{"id":10014953,"date":"2026-06-09T09:55:00","date_gmt":"2026-06-09T07:55:00","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/fr\/?p=10014953"},"modified":"2026-06-08T10:47:30","modified_gmt":"2026-06-08T08:47:30","slug":"new-gear-juin-notre-jolie-selection","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/fr\/gear\/new-gear-juin-notre-jolie-selection\/","title":{"rendered":"New Gear Juin 2026 – Notre S\u00e9lection"},"content":{"rendered":"\n

L\u2019\u00e9t\u00e9 arrive, et avec lui une nouvelle vague de nouveaut\u00e9s ! \ud83c\udf0a Cette fois-ci, au programme : une batterie tellement compacte qu’elle rentrera dans absolument n’importe quel endroit, un mixeur tout aussi compact et une interface audio miniature. Ensuite, une basse, une guitare \u00e9lectrique, des amplis, des effets, du hardware, des claviers USB, une MPC au look r\u00e9tro et un contr\u00f4leur DMX. Pfiou. On a du pain sur la planche, c\u2019est parti !<\/p>\n\n\n\n

Nuvo Zip-Kit Essential Drum Kit<\/strong><\/h2>\n\n\n\n

Jouer de la batterie, c\u2019est toujours g\u00e9nial. Si seulement l\u2019instrument n\u2019\u00e9tait pas aussi encombrant, tu pourrais l\u2019emporter partout avec toi. Et justement, c\u2019est possible ! C’est ce que propose la Nuvo Zip-Kit Essential Drum Kit. Voil\u00e0 une batterie acoustique compl\u00e8te et compacte qui se range facilement \u00e0 l\u2019int\u00e9rieur de sa propre grosse caisse pour le transport et le stockage. En d\u00e9placement ou en cours, cette batterie est la meilleure solution quand on a des probl\u00e8mes de place.<\/p>\n\n\n

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Nuvo<\/p>\n

Zip-Kit Essential Drum Kit<\/h3>\n <\/span>\n\n
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\n \n 319 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n
PUBLICIT\u00c9<\/div>
\"\"<\/a><\/div><\/div>

Teenage Engineering EP-136 K.O. Sidekick<\/strong><\/h2>\n\n\n\n

\u00c0 l\u2019origine, Teenage Engineering voulait \u00ab simplement \u00bb concevoir une mixette pour le sampler K.O. II. Le r\u00e9sultat va bien au-del\u00e0 : un mixeur 2 canaux avec processeur d\u2019effets int\u00e9gr\u00e9, interface audio dot\u00e9e de 8 entr\u00e9es et 4 sorties, s\u00e9quenceur Tap FX, fonction de beat matching et bien plus encore. Un mixeur id\u00e9al pour les DJs et producteurs \u00e0 la recherche d\u2019un maximum de fonctionnalit\u00e9s dans un format compact au design plut\u00f4t sympa.<\/p>\n\n\n

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Teenage Engineering<\/p>\n

EP-136 K.O. Sidekick<\/h3>\n <\/span>\n\n
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Harley Benton MV-4JB BassTheWorld<\/strong><\/h2>\n\n\n\n

La Harley Benton MV-4JB BassTheWorld est le nouveau mod\u00e8le signature de la c\u00e9l\u00e8bre cha\u00eene YouTube BassTheWorld, consacr\u00e9e \u2013 tu l\u2019auras devin\u00e9 \u2013 \u00e0 tous les trucs GRAVES. Quelques caract\u00e9ristiques de cette basse bien sympa : corps en aulne am\u00e9ricain, manche viss\u00e9 en \u00e9rable canadien torr\u00e9fi\u00e9 avec Roseacer Skunk Stripe, touche en laurier. Le tout est compl\u00e9t\u00e9 par deux micros simple bobinage Tesla VR-1B Alnico 5 et une superbe finition Shell Pink. Tu retrouveras tous les d\u00e9tails sur la page produit ci-dessous.<\/p>\n\n\n

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Harley Benton<\/p>\n

MV-4JB BassTheWorld<\/h3>\n <\/span>\n\n
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Gravity KS MKS 01 B<\/strong><\/h2>\n\n\n\n

Depuis le retour en force des synth\u00e9tiseurs hardware, la question du support est redevenue incontournable. Le Gravity KS MKS 01 B apporte la solution : un stand multi-claviers en aluminium thermolaqu\u00e9 avec hauteur, inclinaison et espacement des bras r\u00e9glables. Parfait pour les synth\u00e9s, claviers, grooveboxes et bien plus encore. <\/p>\n\n\n

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Gravity<\/p>\n

KS MKS 01 B<\/h3>\n <\/span>\n\n
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Positive Grid Reactor 50 et Reactor 100<\/strong><\/h2>\n\n\n\n

Positive Grid lance deux nouveaux amplis combo pour guitare \u00e9lectrique. Les deux mod\u00e8les sont \u00e9quip\u00e9s d\u2019un DSP bas\u00e9 sur l\u2019IA, d\u2019un contr\u00f4le via application et d\u2019un haut-parleur de 12 pouces. Le Reactor 50 d\u00e9livre jusqu\u2019\u00e0 50 watts de puissance, tandis que le Reactor 100 monte \u00e0 100 watts. En contrepartie, le Reactor 50 est un peu plus compact et l\u00e9ger. Pour obtenir le meilleur son possible, ils utilisent la technologie BIAS X Engine et une mod\u00e9lisation DSP bas\u00e9e sur les composants. C\u00f4t\u00e9 intelligence artificielle, on retrouve la g\u00e9n\u00e9ration de sons \u00e0 partir de texte, d\u2019audio ou d\u2019images, ainsi qu\u2019un affinage sonore pilot\u00e9 en langage naturel. Parfaits pour la sc\u00e8ne, le studio et le local de r\u00e9p\u00e9tition !<\/p>\n\n\n

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Positive Grid<\/p>\n

Reactor 50<\/h3>\n <\/span>\n\n
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Positive Grid<\/p>\n

Reactor 100<\/h3>\n <\/span>\n\n
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Underdog Chuck<\/strong><\/h2>\n\n\n\n

L\u2019Underdog Chuck est un ampli\/multi-effet hybride dot\u00e9 d\u2019un v\u00e9ritable pr\u00e9ampli \u00e0 lampes associ\u00e9 \u00e0 une section num\u00e9rique pour les effets et la m\u00e9morisation des presets. Il s\u2019adresse \u00e0 tous ceux qui recherchent une alternative haut de gamme aux p\u00e9dales individuelles r\u00e9unies dans un seul appareil. Il est livr\u00e9 avec 7 presets et 12 IR d\u2019usine, auxquels peuvent s\u2019ajouter 20 IR utilisateur. Pour un acc\u00e8s rapide, des commutateurs d\u00e9di\u00e9s contr\u00f4lent le booster, le changement de canal, la r\u00e9verb\u00e9ration, le delay, le chorus et la wah. Des potentiom\u00e8tres sont disponibles pour le booster, le pr\u00e9ampli, l\u2019\u00e9galisation et les effets. L\u2019\u00e9cran LED couleur affiche clairement les principaux param\u00e8tres, m\u00eame sur sc\u00e8ne. Pour tous les d\u00e9tails, n\u2019h\u00e9site pas \u00e0 consulter notre page produit.<\/p>\n\n\n

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Underdog<\/p>\n

Chuck<\/h3>\n <\/span>\n\n
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Novation FLkey 2<\/a><\/strong><\/h2>\n\n\n\n

Avec la s\u00e9rie FLkey 2, Novation pr\u00e9sente quatre nouveaux claviers USB-MIDI optimis\u00e9s pour fonctionner avec FL Studio, disponibles dans diff\u00e9rentes tailles. Le FLkey 2 Mini 25 dispose de 25 mini-touches, le FLkey 2 37 de 37 touches standard, tandis que les FLkey 2 49 et 61 offrent respectivement 49 et 61 touches semi-lest\u00e9es. Tous les mod\u00e8les int\u00e8grent des modes Scale et Chord, un arp\u00e9giateur, 16 pads avec aftertouch polyphonique, 8 encodeurs rotatifs sans fin, des molettes de pitch bend et de modulation, des commandes de changement d\u2019octave et de transport, ainsi qu\u2019une compatibilit\u00e9 NKS. Parfaits pour piloter l\u2019une des DAW les plus populaires du moment !<\/p>\n\n\n

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Novation<\/p>\n

FLkey 2 37<\/h3>\n <\/span>\n\n
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Novation<\/p>\n

FLkey 2 49<\/h3>\n <\/span>\n\n
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Novation<\/p>\n

FLkey 2 61<\/h3>\n <\/span>\n\n
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Novation<\/p>\n

FLkey 2 Mini 25<\/h3>\n <\/span>\n\n
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Jackson Pro Wes Borland KV BLKWHT<\/strong><\/h2>\n\n\n\n

Le mod\u00e8le signature du guitariste de Limp Bizkit, Wes Borland est l\u00e0 ! Et en plus d\u2019avoir de la gueule : Jackson a \u00e9galement mis le paquet sur les sp\u00e9cifications. Le corps est en nyatoh, tandis que la touche en \u00e9b\u00e8ne repose sur un manche traversant en \u00e9rable renforc\u00e9 au graphite. C\u00f4t\u00e9 \u00e9lectronique, on retrouve un humbucker Seymour Duncan Invader SH8 en position chevalet, associ\u00e9 \u00e0 un vibrato Floyd Rose 1500 Series Double-Locking. Quant \u00e0 sa finition noire, inutile de rentrer dans les d\u00e9tails, cette guitare ne fait aucun compromis !<\/p>\n\n\n

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Jackson<\/p>\n

Pro Wes Borland KV BLKWHT<\/h3>\n <\/span>\n\n
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SSL 1<\/strong><\/h2>\n\n\n\n

L\u2019interface audio USB-C SSL 1 en configuration 2×2 est \u00e9quip\u00e9e de convertisseurs AKM4621 compatibles 32 bits \/ 192 kHz ainsi que d\u2019un pr\u00e9ampli micro haut de gamme avec alimentation fant\u00f4me commutable. En activant le bouton Legacy \u00ab 4K \u00bb, tu ajoutes une coloration sonore inspir\u00e9e des consoles SSL s\u00e9rie 4000. Si tu recherches une interface audio compacte avec un son l\u00e9gendaire, la SSL 1 m\u00e9rite clairement ton attention !<\/p>\n\n\n

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SSL<\/p>\n

1<\/h3>\n <\/span>\n\n
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AKAI Professional MPC Live III Retro<\/strong><\/h2>\n\n\n\n

Apr\u00e8s la version noire standard de sa MPC Live III, AKAI propose d\u00e9sormais une \u00e9dition Retro reprenant le c\u00e9l\u00e8bre coloris beige des machines mythiques des ann\u00e9es 1980. On retrouve ici le syst\u00e8me MPC3 OS, un processeur 8 c\u0153urs de deuxi\u00e8me g\u00e9n\u00e9ration, 8 Go de RAM, 128 Go de stockage interne et 16 pads RGB sensibles \u00e0 la v\u00e9locit\u00e9 int\u00e9grant une nouvelle technologie de capteurs 3D. Avec cette \u00e9dition sp\u00e9ciale, la MPC retrouve l\u2019apparence qui a marqu\u00e9 toute une g\u00e9n\u00e9ration de producteurs.<\/p>\n\n\n

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AKAI Professional<\/p>\n

MPC Live III Retro<\/h3>\n <\/span>\n\n
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\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Electro Harmonix Big Muff 2 Fuzz w\/ Tone Wicker<\/strong><\/h2>\n\n\n\n

Depuis le d\u00e9but des ann\u00e9es 1970, le nom \u00ab Big Muff \u00bb fait vibrer le c\u0153ur des guitaristes amateurs de saturation. Le tout premier mod\u00e8le a notamment \u00e9t\u00e9 utilis\u00e9 par David Gilmour et Carlos Santana. Cette version Fuzz reprend le c\u00e9l\u00e8bre circuit Dual Op-Amp Big Muff Pi, enrichi des fonctions Tone Wicker et Tone Switch pour offrir encore plus de possibilit\u00e9s sonores. Un Big Muff a sa place sur presque tous les pedalboards. Pourquoi pas celui-ci ?<\/p>\n\n\n

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\n \"Big\n <\/div>\n <\/div>\n \n \n
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Electro Harmonix<\/p>\n

Big Muff 2 Fuzz w\/ Tone Wicker<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
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\n \n 139 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Wolfmix W1 Mk3<\/strong><\/h2>\n\n\n\n

Contr\u00f4ler un \u00e9clairage n\u2019a jamais \u00e9t\u00e9 aussi simple : le Wolfmix W1 Mk3 est un contr\u00f4leur DMX autonome compatible avec tous les appareils DMX. Aucun ordinateur n\u2019est n\u00e9cessaire. Il peut piloter jusqu\u2019\u00e0 680 projecteurs r\u00e9partis sur 4 univers DMX. Il prend en charge jusqu\u2019\u00e0 50 types d\u2019appareils, 8 groupes de projecteurs, 6 projets et plus de 15 000 fixtures. N\u2019h\u00e9site pas \u00e0 consulter les sp\u00e9cifications compl\u00e8tes sur notre page produit ci-dessous.<\/p>\n\n\n

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Wolfmix<\/p>\n

W1 Mk3<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
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\n (3)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 829 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

New Gear Juin 2026 – Tu as encore des questions sur les produits pr\u00e9sent\u00e9s ici ou sur d\u2019autres r\u00e9f\u00e9rences ?<\/strong><\/h2>\n\n\n\n

Nos musiciens, techniciens et vendeurs sp\u00e9cialistes de chaque d\u00e9partement se feront un plaisir de t\u2019aider. Il te suffit de cliquer sur le bouton \u00ab Conseil \u00bb pr\u00e9sent sur chaque page produit ou de contacter notre service client via notre site web afin de convenir d\u2019un rendez-vous t\u00e9l\u00e9phonique. Nous pouvons \u00e9galement te rappeler. Et bien s\u00fbr, nous sommes toujours ravis de t\u2019accueillir dans notre magasin \u00e0 Treppendorf (Allemagne), o\u00f9 tu pourras \u00e9changer directement avec nos \u00e9quipes !<\/p>\n\n\n\n

As-tu d\u00e9j\u00e0 eu l\u2019occasion d\u2019essayer l\u2019une de ces nouveaut\u00e9s ? N\u2019h\u00e9site pas \u00e0 nous laisser un commentaire !<\/p>\n

PUBLICIT\u00c9<\/div>
\"\"<\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"

L\u2019\u00e9t\u00e9 arrive, et avec lui une nouvelle vague de nouveaut\u00e9s ! \ud83c\udf0a <\/p>\n","protected":false},"author":63,"featured_media":10014981,"comment_status":"open","ping_status":"0","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[926],"tags":[],"class_list":["post-10014953","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":6,"formatted":"6 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10014953","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/users\/63"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/comments?post=10014953"}],"version-history":[{"count":9,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10014953\/revisions"}],"predecessor-version":[{"id":10014979,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10014953\/revisions\/10014979"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media\/10014981"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media?parent=10014953"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/categories?post=10014953"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/tags?post=10014953"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}