{"id":10004122,"date":"2025-12-09T09:55:00","date_gmt":"2025-12-09T08:55:00","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/fr\/?p=10004122"},"modified":"2025-12-08T19:34:09","modified_gmt":"2025-12-08T18:34:09","slug":"quelle-interface-audio-carte-son-choisir","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/fr\/gear\/quelle-interface-audio-carte-son-choisir\/","title":{"rendered":"Quelle Interface Audio\/Carte Son choisir \u25b7 Le Guide Ultime !"},"content":{"rendered":"\n

L\u2019un des appareils les plus importants pour toutes celles et ceux qui veulent enregistrer et produire de la musique, c\u2019est l\u2019interface audio<\/strong>, ou carte son (car on sait pas nommer un objet avec un seul nom \u00e9videmment). Quelle Interface Audio\/Carte Son choisir ? Tu tombes bien, je t’ai \u00e9crit le guide ultime !\ud83d\udc47<\/p>\n\n\n\n



A quoi sert une interface audio\/carte son exactement ? <\/strong><\/h2>\n\n\n\n


En gros, elle sert 1- \u00e0 amplifier et harmoniser le niveau du signal qu’elle re\u00e7oit. Ce signal peut provenir d’un micro branch\u00e9 en XLR dedans, d’une guitare branch\u00e9e en jack, d’un clavier MIDI… Et la carte son permet de faire \u00e7a gr\u00e2ce \u00e0 des pr\u00e9amplis pr\u00e9sents \u00e0 l’int\u00e9rieur de sa bo\u00eete. Puis, vient l’\u00e9tape 2- la num\u00e9risation du signal. Les ordinateurs, smartphones et autres appareils \u00e9lectroniques ne sont aujoud’hui pas capables de lire un signal analogique. M\u00eame si tu branches ton micro directement dans ton ordinateur \u00e0 l’aide d’un mini jack – en fait, ce signal est num\u00e9ris\u00e9 gr\u00e2ce \u00e0 une carte son interne \ud83d\ude42
La carte son transforme donc un signal analogique (une onde \u00e9lectrique) en signal num\u00e9rique que l’ordinateur saura traiter (les fameux 0 et les 1 !).


Les ordinateurs ont donc tous d\u00e9j\u00e0 une carte son interne. Cependant, ces cartes son internes d’usine n’ont vraiment pas une qualit\u00e9 suffisante pour enregistrer ses propres pistes voix, guitare ou autre. Ni m\u00eame pour restituer un son digne de ce nom dans tes enceintes, sans distorsion du signal. En plus, g\u00e9n\u00e9ralement tu n’as pas les prises ad\u00e9quates sur ton ordinateur pour utiliser un syst\u00e8me de monitoring audio. Verdict ? Il te faut une carte son, sp\u00e9ciale musique ! Et l\u00e0, le choix est pl\u00e9thorique. Comment choisir ? On va t’aider avec ce guide ultime !<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
PUBLICIT\u00c9<\/div>
\"\"<\/a><\/div><\/div>

Quelle Carte Son choisir \u2013 la base de la base, les bestsellers<\/strong> \u2705<\/h2>\n\n\n\n

Il existe de nombreux crit\u00e8res pour distinguer les interfaces audio. Le plus important reste sans doute le nombre d\u2019entr\u00e9es et de sorties<\/strong> pouvant \u00eatre utilis\u00e9es simultan\u00e9ment.
Si tu veux \u00e9couter de la musique de qualit\u00e9 et \u00e9ventuellement avoir une entr\u00e9e micro ou jack, le choix va \u00eatre simple ! Il va te falloir opter pour une carte son compatible avec ton appareil (aujourd’hui, presque tout se branche en USB ou USB-C). Une sortie st\u00e9r\u00e9o L\/R suffit, et si tu veux brancher un casque, la plupart des cartes son en proposent une syst\u00e9matiquement.
Voici les bestsellers du secteur, il n’y a pas d’erreur possible avec la qualit\u00e9 :

<\/p>\n\n\n

\n \n
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\n \"Scarlett\n <\/div>\n\n
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Focusrite<\/p>\n

Scarlett Solo 3rd Gen<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (2635)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 89 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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\n \"Vocaster\n <\/div>\n\n
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Focusrite<\/p>\n

Vocaster One<\/h3>\n <\/span>\n\n
\n Note : 8.00 sur\n 10<\/span>\n
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\n (93)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 45 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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\n \"Studio\n <\/div>\n\n
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Presonus<\/p>\n

Studio 24c<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n (212)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 99 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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\n \"U-Phoria\n <\/div>\n\n
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Behringer<\/p>\n

U-Phoria UMC22<\/h3>\n <\/span>\n\n
\n Note : 8.00 sur\n 10<\/span>\n
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\n (1415)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 36 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Si tu veux une interface simple mais tr\u00e8s qualitative (convertisseurs puissants, pr\u00e9amplis avec faible bruit et grosse fr\u00e9quence d’\u00e9chantillonage) voici le nec plus ultra de la carte son chez Universal Audio, RME ou Apollo (voil\u00e0 pourquoi elles sont plus ch\u00e8res avec le m\u00eame nombre de features): <\/p>\n\n\n

\n \n
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\n \"Babyface\n <\/div>\n\n
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RME<\/p>\n

Babyface Pro FS<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n (184)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 729 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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\n \"Apollo\n <\/div>\n\n
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Universal Audio<\/p>\n

Apollo Twin X USB Heritage<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n (48)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 899 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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\n \"M2\"\n\n <\/div>\n\n
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MOTU<\/p>\n

M2<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (484)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 235 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

C’est un choix parfait si tu veux, par exemple, des pistes guitare aux petits oignons, ou une excellente restitution du son. <\/p>\n\n\n\n

<\/p>\n\n\n\n

Tu enregistres un instrument en jack, et tu as un Ipad ou un t\u00e9l\u00e9phone<\/strong> \ud83d\udcf1<\/h2>\n\n\n\n

Les cartes son ne sont pas seulement exclusives aux ordinateurs, aujourd’hui elles se d\u00e9clinent pour nos bien aim\u00e9s appareils tactiles. Voil\u00e0 quelques mod\u00e8les qui permettent d’enregistrer tes pistes guitare ou voix, au choix) sur ton t\u00e9l\u00e9phone, Ipad ou Android \ud83d\ude42 – \u00e7a se branche en USB-C. L’avantage, c’est que c’est hyper compact, et que c’est facile \u00e0 emporter avec soi, en voyage par exemple.<\/p>\n\n\n

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\n \"iRig\n <\/div>\n\n
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IK Multimedia<\/p>\n

iRig Pro I\/O<\/h3>\n <\/span>\n\n
\n Note : 8.00 sur\n 10<\/span>\n
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\n (73)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 125 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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\n \"iRig\n <\/div>\n\n
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IK Multimedia<\/p>\n

iRig Pro Duo I\/O<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n <\/svg>\n <\/div>\n
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\n (50)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 179 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Tu fais du gaming ou du stream<\/strong> \ud83d\udcbb\u200b<\/h2>\n\n\n\n

Si tu es plut\u00f4t team gaming ou stream, tu recherches s\u00fbrement une interface intuituve et facile \u00e0 r\u00e9gler pour une voix, avec des boutons qui rendent le process plus simple qu’une carte son classique. Ce sont des cartes son qui prennent en compte l’utilisation d’une cam\u00e9ra.
Avoir des boutons r\u00e9tro\u00e9clair\u00e9s pour les commandes \u00ab\u00a0enregistrer\u00a0\u00bb, r\u00e9glage du volume casque et micro positionn\u00e9s \u00e0 c\u00f4t\u00e9 de mani\u00e8re tr\u00e8s intuitive sera royal pour toi. Tu peux aussi programmer tes propres effets sur les pads : effet vocal, jingle…
L’avantage de ces mod\u00e8les, c’est qu’ils proposent en plus de la sortie casque en gros jack (6.5mm), une sortie en mini jack. Utile si tu as des \u00e9couteurs ou un casque dot\u00e9 seulement d’un mini jack ! On note aussi la pr\u00e9sence de ports HDMI. <\/p>\n\n\n

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\n \"Streamer\n <\/div>\n <\/div>\n \n \n
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Rode<\/p>\n

Streamer X<\/h3>\n <\/span>\n\n
\n Note : 8.00 sur\n 10<\/span>\n
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\n (19)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 171 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Si tu fais du podcast et que tu as un autre invit\u00e9, la m\u00eame interface en version Duo sera parfaite pour toi. Tu auras donc 2 entr\u00e9es micro et la possibilit\u00e9 de pouvoir mixer les sons facilement, sans avoir besoin d’un logiciel de son compliqu\u00e9 derri\u00e8re.<\/p>\n\n\n

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Rode<\/p>\n

Rodecaster Duo<\/h3>\n <\/span>\n\n
\n Note : 8.00 sur\n 10<\/span>\n
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\n (39)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 362 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

<\/p>\n\n\n\n

Tu as un clavier un peu vieux et enregistres en MIDI<\/strong> \ud83c\udfb9\u200b<\/h2>\n\n\n\n

Il faut faire tr\u00e8s attention au type de sortie que tu as sur l’instrument que tu veux enregistrer. Si tu as un clavier, plusieurs solutions sont possibles. Si ton clavier est r\u00e9cent, il se branchera en USB dans ton logiciel de son – pas besoin d’interface audio pour uniquement cet usage sp\u00e9cifique. Brancher son clavier en jack dans ta carte son est \u00e0 \u00e9viter (sauf si tu veux garder exclusivement le son de ton clavier\/synth\u00e9) – car tu ne pourras plus modifier les sons.
La norme MIDI tend \u00e0 dispara\u00eetre des cartes son, et si ton clavier ou piano num\u00e9rique date des ann\u00e9es 2000-2010, tu pourrais avoir besoin d’une prise MIDI (le trou d’1 cm avec les 5 fiches). Voici des mod\u00e8les de carte son \u00e9quip\u00e9s de prise MIDI :<\/p>\n\n\n

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\n \"Volt\n <\/div>\n\n
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Universal Audio<\/p>\n

Volt 2 USB Recording Studio<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n (183)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 159 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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\n \"Scarlett\n <\/div>\n\n
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Focusrite<\/p>\n

Scarlett 4i4 4th Generation<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n (100)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 257 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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\n \"M2\"\n\n <\/div>\n\n
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MOTU<\/p>\n

M2<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n (484)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 235 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

<\/p>\n\n\n\n

2 entr\u00e9es micro ou jack, c’est pas assez : il te faut plus ?<\/strong><\/p>\n\n\n\n

Les cartes son avec BEAUCOUP d’entr\u00e9es (4,8,10…)<\/strong><\/h2>\n\n\n\n

Pour enregistrer une batterie, un groupe ou plus g\u00e9n\u00e9ralement utiliser plus de 2 micros simultan\u00e9ment, il te faudra choisir une interface audio avec plus d’entr\u00e9es. Si tu veux connecter beaucoup d\u2019effets hardware ou un sommateur analogique, il te faudra \u00e9galement de nombreuses sorties. C\u2019est l\u00e0 qu\u2019entrent en jeu les interfaces audio avec un nombre de canaux \u00e9lev\u00e9<\/strong>. Beaucoup peuvent aussi \u00eatre cha\u00een\u00e9es ou \u00e9tendues via des formats de connexion num\u00e9riques comme l\u2019ADAT, afin d\u2019ajouter des entr\u00e9es et sorties suppl\u00e9mentaires<\/strong> !
Forc\u00e9ment, qui dit plus d’entr\u00e9es\/sorties, dit plus cher. Alors il faut que tu saches d’entr\u00e9e ce que tu veux !

(petit tips, si tu vas sur Thomann, tu peux filtrer ta recherche avec le nombre d’entr\u00e9es que tu veux, voil\u00e0 par exemple toutes les cartes son<\/strong> 4 entr\u00e9es<\/strong><\/a>)

Voil\u00e0 la meilleure pote des batteurs – la carte son d’entr\u00e9e de gamme proposant un maximum d’entr\u00e9es pour un prix comp\u00e9titif chez Behringer (difficile de trouver moins cher) :<\/p>\n\n\n

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\n \"UMC1820\"\n\n <\/div>\n <\/div>\n \n \n
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Behringer<\/p>\n

UMC1820<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1131)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 159 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Pour le nec plus ultra, il faudra passer du c\u00f4t\u00e9 de chez Universal Audio, ou RME.<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"Studio\n <\/div>\n\n
\n\n
\n\n \n

Presonus<\/p>\n

Studio 1824c<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (93)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 399 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"EVO\n <\/div>\n\n
\n\n
\n\n \n

EVO<\/p>\n

EVO 16<\/h3>\n <\/span>\n\n
\n Note : 8.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (53)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 449 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"848\"\n\n <\/div>\n\n
\n\n
\n\n \n

MOTU<\/p>\n

848<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1\u00a0599 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Si tu veux encore plus d’entr\u00e9es, il faudra penser \u00e0 chopper une table de mixage !<\/p>\n\n\n

\n \n \n \n
\n \n
\n
\n \"Model\n <\/div>\n <\/div>\n \n \n
\n \n

Tascam<\/p>\n

Model 12<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (188)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 649 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Les limites des cartes son<\/strong> – une technique pour avoir un meilleur son… sans changer sa carte son<\/strong> ! \ud83d\udcc8<\/h2>\n\n\n\n

On l’a vu pr\u00e9c\u00e9demment, une carte son, c’est d’abord un pr\u00e9ampli suivi d’un convertisseur analogique -> num\u00e9rique. Aujourd’hui, la majorit\u00e9 des cartes son ont un excellent convertisseur et proposent des fr\u00e9quences d’\u00e9chantillonage professionnelles, largement au niveau des studios pros. (48kHz \u00e0 192kHz).
La diff\u00e9rence se fait principalement au niveau des pr\u00e9amplis, qui n’ont pas la m\u00eame qualit\u00e9 ni la m\u00eame puissance. Voil\u00e0 o\u00f9 \u00e7a devient int\u00e9ressant : si tu n’as pas besoin de plus d’entr\u00e9es mais que tu cherches un meilleur son, pourquoi ne pas acheter un pr\u00e9ampli de qualit\u00e9 et utiliser ta carte son uniquement en convertisseur analogique -> num\u00e9rique ? C’est tr\u00e8s simple, il suffit de brancher ton pr\u00e9ampli dans ta carte son de la m\u00eame mani\u00e8re que tu le ferais avec ton micro – et mettre le volume d’entr\u00e9e de ta carte son \u00e0 0.

Car oui, opter pour une plus grande fr\u00e9quence d’\u00e9chantillonage n’am\u00e9liorera que peu ton son compar\u00e9 \u00e0 l’am\u00e9lioration des pr\u00e9amplis \ud83d\ude42 <\/p>\n\n\n\n

Voici des pr\u00e9amplis qui valent le coup – mais attention, c’est tr\u00e8s dur de revenir en arri\u00e8re une fois qu’on a pass\u00e9 le pas et d\u00e9couvert la 3D !<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"WA273-EQ\"\n\n <\/div>\n\n
\n\n
\n\n \n

Warm Audio<\/p>\n

WA273-EQ<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (24)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1\u00a0449 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Pure\n <\/div>\n\n
\n\n
\n\n \n

K&K<\/p>\n

Pure Preamp<\/h3>\n <\/span>\n\n
\n Note : 8.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (62)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 118 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"1073\n <\/div>\n\n
\n\n
\n\n \n

Neve<\/p>\n

1073 DPA Preamp Stereo<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (32)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 2\u00a0469 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

<\/p>\n\n\n\n

Soigne le monitoring : un son de qualit\u00e9 oui, mais il faut bien s’entendre aussi !<\/strong> \ud83c\udfa7\u200b<\/h2>\n\n\n\n

Le monitoring<\/strong> est un point essentiel : le volume des enceintes doit pouvoir \u00eatre ajust\u00e9 facilement, et certaines interfaces offrent des fonctions comme le mute, la s\u00e9lection de diff\u00e9rentes paires d\u2019enceintes, le mode mono ou m\u00eame un micro talkback<\/strong> pour communiquer avec des musiciens dans une autre pi\u00e8ce. Vous \u00eates plusieurs ? Dans ce cas, plusieurs amplis casque int\u00e9gr\u00e9s peuvent vraiment faire la diff\u00e9rence !<\/p>\n\n\n

\n \n \n \n
\n \n
\n
\n \"UR22C\n <\/div>\n <\/div>\n \n \n
\n \n

Steinberg<\/p>\n

UR22C Recording Pack<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (25)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 199 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Pour pouvoir chanter sur une musique, par exemple, il est important de r\u00e9gler le rapport entre le playback et le signal micro : c\u2019est ce qu\u2019on appelle le monitoring direct<\/strong>. Et pour \u00e9viter d\u2019entendre la voix compl\u00e8tement s\u00e8che au casque, certaines interfaces disposent de processeurs d\u2019effets int\u00e9gr\u00e9s<\/strong>, permettant par exemple d\u2019ajouter une r\u00e9verb\u00e9ration. Beaucoup d\u2019interfaces se pilotent aussi tr\u00e8s facilement via une application de contr\u00f4le<\/strong> depuis l\u2019ordinateur.<\/p>\n\n\n

\n \n \n \n
\n \n
\n
\n \"AudioBox\n <\/div>\n <\/div>\n \n \n
\n \n

Presonus<\/p>\n

AudioBox USB 96 25th Anniv Ed<\/h3>\n <\/span>\n\n
\n Note : 8.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (167)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 75 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Quelle Interface Audio\/Carte Son choisir \u2013 les mod\u00e8les par marques – plus de choix ici<\/h2>\n\n\n\n

RME<\/h3>\n\n\n\n

Les interfaces RME sont consid\u00e9r\u00e9es depuis des ann\u00e9es comme une r\u00e9f\u00e9rence absolue en mati\u00e8re de stabilit\u00e9. Des pilotes impeccables et un mat\u00e9riel durable garantissent une fiabilit\u00e9 totale, comme avec le mod\u00e8le Babyface Pro FS.<\/p>\n\n\n

\n \n \n \n
\n \n
\n
\n \"Babyface\n <\/div>\n <\/div>\n \n \n
\n \n

RME<\/p>\n

Babyface Pro FS<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (184)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 729 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Focusrite : s\u00e9rie Scarlett<\/h3>\n\n\n\n

Gr\u00e2ce \u00e0 leur excellent rapport qualit\u00e9-prix, les interfaces de la s\u00e9rie Scarlett de Focusrite font partie des mod\u00e8les les plus utilis\u00e9s au monde. Disponibles en plusieurs formats, elles sont utilis\u00e9es aussi bien en home-studio que pour les podcasts.<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"Scarlett\n <\/div>\n\n
\n\n
\n\n \n

Focusrite<\/p>\n

Scarlett 2i2 4th Generation<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (278)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 179 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Scarlett\n <\/div>\n\n
\n\n
\n\n \n

Focusrite<\/p>\n

Scarlett Solo 4th Gen<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (270)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 125 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Scarlett\n <\/div>\n\n
\n\n
\n\n \n

Focusrite<\/p>\n

Scarlett 4i4 4th Generation<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (100)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 257 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Universal Audio<\/h2>\n\n\n\n

Pour qui recherche un classique dans la cat\u00e9gorie semi-professionnelle \u00e0 professionnelle, les mod\u00e8les Universal Audio Apollo Twin (Duo\/Quad) sont souvent le choix \u00e9vident. Les plug-ins UAD sont une r\u00e9f\u00e9rence depuis des ann\u00e9es, et les pr\u00e9amplis Unison sont \u00e9galement reconnus dans les studios professionnels.<\/p>\n\n\n

\n \n \n \n
\n \n
\n
\n \"Apollo\n <\/div>\n <\/div>\n \n \n
\n \n

Universal Audio<\/p>\n

Apollo Twin X USB Heritage<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (48)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 899 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Motu<\/h3>\n\n\n\n

La s\u00e9rie M de Motu est une valeur s\u00fbre du march\u00e9 home-studio. Gr\u00e2ce \u00e0 d\u2019excellents convertisseurs \u00e0 prix abordable, une latence tr\u00e8s faible et des afficheurs de niveau tr\u00e8s lisibles, les mod\u00e8les M2 et M4 sont devenus des classiques.<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"M2\"\n\n <\/div>\n\n
\n\n
\n\n \n

MOTU<\/p>\n

M2<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (484)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 235 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"M4\"\n\n <\/div>\n\n
\n\n
\n\n \n

MOTU<\/p>\n

M4<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (363)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 289 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Audient<\/h3>\n\n\n\n

Si tu recherches un v\u00e9ritable \u00ab son console \u00bb, jette un \u0153il aux interfaces iD4, iD14 et iD24 de la s\u00e9rie iD d\u2019Audient. Leurs pr\u00e9amplis haut de gamme jouissent d\u2019une excellente r\u00e9putation aupr\u00e8s des pros du recording.<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"iD4\n <\/div>\n\n
\n\n
\n\n \n

Audient<\/p>\n

iD4 MKII<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (261)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 149 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"iD14\n <\/div>\n\n
\n\n
\n\n \n

Audient<\/p>\n

iD14 MKII<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (368)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 229 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"iD24\"\n\n <\/div>\n\n
\n\n
\n\n \n

Audient<\/p>\n

iD24<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (57)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 291 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Steinberg<\/h2>\n\n\n\n

Les interfaces de la s\u00e9rie UR de Steinberg sont appr\u00e9ci\u00e9es pour leurs pr\u00e9amplis Yamaha stables et fiables, et ne sont pas utilis\u00e9es uniquement avec Cubase. Elles existent elles aussi en diff\u00e9rentes configurations.<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"UR22C\n <\/div>\n\n
\n\n
\n\n \n

Steinberg<\/p>\n

UR22C Red<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (8)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 169 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"URX44C\"\n\n <\/div>\n\n
\n\n
\n\n \n

Yamaha<\/p>\n

URX44C<\/h3>\n <\/span>\n\n
\n Note : 8.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (7)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 336 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"UR12\n <\/div>\n\n
\n\n
\n\n \n

Yamaha<\/p>\n

UR12 MK3 Black<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 118 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Presonus<\/h2>\n\n\n\n

La s\u00e9rie AudioBox USB \/ Studio de Presonus est un grand classique dans la cat\u00e9gorie d\u00e9butant. Souvent propos\u00e9es en bundle, ces interfaces sont sur le march\u00e9 depuis longtemps, et les pilotes sont d\u00e9sormais parfaitement \u00e9prouv\u00e9s.<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"AudioBox\n <\/div>\n\n
\n\n
\n\n \n

Presonus<\/p>\n

AudioBox USB 96 25th Anniv Ed<\/h3>\n <\/span>\n\n
\n Note : 8.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (167)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 75 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Studio\n <\/div>\n\n
\n\n
\n\n \n

Presonus<\/p>\n

Studio 24c<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (212)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 99 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Studio\n <\/div>\n\n
\n\n
\n\n \n

Presonus<\/p>\n

Studio 1824c<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (93)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 399 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Et si tu as des questions ou des conseils \u00e0 partager, n\u2019h\u00e9site pas \u00e0 nous laisser un commentaire !<\/strong><\/p>\n\n\n\n

Quelle Interface Audio\/Carte Son choisir : questions, conseils et plus encore<\/h2>\n\n\n\n

Si tu as des questions, des astuces ou des suggestions sur le th\u00e8me des interfaces audio, ou si tu veux nous dire quelle est ton interface audio pr\u00e9f\u00e9r\u00e9e, \u00e9cris-nous un commentaire !<\/p>\n

PUBLICIT\u00c9<\/div>
\"\"<\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Bien enregistrer un son = d’abord bien choisir sa carte son. Voici le meilleur guide de l’internet ! \u2728<\/p>\n","protected":false},"author":63,"featured_media":10004123,"comment_status":"open","ping_status":"0","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[926],"tags":[],"class_list":["post-10004122","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":9,"formatted":"9 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10004122","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/users\/63"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/comments?post=10004122"}],"version-history":[{"count":34,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10004122\/revisions"}],"predecessor-version":[{"id":10004179,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10004122\/revisions\/10004179"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media\/10004123"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media?parent=10004122"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/categories?post=10004122"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/tags?post=10004122"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}