{"id":521308,"date":"2024-06-11T15:00:42","date_gmt":"2024-06-11T13:00:42","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/?p=521308"},"modified":"2025-05-30T18:06:21","modified_gmt":"2025-05-30T16:06:21","slug":"hello-new-gear-juin-2024","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/fr\/gear\/hello-new-gear-juin-2024\/","title":{"rendered":"Hello New Gear – Juin 2024"},"content":{"rendered":"\n

Shure Nexadyne 8<\/h2>\n\n\n
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\n \"Nexadyne\n <\/div>\n\n
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Shure<\/p>\n

Nexadyne 8\/C<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
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\n \n 355 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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\n \"Nexadyne\n <\/div>\n\n
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Shure<\/p>\n

Nexadyne 8\/S<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n \n 355 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
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Ce nouveau\u00a0micro dynamique<\/strong>\u00a0perp\u00e9tue la longue tradition des grands classiques de Shure. Le\u00a0Shure Nexadyne 8<\/strong>\u00a0est disponible en 2 versions :\u00a0le cardio\u00efde 8\/C<\/strong>\u00a0et le\u00a0supercardio\u00efde 8\/S<\/strong>. Les deux micros offrent une plage de fr\u00e9quence de 20 \u00e0 20 000 Hz. Le\u00a08\/C<\/strong>\u00a0a une sensibilit\u00e9 de\u00a0-46,5 dBV\/Pa<\/strong>\u00a0(4,7 mV) et une pression acoustique maximale de\u00a0151,5 dB<\/strong>, tandis que le\u00a08\/S<\/strong>\u00a0a une sensibilit\u00e9 de \u201349,5 dBV\/Pa<\/strong>\u00a0(3,4 mV) et une pression acoustique maximale de\u00a0154,5 dB<\/strong>. De nouveaux classiques avec une finition enti\u00e8rement noire !<\/p>\n<\/div>\n<\/div>\n\n\n\n

PUBLICIT\u00c9<\/div>
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Lauten Audio Tom Mic<\/h2>\n\n\n\n
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Lauten Audio<\/p>\n

Tom Mic<\/h3>\n <\/span>\n\n
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\n \n 369 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n
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Le\u00a0Lauten Audio Tom Mic<\/strong>\u00a0est exactement ce que son nom sugg\u00e8re :\u00a0un microphone pour toms.<\/strong>\u00a0Ce\u00a0micro supercardio\u00efde<\/strong>\u00a0avec une\u00a0capsule de 32 mm<\/strong>\u00a0a \u00e9t\u00e9 sp\u00e9cialement d\u00e9velopp\u00e9 pour enregistrer toutes sortes de toms. Il dispose de filtres passe-bas et passe-haut commutables et fonctionne avec\u00a0une alimentation fant\u00f4me de 48 V<\/strong>. Comme toujours, les caract\u00e9ristiques techniques sont disponibles sur la page produit, mais ce qui est encore plus int\u00e9ressant, c\u2019est son son. Nous vous recommandons la vid\u00e9o d\u00e9taill\u00e9e ci-dessous avec le producteur des Foo Fighters, Darrel Thorp, et Sean \u00ab\u00a0Sully\u00a0\u00bb Sullivan :<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Vous \u00eates actuellement en train de consulter le contenu d’un espace r\u00e9serv\u00e9 de YouTube<\/strong>. Pour acc\u00e9der au contenu r\u00e9el, cliquez sur le bouton ci-dessous. Veuillez noter que ce faisant, des donn\u00e9es seront partag\u00e9es avec des providers tiers.<\/p> Plus d’informations<\/a> <\/div>

D\u00e9bloquer ce contenu<\/a> Accepter le service requis et d\u00e9bloquer son contenu<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n

Arturia PolyBrute 12<\/h2>\n\n\n\n
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Arturia<\/p>\n

PolyBrute 12<\/h3>\n <\/span>\n\n
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\n \n 3\u00a0359 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n
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L\u2019Arturia PolyBrute original \u00e9tait d\u00e9j\u00e0 un synth\u00e9 fantastique, mais son successeur, l\u2019Arturia PolyBrute<\/strong>\u00a012, marque une nouvelle \u00e9tape ! D\u00e9sormais dot\u00e9 de\u00a012 voix,<\/strong>\u00a0ce\u00a0synth\u00e9tiseur analogique polyphonique<\/strong>\u00a0propose un m\u00e9canisme de clavier r\u00e9volutionnaire avec divers modes de toucher, dont l\u2019aftertouch polyphonique. Pour accueillir 6 cartes de voix analogiques suppl\u00e9mentaires, le bo\u00eetier a \u00e9t\u00e9 l\u00e9g\u00e8rement agrandi. L\u2019un des synth\u00e9s polyphoniques les plus puissants de notre \u00e9poque ! D\u00e9couvrez-en plus sur le nouveau clavier FullTouch dans la vid\u00e9o ci-dessous :<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Vous \u00eates actuellement en train de consulter le contenu d’un espace r\u00e9serv\u00e9 de YouTube<\/strong>. Pour acc\u00e9der au contenu r\u00e9el, cliquez sur le bouton ci-dessous. Veuillez noter que ce faisant, des donn\u00e9es seront partag\u00e9es avec des providers tiers.<\/p> Plus d’informations<\/a> <\/div>

D\u00e9bloquer ce contenu<\/a> Accepter le service requis et d\u00e9bloquer son contenu<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n

Erica Synths Bullfrog XL<\/h2>\n\n\n\n
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Erica Synths<\/p>\n

Bullfrog XL<\/h3>\n <\/span>\n\n
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\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n
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Ce\u00a0synth\u00e9 monophonique<\/strong>\u00a0dispose d\u2019un chemin de signal enti\u00e8rement analogique. Le\u00a0Erica Synths Bullfrog<\/strong>\u00a0a \u00e9t\u00e9 d\u00e9velopp\u00e9 en collaboration avec\u00a0la l\u00e9gende de la techno Richie Hawtin<\/strong>\u00a0comme synth\u00e9 d\u2019apprentissage cr\u00e9atif pour la synth\u00e8se soustractive, c\u2019est pourquoi le panneau est tr\u00e8s simple. La nouvelle version XL n\u2019est pas seulement plus grande, mais elle est \u00e9galement dot\u00e9e de fonctionnalit\u00e9s suppl\u00e9mentaires telles qu\u2019un oscilloscope \u00e0 deux canaux et des haut-parleurs int\u00e9gr\u00e9s pour un patching pratique. Pour tous les d\u00e9tails, rendez-vous dans la vid\u00e9o ci-dessous :<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Vous \u00eates actuellement en train de consulter le contenu d’un espace r\u00e9serv\u00e9 de YouTube<\/strong>. Pour acc\u00e9der au contenu r\u00e9el, cliquez sur le bouton ci-dessous. Veuillez noter que ce faisant, des donn\u00e9es seront partag\u00e9es avec des providers tiers.<\/p> Plus d’informations<\/a> <\/div>

D\u00e9bloquer ce contenu<\/a> Accepter le service requis et d\u00e9bloquer son contenu<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n

Warm Audio WA-44<\/h2>\n\n\n\n
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Warm Audio<\/p>\n

WA-44<\/h3>\n <\/span>\n\n
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\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n
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Technologie \u00e0 ruban<\/strong>, directivit\u00e9 en figure de huit,\u00a0plage de fr\u00e9quence de 20 \u00e0 20 000 Hz<\/strong>\u00a0et niveau de pression sonore maximal de\u00a0140 dB<\/strong>\u00a0: le Warm Audio WA-44 est un tout nouveau microphone de studio offrant un large \u00e9ventail d\u2019applications, allant des voix aux percussions, en passant par les basses et les cuivres. Le bo\u00eetier au style r\u00e9tro abrite des transformateurs CineMag USA sur mesure et un ruban de 2,5 microns. Rendez-vous dans la vid\u00e9o ci-dessous pour d\u00e9couvrir le micro en utilisation studio sur des voix et divers instruments :<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Vous \u00eates actuellement en train de consulter le contenu d’un espace r\u00e9serv\u00e9 de YouTube<\/strong>. Pour acc\u00e9der au contenu r\u00e9el, cliquez sur le bouton ci-dessous. Veuillez noter que ce faisant, des donn\u00e9es seront partag\u00e9es avec des providers tiers.<\/p> Plus d’informations<\/a> <\/div>

D\u00e9bloquer ce contenu<\/a> Accepter le service requis et d\u00e9bloquer son contenu<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n

Pittsburgh Modular Voltage Lab 2<\/h2>\n\n\n\n
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Pittsburgh Modular<\/p>\n

Voltage Lab 2<\/h3>\n <\/span>\n\n
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Le\u00a0Pittsburgh Modular Voltage Lab 2<\/strong>\u00a0est un\u00a0synth\u00e9tiseur analogique<\/strong>\u00a0et enti\u00e8rement modulaire au format Eurorack. Gr\u00e2ce \u00e0 ses 101 points de patch, il offre des possibilit\u00e9s de conception sonore presque illimit\u00e9es. Avec 2 oscillateurs, un modulateur en anneau, FM, un amplificateur, un att\u00e9nuateur, un m\u00e9langeur\/s\u00e9parateur, et un LFO, ainsi qu\u2019un convertisseur MIDI vers CV et bien plus encore, il ne laisse rien \u00e0 d\u00e9sirer. De plus, il est m\u00eame livr\u00e9 avec un contr\u00f4leur tactile complexe \u00e0 16 notes et un s\u00e9quenceur. Plus de d\u00e9tails et des exemples sonores dans la vid\u00e9o ci-dessous :<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Vous \u00eates actuellement en train de consulter le contenu d’un espace r\u00e9serv\u00e9 de YouTube<\/strong>. Pour acc\u00e9der au contenu r\u00e9el, cliquez sur le bouton ci-dessous. Veuillez noter que ce faisant, des donn\u00e9es seront partag\u00e9es avec des providers tiers.<\/p> Plus d’informations<\/a> <\/div>

D\u00e9bloquer ce contenu<\/a> Accepter le service requis et d\u00e9bloquer son contenu<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n

Moog Spectravox<\/h2>\n\n\n\n
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Moog<\/p>\n

Spectravox<\/h3>\n <\/span>\n\n
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Nouveaut\u00e9s de\u00a0Moog<\/strong>\u00a0! Le\u00a0Moog Spectravox<\/strong>\u00a0est un processeur spectral analogique semi-modulaire. Il se compose d\u2019une banque de filtres \/ vocodeur \u00e0 10 bandes, d\u2019un oscillateur porteur analogique, d\u2019un g\u00e9n\u00e9rateur de bruit, d\u2019un LFO, et pas moins de 19 entr\u00e9es et 17 sorties pour le patching et la connexion \u00e0 d\u2019autres \u00e9quipements modulaires. En parlant de modulaire : le Spectravox occupe 60 HP d\u2019espace lorsqu\u2019il est utilis\u00e9 dans un syst\u00e8me Eurorack. La chanson de Jamie Lidell dans la vid\u00e9o ci-dessous est enti\u00e8rement compos\u00e9e de sons cr\u00e9\u00e9s ou trait\u00e9s avec le Moog Spectravox :<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Vous \u00eates actuellement en train de consulter le contenu d’un espace r\u00e9serv\u00e9 de YouTube<\/strong>. Pour acc\u00e9der au contenu r\u00e9el, cliquez sur le bouton ci-dessous. Veuillez noter que ce faisant, des donn\u00e9es seront partag\u00e9es avec des providers tiers.<\/p> Plus d’informations<\/a> <\/div>

D\u00e9bloquer ce contenu<\/a> Accepter le service requis et d\u00e9bloquer son contenu<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n

Boss Katana Gen 3<\/h2>\n\n\n
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Boss<\/p>\n

Katana 50 Gen 3<\/h3>\n <\/span>\n\n
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Boss<\/p>\n

Katana 100 Gen 3<\/h3>\n <\/span>\n\n
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La populaire s\u00e9rie d\u2019amplis de mod\u00e9lisation\u00a0Katana de Boss<\/strong>\u00a0revient pour une troisi\u00e8me \u00e9dition avec les nouveaux combos pour guitare \u00e9lectrique\u00a0Boss Katana 50 Gen 3<\/strong>\u00a0et\u00a0Boss Katana 100 Gen 3<\/strong>. Les deux mod\u00e8les sont \u00e9quip\u00e9s de haut-parleurs de 12 pouces et d\u00e9livrent \u2013 comme leurs noms l\u2019indiquent \u2013 respectivement 50 et 100 watts de puissance. Gr\u00e2ce \u00e0 la nouvelle technologie Tube Logic, le ressenti du jeu est d\u00e9sormais beaucoup plus r\u00e9aliste. De plus, il y a maintenant 6 caract\u00e9ristiques d\u2019ampli, y compris le nouveau type Pushed, toutes offrant une variation s\u00e9lectionnable. Comme toujours, tous les d\u00e9tails sont sur nos pages produits.<\/p>\n\n\n\n

Warm Audio Centavo Overdrive Black LTD<\/h2>\n\n\n\n
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L\u2019une des unit\u00e9s originales fabriqu\u00e9es entre 1994 et 2009 aurait \u00e9t\u00e9 vendue pour un demi-million de dollars il y a quelque temps. Heureusement, la r\u00e9plique pr\u00e9cise du p\u00e9dales d\u2019overdrive la plus recherch\u00e9e de tous les temps par Warm Audio est consid\u00e9rablement moins ch\u00e8re. Le Warm Audio Centavo Overdrive est d\u00e9sormais disponible en \u00e9dition limit\u00e9e en noir. Comme le mod\u00e8le standard, il offre le circuit original de la p\u00e9dale vintage, ainsi qu\u2019un commutateur \u00ab\u00a0MOD\u00a0\u00bb pour une modification bien connue qui renforce la r\u00e9ponse des basses, le tout \u00e0 un prix abordable !<\/p>\n<\/div>\n<\/div>\n\n\n\n

Universal Audio Instrumenten-Mikrofone<\/h2>\n\n\n
\n \n
\n
\n
\n
\n
\n \"SD-1\"\n\n <\/div>\n\n
\n\n
\n\n \n

Universal Audio<\/p>\n

SD-1<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (35)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 269 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"SD-7\"\n\n <\/div>\n\n
\n\n
\n\n \n

Universal Audio<\/p>\n

SD-7<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (11)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 148 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"SD-3\"\n\n <\/div>\n\n
\n\n
\n\n \n

Universal Audio<\/p>\n

SD-3<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (7)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 129 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"SD-5\"\n\n <\/div>\n\n
\n\n
\n\n \n

Universal Audio<\/p>\n

SD-5<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (6)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 195 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"SD-3\n <\/div>\n\n
\n\n
\n\n \n

Universal Audio<\/p>\n

SD-3 Set<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 359 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"SD-1\n <\/div>\n\n
\n\n
\n\n \n

Universal Audio<\/p>\n

SD-1 Swivel Mic Arm Bundle<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 339 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

La s\u00e9rie de\u00a0microphones dynamiques<\/strong>\u00a0de\u00a0Universal Audio<\/strong>\u00a0s\u2019est agrandie ! Le tout nouveau\u00a0SD-5<\/strong>\u00a0est un\u00a0microphone dynamique avec mod\u00e9lisation h\u00e9misph\u00e9rique qui brille sur tous les signaux \u00e0 basse fr\u00e9quence<\/strong>, des grosses caisses aux amplis de basse. La technologie de mod\u00e9lisation h\u00e9misph\u00e9rique permet de reproduire les caract\u00e9ristiques sonores de diff\u00e9rents microphones et de fa\u00e7onner le son de vos enregistrements avec les commandes de filtre, de proximit\u00e9 et d\u2019axe. Le deuxi\u00e8me nouveau micro, le SD-3, est parfait pour la percussion et d\u2019autres instruments. La gamme comprend \u00e9galement le SD-7, \u00e9galement avec mod\u00e9lisation h\u00e9misph\u00e9rique, et le SD-1. Une famille de microphones polyvalente pour chaque application avec de nombreuses options de traitement pour votre son.<\/p>\n\n\n\n

\n\n\n\n

Hello New Gear : Donne-nous ton retour !<\/strong><\/strong><\/h2>\n\n\n\n

Quels sont tes favoris ? As-tu d\u00e9j\u00e0 essay\u00e9 l\u2019un des nouveaux produits ? Fais-le nous savoir dans les commentaires !<\/p>\n

PUBLICIT\u00c9<\/div>
\"\"<\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Ce mois-ci, synth\u00e9s, micros, et encore des synth\u00e9s ! \ud83c\udfb9<\/p>\n","protected":false},"author":63,"featured_media":521277,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[926],"tags":[],"class_list":["post-521308","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":5,"formatted":"5 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/521308","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/users\/63"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/comments?post=521308"}],"version-history":[{"count":1,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/521308\/revisions"}],"predecessor-version":[{"id":10000220,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/521308\/revisions\/10000220"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media\/521277"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media?parent=521308"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/categories?post=521308"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/tags?post=521308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}