpg\" alt=\"son signature linkin park\" width=\"300\" height=\"215\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Voodoo-Lab-Ground-Control-Pro-300x215.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Voodoo-Lab-Ground-Control-Pro.jpg 532w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-868563\" class=\"wp-caption-text\">Voodoo Lab Ground Control Pro<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<h2 class=\"western\" lang=\"fr-FR\" style=\"text-align: center;\"><span lang=\"fr-FR\"><span lang=\"en-US\"><b>Minutes To Midnight : Le son <\/b><\/span><\/span><span lang=\"fr-FR\"><b>\u00e9<\/b><\/span><span lang=\"fr-FR\"><b>volue<\/b><\/span><\/h2>\n<p>Apr\u00e8s le colossal <strong>Meteora World Tour<\/strong>, le groupe d\u00e9cide de faire \u00e9voluer son style. Il change donc de production, passant de <strong>Don Gilmore &#8211;<\/strong>\u00a0qui \u00e9tait responsables des deux premiers albums \u00e0 <strong>Rick Rubin. <\/strong>Rick est\u00a0l\u2019homme qui a notamment permis \u00e0 des groupes comme <strong>Slayer, Red Hot Chili Peppers<\/strong> ou <strong>System Of A Down<\/strong> de d\u00e9velopper leur style propre. En compagnie de Rubin, ils am\u00e8nent leur son vers des couleurs plus rock et moins m\u00e9tal, ce qui se ressent \u00e9videmment dans le choix des instruments.<\/p>\n<figure id=\"attachment_868534\" aria-describedby=\"caption-attachment-868534\" style=\"width: 236px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2024\/12\/RickRubinSept09.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-868534 size-medium\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2024\/12\/RickRubinSept09-236x300.jpg\" alt=\"\" width=\"236\" height=\"300\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/RickRubinSept09-236x300.jpg 236w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/RickRubinSept09.jpg 631w\" sizes=\"(max-width: 236px) 100vw, 236px\" \/><\/a><figcaption id=\"caption-attachment-868534\" class=\"wp-caption-text\">Rick Rubin &#8211; rights : jasontheexploder<\/figcaption><\/figure>\n<p>Pour l\u2019enregistrement de <a href=\"https:\/\/www.youtube.com\/watch?v=Me7TJDHCELk&amp;list=PLlqZM4covn1Hwm1mBboaE3m_O_A5yEqiP\" target=\"_blank\" rel=\"noopener\"><strong>Minutes To Midnight<\/strong><\/a>, Brad Delson utilise de nombreuses guitares diff\u00e9rentes. Une <strong>Les Paul<\/strong>, une <strong>Jaguar<\/strong>, une <strong>Telecaster. <\/strong>Mais surtout une <strong>Strat vintage<\/strong> qui lui tape dans l&rsquo;\u0153il. Pour retrouver ce son sur sc\u00e8ne, il jette son d\u00e9volu sur une <strong>Stratocaster Rory Gallagher<\/strong> du Fender Custom Shop.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_868570\" aria-describedby=\"caption-attachment-868570\" style=\"width: 117px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.thomann.de\/fr\/prs_se_mccarty_594_singlecut_bg.htm\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-868570 size-medium\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2024\/12\/PRS-SE-McCarty-594-Singlecut-BG-117x300.jpg\" alt=\"\" width=\"117\" height=\"300\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/PRS-SE-McCarty-594-Singlecut-BG-117x300.jpg 117w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/PRS-SE-McCarty-594-Singlecut-BG.jpg 199w\" sizes=\"(max-width: 117px) 100vw, 117px\" \/><\/a><figcaption id=\"caption-attachment-868570\" class=\"wp-caption-text\">PRS SE McCarty 594 Singlecut BG<\/figcaption><\/figure>\n<p>Cet instrument est une r\u00e9plique de la fameuse <strong>Strat 61<\/strong> du g\u00e9nial bluesman irlandais. Elle est \u00e0 des ann\u00e9es-lumi\u00e8res de l\u2019univers de Linkin Park, mais Delson y trouve une guitare qui l\u2019inspire et qui reste sa guitare principale en dehors de PRS. De son c\u00f4t\u00e9, <strong>Shinoda reste fid\u00e8le aux PRS. <\/strong>Il enrichit sa palette en passant de la <strong>Custom 24<\/strong> \u00e0 la <strong>Single-Cut<\/strong>, un mod\u00e8le qui ne cache pas son inspiration les paulienne.<\/p>\n<figure id=\"attachment_868571\" aria-describedby=\"caption-attachment-868571\" style=\"width: 147px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.thomann.de\/fr\/fender_rory_gallagher_relic_strat.htm\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-868571 size-medium\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2024\/12\/Fender-Rory-Gallagher-Relic-Strat-147x300.jpg\" alt=\"\" width=\"147\" height=\"300\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Fender-Rory-Gallagher-Relic-Strat-147x300.jpg 147w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Fender-Rory-Gallagher-Relic-Strat.jpg 248w\" sizes=\"(max-width: 147px) 100vw, 147px\" \/><\/a><figcaption id=\"caption-attachment-868571\" class=\"wp-caption-text\">Fender Rory Gallagher Relic Strat<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h2 class=\"western\" lang=\"fr-FR\" style=\"text-align: center;\"><span lang=\"fr-FR\"><b>The Hunting Party et One More Light : la course <\/b><\/span><span lang=\"fr-FR\"><b>\u00e0 l\u2019<\/b><\/span><span lang=\"fr-FR\"><b>armement continue<\/b><\/span><\/h2>\n<figure id=\"attachment_868530\" aria-describedby=\"caption-attachment-868530\" style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2024\/12\/Chester-Shinoda-montreal-2014-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-868530 size-large\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2024\/12\/Chester-Shinoda-montreal-2014-1024x686.jpg\" alt=\"son signature linkin park\" width=\"1024\" height=\"686\" \/><\/a><figcaption id=\"caption-attachment-868530\" class=\"wp-caption-text\">Chester Bennington et Mike Shinoda \u00e0 Montr\u00e9al &#8211; 2014 \u00a9Kristina Servent<\/figcaption><\/figure>\n<p style=\"text-align: left;\">D\u00e8s lors, le groupe continue d\u2019enrichir son univers sonore avec de nouveaux instruments. Cela correspond aussi \u00e0 la suite de leur exploration des possibles avec Rubin. Apr\u00e8s deux autres albums moins inspir\u00e9s, ils d\u00e9cident de produire <a href=\"https:\/\/www.youtube.com\/watch?v=ZPlUjhroNd4&amp;list=PLlqZM4covn1FS2H7Aj1fpfj9TYQbEGq1h\" target=\"_blank\" rel=\"noopener\"><strong>The Hunting Party<\/strong><\/a> eux-m\u00eames en 2014. Pour cet enregistrement, ils cherchent \u00e0 sortir de leurs r\u00e9flexes. Delson fait donc appel \u00e0 plusieurs guitares tr\u00e8s diff\u00e9rentes, comme une <a href=\"https:\/\/www.thomann.de\/fr\/fender_vintera_ii_70s_mustang_cpb.htm\" target=\"_blank\" rel=\"noopener\"><strong>Fender Mustang Competition de 1972<\/strong><\/a> et une <a href=\"https:\/\/www.thomann.de\/fr\/epiphone_jim_james_es_335_70s_wf.htm\" target=\"_blank\" rel=\"noopener\"><strong>ES-335 de 1970<\/strong><\/a>, finition walnut comme beaucoup de Gibson de cette \u00e9poque.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-2 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-2 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-2' class='gallery galleryid-868483 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"130\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Fender-63-Strat-Relic-DAR-MBDB-130x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-2-868573\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Fender-63-Strat-Relic-DAR-MBDB-130x300.jpg 130w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Fender-63-Strat-Relic-DAR-MBDB.jpg 214w\" sizes=\"(max-width: 130px) 100vw, 130px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-868573'>\n\t\t\t\tFender 63 Strat Relic DAR MBDB\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"154\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Epiphone-Jim-James-ES-335-70s-WF-154x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-2-868574\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Epiphone-Jim-James-ES-335-70s-WF-154x300.jpg 154w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Epiphone-Jim-James-ES-335-70s-WF.jpg 264w\" sizes=\"(max-width: 154px) 100vw, 154px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-868574'>\n\t\t\t\tEpiphone Jim James ES-335 70s WF\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"172\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Fender-Vintera-II-70s-Mustang-CPB-172x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-2-868575\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Fender-Vintera-II-70s-Mustang-CPB-172x300.jpg 172w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Fender-Vintera-II-70s-Mustang-CPB.jpg 293w\" sizes=\"(max-width: 172px) 100vw, 172px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-868575'>\n\t\t\t\tFender Vintera II 70s Mustang CPB\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p style=\"text-align: left;\">Entre-temps, il s\u2019est aussi fait fabriquer une superbe <strong>Stratocaster type 62 Coral Red. <\/strong>Le fabricant ? Le Master Builder du Custom Shop Jason Smith. Cette guitare est une cousine pas trop \u00e9loign\u00e9e de la Gallagher. C\u00f4t\u00e9 amplis, il m\u00e9lange cette fois un <a href=\"https:\/\/www.thomann.de\/fr\/orange_thunder_30h.htm\" target=\"_blank\" rel=\"noopener\"><strong>Orange TH100<\/strong><\/a> , un Bogner Twin Jet et un <strong>Engl Fireball 100. U<\/strong>n cocktail qu\u2019il reproduit sur sc\u00e8ne gr\u00e2ce au Fractal Axe FX II.<\/p>\n<figure id=\"attachment_868576\" aria-describedby=\"caption-attachment-868576\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.thomann.de\/fr\/orange_thunder_30h.htm\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-868576 size-medium\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2024\/12\/Orange-TH30H-300x189.jpg\" alt=\"\" width=\"300\" height=\"189\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Orange-TH30H-300x189.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Orange-TH30H.jpg 604w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-868576\" class=\"wp-caption-text\">Orange TH30H<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_868582\" aria-describedby=\"caption-attachment-868582\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.thomann.de\/fr\/engl_fireball_100_e635.htm\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-868582 size-medium\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2024\/12\/Engl-Fireball-100-E635-300x178.jpg\" alt=\"\" width=\"300\" height=\"178\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Engl-Fireball-100-E635-300x178.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Engl-Fireball-100-E635.jpg 539w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-868582\" class=\"wp-caption-text\">Engl Fireball 100 E635<\/figcaption><\/figure>\n<p>En live, on voit <strong>Mike Shinoda<\/strong> sur une <a href=\"https:\/\/www.thomann.de\/fr\/gibson_sg_standard_hc.htm\" target=\"_blank\" rel=\"noopener\"><strong>SG rouge<\/strong><\/a>, puis une<a href=\"https:\/\/www.thomann.de\/fr\/gibson_sg_standard_eb_462537.htm\" target=\"_blank\" rel=\"noopener\"><strong> Gibson SG Standard noire<\/strong><\/a> pour la tourn\u00e9e de l\u2019album One More Light. Le chanteur <strong>Chester Bennington<\/strong> joue quant \u00e0 lui sur une <a href=\"https:\/\/www.thomann.de\/fr\/dangelico_deluxe_dc_satin_brown_burst.htm\" target=\"_blank\" rel=\"noopener\"><strong>D\u2019Angelico DC Deluxe<\/strong><\/a>, une quart-de-caisse \u00e0 poutre centrale pour \u201cBattle Symphony\u201d. Cet album sera son dernier, et les fans ne connaissent que trop bien la suite tragique.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-3 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-3 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-3' class='gallery galleryid-868483 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"181\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/DAngelico-Deluxe-DC-Satin-Brown-Burst-181x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-3-868579\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/DAngelico-Deluxe-DC-Satin-Brown-Burst-181x300.jpg 181w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/DAngelico-Deluxe-DC-Satin-Brown-Burst.jpg 292w\" sizes=\"(max-width: 181px) 100vw, 181px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-868579'>\n\t\t\t\tDAngelico Deluxe DC Satin Brown Burst\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"132\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Gibson-SG-Standard-EB-132x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-3-868580\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Gibson-SG-Standard-EB-132x300.jpg 132w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Gibson-SG-Standard-EB.jpg 222w\" sizes=\"(max-width: 132px) 100vw, 132px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-868580'>\n\t\t\t\tGibson SG Standard EB\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"161\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Gibson-SG-Standard-HC-161x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-3-868581\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Gibson-SG-Standard-HC-161x300.jpg 161w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Gibson-SG-Standard-HC.jpg 268w\" sizes=\"(max-width: 161px) 100vw, 161px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-868581'>\n\t\t\t\tGibson SG Standard HC\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h2 class=\"western\" lang=\"fr-FR\" style=\"text-align: center;\"><span lang=\"fr-FR\"><span lang=\"en-US\"><b>From Zero : Back in Black<\/b><\/span><\/span><\/h2>\n<figure id=\"attachment_868532\" aria-describedby=\"caption-attachment-868532\" style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2024\/12\/Linkin_Park_live_at_O2_Arena_London_-_September_24th_2024_224055.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-868532 size-large\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2024\/12\/Linkin_Park_live_at_O2_Arena_London_-_September_24th_2024_224055-1024x768.jpg\" alt=\"\" width=\"1024\" height=\"768\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Linkin_Park_live_at_O2_Arena_London_-_September_24th_2024_224055-1024x768.jpg 1024w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Linkin_Park_live_at_O2_Arena_London_-_September_24th_2024_224055-300x225.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Linkin_Park_live_at_O2_Arena_London_-_September_24th_2024_224055-768x576.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Linkin_Park_live_at_O2_Arena_London_-_September_24th_2024_224055-1536x1152.jpg 1536w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2024\/12\/Linkin_Park_live_at_O2_Arena_London_-_September_24th_2024_224055-2048x1536.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption id=\"caption-attachment-868532\" class=\"wp-caption-text\">From Zero &#8211; Linkin Park Live \u00e0 l&rsquo;O2 Arena, sept 2024 &#8211; rights : Denis Radaelli<\/figcaption><\/figure>\n<p lang=\"fr-FR\">Mais <strong>Linkin Park n\u2019est pas mort avec Bennington !<\/strong> A la surprise g\u00e9n\u00e9rale, apr\u00e8s sept ans de silence, le groupe a sorti l\u2019excellent <a href=\"https:\/\/www.youtube.com\/watch?v=y26UaUlvBws&amp;list=PLxA687tYuMWg2E1Cb8zEg-LNKFtZt-A1h\" target=\"_blank\" rel=\"noopener\"><strong>From Zero<\/strong> <\/a>en 2024. C\u2019est Emily Armstrong, chanteuse de Dead Sara, qui a repris le micro. Les sons de guitare sont plus \u00e9pais que jamais. Dans le clip du tr\u00e8s bon single \u201cTwo Faced\u201d, on voit Shinoda avec une SG noire, et Delson a ressorti sa fameuse <strong>PRS Custom 24<\/strong> rouge d\u00e9cor\u00e9e du soldat de Hybrid Theory.<br \/>\nUne belle mani\u00e8re de boucler la boucle avec les d\u00e9buts du groupe.<br \/>\n<strong>Ceux qui iront voir Linkin Park au Stade de France le 11 juillet prochain n\u2019en attendent pas moins.<\/strong><\/p>\n<h2 class=\"western\" lang=\"fr-FR\" style=\"text-align: center;\"><span lang=\"fr-FR\"><span lang=\"en-US\"><b>Quel est ton album pr\u00e9f\u00e9r\u00e9 de Linkin Park ?<\/b><\/span><\/span><\/h2>\n<p style=\"text-align: center;\"><strong>Hybrid Theory, Meteora ? Ce sont les plus pris\u00e9s par les fans, mais peut-\u00eatre que tu as d&rsquo;autres go\u00fbts ? Fais-le nous savoir en commentaire !<\/strong><\/p>\n<div class=\"advads-content-injection-before-content advads-entity-placement\" style=\"text-align: center;\" id=\"advads-3916385615\"><div class=\"advads-adlabel\">PUBLICIT\u00c9<\/div><div id=\"advads-465209913\"><a href=\"https:\/\/www.thomann.de\/intl\/index.html?utm_medium=display&#038;utm_source=partnersite&#038;utm_campaign=branding&#038;utm_content=thoshop&#038;utm_term=gemischt\" target=\"_blank\" aria-label=\"2502_Gear_Banner_Gemischt_729x90_EN_v01\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01.jpg\" alt=\"\"  srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01.jpg 728w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01-300x37.jpg 300w\" sizes=\"(max-width: 728px) 100vw, 728px\" width=\"728\" height=\"90\"   \/><\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Amplis, Guitares&#8230; Quels sont les secrets du son signature de Linkin Park ? \ud83c\udfb8 On te d\u00e9voile les secrets du groupe ! \ud83e\udd18<\/p>\n","protected":false},"author":76,"featured_media":868942,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[926],"tags":[],"class_list":["post-868483","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":8,"formatted":"8 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/868483","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/users\/76"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/comments?post=868483"}],"version-history":[{"count":0,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/868483\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media\/868942"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media?parent=868483"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/categories?post=868483"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/tags?post=868483"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}