{"id":26119,"date":"2016-05-19T18:21:41","date_gmt":"2016-05-19T16:21:41","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/?p=26119"},"modified":"2020-04-16T13:01:03","modified_gmt":"2020-04-16T11:01:03","slug":"introduction-a-lharmonica-blues","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/fr\/tutos\/introduction-a-lharmonica-blues\/","title":{"rendered":"Introduction \u00e0 l&rsquo;harmonica blues"},"content":{"rendered":"<p style=\"text-align: center;\">S&rsquo;il y a un instrument qui \u00e9voque le\u00a0son du blues, c&rsquo;est bien l&rsquo;<a href=\"http:\/\/www.thomann.de\/fr\/harmonicas.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>harmonica<\/strong><\/a>. Cet instrument \u00e0 vent de petite taille a toujours \u00e9t\u00e9 appr\u00e9ci\u00e9 des musiciens de rue et autres globe-trotteurs. Il\u00a0fait son apparition aux USA \u00e0 la m\u00eame \u00e9poque que la naissance du blues et son d\u00e9veloppement et son \u00e9volution sont notamment dus au fait que les musiciens de blues ont r\u00e9-invent\u00e9 la mani\u00e8re d&rsquo;en jouer. De nos jours, les principaux fabricants d&rsquo;<a href=\"http:\/\/www.thomann.de\/fr\/metharmonicas_diatoniques.html?viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>harmonicas diatoniques<\/strong><\/a> sont <a href=\"http:\/\/www.thomann.de\/fr\/ca_seydel_soehne.html?ref=search_prv_0_2\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>C.A. Seydel S\u00f6hne<\/strong><\/a>, <a href=\"http:\/\/www.thomann.de\/fr\/hohner.html?ref=search_prv_0_2\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Hohner<\/strong> <\/a>et <a href=\"http:\/\/www.thomann.de\/fr\/lee_oskar.html?ref=search_prv_1_2\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Lee Oskar<\/strong><\/a>. Des alternatives bon march\u00e9 sont \u00e9galement propos\u00e9es par\u00a0<a href=\"http:\/\/www.thomann.de\/fr\/metharmonicas_diatoniques.html?filter=true&amp;manufacturer%5B0%5D=Harley%20Benton\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Harley Benton<\/strong><\/a>.<\/p>\n<hr \/>\n<p style=\"text-align: left;\">Il existe\u00a0plusieurs sortes d&rsquo;harmonicas mais le\u00a0plus r\u00e9pandu est sans doute\u00a0<a href=\"http:\/\/www.thomann.de\/fr\/metharmonicas_diatoniques.html?viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>l&rsquo;<\/strong><strong>harmonica diatonique<\/strong><\/a><strong>\u00a0<\/strong>aussi appel\u00e9<strong> harmonica<\/strong>\u00a0<strong>\u00ab\u00a0blues\u00a0\u00bb<\/strong>.\u00a0Les d\u00e9butants commencent g\u00e9n\u00e9ralement \u00e0 jouer avec un harmonica accord\u00e9 en do (C). Il s&rsquo;agit du <strong>plus populaire,<\/strong> mais \u00e9galement le plus facile pour apprendre \u00e0 jouer.\u00a0L&rsquo;appellation \u00ab\u00a0diatonique\u00a0\u00bb signifie que l&rsquo;harmonica produira les notes de la\u00a0<strong>gamme majeure diatonique<\/strong>, pour la gamme\u00a0de do, les notes seront do, r\u00e9, mi, fa, sol, la, si, comme les touches blanches d&rsquo;un piano.\u00a0Bien que ce type d&rsquo;harmonica est principalement destin\u00e9 au <strong>blues<\/strong>, il est aussi fr\u00e9quemment utilis\u00e9\u00a0dans la musique\u00a0<strong>rock<\/strong>, <strong>folk<\/strong>, <strong>country<\/strong> et <strong>bluegrass<\/strong>.<\/p>\n<p><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/05\/introduction-a-lharmonica-blues-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-26176 aligncenter\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/05\/introduction-a-lharmonica-blues-1.jpg\" alt=\"Hohner Marine Band Deluxe C\" width=\"379\" height=\"108\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/05\/introduction-a-lharmonica-blues-1.jpg 800w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/05\/introduction-a-lharmonica-blues-1-300x86.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/05\/introduction-a-lharmonica-blues-1-768x219.jpg 768w\" sizes=\"(max-width: 379px) 100vw, 379px\" \/><\/a><\/p>\n<p>On trouve\u00a0principalement <strong>trois mat\u00e9riaux utilis\u00e9s\u00a0<\/strong>pour la fabrication des harmonicas.<br \/>\nLe <strong>bois,<\/strong> qui\u00a0selon certains, a la particularit\u00e9 d&rsquo;offrir\u00a0un son plus chaud, a comme d\u00e9savantage son\u00a0manque d&rsquo;\u00e9tanch\u00e9it\u00e9 contrairement au <strong>plastique<\/strong> qui est plus simple \u00e0 entretenir et meilleur march\u00e9. On trouve encore des corps\u00a0en <strong>m\u00e9tal<\/strong>\u00a0sur\u00a0les mod\u00e8les haut de gamme, ses avantages sont sont nombreux\u00a0: puissance du son, clart\u00e9 notamment.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-26119 gallery-columns-2 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/05\/introduction-a-lharmonica-blues-9-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/05\/introduction-a-lharmonica-blues-11-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<h2 style=\"text-align: center;\"><strong>Technique<\/strong><\/h2>\n<p>La premi\u00e8re chose \u00e0 consid\u00e9rer est la fa\u00e7on de tenir\u00a0l&rsquo;harmonica. Celui-ci doit \u00eatre compl\u00e8tement tenu entre le pouce (face inf\u00e9rieure) et l&rsquo;index (face sup\u00e9rieure) pour former\u00a0une <strong>pince en forme de \u00ab\u00a0V\u00a0\u00bb<\/strong>.\u00a0L&rsquo;autre main peut \u00eatre plac\u00e9 \u00e0 l&rsquo;arri\u00e8re de l&rsquo;harmonica pour couvrir ou non tous les trous\u00a0et former une\u00a0caisse de r\u00e9sonance.\u00a0Cela\u00a0permettra d&rsquo;\u00e9touffer les sons mais aussi de produire d&rsquo;autres effets comme le <strong>vibrato<\/strong> et le fameux <strong>wah-wah<\/strong>.<\/p>\n<p>Comme pour tout instrument \u00e0 vent, la respiration a de l&rsquo;importance. Il est conseill\u00e9 d&rsquo;utiliser la <strong>respiration\u00a0abdominale<\/strong> et donc\u00a0votre <strong>diaphragme<\/strong> pour accumuler plus d&rsquo;air,\u00a0et \u00e9viter ainsi d&rsquo;\u00eatre \u00e0 court de souffle.<\/p>\n<p>Afin d&rsquo;isoler les notes et n&rsquo;en jouer qu&rsquo;une \u00e0 la fois, il faudra vous entra\u00eener \u00e0 bloquer les trous avec votre langue (technique\u00a0<strong>tongue-blocking<\/strong>). Vous pouvez \u00e9galement le faire avec vos l\u00e8vres (technique <strong>cul de poule<\/strong>). Les deux techniques se valent et ont leurs avantages. Le tongue-blocking permet de jouer des\u00a0<strong>intervalles<\/strong>, en g\u00e9n\u00e9ral\u00a0deux notes distantes en m\u00eame temps, et d&rsquo;obtenir un son plus ample. Avec la\u00a0technique\u00a0cul-de-poule,\u00a0vous ne pourrez jouer que deux notes qui se suivent. Les d\u00e9butants se concentrent g\u00e9n\u00e9ralement sur la technique cul de poule qui permet de faciliter l&rsquo;apprentissage des\u00a0<strong>alt\u00e9rations<\/strong> (faire varier la hauteur pour obtenir des\u00a0notes interm\u00e9diaires comme do#, r\u00e9#, fa#).<\/p>\n<div class=\"advads-content-injection-before-2-h2 advads-entity-placement\" style=\"text-align: center;\" id=\"advads-1438186792\"><div class=\"advads-adlabel\">PUBLICIT\u00c9<\/div><div id=\"advads-3615880075\"><a href=\"https:\/\/www.thomann.de\/intl\/index.html?utm_medium=display&#038;utm_source=partnersite&#038;utm_campaign=branding&#038;utm_content=thoshop&#038;utm_term=gemischt\" target=\"_blank\" aria-label=\"2502_Gear_Banner_Gemischt_729x90_EN_v01\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01.jpg\" alt=\"\"  srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01.jpg 728w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01-300x37.jpg 300w\" sizes=\"(max-width: 728px) 100vw, 728px\" width=\"728\" height=\"90\"   \/><\/a><\/div><\/div><h2 style=\"text-align: center;\"><strong>Entretien et accessoires\u00a0<\/strong><\/h2>\n<p>Bien que l&rsquo;harmonica soit un instrument bon march\u00e9, il requiert un minimum d&rsquo;entretien afin de <strong>le conserver en bon \u00e9tat<\/strong>. En effet, celui-ci est en contact avec votre bouche et donc votre salive; afin d&rsquo;\u00e9vacuer l&rsquo;humidit\u00e9, il est conseill\u00e9 de le\u00a0<strong>secouer<\/strong> et de <strong>le laisser une heure \u00e0 l&rsquo;air libre\u00a0<\/strong>apr\u00e8s chaque utilisation. Pour retirer les r\u00e9sidus de salive et les traces de doigts, vous pouvez aussi utiliser un\u00a0<strong>chiffon\u00a0humide<\/strong> ou une lingette et frotter l&rsquo;instrument. N&rsquo;oubliez de le ranger dans un \u00e9tui afin de le prot\u00e9ger des poussi\u00e8res. Pour un nettoyage en profondeur, il faudra ouvrir votre pauvre harmonica.<\/p>\n<p>Il existe des\u00a0<strong><a href=\"http:\/\/www.thomann.de\/fr\/search_dir.html?bf=&amp;sw=192640+105756+195991+337657&amp;viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\">microphones<\/a> <\/strong>sp\u00e9cialement con\u00e7us pour les harmonicas. Les micros \u00ab\u00a0Bullet\u00a0\u00bb comme\u00a0le <a href=\"http:\/\/www.thomann.de\/fr\/shure_520_dx.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Shure 520 DX<\/strong><\/a><strong>\u00a0<\/strong>se tiennent dans la main et<b>\u00a0<\/b>ont un rendu gras avec beaucoup de m\u00e9diums tr\u00e8s appr\u00e9ci\u00e9 des\u00a0joueurs de blues. On peut \u00e9galement utiliser des <a href=\"http:\/\/www.thomann.de\/fr\/microphones_de_chant_dynamiques.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>micros chant<\/strong><\/a> classiques qui seront plus fid\u00e8les au son d&rsquo;origine.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-2 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-2 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-2' class='gallery galleryid-26119 gallery-columns-3 gallery-size-full'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"779\" height=\"439\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/05\/introduction-a-lharmonica-blues-5.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/05\/introduction-a-lharmonica-blues-5.jpg 779w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/05\/introduction-a-lharmonica-blues-5-300x169.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/05\/introduction-a-lharmonica-blues-5-768x433.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/05\/introduction-a-lharmonica-blues-5-358x202.jpg 358w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/05\/introduction-a-lharmonica-blues-5-640x360.jpg 640w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/05\/introduction-a-lharmonica-blues-5-370x209.jpg 370w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"223\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/05\/introduction-a-lharmonica-blues-7.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/05\/introduction-a-lharmonica-blues-7.jpg 400w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/05\/introduction-a-lharmonica-blues-7-300x167.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"652\" height=\"600\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/05\/introduction-a-lharmonica-blues-8.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/05\/introduction-a-lharmonica-blues-8.jpg 652w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/05\/introduction-a-lharmonica-blues-8-300x276.jpg 300w\" sizes=\"(max-width: 652px) 100vw, 652px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>On trouve enfin de nombreux <strong><a href=\"http:\/\/www.thomann.de\/fr\/accessoires_pour_metharmonicas.html?viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\">accessoires\u00a0pour harmonicas<\/a>\u00a0<\/strong>comme les supports pour garder les mains libres, mais encore des <a href=\"http:\/\/www.thomann.de\/fr\/ca_seydel_soehne_guertel_fuer_blues_harmonika.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>ceintures<\/strong><\/a> qui vous permettront d&rsquo;avoir tous vos harmonicas \u00e0 port\u00e9e de main. Les constructeurs proposent aussi des <strong><a href=\"http:\/\/www.thomann.de\/fr\/pieces_hrmonica.html?viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\">jeux de lames et des coques de remplacement<\/a>, <\/strong>ou encore des <a href=\"http:\/\/www.thomann.de\/fr\/accessoires_pour_metharmonicas.html?viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>\u00e9tuis et des\u00a0kits d&rsquo;entretien.<\/strong><\/a><\/p>\n\n\t\t<style>\n\t\t\t#gallery-3 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-3 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-3' class='gallery galleryid-26119 gallery-columns-3 gallery-size-full'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"795\" height=\"600\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/05\/introduction-a-lharmonica-blues-2.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/05\/introduction-a-lharmonica-blues-2.jpg 795w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/05\/introduction-a-lharmonica-blues-2-300x226.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/05\/introduction-a-lharmonica-blues-2-768x580.jpg 768w\" sizes=\"(max-width: 795px) 100vw, 795px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"585\" height=\"600\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/05\/introduction-a-lharmonica-blues-3.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/05\/introduction-a-lharmonica-blues-3.jpg 585w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/05\/introduction-a-lharmonica-blues-3-293x300.jpg 293w\" sizes=\"(max-width: 585px) 100vw, 585px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"303\" height=\"234\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/05\/introduction-a-lharmonica-blues-4.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/05\/introduction-a-lharmonica-blues-4.jpg 303w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/05\/introduction-a-lharmonica-blues-4-300x232.jpg 300w\" sizes=\"(max-width: 303px) 100vw, 303px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n<div class=\"advads-content-injection-before-content advads-entity-placement\" style=\"text-align: center;\" id=\"advads-2054957974\"><div class=\"advads-adlabel\">PUBLICIT\u00c9<\/div><div id=\"advads-2776025056\"><a href=\"https:\/\/www.thomann.de\/intl\/index.html?utm_medium=display&#038;utm_source=partnersite&#038;utm_campaign=branding&#038;utm_content=thoshop&#038;utm_term=gemischt\" target=\"_blank\" aria-label=\"2502_Gear_Banner_Gemischt_729x90_EN_v01\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01.jpg\" alt=\"\"  srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01.jpg 728w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01-300x37.jpg 300w\" sizes=\"(max-width: 728px) 100vw, 728px\" width=\"728\" height=\"90\"   \/><\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Est-ce un train? Est-ce un accord\u00e9on? Non! C&rsquo;est un harmonica de blues \ud83d\ude42 <\/p>\n","protected":false},"author":18,"featured_media":26133,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[10724],"tags":[],"class_list":["post-26119","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tutos"],"category_colors":{"color_key":"learn","css_classes":{"text":"cat-learn","text_light":"cat-learn-light","bg":"cat-bg-learn","bg_light":"cat-bg-learn-light","border":"cat-border-learn","text_on_bg":"cat-text-on-learn"}},"reading_time":{"minutes":4,"formatted":"4 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/26119","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/comments?post=26119"}],"version-history":[{"count":0,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/26119\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media\/26133"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media?parent=26119"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/categories?post=26119"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/tags?post=26119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}