{"id":10008503,"date":"2026-01-13T09:55:00","date_gmt":"2026-01-13T08:55:00","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/fr\/?p=10008503"},"modified":"2026-01-12T15:48:15","modified_gmt":"2026-01-12T14:48:15","slug":"new-gear-janvier-notre-selection","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/fr\/gear\/new-gear-janvier-notre-selection\/","title":{"rendered":"New Gear – Janvier 2026"},"content":{"rendered":"\n

La nouvelle ann\u00e9e d\u00e9marre avec de nouvelles p\u00e9dales d\u2019effets, du format compact au format taill\u00e9 pour les stades, de quoi s’accorder, et le retour tr\u00e8s attendu… d’une surprise (c’est culte !). C\u2019est parti ! \ud83e\uddd1\u200d\ud83d\ude80<\/p>\n\n\n\n

Valeton GP-50<\/h2>\n\n\n\n

Cette p\u00e9dale multi-effets pour guitare<\/strong> est la version \u00e9tendue de la Valeton<\/strong> GP-5. Gr\u00e2ce \u00e0 la batterie int\u00e9gr\u00e9e<\/strong> de la GP-50<\/strong>, tu profites d\u00e9sormais de jusqu\u2019\u00e0 4 heures d\u2019autonomie. En plus des multi-effets, des fonctions SnapTone<\/strong> et IR loader<\/strong>, elle int\u00e8gre aussi un looper<\/strong> et une bo\u00eete \u00e0 rythmes<\/strong>. Jusqu\u2019\u00e0 9 modules<\/strong> peuvent \u00eatre utilis\u00e9s simultan\u00e9ment<\/strong>. Les footswitches personnalisables<\/strong> garantissent un contr\u00f4le optimal sur une large palette d\u2019effets.<\/p>\n\n\n

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\n \"GP-50\"\n\n <\/div>\n <\/div>\n \n \n
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Valeton<\/p>\n

GP-50<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n (116)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 119 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n
PUBLICIT\u00c9<\/div>
\"\"<\/a><\/div><\/div>

Harley Benton PitchMate Clip<\/h2>\n\n\n\n

Que tu joues de la guitare<\/strong>, de la basse<\/strong> ou du ukul\u00e9l\u00e9<\/strong>, avec cet accordeur<\/strong>, tu as le contr\u00f4le sur chaque note ! Il est ultra-pr\u00e9cis<\/strong>, super rapide<\/strong> et prend en charge l\u2019accordage chromatique, la guitare standard (y compris les r\u00e9glages drop et capo), la guitare compens\u00e9e (inspir\u00e9e de James Taylor), la basse (jusqu\u2019\u00e0 6 cordes en Si grave) et le ukul\u00e9l\u00e9. Gr\u00e2ce au port USB<\/strong>, la batterie interne<\/strong> se recharge rapidement. L\u2019outil id\u00e9al pour un accordage parfait \u00e0 chaque fois.<\/p>\n\n\n

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Harley Benton<\/p>\n

PitchMate Clip<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n \n 12,90 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Line6 Helix Stadium XL Floor<\/h2>\n\n\n\n

Les effets, on en veut toujours plus ! Si tu veux vraiment avoir tous tes effets clairement dispos\u00e9s et accessibles en un instant dans une p\u00e9dale multi-effets pour guitare et basse<\/strong>, le Line6 Helix Stadium XL Floor<\/strong> est fait pour toi. Ce mod\u00e9lisateur haut de gamme<\/strong> de derni\u00e8re g\u00e9n\u00e9ration est tout simplement le centre n\u00e9vralgique id\u00e9al pour ton prochain concert<\/strong>, aussi bien en studio<\/strong> que sur sc\u00e8ne<\/strong>.<\/p>\n\n\n\n

Le moteur de mod\u00e9lisation a encore franchi un cap, une interface audio int\u00e9gr\u00e9e<\/strong> est de la partie, et tu peux m\u00eame piloter la vid\u00e9o et l\u2019\u00e9clairage depuis l\u2019appareil. Tous les d\u00e9tails sont \u00e0 retrouver sur notre page produit.<\/p>\n\n\n

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Line6<\/p>\n

Helix Stadium XL Floor<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n \n 2\u00a0318 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Evans DAPCK Drum Key<\/h2>\n\n\n\n

La cl\u00e9 d\u2019accordage Evans DAPCK<\/strong> est bien plus qu\u2019une simple cl\u00e9 de batterie<\/strong>. Gr\u00e2ce \u00e0 son syst\u00e8me de c\u00e2ble int\u00e9gr\u00e9<\/strong>, le changement de peaux<\/strong> se fait en un temps record<\/strong>. Les anciennes peaux sont desserr\u00e9es en quelques instants, les nouvelles accord\u00e9es et pr\u00eates \u00e0 jouer en quelques secondes. Et bien s\u00fbr, avec l\u2019emmanchement carr\u00e9 sur la face inf\u00e9rieure, tu peux toujours l\u2019utiliser comme une cl\u00e9 d\u2019accordage totalement classique. Un indispensable \u00e0 avoir toujours sur soi.<\/p>\n\n\n

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Evans<\/p>\n

DAPCK Drum Key<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n \n 45 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Electro-Harmonix Big Muff PI 2 Fuzz<\/h2>\n\n\n\n

La Big Muff<\/strong> est l\u2019une des p\u00e9dales fuzz<\/strong> les plus populaires de tous les temps. Et la derni\u00e8re version de cette p\u00e9dale d\u2019effets<\/strong> sign\u00e9e Electro-Harmonix<\/strong> embarque le circuit Big Muff Pi \u00e0 double ampli-op 2<\/strong>, d\u00e9velopp\u00e9 \u00e0 l\u2019origine dans les ann\u00e9es 1970 par Bob Myer et Mike Matthews \u2013 les cr\u00e9ateurs de la toute premi\u00e8re Big Muff \u2013 puis r\u00e9cemment red\u00e9couvert par Josh Scott (JHS Pedals) et Daniel Danger. Un son l\u00e9gendaire dans un format compact, un must-have pour tous les guitaristes.<\/p>\n\n\n

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\n \"Big\n <\/div>\n <\/div>\n \n \n
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Electro Harmonix<\/p>\n

Big Muff PI 2 Fuzz<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n \n 119 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

tc electronic M100<\/h2>\n\n\n\n

C\u2019est nouveau ? La r\u00e9ponse est tr\u00e8s clairement \u00ab oui et non \u00bb ! La premi\u00e8re g\u00e9n\u00e9ration du tc electronic M100<\/strong> remonte \u00e0 2019. Gr\u00e2ce \u00e0 son excellente qualit\u00e9 d\u2019effets<\/strong>, avec un acc\u00e8s simple aux effets standards les plus populaires et \u00e0 leurs param\u00e8tres essentiels, il a rencontr\u00e9 un \u00e9norme succ\u00e8s. Mais ce multi-effets st\u00e9r\u00e9o<\/strong> n\u2019\u00e9tait plus disponible depuis plusieurs ann\u00e9es.<\/p>\n\n\n\n

Il fait enfin son retour dans une nouvelle \u00e9dition<\/strong>, d\u00e9sormais \u00e9quip\u00e9e du MIDI pour le changement de param\u00e8tres et les mises \u00e0 jour du firmware. Une pi\u00e8ce indispensable dans n\u2019importe quel rack, du home studio aux plus grandes sc\u00e8nes.<\/p>\n\n\n

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\n \"M100\"\n\n <\/div>\n <\/div>\n \n \n
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tc electronic<\/p>\n

M100<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
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\n \n 129 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

New Gear \u2013 nouveau mat\u00e9riel musical : ton avis<\/h2>\n\n\n\n

As-tu un produit pr\u00e9f\u00e9r\u00e9 parmi ces nouveaut\u00e9s ou utilises-tu d\u00e9j\u00e0 l\u2019un d\u2019entre eux ? Dis-le-nous en commentaire !<\/p>\n\n\n\n

<\/p>\n

PUBLICIT\u00c9<\/div>
\"\"<\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"

La nouvelle ann\u00e9e d\u00e9marre avec de nouvelles p\u00e9dales d\u2019effets, du format compact au format taill\u00e9 pour les stades, de quoi s’accorder, et le retour tr\u00e8s attendu… d’une surprise (c’est culte !). C\u2019est parti ! \ud83e\uddd1\u200d\ud83d\ude80 Valeton GP-50 Cette p\u00e9dale multi-effets pour guitare est la version \u00e9tendue de la Valeton GP-5. Gr\u00e2ce \u00e0 la batterie int\u00e9gr\u00e9e […]<\/p>\n","protected":false},"author":63,"featured_media":10008507,"comment_status":"open","ping_status":"0","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[926],"tags":[],"class_list":["post-10008503","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":3,"formatted":"3 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10008503","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/users\/63"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/comments?post=10008503"}],"version-history":[{"count":3,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10008503\/revisions"}],"predecessor-version":[{"id":10008508,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10008503\/revisions\/10008508"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media\/10008507"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media?parent=10008503"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/categories?post=10008503"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/tags?post=10008503"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}