{"id":65729,"date":"2018-01-20T10:12:58","date_gmt":"2018-01-20T09:12:58","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/the-essential-guitar-pedals-a-beginners-guide-copy-2\/"},"modified":"2018-01-19T16:20:58","modified_gmt":"2018-01-19T15:20:58","slug":"pedales-deffets-guitare-indispensables-le-guide-du-debutant","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/fr\/gear\/pedales-deffets-guitare-indispensables-le-guide-du-debutant\/","title":{"rendered":"P\u00e9dales d&rsquo;effets guitare : le guide du d\u00e9butant"},"content":{"rendered":"<p style=\"text-align: center;\"><strong>Quand on commence la guitare \u00e9lectrique, il n&rsquo;est pas rare de regarder le p\u00e9dalier du guitariste exp\u00e9riment\u00e9 et de penser \u00ab\u00a0Waouh, tant de p\u00e9dales, avec des noms diff\u00e9rents &#8211; je me demande ce que je devrais avoir\u00a0\u00bb.\u00a0Et si tout le monde sait que le touch\u00e9, la guitare et l&rsquo;ampli sont le noyau principal de votre son, il est \u00e9galement vrai que certaines p\u00e9dales peuvent transformer et fa\u00e7onner celui-ci pour le rendre plus unique et personnel.\u00a0Avant de d\u00e9penser toutes vos \u00e9conomies avec des p\u00e9dales inutiles, jetez un oeil \u00e0 ce guide pour comprendre les 10 p\u00e9dales de base, ce que l&rsquo;on appelle le must-have.<\/strong><\/p>\n<hr \/>\n<h3 style=\"text-align: center;\">P\u00e9dale accordeur<\/h3>\n<p>Aussi \u00e9vident que cela puisse para\u00eetre, une p\u00e9dale d&rsquo;accordeur est fondamentale pour votre set. Elle peut \u00e9galement agir comme un commutateur muet ce qui vous permet changer de guitare entre les chansons sans un \u00ab\u00a0crac\u00a0\u00bb d\u00e9sagr\u00e9able. Il existe aussi de nombreuses applications d&rsquo;accordage pour smartphones ainsi que des accordeurs \u00e0 pince (qui se mettent sur la t\u00eate de la guitare, en anglais \u00ab\u00a0<a href=\"https:\/\/www.thomann.de\/fr\/search_dir.html?sw=Clip+Tuner\" target=\"_blank\" rel=\"noopener\">Clip Tuner<\/a>\u00ab\u00a0) mais quand vous avez besoin de pr\u00e9cision et d&rsquo;une indication claire et visuelle de la hauteur de votre guitare, rien ne vaut une bonne vieille p\u00e9dale accordeur. La p\u00e9dale <a href=\"https:\/\/www.thomann.de\/fr\/boss_tu3.htm\" target=\"_blank\" rel=\"noopener\">Boss TU-3<\/a> est une p\u00e9dale accordeur classique avec beaucoup de param\u00e8tres disponibles &#8211; comme alternative, vous pouvez vous diriger vers la p\u00e9dale <a href=\"https:\/\/www.thomann.de\/fr\/harley_benton_cpt_20.htm\" target=\"_blank\" rel=\"noopener\">Harley Benton CPT-20<\/a> qui dispose d&rsquo;une connexion True Bypass et d&rsquo;un large \u00e9cran LCD. Besoin d&rsquo;une p\u00e9dale plus petite? <a href=\"https:\/\/www.thomann.de\/fr\/mooer_baby_tuner.htm\" target=\"_blank\" rel=\"noopener\">Mooer Baby Tuner<\/a>!<\/p>\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-65729 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7029936_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Boss TU-3\" aria-describedby=\"gallery-1-59698\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7029936_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7029936_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7029936_800.jpg 620w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-59698'>\n\t\t\t\tBoss TU-3\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/8114728_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Mooer Baby Tuner\" aria-describedby=\"gallery-1-59711\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/8114728_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/8114728_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/8114728_800.jpg 620w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-59711'>\n\t\t\t\tMooer Baby Tuner\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/8466280_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Harley Benton CPT-20\" aria-describedby=\"gallery-1-59712\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/8466280_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/8466280_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/8466280_800.jpg 620w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-59712'>\n\t\t\t\tHarley Benton CPT-20\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<h3><\/h3>\n<h3 style=\"text-align: center;\">P\u00e9dale de volume<\/h3>\n<p>Votre guitare est \u00e9quip\u00e9e d&rsquo;un bouton de volume &#8211; mais cela ne signifie pas que vous n&rsquo;aurez pas besoin d&rsquo;une p\u00e9dale pour le g\u00e9rer. Tr\u00e8s utile pour diverses applications et surtout plus pratique que le potard, la p\u00e9dale de volume peut agir &#8211; comme vous l&rsquo;imaginez &#8211; comme un pur contr\u00f4leur de volume pour votre guitare si on la place juste avant l&rsquo;ampli. Elle fonctionne aussi comme un volume master si elle est plac\u00e9e apr\u00e8s votre ampli. En utilisant une p\u00e9dale de volume st\u00e9r\u00e9o, vous pouvez \u00e9tendre davantage les possibilit\u00e9s de son de votre configuration. <a href=\"https:\/\/www.thomann.de\/fr\/ernie_ball_effets_guitares_et_basses.html\" target=\"_blank\" rel=\"noopener\">Ernie Ball<\/a> offre une vari\u00e9t\u00e9 de p\u00e9dales de volume avec des sp\u00e9cifications diff\u00e9rentes (afin de correspondre \u00e0 votre guitare, amplificateur ou votre style de musique). Mooer propose aussi une p\u00e9dale tr\u00e8s compacte et design, la <a href=\"https:\/\/www.thomann.de\/fr\/mooer_expline.htm?ref=search_rslt_Expline+_415583_0\" target=\"_blank\" rel=\"noopener\">Expline<\/a> &#8211; tandis que Boss vend toujours la <a href=\"https:\/\/www.thomann.de\/fr\/boss_fv500h.htm\" target=\"_blank\" rel=\"noopener\">FV-500-H<\/a>, v\u00e9ritable pilier du march\u00e9 pour une raison toute simple: elle fonctionne incroyablement bien.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-2 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-2 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-2' class='gallery galleryid-65729 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/11893991_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Ernie Ball Volume VP JR\" aria-describedby=\"gallery-2-59715\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/11893991_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/11893991_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/11893991_800.jpg 620w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-59715'>\n\t\t\t\tErnie Ball Volume VP JR\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/12568101_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Mooer Expline\" aria-describedby=\"gallery-2-59716\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/12568101_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/12568101_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/12568101_800.jpg 620w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-59716'>\n\t\t\t\tMooer Expline\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7512993_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Boss FV-500-H\" aria-describedby=\"gallery-2-59701\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7512993_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7512993_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7512993_800-768x768.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7512993_800.jpg 789w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-59701'>\n\t\t\t\tBoss FV-500-H\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<h3><\/h3>\n<h3 style=\"text-align: center;\">Wah-Wah<\/h3>\n<p>Effet rendu populaire par les guitaristes comme Hendrix, Jerry Cantrell, Slash et bien d&rsquo;autres, l&rsquo;effet Wah-Wah est un ce qu&rsquo;on appelle un filtre Q, contr\u00f4l\u00e9 par la p\u00e9dale. L&rsquo;effet ultra-reconnaissable est obtenu en ayant donc ce param\u00e8tre Q qui va et vient, ce qui \u00abouvre\u00bb la voix de la guitare ou la r\u00e9tr\u00e9cit en supprimant les fr\u00e9quences aigu\u00ebs. Les mots ne peuvent pas vraiment le d\u00e9crire, et depuis sa cr\u00e9ation la p\u00e9dale Wah Wah a \u00e9t\u00e9 enregistr\u00e9e sur d&rsquo;innombrables disques. La p\u00e9dale <a href=\"https:\/\/www.thomann.de\/fr\/search_dir.html?sw=Dunlop+Crybaby+\" target=\"_blank\" rel=\"noopener\">Dunlop Crybaby<\/a> est de loin la wah-wah la plus populaire, construite enti\u00e8rement avec des composants analogiques. En d\u00e9pit de la renomm\u00e9e de Dunlop, beaucoup d&rsquo;autres fabricants ont construit de belles p\u00e9dales qui ont marqu\u00e9 l&rsquo;histoire de la musique en raison de leur son l\u00e9g\u00e8rement diff\u00e9rent, comme la s\u00e9rie <a href=\"https:\/\/www.thomann.de\/fr\/vox_vx_v847_wah.htm?ref=search_rslt_VOX+84x_113087_6\" target=\"_blank\" rel=\"noopener\">VOX VX847A<\/a>, la <a href=\"https:\/\/www.thomann.de\/fr\/fulltone_clyde_wah.htm?ref=search_rslt_Fulltone+wah_118069_2\" target=\"_blank\" rel=\"noopener\">Fulltone Clyde Wah<\/a> ou encore la Wah Wah optique super moderne <a href=\"https:\/\/www.thomann.de\/fr\/morley_m2_wah_volume.htm\" target=\"_blank\" rel=\"noopener\">Morley Wah<\/a>.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-3 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-3 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-3' class='gallery galleryid-65729 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7942085_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Dunlop Crybaby GCB95\" aria-describedby=\"gallery-3-59706\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7942085_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7942085_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7942085_800.jpg 620w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-59706'>\n\t\t\t\tDunlop Crybaby GCB95\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7528571_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"VOX VX V847A\" aria-describedby=\"gallery-3-59704\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7528571_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7528571_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7528571_800-768x768.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7528571_800.jpg 816w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-59704'>\n\t\t\t\tVOX VX V847A\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/11223374_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Morley Mark Tremonti Wah\" aria-describedby=\"gallery-3-59713\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/11223374_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/11223374_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/11223374_800.jpg 620w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-59713'>\n\t\t\t\tMorley Mark Tremonti Wah\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<h3><\/h3>\n<h3 style=\"text-align: center;\">Overdrive<\/h3>\n<p>Au bon vieux temps, le guitariste devait tourner ses amplificateurs \u00e0 onze pour obtenir une distorsion agr\u00e9able et cr\u00e9meuse. Plus aujourd&rsquo;hui. Gr\u00e2ce aux <a href=\"https:\/\/www.thomann.de\/fr\/distortions3.html?filter=true&amp;feature-16995=true\" target=\"_blank\" rel=\"noopener\">p\u00e9dales d&rsquo;overdrive<\/a>, vous pouvez transformer n&rsquo;importe quel ampli Clean en satur\u00e9 &#8211; \u00e0 n&rsquo;importe quel volume, en choisissant la quantit\u00e9 de gain et en modelant le son exactement comme vous le souhaitez. Les sons satur\u00e9s ou Crunch sont g\u00e9n\u00e9ralement utilis\u00e9s pour le rock, ils permettent d&rsquo;obtenir aussi un son clair \u00ab\u00a0Breakup\u00a0\u00bb (son clair mais avec cette agressivit\u00e9 pr\u00eate \u00e0 partir) ou tout simplement pour jouer du blues et des solos. Au cours des deux derni\u00e8res d\u00e9cennies, les guitaristes ont d\u00e9couvert que les p\u00e9dales d&rsquo;overdrive sont aussi parfaites pour amplifier le canal crunch de leurs amplis pour une distorsion totale &#8211; une technique souvent utilis\u00e9e lors des solos de guitare, pour donner au son un poids et une dimension suppl\u00e9mentaires. La c\u00e9l\u00e8bre <a href=\"https:\/\/www.thomann.de\/fr\/ibanez_ts9_tube_screamer.htm?\" target=\"_blank\" rel=\"noopener\">Tubescreamer<\/a>, par exemple, permet de resserrer la r\u00e9ponse basse du canal de gain de l&rsquo;amplificateur et la p\u00e9dale <a href=\"https:\/\/www.thomann.de\/fr\/boss_sd1_super_overdrive.htm?ref=search_rslt_Boss+SD-1_103975_0\" target=\"_blank\" rel=\"noopener\">Boss SD-1<\/a> est un choix tr\u00e8s populaire pour les p\u00e9dales d&rsquo;overdrive, capables de superbes sons. La l\u00e9gendaire <a href=\"https:\/\/www.thomann.de\/fr\/ibanez_ts9_tube_screamer.htm?\" target=\"_blank\" rel=\"noopener\">TS9 d&rsquo;Ibanez<\/a> vaut \u00e9galement le d\u00e9tour, disponible aux formats <a href=\"https:\/\/www.thomann.de\/fr\/ibanez_ts_mini.htm?\" target=\"_blank\" rel=\"noopener\">Mini<\/a> et <a href=\"https:\/\/www.thomann.de\/fr\/ibanez_ts808dx.htm\" target=\"_blank\" rel=\"noopener\">Deluxe<\/a>. Et pendant que nous y sommes, pourquoi ne pas essayer la\u00a0<a href=\"https:\/\/www.thomann.de\/fr\/harley_benton_ultimate_drive.htm?\" target=\"_blank\" rel=\"noopener\">Harley Benton Ultimate Drive<\/a>? Ce petit Screamer peut booster votre ampli en overdrive \u00e0 un prix tr\u00e8s comp\u00e9titif.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-4 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-4 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-4 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-4 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-4' class='gallery galleryid-65729 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7536063_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Boss SD-1\" aria-describedby=\"gallery-4-59705\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7536063_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7536063_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7536063_800.jpg 620w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-59705'>\n\t\t\t\tBoss SD-1\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7140142_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Ibanez TS9\" aria-describedby=\"gallery-4-59699\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7140142_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7140142_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7140142_800.jpg 620w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-59699'>\n\t\t\t\tIbanez TS9\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7256052_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Harley Benton Ultimate Drive\" aria-describedby=\"gallery-4-59700\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7256052_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7256052_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7256052_800.jpg 620w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-59700'>\n\t\t\t\tHarley Benton Ultimate Drive\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: center;\">Distorsion<\/h3>\n<p>Beaucoup de gens diront que les p\u00e9dales Overdrive et Distorsion sont fondamentalement la m\u00eame chose et c&rsquo;est faux! Alors que l&rsquo;overdrive a tendance \u00e0 ajouter du gain et de la texture \u00e0 votre son Clean, \u00e9mulant ainsi un amplificateur en saturation, la distorsion quant \u00e0 elle, \u00e9cr\u00eate et d\u00e9forme intentionnellement la forme d&rsquo;onde du signal de la guitare. L&rsquo;effet de la p\u00e9dale de distorsion est beaucoup plus audible et le son qui en r\u00e9sulte est plus fort et plus agressif, et peut parfois \u00eatre compl\u00e8tement diff\u00e9rent du son de d\u00e9part. Les p\u00e9dales de distorsion sont id\u00e9ales pour les guitaristes rock et de m\u00e9tal. La <a href=\"https:\/\/www.thomann.de\/fr\/proco_rat2.htm?ref=search_rslt_ProCo+Rat+2_185691_0\" target=\"_blank\" rel=\"noopener\">ProCo Rat 2<\/a> est un classique, tandis que la p\u00e9dale <a href=\"https:\/\/www.thomann.de\/fr\/electro_harmonix_metal_muff.htm?ref=search_rslt_Metal+Muff_191810_0\" target=\"_blank\" rel=\"noopener\">Metal Muff<\/a>\u00a0d&rsquo;Electro Harmonix vous offre une distorsion s\u00e9rieuse avec un boost absolu dans une seule p\u00e9dale. Et pour vos besoins en mati\u00e8re de m\u00e9tal, la <a href=\"https:\/\/www.thomann.de\/fr\/harley_benton_extreme_metal.htm?\" target=\"_blank\" rel=\"noopener\">Harley Benton Extreme Metal<\/a> est l\u00e0 pour vous aider.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-5 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-5 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-5 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-5 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-5' class='gallery galleryid-65729 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7968621_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"ProCo Rat 2\" aria-describedby=\"gallery-5-59708\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7968621_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7968621_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7968621_800.jpg 620w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-5-59708'>\n\t\t\t\tProCo Rat 2\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7991180_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Electro Harmonix Metal Muff\" aria-describedby=\"gallery-5-59709\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7991180_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7991180_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7991180_800.jpg 680w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-5-59709'>\n\t\t\t\tElectro Harmonix Metal Muff\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/8033910_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Harley Benton Extreme Metal\" aria-describedby=\"gallery-5-59710\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/8033910_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/8033910_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/8033910_800.jpg 620w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-5-59710'>\n\t\t\t\tHarley Benton Extreme Metal\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: center;\">Compresseur \/ EQ<\/h3>\n<p>Beaucoup de guitaristes funk et country utilisent des\u00a0p\u00e9dales de compression\u00a0pour homog\u00e9n\u00e9iser et\/ou\u00a0rajouter du punch et \u00e9paissir leur son. Le compresseur va aussi augmenter le niveau des notes les plus faibles et ainsi rallonger le sustain. L&rsquo;\u00e9galiseur ou EQ est tout aussi crucial, surtout si vous avez une guitare probl\u00e9matique, un amplificateur avec un contr\u00f4le de tonalit\u00e9 limit\u00e9 ou, tout simplement, besoin d&rsquo;un moyen cr\u00e9atif pour modifier le son de votre guitare. L&rsquo;\u00e9galiseur peut \u00eatre plac\u00e9 devant l&rsquo;ampli pour fa\u00e7onner le son entrant dans l&rsquo;ampli ou peut \u00eatre plac\u00e9 sur la boucle envoi \/ retour de ce dernier (apr\u00e8s la section d&rsquo;amplification) comme booster.<\/p>\n<p>La p\u00e9dale <a href=\"https:\/\/www.thomann.de\/fr\/boss_cs3_compression_sustainer.htm\" target=\"_blank\" rel=\"noopener\">Boss CS-3<\/a> est utilis\u00e9e depuis des ann\u00e9es et, bien que beaucoup plus r\u00e9centes, la <a href=\"https:\/\/www.thomann.de\/fr\/electro_harmonix_tone_corset.htm?ref=search_rslt_Corset+_416310_0\" target=\"_blank\" rel=\"noopener\">Tone Corset d&rsquo;Electro Harmonix<\/a> et la <a href=\"https:\/\/www.thomann.de\/fr\/harley_benton_dynamic_compressor.htm?\" target=\"_blank\" rel=\"noopener\">Harley Benton Dynamic Compressor<\/a> ne sont en aucun cas inf\u00e9rieures.<\/p>\n<p>Parler de p\u00e9dales d&rsquo;\u00e9galiseur est impossible sans mentionner la <a href=\"https:\/\/www.thomann.de\/fr\/boss_ge7_equalizer.htm?ref=search_rslt_Boss+GE-7_103963_0\" target=\"_blank\" rel=\"noopener\">Boss GE-7<\/a>, une v\u00e9ritable l\u00e9gende. L&rsquo;<a href=\"https:\/\/www.thomann.de\/fr\/artec_seeq8_graphic_eq.htm\" target=\"_blank\" rel=\"noopener\">Artec SE-EQ8<\/a> et l&rsquo;<a href=\"https:\/\/www.thomann.de\/fr\/mxr_6_band_equalizer_silver.htm?ref=search_rslt_%E9galiseur+MXR_408013_1\" target=\"_blank\" rel=\"noopener\">\u00e9galiseur MXR<\/a> \u00e0 6 bandes sont \u00e9galement pr\u00e9sentes dans la collection de nombreux guitaristes et offrent de s\u00e9rieuses options de mise en forme du son.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-6 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-6 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-6 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-6 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-6' class='gallery galleryid-65729 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7010744_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Artec SE-EQ8\" aria-describedby=\"gallery-6-59991\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7010744_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7010744_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7010744_800.jpg 620w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-59991'>\n\t\t\t\tArtec SE-EQ8\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7536218_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Boss GE-7\" aria-describedby=\"gallery-6-59992\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7536218_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7536218_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7536218_800.jpg 620w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-59992'>\n\t\t\t\tBoss GE-7\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7536273_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Boss CS-3\" aria-describedby=\"gallery-6-59993\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7536273_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7536273_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7536273_800.jpg 620w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-59993'>\n\t\t\t\tBoss CS-3\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/8026432_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Harley Benton Dyna Compressor\" aria-describedby=\"gallery-6-59994\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/8026432_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/8026432_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/8026432_800.jpg 620w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-59994'>\n\t\t\t\tHarley Benton Dyna Compressor\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/11918006_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"MXR 6 band EQ\" aria-describedby=\"gallery-6-59996\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/11918006_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/11918006_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/11918006_800.jpg 620w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-59996'>\n\t\t\t\tMXR 6 band EQ\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/12436912_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Electro Harmonix Tone Corset\" aria-describedby=\"gallery-6-59998\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/12436912_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/12436912_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/12436912_800.jpg 620w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-59998'>\n\t\t\t\tElectro Harmonix Tone Corset\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<h3><\/h3>\n<h3 style=\"text-align: center;\">Chorus, Delay et Reverb<\/h3>\n<p>Apr\u00e8s avoir fa\u00e7onn\u00e9 votre son, il est important d&rsquo;ajouter de la profondeur, et voici o\u00f9 les p\u00e9dales d&rsquo;effets trouvent leur place dans votre rig.<\/p>\n<p>L&rsquo;<a href=\"https:\/\/www.thomann.de\/fr\/chorus_flanger_phaser.html\" target=\"_blank\" rel=\"noopener\">effet chorus<\/a> utilis\u00e9 correctement, sans jamais exag\u00e9rer, peut donner d&rsquo;excellents r\u00e9sultats: la profondeur et l&rsquo;effet \u00ab3 guitaristes jouant votre partie\u00bb peuvent fonctionner \u00e9tonnamment bien sur votre musique. <a href=\"https:\/\/www.thomann.de\/fr\/delays_echos.html\" target=\"_blank\" rel=\"noopener\">Delay<\/a> et <a href=\"https:\/\/www.thomann.de\/fr\/reverb_et_effets_hall.html\" target=\"_blank\" rel=\"noopener\">Reverb<\/a> peuvent \u00eatre utilis\u00e9s tout aussi l\u00e9g\u00e8rement et permettent d&rsquo;am\u00e9liorer votre son, de \u00ab\u00a0remplir\u00a0\u00bb vos solos de guitare d&rsquo;une dimension spatiale (en r\u00e9glant une r\u00e9verb\u00e9ration \u00e0 ressort ou une Hall et un delay). Vous pouvez bien s\u00fbr utiliser les effets lourdement pour obtenir des sons o\u00f9 la cr\u00e9ation est la seule limite.<\/p>\n<p>L&rsquo;<a href=\"https:\/\/www.thomann.de\/fr\/electro_harmonix_small_clone.htm\" target=\"_blank\" rel=\"noopener\">Electro Harmonix Small Clone<\/a> est un choix tr\u00e8s populaire pour obtenir un bon son de chorus. Dans la s\u00e9rie Boss, la\u00a0<a href=\"https:\/\/www.thomann.de\/fr\/boss_ch1_super_chorus.htm?ref=search_rslt_boss+ch+1_120561_0\" target=\"_blank\" rel=\"noopener\">CH-1<\/a> vaut certainement la peine d&rsquo;\u00eatre essay\u00e9, tandis que le <a href=\"https:\/\/www.thomann.de\/fr\/harley_benton_classic_chorus.htm?ref=search_rslt_Harley+Benton+Classic+Chorus_256806_0\" target=\"_blank\" rel=\"noopener\">Harley Benton Classic Chorus<\/a> offre un excellent son \u00e0 un prix abordable.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-7 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-7 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 20%;\n\t\t\t}\n\t\t\t#gallery-7 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-7 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-7' class='gallery galleryid-65729 gallery-columns-5 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/9777368_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Electro Harmonix Small Clone\" aria-describedby=\"gallery-7-59865\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/9777368_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/9777368_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/9777368_800.jpg 620w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-7-59865'>\n\t\t\t\tElectro Harmonix Small Clone\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7534167_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Boss CH-1\" aria-describedby=\"gallery-7-59858\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7534167_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7534167_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7534167_800.jpg 620w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-7-59858'>\n\t\t\t\tBoss CH-1\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7666825_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Harley Benton Classic Chorus\" aria-describedby=\"gallery-7-59860\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7666825_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7666825_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7666825_800.jpg 620w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-7-59860'>\n\t\t\t\tHarley Benton Classic Chorus\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7983661_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Boss DD-3\" aria-describedby=\"gallery-7-59862\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7983661_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7983661_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7983661_800.jpg 620w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-7-59862'>\n\t\t\t\tBoss DD-3\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7030156_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Boss DD-7\" aria-describedby=\"gallery-7-59857\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7030156_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7030156_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7030156_800.jpg 620w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-7-59857'>\n\t\t\t\tBoss DD-7\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>La <a href=\"https:\/\/www.thomann.de\/fr\/boss_dd3_digital_delay.htm?ref=search_rslt_Boss+DD-3_131766_0\" target=\"_blank\" rel=\"noopener\">Boss DD-3<\/a> et <a href=\"https:\/\/www.thomann.de\/fr\/boss_dd7.htm?ref=search_rslt_DD-7_207482_0\" target=\"_blank\" rel=\"noopener\">DD-7<\/a> sont des p\u00e9dales de delay num\u00e9riques l\u00e9gendaires, entendues sur d&rsquo;innombrables disques. Le <a href=\"https:\/\/www.thomann.de\/fr\/mxr_m169_carbon_copy_analog_delay.htm\" target=\"_blank\" rel=\"noopener\">MXR Carbon Copy Analog Delay<\/a>, comme son nom l&rsquo;indique, repose sur des circuits analogiques: diff\u00e9rentes saveurs pour diff\u00e9rents styles. Pour une p\u00e9dale compacte tout-en-un, le <a href=\"https:\/\/www.thomann.de\/fr\/mooer_echoverb.htm\" target=\"_blank\" rel=\"noopener\">Mooer EchoVerb<\/a> inclut delay et r\u00e9verb\u00e9ration dans un boitier compact.<\/p>\n<p>Le <a href=\"https:\/\/www.thomann.de\/fr\/boss_rv_6.htm?ref=search_rslt_Boss+RV-6_368461_0\" target=\"_blank\" rel=\"noopener\">Boss RV-6<\/a> est capable de produire de magnifiques sons de r\u00e9verb\u00e9ration avec une approche classique, tandis que le <a href=\"https:\/\/www.thomann.de\/fr\/digitech_polara.htm?ref=search_rslt_Digitech+Polara_352039_0\" target=\"_blank\" rel=\"noopener\">Digitech Polara<\/a> va encore plus loin en incluant des r\u00e9verb\u00e9rations inspir\u00e9es de Lexicon. Enfin, la p\u00e9dale Holy Grail Plus d&rsquo;Electro Harmonix est notre troisi\u00e8me\u00a0<a href=\"https:\/\/www.thomann.de\/fr\/electro_harmonix_holy_grail_plus.htm\" target=\"_blank\" rel=\"noopener\">recommandation,<\/a> populaire et acclam\u00e9e.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-8 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-8 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 20%;\n\t\t\t}\n\t\t\t#gallery-8 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-8 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-8' class='gallery galleryid-65729 gallery-columns-5 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/8525863_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"MXR Carbon Copy Analog Delay\" aria-describedby=\"gallery-8-59863\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/8525863_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/8525863_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/8525863_800.jpg 620w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-8-59863'>\n\t\t\t\tMXR Carbon Copy Analog Delay\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/12032318_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Mooer EchoVerb\" aria-describedby=\"gallery-8-59868\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/12032318_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/12032318_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/12032318_800.jpg 620w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-8-59868'>\n\t\t\t\tMooer EchoVerb\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/10144407_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Boss RV-6\" aria-describedby=\"gallery-8-59866\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/10144407_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/10144407_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/10144407_800.jpg 620w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-8-59866'>\n\t\t\t\tBoss RV-6\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/9613434_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Digitech Polara\" aria-describedby=\"gallery-8-59864\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/9613434_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/9613434_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/9613434_800.jpg 620w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-8-59864'>\n\t\t\t\tDigitech Polara\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7980541_800-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Electro Harmonix Holy Grail Plus\" aria-describedby=\"gallery-8-59861\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7980541_800-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7980541_800-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2018\/01\/7980541_800.jpg 620w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-8-59861'>\n\t\t\t\tElectro Harmonix Holy Grail Plus\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n<hr \/>\n<p style=\"text-align: center;\">Cette liste n&rsquo;est que la partie visible de l&rsquo;iceberg, et beaucoup d&rsquo;autres p\u00e9dales des plus simples au plus dingues vous attendent: pourquoi ne pas consulter notre catalogue de <a href=\"https:\/\/www.thomann.de\/fr\/effets_guitares_et_basses.html\" target=\"_blank\" rel=\"noopener\">p\u00e9dales de guitare<\/a> ? Vous trouverez des <a href=\"https:\/\/www.thomann.de\/fr\/multi_effets_guitares_electroniques.html\" target=\"_blank\" rel=\"noopener\">multi-effets<\/a> (une mani\u00e8re intelligente d&rsquo;avoir tous vos effets dans un format simple et pratique), des <a href=\"https:\/\/www.thomann.de\/fr\/search_dir.html?sw=looper\" target=\"_blank\" rel=\"noopener\">p\u00e9dales de boucle<\/a> (au cas o\u00f9 vous voudriez enregistrer une phrase courte et commencer \u00e0 jouer par-dessus et superposer des parties de guitare), des p\u00e9dales Fuzz rendues c\u00e9l\u00e8bre par Jimi Hendrix et bien d&rsquo;autres), des p\u00e9dales Phaser, Flanger et j&rsquo;en passe !<\/p>\n<p style=\"text-align: center;\"><strong>Et Vous? Quelle est votre courte liste de p\u00e9dales que vous emporteriez avec vous sur une \u00eele d\u00e9serte?<\/strong><\/p>\n<p style=\"text-align: center;\">\n<div class=\"advads-content-injection-before-content advads-entity-placement\" style=\"text-align: center;\" id=\"advads-1506333985\"><div class=\"advads-adlabel\">PUBLICIT\u00c9<\/div><div id=\"advads-1954763806\"><a href=\"https:\/\/www.thomann.de\/intl\/index.html?utm_medium=display&#038;utm_source=partnersite&#038;utm_campaign=branding&#038;utm_content=thoshop&#038;utm_term=gemischt\" target=\"_blank\" aria-label=\"2502_Gear_Banner_Gemischt_729x90_EN_v01\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01.jpg\" alt=\"\"  srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01.jpg 728w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01-300x37.jpg 300w\" sizes=\"(max-width: 728px) 100vw, 728px\" width=\"728\" height=\"90\"   \/><\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Vous h\u00e9sitez encore sur le choix de votre premi\u00e8re p\u00e9dale d&rsquo;effet ? Cet article va vous aider !  <\/p>\n","protected":false},"author":18,"featured_media":59741,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[926],"tags":[3786,2065,2965,3784,2567],"class_list":["post-65729","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear","tag-debutant","tag-effets-guitare","tag-guitare-electrique","tag-pedalboard","tag-pedales-deffet"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":8,"formatted":"8 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/65729","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/comments?post=65729"}],"version-history":[{"count":0,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/65729\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media\/59741"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media?parent=65729"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/categories?post=65729"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/tags?post=65729"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}