{"id":24974,"date":"2019-05-11T17:40:56","date_gmt":"2019-05-11T15:40:56","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/?p=24974"},"modified":"2020-04-16T12:58:29","modified_gmt":"2020-04-16T10:58:29","slug":"les-differences-entre-une-overdrive-disto-et-fuzz","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/fr\/tutos\/les-differences-entre-une-overdrive-disto-et-fuzz\/","title":{"rendered":"Les diff\u00e9rences entre Overdrive, Distorsion et Fuzz"},"content":{"rendered":"<p>\u00c0 la fin des ann\u00e9es 40, les guitaristes de blues \u00e9lectrique poussaient d\u00e9j\u00e0 leurs amplis\u00a0dans leurs retranchements afin d&rsquo;obtenir ce grain sale satur\u00e9.\u00a0Dans les ann\u00e9es 50, des artistes tels que <strong>Chuck Berry<\/strong> qui \u00e9taient \u00e0 la recherche d&rsquo;un son de guitare mordant, jouaient\u00a0sur le <strong>r\u00e9glage de gain des\u00a0amplis<\/strong> pour leurs faire perdre leur\u00a0clart\u00e9 et obtenir cette <strong>overdrive<\/strong> et ce son <strong>crunchy <\/strong>tant convoit\u00e9s<strong>.<\/strong>\u00a0La seule fa\u00e7on d\u2019obtenir de la saturation \u00e9tait alors de mettre l&rsquo;ampli \u00e0 fond.<\/p>\n<p>Depuis, l&rsquo;\u00e9mergence des <strong><a href=\"http:\/\/www.thomann.de\/fr\/effets_guitares_et_basses.html\" target=\"_blank\" rel=\"noopener noreferrer\">p\u00e9dales d&rsquo;effets<\/a><\/strong> et l&rsquo;utilisation de r\u00e9ducteurs de puissance ont permis de recr\u00e9er de la saturation \u00e0 un volume moins \u00e9lev\u00e9. On distingue trois type d&rsquo;effets, <strong><a href=\"http:\/\/www.thomann.de\/fr\/distortions3.html?viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\">l&rsquo;overdrive, la distorsion et le fuzz<\/a><\/strong>. Nous allons nous attarder ici sur les diff\u00e9rences entre ces types d&rsquo;effets dont les appellations sont souvent confondues.<\/p>\n<div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"youtube-content-blocker\" data-borlabs-cookie-content=\"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\">\n<div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-youtube\">\n<div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.thomann.de\/blog\/app\/uploads\/borlabs-cookie\/4\/brlbs-cb-youtube-main.png')\"><\/div>\n<div class=\"brlbs-cmpnt-cb-main\">\n<div class=\"brlbs-cmpnt-cb-play-button\"><\/div>\n<div class=\"brlbs-cmpnt-cb-content\">\n<p class=\"brlbs-cmpnt-cb-description\">Vous \u00eates actuellement en train de consulter le contenu d&rsquo;un espace r\u00e9serv\u00e9 de <strong>YouTube<\/strong>. Pour acc\u00e9der au contenu r\u00e9el, cliquez sur le bouton ci-dessous. Veuillez noter que ce faisant, des donn\u00e9es seront partag\u00e9es avec des providers tiers.<\/p>\n<p> <a class=\"brlbs-cmpnt-cb-provider-toggle\" href=\"#\" data-borlabs-cookie-show-provider-information role=\"button\">Plus d&rsquo;informations<\/a> <\/div>\n<div class=\"brlbs-cmpnt-cb-buttons\"> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">D\u00e9bloquer ce contenu<\/a> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-accept-service role=\"button\" style=\"display: inherit\">Accepter le service requis et d\u00e9bloquer son contenu<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<h2 style=\"text-align: center;\"><strong><a href=\"http:\/\/www.thomann.de\/fr\/distortions3.html?filter=true&amp;feature-16995=true\" target=\"_blank\" rel=\"noopener noreferrer\">Overdrive<\/a><\/strong><\/h2>\n<p><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/04\/les-differences-entre-une-overdrive-disto-et-fuzz.png\" rel=\"attachment wp-att-25048\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-25048\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/04\/les-differences-entre-une-overdrive-disto-et-fuzz.png\" alt=\"Ibanez TS-808\" width=\"177\" height=\"195\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/04\/les-differences-entre-une-overdrive-disto-et-fuzz.png 516w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/04\/les-differences-entre-une-overdrive-disto-et-fuzz-273x300.png 273w\" sizes=\"(max-width: 177px) 100vw, 177px\" \/><\/a><br \/>\nElle a pour but de recr\u00e9er le son d&rsquo;un <strong><a href=\"http:\/\/www.thomann.de\/fr\/combos_avec_amplificateur_lampes.html?viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\">ampli \u00e0 lampes<\/a><\/strong> pouss\u00e9 au maximum et produit une sorte de distorsion chaude tr\u00e8s appr\u00e9ci\u00e9e des guitaristes de blues\/rock.<br \/>\nAvec l&rsquo;ampli pouss\u00e9 \u00e0 fond, le signal amplifi\u00e9 va exc\u00e9der la capacit\u00e9 du tube et\u00a0d\u00e9former l&rsquo;onde sonore comme le montre le sch\u00e9ma ci dessous.<\/p>\n<p><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/04\/les-differences-entre-une-overdrive-disto-et-fuzz.jpg\" rel=\"attachment wp-att-25030\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-25030 aligncenter\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/04\/les-differences-entre-une-overdrive-disto-et-fuzz.jpg\" alt=\"\" width=\"315\" height=\"210\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/04\/les-differences-entre-une-overdrive-disto-et-fuzz.jpg 596w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/04\/les-differences-entre-une-overdrive-disto-et-fuzz-300x200.jpg 300w\" sizes=\"(max-width: 315px) 100vw, 315px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/04\/les-differences-entre-une-overdrive-disto-et-fuzz-5.jpg\" rel=\"attachment wp-att-25044\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-25044 alignright\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2016\/04\/les-differences-entre-une-overdrive-disto-et-fuzz-5.jpg\" alt=\"BSM BM-Q Treble Booster\" width=\"135\" height=\"206\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/04\/les-differences-entre-une-overdrive-disto-et-fuzz-5.jpg 392w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2016\/04\/les-differences-entre-une-overdrive-disto-et-fuzz-5-196x300.jpg 196w\" sizes=\"(max-width: 135px) 100vw, 135px\" \/><\/a>Un autre mani\u00e8re de pousser de le signal de la guitare et de faire saturer l&rsquo;ampli est d&rsquo;utiliser un <strong><a href=\"http:\/\/www.thomann.de\/fr\/autres_effets_guitares_electroniques.html?filter=true&amp;feature-17005%5B0%5D=Booster\" target=\"_blank\" rel=\"noopener noreferrer\">booster<\/a><\/strong>. <strong>Brian May<\/strong> ou <strong>Ritchie Blackmore<\/strong> sont bien connus pour leur utilisation du <strong><a href=\"http:\/\/www.thomann.de\/fr\/bsm_treble_booster_bmq.htm\" target=\"_blank\" rel=\"noopener noreferrer\">treble booster<\/a><\/strong> coupl\u00e9 avec des amplis \u00e0 lampes comme le <strong><a href=\"http:\/\/www.thomann.de\/fr\/vox_ac30_c2_gitarrencombo.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Vox AC30<\/a><\/strong> ou le <strong><a href=\"http:\/\/www.thomann.de\/fr\/marshall_1962_bluesbreaker.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Marshall Bluesbreaker<\/a><\/strong>.\u00a0Les p\u00e9dales d&rsquo;overdrive ajoutent des harmoniques chaudes et sonnent plus cr\u00e9meuses et plus douces \u00e0 l&rsquo;oreille par rapport aux\u00a0p\u00e9dales de distorsion.<\/p>\n<p><strong>Stevie Ray Vaughan<\/strong> utilisait par exemple la l\u00e9gendaire <a href=\"http:\/\/www.thomann.de\/fr\/search_dir.html?bf=&amp;sw=170627+104010&amp;viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Ibanez Tube Screamer<\/strong><\/a> tandis que <strong>Eddie Van Halen<\/strong> jouait lui avec la mythique <strong><a href=\"http:\/\/www.thomann.de\/fr\/boss_sd1_super_overdrive.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Boss SD-1.<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>\n<div class=\"advads-content-injection-before-2-h2 advads-entity-placement\" style=\"text-align: center;\" id=\"advads-2130504249\"><div class=\"advads-adlabel\">PUBLICIT\u00c9<\/div><div id=\"advads-3916057832\"><a href=\"https:\/\/www.thomann.de\/intl\/index.html?utm_medium=display&#038;utm_source=partnersite&#038;utm_campaign=branding&#038;utm_content=thoshop&#038;utm_term=gemischt\" target=\"_blank\" aria-label=\"2502_Gear_Banner_Gemischt_729x90_EN_v01\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01.jpg\" alt=\"\"  srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01.jpg 728w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01-300x37.jpg 300w\" sizes=\"(max-width: 728px) 100vw, 728px\" width=\"728\" height=\"90\"   \/><\/a><\/div><\/div><h2 style=\"text-align: center;\"><strong><a href=\"http:\/\/www.thomann.de\/fr\/distortions3.html?filter=true&amp;feature-16996=true\" target=\"_blank\" rel=\"noopener noreferrer\">Distorsion<\/a><\/strong><\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-376387 alignleft\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2019\/05\/7536173_800-174x300.jpg\" alt=\"\" width=\"120\" height=\"207\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2019\/05\/7536173_800-174x300.jpg 174w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2019\/05\/7536173_800.jpg 347w\" sizes=\"(max-width: 120px) 100vw, 120px\" \/><br \/>\nLa distorsion produit une sonorit\u00e9 beaucoup plus satur\u00e9e que l&rsquo;overdrive et est utilis\u00e9e pour obtenir un <strong>son plus p\u00eachu; <\/strong>son signal est plus \u00e9cr\u00eat\u00e9\u00a0et moins naturel. Les <strong><a href=\"http:\/\/www.thomann.de\/fr\/distortions3.html?filter=true&amp;feature-16996=true\" target=\"_blank\" rel=\"noopener noreferrer\">p\u00e9dales de distorsion<\/a><\/strong> sont particuli\u00e8rement appr\u00e9ci\u00e9es dans le rock, le grunge et le metal pour leur <strong>sonorit\u00e9 agressive, intense et pr\u00e9cise.<\/strong><\/p>\n<p><strong>Randy Rhoads<\/strong> et <strong>Dimebag Darrel<\/strong> \u00e9taient de fervents utilisateurs de la <strong><a href=\"http:\/\/www.thomann.de\/fr\/mxr_distortion_plus_bodeneffekt.htm\" target=\"_blank\" rel=\"noopener noreferrer\">MXR Distortion Plus<\/a><\/strong>\u00a0tandis que <strong>Steve Vai, Yngwie Malmsteen <\/strong>et<strong> Joe Satriani<\/strong> ont beaucoup utilis\u00e9 la <strong><a href=\"http:\/\/www.thomann.de\/fr\/boss_ds1_distortion.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Boss DS-1<\/a>.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: center;\"><strong><a href=\"http:\/\/www.thomann.de\/fr\/distortions3.html?filter=true&amp;feature-16997=true\" target=\"_blank\" rel=\"noopener noreferrer\">Fuzz<\/a><\/strong><\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-376386 \" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2019\/05\/12432397_800-194x300.jpg\" alt=\"\" width=\"133\" height=\"206\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2019\/05\/12432397_800-194x300.jpg 194w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2019\/05\/12432397_800.jpg 388w\" sizes=\"(max-width: 133px) 100vw, 133px\" \/><\/p>\n<p>Les <a href=\"http:\/\/www.thomann.de\/fr\/distortions3.html?filter=true&amp;feature-16997=true\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>p\u00e9dales de Fuzz<\/strong><\/a> sont les plus anciennes parmi les p\u00e9dales d&rsquo;effets de saturation. Elles produisent un <strong>son gras riche en harmoniques<\/strong>, comme une sorte de bourdon, caract\u00e9ristique du <strong>rock psych\u00e9d\u00e9lique<\/strong> des ann\u00e9es 60. Elle va reproduire le son d&rsquo;un<strong> ampli d\u00e9fectueux<\/strong>, et allonger la dur\u00e9e de la note jou\u00e9e.<\/p>\n<p>Parmi les mod\u00e8les c\u00e9l\u00e8bres on retrouve la\u00a0<strong><a href=\"http:\/\/www.thomann.de\/fr\/dunlop_jimi_hendrix_fuzz_face_mini.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Fuzz Face<\/a><\/strong> utilis\u00e9e par <strong>Jimi Hendrix<\/strong> ou l&rsquo;<strong><a href=\"http:\/\/www.thomann.de\/fr\/electro_harmonix_bigmuff_pi.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Electro Harmonix Big Muff PI<\/a><\/strong> pris\u00e9e par <strong>Carlos Santana\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<div class=\"advads-content-injection-before-content advads-entity-placement\" style=\"text-align: center;\" id=\"advads-4033234185\"><div class=\"advads-adlabel\">PUBLICIT\u00c9<\/div><div id=\"advads-1999535044\"><a href=\"https:\/\/www.thomann.de\/intl\/index.html?utm_medium=display&#038;utm_source=partnersite&#038;utm_campaign=branding&#038;utm_content=thoshop&#038;utm_term=gemischt\" target=\"_blank\" aria-label=\"2502_Gear_Banner_Gemischt_729x90_EN_v01\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01.jpg\" alt=\"\"  srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01.jpg 728w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/4\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01-300x37.jpg 300w\" sizes=\"(max-width: 728px) 100vw, 728px\" width=\"728\" height=\"90\"   \/><\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Dire que la musique rock ne serait pas la m\u00eame aujourd&rsquo;hui sans l&rsquo;invention de la distorsion est un doux euph\u00e9misme&#8230;<\/p>\n","protected":false},"author":18,"featured_media":376368,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[10724],"tags":[],"class_list":["post-24974","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tutos"],"category_colors":{"color_key":"learn","css_classes":{"text":"cat-learn","text_light":"cat-learn-light","bg":"cat-bg-learn","bg_light":"cat-bg-learn-light","border":"cat-border-learn","text_on_bg":"cat-text-on-learn"}},"reading_time":{"minutes":2,"formatted":"2 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/24974","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/comments?post=24974"}],"version-history":[{"count":0,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/24974\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media\/376368"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media?parent=24974"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/categories?post=24974"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/tags?post=24974"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}