{"id":33593,"date":"2016-10-27T18:59:57","date_gmt":"2016-10-27T16:59:57","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/?p=33593"},"modified":"2017-03-22T14:35:04","modified_gmt":"2017-03-22T13:35:04","slug":"bass-sounds-we-love-funk-soul-reggae-hip-hop-electro","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/fr\/gear\/bass-sounds-we-love-funk-soul-reggae-hip-hop-electro\/","title":{"rendered":"Bass Sounds We Love : Funk, Soul, Reggae, Hip Hop &#038; Electro"},"content":{"rendered":"<p style=\"text-align: center;\"><strong>Troisi\u00e8me et derni\u00e8re partie de notre s\u00e9rie \u00ab\u00a0Bass Sounds We Love\u00a0\u00bb avec le son Funk, Reggae, Hip Hop et Electro.<\/strong><\/p>\n<hr \/>\n<h2 style=\"text-align: left;\">\u00a0<strong>Funk<\/strong><\/h2>\n<audio class=\"wp-audio-shortcode\" id=\"audio-33593-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/wav\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro.wav?_=1\" \/><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro.wav\">https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro.wav<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p>Il y a peu d&rsquo;autres styles dans lesquels le bassiste a autant de libert\u00e9. On trouve une large gamme d&rsquo;effets disponibles utilis\u00e9s depuis des d\u00e9cennies par les bassistes du genre. Bootsy Collins, Larry Graham, Prince et bien d&rsquo;autres ont utilis\u00e9s des filtres, des wah, et bien d&rsquo;autres p\u00e9dales.<\/p>\n<p><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-33529 alignleft\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-1-181x300.jpg\" alt=\"MXR M 82 Bass Envelope Filter\" width=\"96\" height=\"159\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-1-181x300.jpg 181w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-1-618x1024.jpg 618w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-1.jpg 724w\" sizes=\"(max-width: 96px) 100vw, 96px\" \/><\/a><br \/>\nL&rsquo;un des effets les plus utilis\u00e9s dans le funk et le filtre d&rsquo;enveloppe. Les appareils\u00a0volumineux des ann\u00e9es 70 ont \u00e9t\u00e9 remplac\u00e9s aujourd&rsquo;hui par p\u00e9dales au format compact. Le\u00a0<a href=\"https:\/\/www.thomann.de\/gb\/mxr_m_82_bass_envelope_filter.htm?ref=search_rslt_Bass+Envelope+Filter_243340_0\" target=\"_blank\"><strong>Bass Envelope Filter<\/strong><\/a>\u00a0de\u00a0<a href=\"https:\/\/www.thomann.de\/gb\/mxr.html\" target=\"_blank\"><strong>MXR<\/strong><\/a>\u00a0utilis\u00e9e dans notre exemple sonore sur une Fender Jazz Bass est un bon exemple.<\/p>\n<p>Voici les r\u00e9glages : Dry: 3h, FX: 4h, Decay: 3h, Q: 4h, Sens: 2h<\/p>\n<p>&nbsp;<\/p>\n<h2><strong>Soul\/Neo Soul<\/strong><\/h2>\n<audio class=\"wp-audio-shortcode\" id=\"audio-33593-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/wav\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-1.wav?_=2\" \/><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-1.wav\">https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-1.wav<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p>Au milieu des ann\u00e9es 90 un nouveau genre de musique Soul est apparu. Sa marque de fabrique \u00e9tait le jeu \u00ab\u00a0laid back\u00a0\u00bb des musiciens. Les principaux acteurs de ce mouvement s&rsquo;appelaient <strong>Erykah Badu<\/strong> et <strong>D&rsquo;Angelo<\/strong> avec le grand <strong>Pino Paladino<\/strong> \u00e0 la basse.<\/p>\n<p><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-33531 alignright\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-2-159x300.jpg\" alt=\"Aguilar Octamizer\" width=\"86\" height=\"162\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-2-159x300.jpg 159w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-2-541x1024.jpg 541w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-2.jpg 634w\" sizes=\"(max-width: 86px) 100vw, 86px\" \/><\/a><\/p>\n<p>La signature rythmique similaire \u00e0 celle du reggae voire m\u00eame du hip hop consiste \u00e0 changer la valeur des notes voire m\u00eame d&rsquo;une ligne de basse enti\u00e8re par rapport au temps si bien qu&rsquo;on se demande parfois quelles sont les valeurs. On utilise souvent un octaver comme sur notre exemple sonore afin de faire sonner la basse presque comme un synth\u00e9.<\/p>\n<p><strong>Pour cet exemple, nous avons utilis\u00e9 une\u00a0<a href=\"https:\/\/www.thomann.de\/fr\/basses_p_4_cordes.html?viewMode=block\" target=\"_blank\">Fender Precision Bass<\/a><\/strong>\u00a0 et un octaver\u00a0<a href=\"https:\/\/www.thomann.de\/fr\/aguilar_octamizer.htm\" target=\"_blank\"><strong>Aguilar Octamizers<\/strong><\/a>\u00a0dont voici les r\u00e9glages : Octave Level: 12h, Clean Level: 12h, Octave Filter 1h, Clean Tone: 12h<\/p>\n<h2><\/h2>\n<p>&nbsp;<\/p>\n<h2><strong>80\u2019s Funk<\/strong><\/h2>\n<audio class=\"wp-audio-shortcode\" id=\"audio-33593-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/wav\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-3.wav?_=3\" \/><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-3.wav\">https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-3.wav<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-33533\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-3-264x300.jpg\" alt=\"Boss BC-1X Bass Compressor\" width=\"112\" height=\"127\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-3-264x300.jpg 264w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-3-902x1024.jpg 902w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-3-768x872.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-3.jpg 1057w\" sizes=\"(max-width: 112px) 100vw, 112px\" \/><\/a>Pour cet exemple sonore nous n\u2019avons particuli\u00e8rement pens\u00e9 au son des bo\u00eetes \u00e0 rythme ou des synth\u00e9s basses de l\u2019\u00e9poque mais avions plut\u00f4t le groupe anglais Level 42 en t\u00eate. Leur bassiste Mark King est toujours consid\u00e9r\u00e9 comme l\u2019un des rois du slapping, et surtout comme un bassiste qui a r\u00e9volutionn\u00e9 le son funk.<\/p>\n<p><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-33534 alignleft\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-4-170x300.jpg\" alt=\"Boss CEB-3 Bass Chorus\" width=\"98\" height=\"173\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-4-170x300.jpg 170w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-4-580x1024.jpg 580w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-4.jpg 680w\" sizes=\"(max-width: 98px) 100vw, 98px\" \/><\/a>\u00a0Pour parvenir au son typique Mark King, nous avons utilis\u00e9 pas moins de 3 p\u00e9dales d\u2019effets : la <a href=\"https:\/\/www.thomann.de\/fr\/boss_bc_1x_bass_compressor.htm\" target=\"_blank\"><strong>Boss Bass Comp BC-1X<\/strong><\/a>, un compresseur multi-bandes moderne au format Boss au d\u00e9but de la cha\u00eene. Les attaques parfois violentes du jeu en slap sont adoucies. Ensuite le signal est envoy\u00e9 dans une <a href=\"https:\/\/www.thomann.de\/fr\/boss_geb7_bass_eq.htm\" target=\"_blank\"><strong>Boss Bass Equalizer GEB-7<\/strong><\/a> pour booster les basses et les aigus et couper les m\u00e9diums. Enfin nous avons utilis\u00e9 le <a href=\"https:\/\/www.thomann.de\/fr\/boss_ceb3_bass_chorus.htm\" target=\"_blank\"><strong>chorus Boss CEB-3<\/strong><\/a> pour spatialiser le son. La basse utilis\u00e9e sur l\u2019enregistrement est une <a href=\"https:\/\/www.thomann.de\/fr\/music_man.html?ref=search_prv_12\" target=\"_blank\"><strong>Music Man<\/strong><\/a> Saber. Voici les r\u00e9glages d&rsquo;effets :<\/p>\n<p class=\"p1\"><b>BOSS BC-1X:<\/b> Release: 10h, Ratio: 12h, Threshold: 3h<br \/>\n<b>BOSS GEB-7<\/b>: 50 Hz: -2 \/ 120 Hz: +5 \/400 Hz: +3 \/ 500 Hz: -5 \/ 800 Hz: -5 \/ 4.5 kHz: +2 \/<br \/>\n<b>BOSS CEB-3<\/b>: Low Filter: 3h, Rate: 11h, Depth: 3h<\/p>\n<p>&nbsp;<\/p>\n<h2><strong>Reggae<\/strong><\/h2>\n<audio class=\"wp-audio-shortcode\" id=\"audio-33593-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/wav\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-4.wav?_=4\" \/><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-4.wav\">https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-4.wav<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p class=\"p1\">Ce style de musique d\u00e9velopp\u00e9 a \u00e9t\u00e9 en Jama\u00efque \u00e0 la fin des ann\u00e9es 60 et a conquis le monde gr\u00e2ce \u00e0 ses ambassadeurs <strong>Bob Marley &amp; The Wailers<\/strong>. Le son typique de la basse reggae est assez bas, et inclut beaucoup de bas-m\u00e9diums.<\/p>\n<p><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-5.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-33536\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-5-267x300.jpg\" alt=\"Boss GEB-7\" width=\"150\" height=\"169\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-5-267x300.jpg 267w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-5-910x1024.jpg 910w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-5-768x865.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-5.jpg 1066w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a><\/p>\n<p class=\"p1\">Une autre caract\u00e9ristique importante du style est le jeu \u00ab\u00a0<strong>Laid Back<\/strong>\u00a0\u00bb c\u2019est \u00e0 dire en retard par rapport au temps. Ecoutez attentivement le jeu d\u2019<strong>Aston \u00ab\u00a0Family Man\u00a0\u00bb Barrett<\/strong> ou de <strong>Sly Dunbar<\/strong> pour vous faire une id\u00e9e. Pour notre exemple sonore, nous avons utilis\u00e9 une <a href=\"https:\/\/www.thomann.de\/fr\/basses_j_4_cordes.html?filter=true&amp;manufacturer%5B0%5D=Fender\" target=\"_blank\"><strong>Fender Jazz Bass<\/strong><\/a> avec des cordes \u00e0 filets ronds. Nous avons choisi un <a href=\"https:\/\/www.thomann.de\/fr\/boss_geb7_bass_eq.htm\" target=\"_blank\"><strong>EQ Boss GEB-7<\/strong><\/a> pour r\u00e9duire les aigus et booster le haut et le bas-m\u00e9dium.<\/p>\n<p class=\"p1\">Voici les r\u00e9glages :<\/p>\n<p class=\"p1\">50 Hz: 0, 120 Hz: +10, 400 Hz: +9, 500 Hz: +5, 800 Hz: 0, 4.5 kHz: -10, 10 kHz: -15.<\/p>\n<p>&nbsp;<\/p>\n<h2><strong>Hip Hop<\/strong><\/h2>\n<audio class=\"wp-audio-shortcode\" id=\"audio-33593-5\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/wav\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-5.wav?_=5\" \/><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-5.wav\">https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-5.wav<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p class=\"p1\">Le triomphe du hip hop d\u00e9buta dans les ann\u00e9es 70. En plus du rap comme expression \u00e9l\u00e9mentaire, c\u2019est \u00e9galement les <strong>beats<\/strong>, les <strong>boucles<\/strong> et les <strong>samples<\/strong> utilis\u00e9s qui d\u00e9finissent le genre. Les basses sont souvent \u00e9touff\u00e9es et on retrouve g\u00e9n\u00e9ralement une ou deux mesures jou\u00e9es en boucle. (ostinato bass line).<\/p>\n<p><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-7.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-33538 alignleft\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-7-300x265.jpg\" alt=\"Red Witch Factotum\" width=\"163\" height=\"144\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-7-300x265.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-7-1024x903.jpg 1024w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-7-768x677.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-7.jpg 1200w\" sizes=\"(max-width: 163px) 100vw, 163px\" \/><\/a><\/p>\n<p class=\"p1\">Pour notre exemple sonore nous avons utilis\u00e9 la <a href=\"https:\/\/www.thomann.de\/fr\/red_witch_factotum.htm\" target=\"_blank\"><strong>Redwitch Factotum<\/strong><\/a>, une p\u00e9dale qui contient 2 effets r\u00e9glables individuellement que l\u2019on peut m\u00e9langer si n\u00e9cessaire.<\/p>\n<p>La basse jou\u00e9e dans l&rsquo;extrait est une <a href=\"https:\/\/www.thomann.de\/fr\/basses_j_4_cordes.html?filter=true&amp;manufacturer%5B0%5D=Fender&amp;viewMode=block\" target=\"_blank\"><strong>Fender Jazz Bass<\/strong><\/a>, voici les r\u00e9glages de la p\u00e9dale :\u00a0Octave Mix: 3h, D Mix: 2h, D Tone: 11h, D Volume: 2h, Drive: 11h<\/p>\n<p>&nbsp;<\/p>\n<h2><strong>Electronic<\/strong><\/h2>\n<audio class=\"wp-audio-shortcode\" id=\"audio-33593-6\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/wav\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-6.wav?_=6\" \/><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-6.wav\">https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-6.wav<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p>Electro House, dubstep, techno, trance ? On trouve encore plus de variations dans la musique \u00e9lectronique que dans le metal ! \u00a0Les sons de basse sont quasiment toujours cr\u00e9\u00e9s de mani\u00e8re \u00e9lectronique bien que certains esprits cr\u00e9atifs aient apport\u00e9 leur contribution en utilisant de vrais instruments.<\/p>\n<p><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-8.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-33539\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-8-300x264.jpg\" alt=\"Markbass Super Synth\" width=\"168\" height=\"148\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-8-300x264.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-8-1024x901.jpg 1024w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-8-768x676.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-we-love-part-3-funk-reggae-hiphop-electro-8.jpg 1200w\" sizes=\"(max-width: 168px) 100vw, 168px\" \/><\/a>Avec des p\u00e9dales d&rsquo;effet comme la <a href=\"https:\/\/www.thomann.de\/fr\/markbass_super_synth.htm\" target=\"_blank\"><strong>Markbass Super Synth<\/strong><\/a>, vous pouvez transformer votre basse en synth\u00e9tiseur. Le son original de la basse dispara\u00eet compl\u00e8tement \u00e0 moins que vous ne le m\u00e9langiez avec l&rsquo;effet avec le potard \u00ab\u00a0level\/dry\u00a0\u00bb.<\/p>\n<p>Pour notre exemple sonore nous avons utilis\u00e9 un son assez agressif, dont voici les r\u00e9glages :\u00a0Cut Freq \/ OCT-1: 1.5, Tone \/ OCT + 1: 2, Level \/ Dry: 6<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Retrouvez la s\u00e9rie d&rsquo;articles \u00ab\u00a0Bass Sounds We Like\u00a0\u00bb :<\/strong><\/p>\n<p>\u2192 <a href=\"https:\/\/www.thomann.de\/blog\/fr\/bass-sounds-we-love-le-son-pop\/\" target=\"_blank\"><strong>Le son Pop<\/strong><\/a><\/p>\n<p>\u2192 <a href=\"https:\/\/www.thomann.de\/blog\/fr\/bass-sounds-love-rock-metal\/\" target=\"_blank\"><strong>Le son Rock\/Metal<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Troisi\u00e8me et derni\u00e8re partie de notre s\u00e9rie \u00ab\u00a0Bass Sounds We Love\u00a0\u00bb avec le son Funk, Reggae, Hip Hop et Electro.<\/p>\n","protected":false},"author":18,"featured_media":33514,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[926],"tags":[],"class_list":["post-33593","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":4,"formatted":"4 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/33593","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/comments?post=33593"}],"version-history":[{"count":0,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/33593\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media\/33514"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media?parent=33593"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/categories?post=33593"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/tags?post=33593"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}