{"id":10014247,"date":"2026-04-24T15:00:00","date_gmt":"2026-04-24T13:00:00","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/fr\/?p=10014247"},"modified":"2026-04-24T11:53:53","modified_gmt":"2026-04-24T09:53:53","slug":"amplis-qui-ont-fait-le-son-metal","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/fr\/gear\/amplis-qui-ont-fait-le-son-metal\/","title":{"rendered":"Les 5 Amplis qui ont… fait le son m\u00e9tal \ud83e\udd18"},"content":{"rendered":"\n

Amplis qui ont fait le son metal : la qu\u00eate du son est source d\u2019obsession et de frustration pour tout guitariste qui se respecte. Mais dans le cas du son m\u00e9tal, le d\u00e9fi est encore plus compliqu\u00e9. Contrairement \u00e0 des styles comme le rock, le blues et la pop o\u00f9 des sons assez diff\u00e9rents peuvent \u00eatre utilis\u00e9s, le son de guitare des diff\u00e9rents sous-genres de m\u00e9tal est tr\u00e8s codifi\u00e9 et ne s\u2019obtient qu\u2019avec certains amplis. Si tu avais d\u00e9j\u00e0 achet\u00e9 un Fender Twin Reverb ou un Peavey Classic 30 avant de lire cet article, il reste \u00e9videmment possible de bricoler avec des p\u00e9dales. Mais pour te guider dans la qu\u00eate du gros son qui tue, voici l\u2019histoire des cinq amplis majeurs qui ont b\u00e2ti le grain m\u00e9tal.<\/p>\n\n\n

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Fender<\/p>\n

65 Twin Reverb<\/h3>\n <\/span>\n\n
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\n (40)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 2\u00a0199 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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Peavey<\/p>\n

Classic 30 II 112 TW<\/h3>\n <\/span>\n\n
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\n \n 849 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
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Marshall JCM800<\/h2>\n\n\n\n