{"id":29630,"date":"2025-10-17T09:55:29","date_gmt":"2025-10-17T07:55:29","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/?p=29630"},"modified":"2025-10-07T11:00:37","modified_gmt":"2025-10-07T09:00:37","slug":"choisir-ses-cordes-guitare-electrique","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/fr\/gear\/choisir-ses-cordes-guitare-electrique\/","title":{"rendered":"Comment choisir ses cordes de guitare \u00e9lectrique ?"},"content":{"rendered":"\n

Si tu cherches \u201ccordes pour guitare \u00e9lectrique\u201d sur le site de Thomann, tu vas tomber sur pas moins de\u2026 1075 r\u00e9f\u00e9rences. Alors autant dire que \u00e7a ne va pas \u00eatre facile de choisir un jeu au hasard en esp\u00e9rant que \u00e7a corresponde \u00e0 tes attentes. Comment choisir ses cordes de guitare \u00e9lectrique ? \u00c7a tombe bien, cet article est justement l\u00e0 pour te guider. Un petit b\u00e9mol avant de commencer : trouver la bonne corde pour son jeu et son instrument est une qu\u00eate compliqu\u00e9e, et il est donc tout \u00e0 fait possible qu\u2019il faille faire quelques essais avant de tomber sur la bonne. C\u2019est le jeu\u2026<\/p>\n\n\n\n

\"choisir<\/figure>\n\n\n\n

<\/a>Sus au tirant !<\/strong><\/h2>\n\n\n\n

Pour commencer, le tirant des cordes est sans doute l\u2019aspect le plus important dans le choix d\u2019un jeu. C\u2019est ce facteur qui va d\u00e9terminer une bonne partie du son, mais aussi et surtout les sensations de jeu que tu vas ressentir. Pour donner le tirant d’une corde, on exprime son diam\u00e8tre en milli\u00e8me de pouces : par exemple une corde de tirant 09 fait donc 0,009 pouces d\u2019\u00e9paisseur, soit environ 0,22 millim\u00e8tres. C\u2019est une \u00e9chelle qui peut para\u00eetre insignifiante, et pourtant la moindre diff\u00e9rence se ressent sous les doigts.<\/p>\n\n\n\n

Pour pr\u00e9senter le tirant d\u2019un jeu de cordes, on utilise la corde le diam\u00e8tre de la plus aigu\u00eb suivi de la plus grave, ce qui donne l\u2019\u00e9tendue des cordes. Par exemple, un 10-46 a un Mi aigu en 10 et un Mi grave en 46, et les quatre autres cordes sont panach\u00e9es entre ces deux diam\u00e8tres pour une sensation la plus \u00e9quilibr\u00e9e possible.<\/p>\n\n\n\n

Le probl\u00e8me se pr\u00e9sente comme suit : les jeux plus fins (comme le 09-42) sont plus faciles \u00e0 jouer puisqu\u2019ils demandent une pression moindre \u00e0 la main gauche. Mais l\u2019inconv\u00e9nient de cet avantage est que si vous appuyez trop fort sur des cordes fines vous allez jouer faux. Par ailleurs, les cordes fines tiennent moins bien l\u2019accord, surtout si vous jouez beaucoup en bends ou avec un vibrato vintage type Bigsby. Et leur son sera plus brillant.<\/p>\n\n\n

\n \n \n \n
\n \n
\n
\n \"Paradigm\n <\/div>\n <\/div>\n \n \n
\n \n

Ernie Ball<\/p>\n

Paradigm Super Slinky 09-42<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (163)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 16,60 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Les jeux les plus \u00e9pais de leur c\u00f4t\u00e9 (comme le 11-49) seront plus durs \u00e0 jouer (d\u00e9butants s\u2019abstenir), mais ils ont l\u2019avantage de sonner plus juste, avec plus de graves et peuvent s\u2019av\u00e9rer indispensables si tu veux jouer au bottleneck.<\/p>\n\n\n

\n \n \n \n
\n \n
\n
\n \"NYXL09544\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

Daddario<\/p>\n

NYXL09544<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (59)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 12,40 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Entre les deux, il y a le tirant \u201cstandard\u201d qu\u2019est le 10-46, qui conviendra \u00e0 la plupart des guitaristes. Et il y a de tr\u00e8s nombreux tirants interm\u00e9diaires, comme le 09-46 ou le 10-52 qui combinent des aigus l\u00e9gers (parfait pour les solos pleins de bends) et des graves plus cons\u00e9quents (pour les rythmiques). Dans leur qu\u00eate incessante du jeu parfait, certaines marques ont m\u00eame sorti des jeux avec des demi-tirants, comme le D\u2019addario 09,5-46.<\/p>\n\n\n

\n \n \n \n
\n \n
\n
\n \"XSE1149\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

Daddario<\/p>\n

XSE1149<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n \n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (15)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 14,90 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Enfin, une fois que tu as trouv\u00e9 le tirant qui te convient, il faut aussi garder en t\u00eate qu\u2019il pourra varier en fonction de la guitare sur laquelle il sera mont\u00e9. Un m\u00eame 10-46 para\u00eetra plus souple sur une Gibson SG au diapason court que sur une Fender Telecaster au diapason long.<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"SG\n <\/div>\n\n
\n\n
\n\n \n

Gibson<\/p>\n

SG Standard HC<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (64)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1\u00a0479 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"AV\n <\/div>\n\n
\n\n
\n\n \n

Fender<\/p>\n

AV II 51 TELE MN BTB<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (14)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 2\u00a0299 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n
PUBLICIT\u00c9<\/div>
\"\"<\/a><\/div><\/div>

<\/a>Les marques<\/strong><\/h2>\n\n\n\n

De tr\u00e8s nombreuses marques proposent des cordes sur le march\u00e9. D\u2019ailleurs, une blague entre guitaristes dit qu\u2019il y a plus de marques de cordes que d\u2019usine de cordes, et il est tout \u00e0 fait possible que certaines grandes marques de guitare fassent fabriquer leurs cordes par de vrais sp\u00e9cialistes du genre. La manufacture de cordes est un art \u00e0 part avec un outillage bien sp\u00e9cifique et \u00e7a ne s\u2019improvise pas. Dans le domaine, il y a donc quelques marques historiques qui se taillent la part du lion et continuent de chercher de nouvelles formules pour toujours plus de durabilit\u00e9 et de solidit\u00e9.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

D\u2019addario est l\u2019entreprise dont les racines sont les plus anciennes parmi les grandes marques de cordes. La famille D\u2019Addario \u00e9levait des moutons dans l\u2019Italie de la moiti\u00e9 du 19\u00e8me si\u00e8cle, et ils faisaient donc des cordes avec leurs boyaux. Apr\u00e8s \u00eatre venus s\u2019installer aux \u00c9tats-Unis, ils ont d\u00e9velopp\u00e9 des inventions qui sont encore en vigueur \u00e0 l\u2019heure actuelle, comme le rev\u00eatement des cordes classiques ou le filetage nickel des cordes \u00e9lectriques. Leur mod\u00e8le standard s\u2019appelle XL.<\/p>\n\n\n

\n \n \n \n
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\n \"EXL110\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

Daddario<\/p>\n

EXL110<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n (3242)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 6,90 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Ernie Ball est arriv\u00e9 au milieu des ann\u00e9es 60 en Californie. Ils \u00e9taient les premiers \u00e0 proposer des cordes aux tirants plus l\u00e9gers que ce qui \u00e9tait alors le standard, les fameuses Slinky. C\u2019est encore le nom de leur jeu standard.<\/p>\n\n\n

\n \n \n \n
\n \n
\n
\n \"2221\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

Ernie Ball<\/p>\n

2221<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (11962)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 5,90 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Rotosound est le pendant britannique de Ernie Ball : ils ont cr\u00e9\u00e9 des cordes plus l\u00e9g\u00e8res pour les musiciens de la British Invasion au milieu des ann\u00e9es 60, et ont notamment \u00e9t\u00e9 tr\u00e8s proches des Who. Leur jeu standard s\u2019appelle tout simplement Roto.<\/p>\n\n\n

\n \n \n \n
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\n \"R10\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

Rotosound<\/p>\n

R10<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (250)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 5,90 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Enfin, Elixir est une marque tr\u00e8s r\u00e9cente puisqu\u2019elle a \u00e9t\u00e9 lanc\u00e9e en 1997 par la multinationale Gore. Ce groupe ne fait pas du tout dans l\u2019instrument de musique \u00e0 l\u2019origine puisque ce sont les inventeurs de la mati\u00e8re Gore-Tex. Ils ont donc utilis\u00e9 ce savoir-faire pour cr\u00e9er des cordes entour\u00e9es d\u2019un rev\u00eatement qui prolonge consid\u00e9rablement leur dur\u00e9e de vie. Il n\u2019y a pas vraiment de jeu standard chez Elixir puisque toutes leurs cordes ont un rev\u00eatement pour les faire durer dans le temps. On a juste le choix entre Optiweb (\u00e9quilibr\u00e9), Nanoweb (plus brillant) et Polyweb (plus chaud).<\/p>\n\n\n

\n \n
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\n \"Optiweb\n <\/div>\n\n
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\n\n \n

Elixir<\/p>\n

Optiweb 19052 Light<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n (1562)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 12,90 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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\n \"Nanoweb\n <\/div>\n\n
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Elixir<\/p>\n

Nanoweb Light<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n (4085)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 12,90 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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\n \"12050\n <\/div>\n\n
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Elixir<\/p>\n

12050 Polyweb Light<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n (413)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 12,60 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

<\/a>Longue vie aux cordes !<\/strong><\/h2>\n\n\n\n

La dur\u00e9e de vie des cordes est devenue un argument de vente consid\u00e9rable pour faire la diff\u00e9rence entre les diff\u00e9rents jeux. Au sein d\u2019une m\u00eame marque vous trouverez plusieurs r\u00e9f\u00e9rences avec des prix et des qualit\u00e9s diff\u00e9rentes. L\u2019architecture d\u2019une corde est un c\u0153ur entour\u00e9 d\u2019un filetage, et l\u2019alliage m\u00e9tallique de ce dernier peut faire d\u2019\u00e9normes diff\u00e9rences d\u2019un jeu \u00e0 l\u2019autre. En plus des cordes \u00e0 la dur\u00e9e de vie rallong\u00e9e, de plus en plus de marques proposent des jeux avec un plus fort niveau de sortie.<\/p>\n\n\n\n

Chez D\u2019addario, on a les NYXL qui durent longtemps et ont un son plus brillant, et qui sont d\u2019ailleurs devenues le standard de la corde trait\u00e9e pour les pros. Plus r\u00e9cemment, la marque a aussi sorti les XS qui repr\u00e9sentent la plus grande dur\u00e9e de vie de leur catalogue \u00e0 ce jour.<\/p>\n\n\n

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Daddario<\/p>\n

NYXL1046<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n \n 13,90 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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\n \"XSE1046\"\n\n <\/div>\n\n
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Daddario<\/p>\n

XSE1046<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n (123)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 15,90 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

C\u00f4t\u00e9 Ernie Ball, il y a les Paradigm qui sont pr\u00e9sent\u00e9es comme \u201cles plus r\u00e9sistantes au monde\u201d (la marque avait m\u00eame organis\u00e9 un concours pour voir qui pourrait les casser). Mais il y a aussi les Cobalt qui ont plus de niveau de sortie et plus de clart\u00e9, ce qui peut aider \u00e0 r\u00e9veiller un ampli un peu trop flou, et les M-Steel qui ont le niveau de sortie maximal, parfait pour compenser des micros trop calmes.<\/p>\n\n\n

\n \n
\n
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\n \"Paradigm\n <\/div>\n\n
\n\n
\n\n \n

Ernie Ball<\/p>\n

Paradigm Regular Slinky 10-46<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (255)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 15,50 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"3721\n <\/div>\n\n
\n\n
\n\n \n

Ernie Ball<\/p>\n

3721 3 Pack<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (38)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 27 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"2921\n <\/div>\n\n
\n\n
\n\n \n

Ernie Ball<\/p>\n

2921 M-Steel<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (88)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 14,90 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Enfin, chez Rotosound, on a les Pure Nickels filet\u00e9es en pur nickel pour retrouver le son original du rockabilly des ann\u00e9es 50.<\/p>\n\n\n

\n \n \n \n
\n \n
\n
\n \"PN10\n <\/div>\n <\/div>\n \n \n
\n \n

Rotosound<\/p>\n

PN10 Pure Nickels<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (62)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 7,90 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n
\n
<\/div>
<\/div>

Vous \u00eates actuellement en train de consulter le contenu d’un espace r\u00e9serv\u00e9 de YouTube<\/strong>. Pour acc\u00e9der au contenu r\u00e9el, cliquez sur le bouton ci-dessous. Veuillez noter que ce faisant, des donn\u00e9es seront partag\u00e9es avec des providers tiers.<\/p> Plus d’informations<\/a> <\/div>

D\u00e9bloquer ce contenu<\/a> Accepter le service requis et d\u00e9bloquer son contenu<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n

<\/a>Les fil\u00e9es plat<\/strong><\/h2>\n\n\n\n

De nombreux autres mod\u00e8les existent, et il serait laborieux de tous les citer ici. Sache simplement qu\u2019il sera toujours int\u00e9ressant d\u2019exp\u00e9rimenter pour trouver le bon interm\u00e9diaire entre tes doigts et la guitare. Toutes les marques proposent des cordes fil\u00e9es plat, une technique de filetage qui change radicalement les sensations et le son. Ce sont g\u00e9n\u00e9ralement des gros tirants, et on les essaiera donc plut\u00f4t pour un jeu o\u00f9 les bends ne sont pas omnipr\u00e9sents, en jazz notamment. Mais leur c\u00f4t\u00e9 sombre peut s\u2019av\u00e9rer bien utile si tu as par exemple une Fender Jaguar que tu trouves trop criarde.<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"Gold\n <\/div>\n\n
\n\n
\n\n \n

Pyramid<\/p>\n

Gold Flatwound 011-050<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (69)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 17,60 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Flats\n <\/div>\n\n
\n\n
\n\n \n

Ernie Ball<\/p>\n

Flats 2580<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (7)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 17,90 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Silver\n <\/div>\n\n
\n\n
\n\n \n

Ernie Ball<\/p>\n

Silver Slinky John Mayer 2218<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (10)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 12,90 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Il y a les Flats chez Ernie Ball, mais dans le domaine la marque de r\u00e9f\u00e9rence est Pyramid, dont les Gold Flatwound sont tr\u00e8s pris\u00e9es des jazzmen.<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"Vintera\n <\/div>\n\n
\n\n
\n\n \n

Fender<\/p>\n

Vintera II 70s Jaguar BK<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (5)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1\u00a0290 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"3826\n <\/div>\n\n
\n\n
\n\n \n

Ernie Ball<\/p>\n

3826 Tim Henson Electric<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (4)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 14,90 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Il y encore de nombreuses variations possibles, comme les cordes fil\u00e9es or pour les allergiques au nickel, ou les jeux signature John Mayer et Tim Henson chez Ernie Ball (qui sont des variations sur les Slinky aux tirants personnalis\u00e9s pour ces superstars).<\/p>\n\n\n\n

Il faut donc se laisser guider par ses envies et tester des choses. Un dernier conseil : n\u2019oublie pas de noter quelque part ce que tu as mont\u00e9 sur ta guitare, quitte \u00e0 laisser le paquet de cordes vide dans l\u2019\u00e9tui. \u00c7a \u00e9vitera de se poser des questions au moment de repasser commande !<\/p>\n\n\n\n

\n
<\/div>
<\/div>

Vous \u00eates actuellement en train de consulter le contenu d’un espace r\u00e9serv\u00e9 de YouTube<\/strong>. Pour acc\u00e9der au contenu r\u00e9el, cliquez sur le bouton ci-dessous. Veuillez noter que ce faisant, des donn\u00e9es seront partag\u00e9es avec des providers tiers.<\/p> Plus d’informations<\/a> <\/div>

D\u00e9bloquer ce contenu<\/a> Accepter le service requis et d\u00e9bloquer son contenu<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n

<\/strong>Le guide du tirant !<\/strong><\/strong><\/h2>\n\n\n\n

Choisir ses cordes de guitare \u00e9lectrique n\u00e9cessite souvent de choisir entre light, extra light, etc… Mais derri\u00e8re ces termes, il y a un tirant diff\u00e9rent par corde ! Voici un petit tableau pour t’aider \u00e0 y voir plus clair ! <\/p>\n\n\n\n

\"Tableau<\/a><\/figure>\n\n\n\n

Choisir ses cordes de guitare \u00e9lectrique – un conseil ?<\/h2>\n\n\n\n

Tu as un conseil \u00e0 donner pour choisir ses cordes de guitare \u00e9lectrique ? Dis le nous en commentaire !<\/p>\n\n\n\n

<\/p>\n\n\n\n

\u00a0\u00a0<\/p>\n

PUBLICIT\u00c9<\/div>
\"\"<\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Comment choisir les cordes adapt\u00e9es \u00e0 ta guitare et \u00e0 ton jeu ? Suis le guide ! \ud83c\udfb8<\/p>\n","protected":false},"author":76,"featured_media":10003619,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[926],"tags":[],"class_list":["post-29630","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":7,"formatted":"7 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/29630","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/users\/76"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/comments?post=29630"}],"version-history":[{"count":12,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/29630\/revisions"}],"predecessor-version":[{"id":10003621,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/29630\/revisions\/10003621"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media\/10003619"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media?parent=29630"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/categories?post=29630"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/tags?post=29630"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}