{"id":33486,"date":"2016-10-25T09:31:21","date_gmt":"2016-10-25T07:31:21","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/?p=33486"},"modified":"2017-03-22T14:35:13","modified_gmt":"2017-03-22T13:35:13","slug":"bass-sounds-love-rock-metal","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/fr\/gear\/bass-sounds-love-rock-metal\/","title":{"rendered":"Bass Sounds We Love : Rock &#038; Metal"},"content":{"rendered":"<p style=\"text-align: center;\"><strong>Nous avons commenc\u00e9 cette s\u00e9rie d&rsquo;articles la semaine derni\u00e8re avec le son Pop. Aujourd&rsquo;hui nous nous attardons sur le son Rock et Metal !<\/strong><\/p>\n<hr \/>\n<h2 style=\"text-align: left;\"><strong>Hardrock<\/strong><\/h2>\n<audio class=\"wp-audio-shortcode\" id=\"audio-33486-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/wav\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/3.wav?_=1\" \/><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/3.wav\">https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/3.wav<\/a><\/audio>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-33568 alignleft\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-love-rock-metal.png\" alt=\"amped-scr-di\" width=\"241\" height=\"145\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-love-rock-metal.png 1200w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-love-rock-metal-300x180.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-love-rock-metal-1024x614.png 1024w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-love-rock-metal-768x460.png 768w\" sizes=\"(max-width: 241px) 100vw, 241px\" \/>Beaucoup de bassistes hard rock utilisent la marque <a href=\"https:\/\/www.thomann.de\/fr\/ampeg.html?ref=search_prv_12\" target=\"_blank\"><strong>Ampeg<\/strong><\/a> dont les amplis et les baffles\u00a0sont l&rsquo;incarnation du Rock&rsquo;n&rsquo;Roll depuis 1960. Si vous n&rsquo;avez pas les moyens de vous procurer une <a href=\"https:\/\/www.thomann.de\/de\/ampeg_heritage_svtcl_2011.htm\" target=\"_blank\"><strong>t\u00eate d&rsquo;ampli SVT<\/strong><\/a> avec un baffle 8&#215;10 de la marque, vous devriez regarder le pr\u00e9ampli format p\u00e9dale <a href=\"https:\/\/www.thomann.de\/de\/ampeg_scr_di.htm?ref=search_rslt_Ampegs+SCR-DI_357619_0\" target=\"_blank\"><strong>Ampeg SCR-DI<\/strong><\/a>. Cette bo\u00eete de direct reproduit le son Ampeg et est \u00e9quip\u00e9e d&rsquo;une sortie XLR, d&rsquo;une sortie casque et de deux entr\u00e9es AUX. Sur le sample, la basse utilis\u00e9e est une <a href=\"https:\/\/www.thomann.de\/de\/4-saiter_p-baesse.html?filter=true&amp;manufacturer%5B0%5D=Fender\" target=\"_blank\"><strong>Fender Precision<\/strong><\/a> avec une touche en \u00e9rable. Elle est jou\u00e9e au m\u00e9diator.<\/p>\n<p>R\u00e9glages \u2192\u00a0Drive: 11h, Blend: 1h, Bass: 2h, Mid: 1h, Treble: 3h<\/p>\n<h2><strong>Heavy Metal<\/strong><\/h2>\n<audio class=\"wp-audio-shortcode\" id=\"audio-33486-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/wav\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/4.wav?_=2\" \/><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/4.wav\">https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/4.wav<\/a><\/audio>\n<p>Non, les bassistes de metal n&rsquo;utilisent pas toujours de la disto \u00e0 tout va. Beaucoup d&rsquo;entre eux (comme Dave Ellefson de Megadeth pour n&rsquo;en citer qu&rsquo;un) jouent en son clair. On entend mieux les coups de m\u00e9diators et cela permet de placer des accents rythmiques.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-33569 alignright\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-love-rock-metal-1.png\" alt=\"darkglass-vintage-ultra\" width=\"193\" height=\"167\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-love-rock-metal-1.png 1200w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-love-rock-metal-1-300x260.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-love-rock-metal-1-1024x887.png 1024w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-love-rock-metal-1-768x666.png 768w\" sizes=\"(max-width: 193px) 100vw, 193px\" \/>Pour notre exemple sonore qui pourrait \u00eatre une intro, un son clair est utilis\u00e9. Il a \u00e9t\u00e9 jou\u00e9 sur une <a href=\"https:\/\/www.thomann.de\/fr\/search_dir.html?bf=&amp;sw=Spector%20euro\" target=\"_blank\"><strong>Spector Euro<\/strong><\/a>, branch\u00e9e sur le <a href=\"https:\/\/www.thomann.de\/fr\/darkglass_vintage_ultra.htm\" target=\"_blank\"><strong>Vintage Ultra Preamp<\/strong><\/a> du constructeur finlandais <a href=\"https:\/\/www.thomann.de\/fr\/darkglass.html\" target=\"_blank\"><strong>Darkglass<\/strong><\/a>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-33570\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-love-rock-metal-2.png\" alt=\"mxr-bass-chorus\" width=\"84\" height=\"143\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-love-rock-metal-2.png 558w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-love-rock-metal-2-175x300.png 175w\" sizes=\"(max-width: 84px) 100vw, 84px\" \/>Nous avons \u00e9galement utilis\u00e9 un <strong><a href=\"https:\/\/www.thomann.de\/fr\/mxr_m_83_bass_chorus_deluxe.htm?ref=search_rslt_chorus+MXR+bass_306200_0\" target=\"_blank\">chorus MXR<\/a><\/strong> pour gonfler le son et le faire planer un peu. Sur le sample, le Vintage Ultra Preamp n&rsquo;est utilis\u00e9 qu&rsquo;en son clair et la disto pr\u00e9sente sur le p\u00e9dale n&rsquo;est pas enclench\u00e9e.<\/p>\n<p>Les r\u00e9glages du Vintage Ultra \u2192\u00a0Bass: 2h, Lo Mids: 500Hz @ 2h, Hi Mids: 15kHz @ 11h, Treble: 4h<\/p>\n<p>Les r\u00e9glages du\u00a0MXR Bass Chorus Deluxe: Bass: 12h, Treble: 12h, Intensity: 100%, Rate: 11h, Width: 100%<\/p>\n<h2><strong>NuMetal (Djent)<\/strong><\/h2>\n<audio class=\"wp-audio-shortcode\" id=\"audio-33486-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/wav\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/5.wav?_=3\" \/><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/5.wav\">https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/5.wav<\/a><\/audio>\n<p>Dans les styles de metal modernes comme le djent, des distos ultra brutales sont souvent utilis\u00e9es. La p\u00e9dale <a href=\"https:\/\/www.thomann.de\/fr\/okko_black_beast.htm?ref=search_rslt_Black+Beast_350546_3\" target=\"_blank\"><strong>Black Beast<\/strong><\/a> du fabricant allemand <a href=\"https:\/\/www.thomann.de\/fr\/okko.html?ref=search_prv_4\" target=\"_blank\"><strong>Okko<\/strong><\/a> est parfaite dans ce domaine et permet aux bassistes de faire jeu \u00e9gal avec les guitaristes. Bien qu&rsquo;il soit fort possible que ces derniers aient d\u00e9j\u00e0 une Black Beast.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-33572\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/10\/bass-sounds-love-rock-metal-3.png\" alt=\"okko-black-beast\" width=\"152\" height=\"152\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-love-rock-metal-3.png 960w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-love-rock-metal-3-300x300.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-love-rock-metal-3-150x150.png 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/10\/bass-sounds-love-rock-metal-3-768x770.png 768w\" sizes=\"(max-width: 152px) 100vw, 152px\" \/><\/p>\n<p>La p\u00e9dale propose l&rsquo;une des distos les plus violentes, avec beaucoup de gain et de sustain. En plus de cela, le r\u00e9glage Kaputt (qui est r\u00e9ellement l&rsquo;arme fatale de la Black Beast)\u00a0vous permet de d\u00e9terminer la structure du gain et de sortir\u00a0un fuzz hors de contr\u00f4le.<\/p>\n<p>Le sample a \u00e9t\u00e9 enregistr\u00e9 avec une <a href=\"https:\/\/www.thomann.de\/fr\/music_man_basses_electroniques.html\" target=\"_blank\"><strong>Music Man<\/strong><\/a> Stringray, accord\u00e9e en Do, car dans ce style, plus c&rsquo;est bas, plus c&rsquo;est bon !<\/p>\n<p>Les r\u00e9glages \u2192 Kaputt: 11h, Bass: 3h, Treble: 11h, Gain: 7h<\/p>\n<p><strong>La suite au prochain num\u00e9ro\u2026<\/strong><\/p>\n<p>Ne manquez pas la 3\u00e8me partie\u00a0: Funk\/Hip-Hop\/Reggae\/electro qui sera publi\u00e9e dans quelques jours \u2026 ?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nous avons commenc\u00e9 cette s\u00e9rie d&rsquo;articles avec le son Pop, aujourd&rsquo;hui nous nous attardons sur le son Rock et Metal !<\/p>\n","protected":false},"author":18,"featured_media":33550,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[926],"tags":[1373],"class_list":["post-33486","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear","tag-feature-fr"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":2,"formatted":"2 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/33486","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/comments?post=33486"}],"version-history":[{"count":0,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/33486\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media\/33550"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media?parent=33486"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/categories?post=33486"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/tags?post=33486"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}