{"id":10008436,"date":"2026-01-09T14:55:00","date_gmt":"2026-01-09T13:55:00","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/fr\/?p=10008436"},"modified":"2026-01-05T10:40:26","modified_gmt":"2026-01-05T09:40:26","slug":"bruce-springsteen-guitare","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/fr\/gear\/bruce-springsteen-guitare\/","title":{"rendered":"Bruce Springsteen \u25b7 Le son du Boss !"},"content":{"rendered":"\n

Alors que l\u2019excellent biopic Springsteen: Deliver Me From Nowhere<\/em> est en ce moment dans les salles obscures, Bruce Springsteen lui-m\u00eame continue de chanter l\u2019Am\u00e9rique des d\u00e9sh\u00e9rit\u00e9s. Guitare en main, qu\u2019elle soit \u00e9lectrique ou acoustique, il est l\u2019arch\u00e9type du chanteur rock qui a su traverser les \u00e9poques avec gr\u00e2ce. Depuis plus d\u2019un demi-si\u00e8cle \u00e0 la t\u00eate du groupe E Street Band, ses go\u00fbts en matos ont tr\u00e8s peu chang\u00e9, et nous te proposons donc de les d\u00e9couvrir aujourd\u2019hui.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

<\/a>Le horcruxe<\/strong><\/h2>\n\n\n\n

\u00c0 76 ans, le natif du New Jersey ne montre aucun signe de ralentissement. Cet \u00e9t\u00e9, il \u00e9tait en tourn\u00e9e des stades europ\u00e9ens, avec des setlists marathoniennes d\u2019une trentaine de titres dont il a le secret. Ses textes sont ceux d\u2019un Steinbeck moderne, qui chronique la gal\u00e8re quotidienne des travailleurs pauvres am\u00e9ricains. En toute logique, son choix de guitare est en lien direct avec cette imagerie modeste et utilitaire. Sa guitare est son outil de travail, sa pioche, sa pelle, un instrument qui doit pouvoir affronter les \u00e9preuves de la route.<\/p>\n\n\n

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\n \"AV\n <\/div>\n\n
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Fender<\/p>\n

AV II 51 TELE MN BTB<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n (14)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 2\u00a0299 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Player\n <\/div>\n\n
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Fender<\/p>\n

Player II Tele MN BTB<\/h3>\n <\/span>\n\n
\n Note : 8.00 sur\n 10<\/span>\n
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\n \n 815 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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\n \"FSR\n <\/div>\n\n
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Squier<\/p>\n

FSR CV 60 Cst Esq LRL MPG SHP<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
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\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 439 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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\n \"Les\n <\/div>\n\n
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Gibson<\/p>\n

Les Paul Deluxe 70s GT<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
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\n \n 2\u00a0439 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Il a donc choisi la guitare la plus solide qui soit : la Fender Telecaster. Ou plut\u00f4t l\u2019Esquire, puisque sa l\u00e9gendaire Telecaster butterscotch est un assemblage de plusieurs pi\u00e8ces qui avait une d\u00e9calcomanie \u201cEsquire\u201d sur la t\u00eate. Ce manche d\u2019Esquire date de 1957, tandis que le corps date de 1953 ou 54 selon les sources, et il a \u00e9t\u00e9 tr\u00e8s lourdement modifi\u00e9. Avant que Springsteen n\u2019ach\u00e8te la guitare, elle avait quatre micros avec une sortie jack chacun, ce qui \u00e9tait une arnaque des musiciens de studio pour enregistrer sur quatre pistes \u00e0 la fois et \u00eatre pay\u00e9 plus par session. L\u2019Esquire en a gard\u00e9 un corps tr\u00e8s largement creus\u00e9, d\u2019o\u00f9 sa l\u00e9g\u00e8ret\u00e9 et sa r\u00e9sonance particuli\u00e8re.<\/p>\n\n\n

\n \n \n \n
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\n \"Hot\n <\/div>\n <\/div>\n \n \n
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Seymour Duncan<\/p>\n

Hot Rail Set T-Style BK<\/h3>\n <\/span>\n\n
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\n (36)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 259 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Springsteen a achet\u00e9 cette Esquire en 1973, lorsqu\u2019il a re\u00e7u sa premi\u00e8re avance de maison de disques. Auparavant, il jouait au sein du groupe Steel Mill avec une Gibson Les Paul Deluxe ponc\u00e9e et \u00e9quip\u00e9e de humbuckers normaux (au lieu des mini d\u2019origine). Une fois pass\u00e9 sur l\u2019Esquire, il a mont\u00e9 des micros Joe Barden, des humbuckers au format simple bobinage pour \u00e9viter les bruits de fond. Tu peux \u00e0 l\u2019heure actuelle retrouver ce rendu sonore avec des mod\u00e8les comme les Hot Rails de Seymour Duncan. Et bien s\u00fbr, il l\u2019a trait\u00e9e contre l\u2019humidit\u00e9 pour qu\u2019elle supporte la sueur du Boss au cours de ses concerts-fleuves.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
PUBLICIT\u00c9<\/div>
\"\"<\/a><\/div><\/div>

<\/a>La Tele en couleur<\/strong><\/h2>\n\n\n\n

Cette Esquire est devenue une v\u00e9ritable m\u00e9tonymie de Bruce lui-m\u00eame, une guitare qui lui reste \u00e0 jamais associ\u00e9e. C\u2019est l\u2019une des Telecaster les plus reconnaissables de l\u2019Histoire du Rock, et l\u2019une des raisons pour lesquelles les musiciens veulent des relic du Fender Custom Shop. Elle est bien mise en valeur sur les pochettes de Born To Run <\/em>(1975), Live 1975-1985 <\/em>et Wrecking Ball <\/em>(2012). L\u2019instrument est devenu tellement culte que Springsteen n\u2019ose plus l’emmener en tourn\u00e9e depuis 2005. Il voyage donc d\u00e9sormais avec des r\u00e9pliques de l\u2019originale, et ressort la vraie pour certaines grandes occasions comme son passage au Super Bowl en 2009.<\/p>\n\n\n

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\n \"52\n <\/div>\n\n
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Fender<\/p>\n

52 Tele BTB Relic MN<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
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\n \n 4\u00a0899 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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\n \"CV\n <\/div>\n\n
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Squier<\/p>\n

CV 60s Custom Tele 3-SB<\/h3>\n <\/span>\n\n
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\n \n 409 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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\n \"Player\n <\/div>\n\n
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Fender<\/p>\n

Player II Tele MN 3TS<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
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\n \n 815 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
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Mais au cours de sa carri\u00e8re, on l\u2019a vu sur de nombreuses autres Telecasters, \u00e0 commencer par une Telecaster Custom sunburst de 1962. La Custom est un mod\u00e8le lanc\u00e9 en 1959, dont la principale diff\u00e9rence avec le mod\u00e8le standard est la pr\u00e9sence de deux bindings autour de l\u2019avant et de l\u2019arri\u00e8re du corps. C\u2019est aussi le premier mod\u00e8le \u00e0 recevoir une finition sunburst en standard alors que la Telecaster normale \u00e9tait blonde par d\u00e9faut. Et comme la plupart des Fender du d\u00e9but des ann\u00e9es 60, elle a une touche palissandre plut\u00f4t qu\u2019\u00e9rable. Comme son Esquire principale et la plupart de ses guitares, la Tele Custom est bien s\u00fbr \u00e9quip\u00e9e en micros Joe Barden.<\/p>\n\n\n\n

On a aussi vu Springsteen avec une Telecaster Custom noire, ainsi qu\u2019une Telecaster type fifties (touche \u00e9rable donc) avec une finition sunburst deux tons et plaque noire, un joli m\u00e9lange qui laisserait \u00e0 penser qu\u2019elle sort du Custom Shop.<\/p>\n\n\n\n

\n
<\/div>
<\/div>

Vous \u00eates actuellement en train de consulter le contenu d’un espace r\u00e9serv\u00e9 de YouTube<\/strong>. Pour acc\u00e9der au contenu r\u00e9el, cliquez sur le bouton ci-dessous. Veuillez noter que ce faisant, des donn\u00e9es seront partag\u00e9es avec des providers tiers.<\/p> Plus d’informations<\/a> <\/div>

D\u00e9bloquer ce contenu<\/a> Accepter le service requis et d\u00e9bloquer son contenu<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n

<\/a>M\u00e9tallurgiste<\/strong><\/h2>\n\n\n\n

Les amplis de Bruce sont \u00e0 l\u2019image de ses guitares : simples et efficaces. Au d\u00e9but, il ne quittait pas son Bassman, un mod\u00e8le de la p\u00e9riode tweed de la fin des ann\u00e9es 1950. Il est ensuite pass\u00e9 sur Matchless DC-30 dans les ann\u00e9es 90, avant d\u2019opter pour Mesa Boogie \u00e0 l\u2019heure actuelle. On l\u2019a vu sur un Dual Rectifier Trem-O-Verb, sur un Royal Atlantic ou encore sur un Mark II C+. Il semble s’accommoder parfaitement de tous ces mod\u00e8les qu\u2019il utilise essentiellement comme il utilisait son Bassman, c\u2019est-\u00e0-dire en restant sur un m\u00eame canal avec un son crunch.<\/p>\n\n\n

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Fender<\/p>\n

59 Bassman LTD<\/h3>\n <\/span>\n\n
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\n \n 2\u00a0166 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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\n \"90s\n <\/div>\n\n
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Mesa Boogie<\/p>\n

90s Dual Rectifier<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
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\n \"IIC+\n <\/div>\n\n
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Mesa Boogie<\/p>\n

IIC+ HRG Head<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
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\n \n 3\u00a0889 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

\u00c9tant donn\u00e9 qu\u2019il est aussi chanteur, Springsteen a un arsenal de p\u00e9dales tr\u00e8s r\u00e9duit et il laisse le soin aux autres guitaristes du E Steet Band, Steve Van Zandt et Nils Lofgren, de g\u00e9rer les textures plus complexes. Dans le tiroir de son rack, on trouve un flanger Boss BF-3, un noise gate Boss NS-2, un delay Boss DD-3T, une Leslie Boss RT-20 et deux overdrives de Fulltone, la Full-Drive 2 et la GT500. Le tout reste hors-sc\u00e8ne pour encombrer le moins possible.<\/p>\n\n\n

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\n \"BF-3\"\n\n <\/div>\n\n
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Boss<\/p>\n

BF-3<\/h3>\n <\/span>\n\n
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\n (153)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 144 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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\n \"NS-2\"\n\n <\/div>\n\n
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Boss<\/p>\n

NS-2<\/h3>\n <\/span>\n\n
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\n (911)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 101 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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\n \"DD-3T\n <\/div>\n\n
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Boss<\/p>\n

DD-3T Digital Delay<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n <\/svg>\n <\/div>\n
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\n (72)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 144 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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\n \"RT-2\n <\/div>\n\n
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Boss<\/p>\n

RT-2 Rotary Ensemble<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n (10)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 211 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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\n \"Full-Drive\n <\/div>\n\n
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Fulltone<\/p>\n

Full-Drive 3<\/h3>\n <\/span>\n\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (23)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 199 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

<\/a>Le son du Japon<\/strong><\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Le film Springsteen: Deliver Me From Nowhere <\/em>se focalise sur l\u2019enregistrement du superbe album acoustique Nebraska<\/em>, et il ne faut pas non plus oublier cette facette du matos springsteenien. En 1981, il joue sur une Gibson SJ-200 sunburst. C\u2019est une guitare luxueuse, moins d\u00e9mocratique que la Telecaster, mais elle reste le symbole de l\u2019Am\u00e9rique \u00e9ternelle, des cowboys chantants pour qui la J-200 a \u00e9t\u00e9 con\u00e7ue \u00e0 l\u2019origine.<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"SJ-200\n <\/div>\n\n
\n\n
\n\n \n

Gibson<\/p>\n

SJ-200 Original VS<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (6)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 4\u00a0699 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"J-45\n <\/div>\n\n
\n\n
\n\n \n

Gibson<\/p>\n

J-45 Standard VS<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (33)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 2\u00a0679 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Hummingbird\n <\/div>\n\n
\n\n
\n\n \n

Gibson<\/p>\n

Hummingbird Original HCS<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (4)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 3\u00a0479 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"EF341SC\n <\/div>\n\n
\n\n
\n\n \n

Takamine<\/p>\n

EF341SC w\/Softcase<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (8)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1\u00a0289 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"P6N-BSB\n <\/div>\n\n
\n\n
\n\n \n

Takamine<\/p>\n

P6N-BSB w\/Softcase<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 2\u00a0198 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

On a aussi pu le voir avec une J-45 ou une Hummingbird, mais en tourn\u00e9e il a \u00e9t\u00e9 l\u2019un des premiers \u00e0 faire confiance \u00e0 Takamine. Il y a une certaine logique dans cette d\u00e9marche, puisque les guitares japonaises de la marque sont r\u00e9put\u00e9es pour leur solidit\u00e9 et leur fiabilit\u00e9. Une fois de plus, Springsteen choisit l\u2019outil le mieux adapt\u00e9 au travail \u00e0 faire. Son choix se porte sur la Takamine EF341SC, une dreadnought noire \u00e0 pan coup\u00e9, et plus r\u00e9cemment on l\u2019a aussi beaucoup vu sur P6N, un format mini-jumbo parfait pour s\u2019accompagner en chantant, avec ou sans pan coup\u00e9.<\/p>\n\n\n\n

Quand on reprend du Springsteen, les parties de guitare ne sont pas d\u2019une grande complexit\u00e9, mais encore faut-il chanter ses chansons, raconter ses histoires avec l\u2019intensit\u00e9 et la conviction qu\u2019elles exigent. Et c\u2019est de loin le plus difficile.<\/p>\n

PUBLICIT\u00c9<\/div>
\"\"<\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Guitare en main, qu\u2019elle soit \u00e9lectrique ou acoustique, il est l\u2019arch\u00e9type du chanteur rock qui a su traverser les \u00e9poques avec gr\u00e2ce. \ud83c\udfb8<\/p>\n","protected":false},"author":63,"featured_media":10008437,"comment_status":"open","ping_status":"0","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[926],"tags":[],"class_list":["post-10008436","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":5,"formatted":"5 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10008436","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/users\/63"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/comments?post=10008436"}],"version-history":[{"count":9,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10008436\/revisions"}],"predecessor-version":[{"id":10008472,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10008436\/revisions\/10008472"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media\/10008437"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media?parent=10008436"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/categories?post=10008436"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/tags?post=10008436"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}