{"id":25353,"date":"2025-11-07T09:55:00","date_gmt":"2025-11-07T08:55:00","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/?p=25353"},"modified":"2025-11-03T11:28:00","modified_gmt":"2025-11-03T10:28:00","slug":"choisir-mon-premier-ampli-guitare","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/fr\/gear\/choisir-mon-premier-ampli-guitare\/","title":{"rendered":"Choisir mon premier ampli guitare \u25b7 Le Guide Ultime !"},"content":{"rendered":"\n

Choisir son ampli guitare : <\/strong>\u00c7a y est le grand pas a \u00e9t\u00e9 franchi : tu as d\u00e9cid\u00e9 de te mettre \u00e0 la guitare. L\u2019id\u00e9e est excellente, et il n\u2019y a plus qu\u2019\u00e0 t\u2019\u00e9quiper pour les premiers cours. La guitare c\u2019est important, bien s\u00fbr, mais il ne faut pas pour autant n\u00e9gliger ce qui se passe \u00e0 l\u2019autre bout de ton jack. On parle de guitare \u00e9lectrique, et l\u2019ampli est une partie essentielle de l\u2019\u00e9quation. Et lorsque l\u2019on sait qu\u2019il y a pas moins de 1870 amplis pour guitare \u00e9lectrique disponibles sur Thomann, un peu d\u2019aide sera sans doute la bienvenue.<\/b><\/p>\n\n\n\n

<\/a>Un ampli en trois parties<\/strong><\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Pour commencer, il faut bien comprendre le principe d\u2019un ampli : ce qu\u2019on appelle un combo comprend en fait trois parties bien distinctes. On a d\u2019abord le pr\u00e9ampli qui se charge de remonter le niveau tr\u00e8s faible des micros de la guitare et qui lui applique des traitements comme l\u2019EQ, la distorsion ou la reverb. Ensuite, il y a l\u2019ampli de puissance qui, comme son nom l\u2019indique, va d\u00e9terminer le volume sonore du tout. Enfin, l\u2019ampli de puissance sort sur le haut-parleur (il peut y en avoir plusieurs \u00e9videmment), qui va transformer tout \u00e7a en vibrations de l\u2019air et nous d\u00e9truire all\u00e8grement les tympans.<\/p>\n\n\n\n

Quand on parle d\u2019un ampli guitare, on peut en fait trouver plusieurs variantes de ce syst\u00e8me. Un combo r\u00e9unit les trois fonctions, alors qu\u2019un stack s\u00e9pare d\u2019un c\u00f4t\u00e9 le pr\u00e9ampli et l\u2019ampli de puissance dans une t\u00eate et de l\u2019autre les hauts-parleurs dans un baffle. Pour des raisons purement pratiques et de simplicit\u00e9 d\u2019approche, un combo sera sans doute un meilleur choix pour d\u00e9buter.<\/p>\n\n\n

\n \n \n \n
\n \n
\n
\n \"Waza\n <\/div>\n <\/div>\n \n \n
\n \n

Boss<\/p>\n

Waza Air Guitar Headphones<\/h3>\n <\/span>\n\n
\n Note : 8.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (141)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 324 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Il existe aussi de purs pr\u00e9amplis sans ampli de puissance ou haut-parleur. Dans ce cas, il faudra les faire sortir sur un casque, ce qui permettra de travailler sans d\u00e9ranger personne. De nombreuses solutions existent, comme le Fender Mustang Micro Plus, le Boss Katana Go ou le Blackstar BEAM Solo. Il y a m\u00eame des syst\u00e8mes int\u00e9gr\u00e9s \u00e0 un casque, comme le Boss Waza Air ou le Positive Grid Spark Neo. Mais, m\u00eame si ces pr\u00e9amplis peuvent donner un tr\u00e8s bon son, tes oreilles seront moins malmen\u00e9es avec un vrai ampli. Au casque, on ne se rend pas forc\u00e9ment compte que l\u2019on joue fort, et en jouant longtemps le r\u00e9sultat peut \u00eatre douloureux.<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"Mustang\n <\/div>\n\n
\n\n
\n\n \n

Fender<\/p>\n

Mustang Micro Plus<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (144)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 129 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Katana\n <\/div>\n\n
\n\n
\n\n \n

Boss<\/p>\n

Katana Go Headphone Amp<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (77)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 115 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"BEAM-Solo\"\n\n <\/div>\n\n
\n\n
\n\n \n

Blackstar<\/p>\n

BEAM-Solo<\/h3>\n <\/span>\n\n
\n Note : 8.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (12)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 133 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n
PUBLICIT\u00c9<\/div>
\"\"<\/a><\/div><\/div>

<\/a>Lampe, transistors, num\u00e9rique ?<\/strong><\/h2>\n\n\n\n

Dans le domaine des amplis, on distingue g\u00e9n\u00e9ralement trois grands types de technologie : il y a les amplis \u00e0 lampes, les amplis \u00e0 transistors et les amplis num\u00e9riques. Bien s\u00fbr, il y a aussi des hybrides qui m\u00e9langent plusieurs types mais pour l\u2019heure faisons au plus simple.<\/p>\n\n\n\n

Les amplis \u00e0 lampes sont les plus anciens technologiquement parlant, et ce sont g\u00e9n\u00e9ralement les plus simples en termes de r\u00e9glages. Leur point fort est le son, pas la richesse des options. On les choisit pour leur personnalit\u00e9 bien marqu\u00e9e, ce qui peut \u00eatre une qualit\u00e9 comme un d\u00e9faut. \u00c0 moins que tu ne saches d\u00e9j\u00e0 pr\u00e9cis\u00e9ment le son que tu recherches, les lampes seront donc plut\u00f4t une deuxi\u00e8me \u00e9tape. Si tu es f\u00e9ru de blues et que tu n\u2019as aucune envie de t\u2019int\u00e9resser \u00e0 d\u2019autres types de son, tu peux directement commencer par un Fender Blues Junior IV ou un Peavey Classic 30 II, et il est probable que tu n\u2019auras plus jamais besoin d\u2019autre chose.<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"Blues\n <\/div>\n\n
\n\n
\n\n \n

Fender<\/p>\n

Blues Junior IV<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (83)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 755 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Classic\n <\/div>\n\n
\n\n
\n\n \n

Peavey<\/p>\n

Classic 30 II 112 TW<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 849 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"THR10II\"\n\n <\/div>\n\n
\n\n
\n\n \n

Yamaha<\/p>\n

THR10II<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (190)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 329 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Katana\n <\/div>\n\n
\n\n
\n\n \n

Boss<\/p>\n

Katana 50 Gen 3<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (177)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 299 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Spark\n <\/div>\n\n
\n\n
\n\n \n

Positive Grid<\/p>\n

Spark 2 BK<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (292)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 259 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"MG30GFX\"\n\n <\/div>\n\n
\n\n
\n\n \n

Marshall<\/p>\n

MG30GFX<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (228)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 179 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Crush\n <\/div>\n\n
\n\n
\n\n \n

Orange<\/p>\n

Crush 35 RT<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (145)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 279 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Les amplis num\u00e9riques sont tout le contraire : c\u2019est une technologie beaucoup plus r\u00e9cente, qui permet des possibilit\u00e9s quasi-infinies, surtout dans le cas d\u2019amplis qui peuvent \u00eatre r\u00e9gl\u00e9s via une appli sur smartphone. Ils seront un moyen int\u00e9ressant de go\u00fbter \u00e0 de nombreuses saveurs sonores pour cerner plus pr\u00e9cis\u00e9ment ce qui te pla\u00eet vraiment. En plus, ils int\u00e8grent souvent des effets (a minima une reverb et une distorsion, mais souvent un delay et des modulations), ainsi qu\u2019un accordeur et des utilitaires (looper, bo\u00eete \u00e0 rythme, enceinte Bluetooth\u2026). Parmi les r\u00e9f\u00e9rences du genre, on trouve le Yamaha THR-10II, le Boss Katana 50 Gen 3 ou le Positive Grid Spark 2. Leur seul d\u00e9faut potentiel est d\u2019\u00eatre plus compliqu\u00e9s \u00e0 r\u00e9gler, et il faudra bien t\u2019assurer que l\u2019interface te para\u00eet suffisamment intuitive pour ne pas passer plus de temps \u00e0 r\u00e9gler ton son qu\u2019\u00e0 jouer.<\/p>\n\n\n\n

Les amplis \u00e0 transistor sont un entre-deux int\u00e9ressant. Ils sont plus simples que les amplis num\u00e9riques, mais plus solides et moins chers que les amplis \u00e0 lampes. Ils ont un c\u00f4t\u00e9 utilitaire qui correspondra bien aux besoins d\u2019un d\u00e9butant, surtout dans le cas de mod\u00e8les qui permettent quand m\u00eame quelques variations de son. Le Marshall MG30GFX est un classique du genre, d\u2019autant plus qu\u2019il int\u00e8gre des effets num\u00e9riques et un accordeur, mais il y a aussi le Orange Crush 35RT.<\/p>\n\n\n\n

\n
<\/div>
<\/div>

Vous \u00eates actuellement en train de consulter le contenu d’un espace r\u00e9serv\u00e9 de YouTube<\/strong>. Pour acc\u00e9der au contenu r\u00e9el, cliquez sur le bouton ci-dessous. Veuillez noter que ce faisant, des donn\u00e9es seront partag\u00e9es avec des providers tiers.<\/p> Plus d’informations<\/a> <\/div>

D\u00e9bloquer ce contenu<\/a> Accepter le service requis et d\u00e9bloquer son contenu<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n

<\/a>Quelle puissance ?<\/strong><\/h2>\n\n\n\n

On exprime la puissance d\u2019un ampli en watts, mais c\u2019est une mesure imparfaite et incompl\u00e8te. Ceux qui ont d\u00e9j\u00e0 eu le plaisir d\u2019entendre un Vox AC30 C2 pouss\u00e9 \u00e0 fond savent que, malgr\u00e9 ses 30 watts seulement, il n\u2019a rien \u00e0 envier \u00e0 la plupart des 100 watts du march\u00e9 ! Mais \u00e7a reste une indication qui peut t\u2019aider quand m\u00eame.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Pour la maison, une dizaine de watts suffiront. Dans le cas d\u2019un ampli \u00e0 lampes, on peut m\u00eame aller jusqu\u2019\u00e0 un seul watt puisque les watts \u00e0 lampes sont nettement plus puissants. C\u2019est ce qui a pouss\u00e9 Blackstar \u00e0 lancer le HT-1R MkIII dont la r\u00e9putation n\u2019est plus \u00e0 faire.<\/p>\n\n\n\n

Mais si tu veux jouer en groupe,surtout avec un batteur, il en faudra un peu plus sous le capot, de l\u2019ordre de 50 watts \u00e0 transistors ou 15 watts \u00e0 lampes.<\/p>\n\n\n\n

Cependant, il ne faut pas non plus n\u00e9gliger la taille du haut-parleur : en effet, la plupart des constructeurs ont tendance \u00e0 r\u00e9server les hauts-parleurs de grande taille aux plus grosses puissances, comme Marshall qui met un 8 pouces dans son MG15G et un 10 pouces dans son MG30GFX. Ainsi, m\u00eame si tu n\u2019as pas besoin de 30 watts de puissance et que 15 watts suffisent, l\u2019ampleur de son gagn\u00e9e avec le plus grand haut-parleur peut justifier l\u2019investissement suppl\u00e9mentaire.<\/p>\n\n\n\n

Dans tous les cas, le vrai investissement sera le temps que tu passeras avec ta guitare en main. Et pour donner envie de jouer, un ampli qui sonne bien sera un argument de poids\u2026 Litt\u00e9ralement !<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"AC30\n <\/div>\n\n
\n\n
\n\n \n

Vox<\/p>\n

AC30 C2<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (150)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1\u00a0098 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"HT-1R\n <\/div>\n\n
\n\n
\n\n \n

Blackstar<\/p>\n

HT-1R MKIII Combo<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 398 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"MG15G\"\n\n <\/div>\n\n
\n\n
\n\n \n

Marshall<\/p>\n

MG15G<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (174)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 99 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"MG30GFX\"\n\n <\/div>\n\n
\n\n
\n\n \n

Marshall<\/p>\n

MG30GFX<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (228)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 179 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n
\n
<\/div>
<\/div>

Vous \u00eates actuellement en train de consulter le contenu d’un espace r\u00e9serv\u00e9 de YouTube<\/strong>. Pour acc\u00e9der au contenu r\u00e9el, cliquez sur le bouton ci-dessous. Veuillez noter que ce faisant, des donn\u00e9es seront partag\u00e9es avec des providers tiers.<\/p> Plus d’informations<\/a> <\/div>

D\u00e9bloquer ce contenu<\/a> Accepter le service requis et d\u00e9bloquer son contenu<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n
PUBLICIT\u00c9<\/div>
\"\"<\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Lampes, Transistors, Combos ? Au secours, comment choisir son ampli guitare ? \ud83d\udd0a\ud83c\udfb8<\/p>\n","protected":false},"author":76,"featured_media":10003859,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[926,10724],"tags":[20778,10000098,10000099],"class_list":["post-25353","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear","category-tutos","tag-ampli-guitare","tag-amplificateur-guitare","tag-combo-guitare"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":5,"formatted":"5 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/25353","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/users\/76"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/comments?post=25353"}],"version-history":[{"count":7,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/25353\/revisions"}],"predecessor-version":[{"id":10003860,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/25353\/revisions\/10003860"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media\/10003859"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media?parent=25353"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/categories?post=25353"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/tags?post=25353"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}