{"id":10003890,"date":"2025-11-14T09:55:00","date_gmt":"2025-11-14T08:55:00","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/fr\/?p=10003890"},"modified":"2025-11-12T12:39:32","modified_gmt":"2025-11-12T11:39:32","slug":"new-gear-novembre-2025","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/fr\/gear\/new-gear-novembre-2025\/","title":{"rendered":"New Gear Novembre 2025"},"content":{"rendered":"\n

De nouvelles batteries \u00e9lectroniques, enceintes, p\u00e9dales d\u2019effets, synth\u00e9s, samplers, contr\u00f4leurs MIDI, casques guitare et m\u00eame une interface audio en \u00e9dition anniversaire \u2013 l\u2019\u00e9dition de novembre de New Gear<\/em> a tout pour plaire. C\u2019est parti ! \ud83e\udd29<\/p>\n\n\n\n

Nouvelles Roland V-Drums des s\u00e9ries TD et VA<\/strong><\/h2>\n\n\n\n


Roland propose d\u00e9sormais six nouveaux kits \u00e9lectroniques : les TD-313 et TD-316 avec le module sonore Roland V31, les TD-513 et TD-516 avec le module V51, ainsi que les VAD-316 (module V31) et VAD-716-SW au look acoustique avec f\u00fbts en bois. Le VAD-716 inclut le nouveau module haut de gamme V71 et une caisse claire en acier inoxydable. Tous ces nouveaux V-Drums offrent plus de 1 000 sons r\u00e9partis sur 200 kits (dont 70 presets). Tu trouveras tous les d\u00e9tails sur les tailles de f\u00fbts et le nombre de pads inclus sur nos pages produits.<\/p>\n\n\n

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\n \"TD313\n <\/div>\n\n
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Roland<\/p>\n

TD313 V-Drum Kit<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
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\n (4)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1\u00a0498 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"TD316\n <\/div>\n\n
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\n\n \n

Roland<\/p>\n

TD316 V-Drum Kit<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
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\n (6)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1\u00a0979 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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\n \"TD513\n <\/div>\n\n
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\n\n \n

Roland<\/p>\n

TD513 V-Drum Kit<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
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\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 2\u00a0799 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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\n \"TD516\n <\/div>\n\n
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Roland<\/p>\n

TD516 V-Drum Kit<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (4)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 3\u00a0779 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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\n \"VAD316\n <\/div>\n\n
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\n\n \n

Roland<\/p>\n

VAD316 V-Drum Kit<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
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\n \n 3\u00a0198 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"VAD716-SW\n <\/div>\n\n
\n\n
\n\n \n

Roland<\/p>\n

VAD716-SW E-Drum Set<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 8\u00a0999 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

<\/p>\n\n\n\n

PUBLICIT\u00c9<\/div>
\"\"<\/a><\/div><\/div>

Electro Voice \u2013 nouvelle s\u00e9rie d\u2019enceintes EVIVA<\/strong><\/h2>\n\n\n\n


Electro Voice d\u00e9voile trois nouvelles enceintes de la s\u00e9rie EVIVA. L\u2019EVIVA 12P est une enceinte active large bande avec Bluetooth, \u00e9quip\u00e9e d\u2019un haut-parleur de 12″ en ferrite et d\u2019un tweeter de 1″ en n\u00e9odyme, offrant une r\u00e9ponse en fr\u00e9quence de 63 Hz \u00e0 18 kHz. L\u2019EVIVA 15P, plus grande, dispose d\u2019un boomer de 15″ (56 Hz \u00e0 17 kHz). Le caisson de basses actif EVIVA 18SP, avec un haut-parleur de 18″ (45 \u00e0 150 Hz), compl\u00e8te la gamme. Les trois mod\u00e8les d\u00e9livrent 1 000 watts de puissance cr\u00eate. De quoi faire pour la prochaine soir\u00e9e !<\/p>\n\n\n

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\n \"EVIVA\n <\/div>\n\n
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EV<\/p>\n

EVIVA 12P<\/h3>\n <\/span>\n\n
\n Note : 8.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (9)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 349 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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\n \"EVIVA\n <\/div>\n\n
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\n\n \n

EV<\/p>\n

EVIVA 15P<\/h3>\n <\/span>\n\n
\n Note : 8.00 sur\n 10<\/span>\n
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\n <\/svg>\n <\/div>\n
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\n (5)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 444 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"EVIVA\n <\/div>\n\n
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\n\n \n

EV<\/p>\n

EVIVA 18SP<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (5)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 698 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Focusrite Scarlett 2i2 Anniversary Edition<\/h2>\n\n\n\n


Pour f\u00eater ses 40 ans, Focusrite sort une \u00e9dition sp\u00e9ciale de sa c\u00e9l\u00e8bre interface audio USB 2 canaux dans un coloris bleu ISA classique, orn\u00e9e de l\u2019ancien logo \u00ab ff \u00bb. Elle est livr\u00e9e avec des sch\u00e9mas de consoles Focusrite l\u00e9gendaires, une bo\u00eete cadeau et des plug-ins suppl\u00e9mentaires. C\u00f4t\u00e9 technique, rien ne change : convertisseurs 24 bits \/ 192 kHz, deux pr\u00e9amplis micro Scarlett et connexion USB-C pour Mac et PC. Le coeur de ton studio… En bleu et en compact !<\/p>\n\n\n

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\n \"Scarlett\n <\/div>\n <\/div>\n \n \n
\n \n

Focusrite<\/p>\n

Scarlett 2i2 Anniversary Ed.<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (15)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 199 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

<\/p>\n\n\n\n

Fender Tone Master FR-12 Tweed<\/strong><\/h2>\n\n\n\n


Cette enceinte active pour guitare \u00e9lectrique est un baffle full range \u00e0 r\u00e9ponse plate, parfaite pour les mod\u00e9lisations d\u2019amplis modernes et les profilers. Elle embarque un haut-parleur de 12″ con\u00e7u sur mesure, un tweeter \u00e0 large dispersion de 1″, et un ampli de puissance classe D de 1 000 W. L\u2019\u00e9galiseur actif 3 bandes comprend un contr\u00f4le de coupure des aigus. Une technologie moderne dans un look tweed classique.<\/p>\n\n\n

\n \n \n \n
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\n \"Tone\n <\/div>\n <\/div>\n \n \n
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Fender<\/p>\n

Tone Master FR-12 Tweed<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (8)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 599 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

MXR Randy Rhoads Special LTD<\/strong><\/h2>\n\n\n\n


Voici une p\u00e9dale de distorsion tr\u00e8s sp\u00e9ciale en \u00e9dition limit\u00e9e. La MXR Randy Rhoads Special LTD recr\u00e9e fid\u00e8lement la Distortion+ utilis\u00e9e par le l\u00e9gendaire guitariste am\u00e9ricain Randy Rhoads, disparu trop t\u00f4t en 1982. Elle reproduit le grain chaud et satur\u00e9 de ses plus grands morceaux et adopte un design inspir\u00e9 de sa c\u00e9l\u00e8bre Flying V. Un must pour les fans de ce son intemporel !<\/p>\n\n\n

\n \n \n \n
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\n \"Randy\n <\/div>\n <\/div>\n \n \n
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MXR<\/p>\n

Randy Rhoads Special LTD<\/h3>\n <\/span>\n\n
\n Note : 8.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (2)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 199 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

<\/p>\n\n\n\n

Positive Grid Spark Neo Core<\/strong><\/h2>\n\n\n\n


Les Spark Neo Core sont des casques guitare filaires \u00ab smart \u00bb \u00e9quip\u00e9s de transducteurs 40 mm sur mesure avec isolation phonique. Ils s\u2019int\u00e8grent enti\u00e8rement \u00e0 l\u2019application Spark (iOS \/ Android), offrant 33 amplis, 43 effets, la cr\u00e9ation de sons assist\u00e9e par IA, Auto Chords et les presets ToneCloud. Confortables gr\u00e2ce \u00e0 leurs coussinets rembourr\u00e9s et avec 6 \u00e0 8 heures d\u2019autonomie, ils sont parfaits pour de longues sessions.<\/p>\n\n\n

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\n \"Spark\n <\/div>\n <\/div>\n \n \n
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Positive Grid<\/p>\n

Spark Neo Core<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n (3)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 129 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

<\/p>\n\n\n\n

Old Blood Noise Endeavors Dark Light Dual Reverb LTD BD<\/strong><\/h2>\n\n\n\n


Deux p\u00e9dales en une \u2013 utilisables ensemble ou s\u00e9par\u00e9ment ! Cette \u00e9dition limit\u00e9e combine les r\u00e9verbes sombres et granuleuses du mod\u00e8le Dark Star (pitch-shift\u00e9, delay, bitcrush) avec les r\u00e9verbes lumineuses et modul\u00e9es du mod\u00e8le Sunlight. Chaque section dispose de ses propres contr\u00f4les et d\u2019un routage ind\u00e9pendant. Les grands noms des r\u00e9verbes ont parfois de longs noms, mais celle-ci m\u00e9rite d\u2019\u00eatre entendue !<\/p>\n\n\n

\n \n \n \n
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\n \"Dark\n <\/div>\n <\/div>\n \n \n
\n \n

Old Blood Noise Endeavors<\/p>\n

Dark Light Dual Reverb LTD BD<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (4)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 449 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

<\/p>\n\n\n\n

Digitech The Drop Ltd. Black Edition<\/strong><\/h2>\n\n\n\n


Ce pitch shifter, bas\u00e9 sur l\u2019algorithme polyphonique du Whammy DT, permet d\u2019abaisser la hauteur du son d\u2019un demi-ton \u00e0 une octave. La Digitech The Drop Ltd. Black Edition est une version limit\u00e9e dot\u00e9e d\u2019un bo\u00eetier m\u00e9tallique, d\u2019un true bypass et d\u2019un interrupteur pour basculer entre les modes momentan\u00e9 et verrouill\u00e9.<\/p>\n\n\n

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\n \"The\n <\/div>\n <\/div>\n \n \n
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Digitech<\/p>\n

The Drop Ltd. Black Edition<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n (22)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 140 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

<\/p>\n\n\n\n

Allen & Heath Xone K3<\/strong><\/h2>\n\n\n\n


Ce contr\u00f4leur MIDI universel te permet de piloter n\u2019importe quel logiciel compatible MIDI. Le Allen & Heath Xone K3 propose 12 potentiom\u00e8tres sensibles \u00e0 la v\u00e9locit\u00e9, 6 encodeurs push sans fin, 30 boutons r\u00e9tro\u00e9clair\u00e9s et 4 faders, chacun assignable \u00e0 174 param\u00e8tres MIDI r\u00e9partis sur 3 couches. Le logiciel correspondant est inclus. De quoi tout contr\u00f4ler !<\/p>\n\n\n

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\n \"Xone\n <\/div>\n <\/div>\n \n \n
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Allen & Heath<\/p>\n

Xone K3<\/h3>\n <\/span>\n\n
\n Note : 8.00 sur\n 10<\/span>\n
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\n (7)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 225 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

SSL Super 9000<\/strong><\/h2>\n\n\n\n


Le nouveau channel strip mono Super 9000 regroupe tout ce qui a fait la l\u00e9gende des consoles SSL : pr\u00e9amplis micro SuperAnalogue avec contr\u00f4le VHD, EQ 4 bandes inspir\u00e9 des consoles G et E Series, et section dynamique 9000\/Duality avec VCA THAT 2181A. Pour donner \u00e0 ton studio le son des plus grandes r\u00e9alisations britanniques !
<\/p>\n\n\n

\n \n \n \n
\n \n
\n
\n \"Super\n <\/div>\n <\/div>\n \n \n
\n \n

SSL<\/p>\n

Super 9000<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 1\u00a0689 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

<\/p>\n\n\n\n

Torso Electronics S4 White<\/strong><\/h2>\n\n\n\n


Le S4 White de Torso Electronics est un sampler granulaire et processeur audio st\u00e9r\u00e9o capable de traiter des sources externes en temps r\u00e9el ou de fonctionner comme un sampler polyphonique \u00e0 8 voix. Il dispose de quatre pistes st\u00e9r\u00e9o parall\u00e8les, chacune avec une cha\u00eene de traitement \u00e0 cinq \u00e9tages : effets granulaires, filtres, effets destructifs, r\u00e9verbe et delay. Parfait pour cr\u00e9er des textures et sons \u00e9lectroniques uniques.<\/p>\n\n\n

\n \n \n \n
\n \n
\n
\n \"S4\n <\/div>\n <\/div>\n \n \n
\n \n

Torso Electronics<\/p>\n

S4 White<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (8)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 829 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Fishman Airlock Wireless GT<\/strong><\/h2>\n\n\n\n


Ce syst\u00e8me sans fil num\u00e9rique haut de gamme en 2,4 GHz offre une port\u00e9e de 40 m, une latence inf\u00e9rieure \u00e0 4,9 ms et jusqu\u2019\u00e0 9 heures d\u2019autonomie. L\u2019imp\u00e9dance d\u2019entr\u00e9e de l\u2019\u00e9metteur est d\u2019environ 1 M\u03a9, et le r\u00e9cepteur d\u00e9livre un signal audio en 24 bits via USB. Le set comprend un \u00e9metteur, un r\u00e9cepteur et les c\u00e2bles correspondants, le tout dans une mallette rigide l\u00e9g\u00e8re. La libert\u00e9 de mouvement sign\u00e9e Fishman !<\/p>\n\n\n

\n \n \n \n
\n \n
\n
\n \"Airlock\n <\/div>\n <\/div>\n \n \n
\n \n

Fishman<\/p>\n

Airlock Wireless GT<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 349 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

<\/p>\n\n\n\n

Expressive E Osmose 61<\/strong><\/h2>\n\n\n\n


L\u2019Expressive E Osmose 61 est un synth\u00e9tiseur polyphonique dot\u00e9 d\u2019un clavier multidimensionnel de 61 touches. Chaque touche r\u00e9agit ind\u00e9pendamment \u00e0 la v\u00e9locit\u00e9, \u00e0 l\u2019aftertouch et au pitch bend. Son moteur de synth\u00e8se modulaire polyphonique \u00e0 24 voix comprend 5 oscillateurs, 5 filtres multimodes, 5 enveloppes, un g\u00e9n\u00e9rateur de bruit, 2 banques de filtres, 4 delays et bien plus. Il prend en charge la mod\u00e9lisation physique, la FM et la synth\u00e8se additive. Un monde de sons expressifs !<\/p>\n\n\n

\n \n \n \n
\n \n
\n
\n \"Osmose\n <\/div>\n <\/div>\n \n \n
\n \n

Expressive E<\/p>\n

Osmose 61<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (5)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1\u00a0969 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Et toi, tu as d\u00e9j\u00e0 essay\u00e9 certains de ces nouveaux produits ? Dis-nous tout en commentaire !<\/p>\n

PUBLICIT\u00c9<\/div>
\"\"<\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"

De nouvelles \ud83e\udd41 \u00e9lectroniques, enceintes, et m\u00eame une interface audio en \u00e9dition anniversaire \u2013 l\u2019\u00e9dition de novembre de New Gear a tout pour plaire. C\u2019est parti ! \ud83e\udd29<\/p>\n","protected":false},"author":63,"featured_media":10003902,"comment_status":"open","ping_status":"0","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[926],"tags":[],"class_list":["post-10003890","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":5,"formatted":"5 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10003890","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/users\/63"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/comments?post=10003890"}],"version-history":[{"count":6,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10003890\/revisions"}],"predecessor-version":[{"id":10003901,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10003890\/revisions\/10003901"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media\/10003902"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media?parent=10003890"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/categories?post=10003890"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/tags?post=10003890"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}