{"id":10003561,"date":"2025-10-07T10:00:00","date_gmt":"2025-10-07T08:00:00","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/fr\/?p=10003561"},"modified":"2025-10-07T11:31:45","modified_gmt":"2025-10-07T09:31:45","slug":"new-gear-octobre-25","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/fr\/gear\/new-gear-octobre-25\/","title":{"rendered":"New Gear Octobre 2025"},"content":{"rendered":"\n

Quel d\u00e9but d\u2019automne br\u00fblant ! Nouveaux effets, synth\u00e9s, bo\u00eetes \u00e0 rythmes, la premi\u00e8re bo\u00eete \u00e0 rythmes analogique de Roland depuis des d\u00e9cennies, des interfaces, des contr\u00f4leurs et la nouvelle Akai MPC n\u2019attendent que d\u2019\u00eatre d\u00e9couverts et test\u00e9s. Allons-y !<\/p>\n\n\n\n

Boss XS-100 Poly Shifter<\/h2>\n\n\n
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\n \"XS-100\n <\/div>\n <\/div>\n \n \n
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Boss<\/p>\n

XS-100 Poly Shifter<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n (8)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 346 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Transposition polyphonique, double d\u00e9calage de hauteur avec effets de detune et doubler, ou encore correction polyphonique \u2013 tout est possible avec cette nouvelle p\u00e9dale d\u2019effets. Gr\u00e2ce \u00e0 un tout nouvel algorithme, la Boss XS-100 Poly Shifter offre des attaques ultra-rapides tout en pr\u00e9servant la transparence, la technique et le caract\u00e8re de ton instrument. Tu peux contr\u00f4ler les bends de hauteur de mani\u00e8re dynamique avec la p\u00e9dale d\u2019expression. Et la fonction de d\u00e9calage vers le haut te permet d\u2019adapter facilement ton jeu \u00e0 n\u2019importe quelle tonalit\u00e9 sans avoir \u00e0 r\u00e9-accorder ton instrument, comme avec un capodastre. Le tout avec la qualit\u00e9 Boss habituelle !<\/p>\n\n\n\n

PUBLICIT\u00c9<\/div>
\"\"<\/a><\/div><\/div>

Boss XS-1 Poly Shifter<\/h2>\n\n\n
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\n \"XS-1\n <\/div>\n <\/div>\n \n \n
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Boss<\/p>\n

XS-1 Poly Shifter<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n (26)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 229 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Tu es int\u00e9ress\u00e9\u00b7e par la correction polyphonique, mais tu manques de place sur ton pedalboard ou tu n\u2019as pas besoin d\u2019une p\u00e9dale de whammy ? D\u00e9couvre la Boss XS-1 Poly Shifter ! Elle offre le m\u00eame son et le m\u00eame algorithme que sa grande s\u0153ur dans un format compact au design classique. Une fois essay\u00e9e, tu ne pourras plus t\u2019en passer !<\/p>\n\n\n\n

Sequential Fourm<\/h2>\n\n\n
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\n \"Fourm\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

Sequential<\/p>\n

Fourm<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n (5)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 799 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Le nouveau synth\u00e9 analogique Sequential Fourm puise profond\u00e9ment dans l\u2019h\u00e9ritage du l\u00e9gendaire fondateur Dave Smith. Le Fourm a tout ce que tu attends d\u2019un synth\u00e9 compact : 4 voix, 2 oscillateurs analogiques, un filtre passe-bas r\u00e9sonant \u00e0 4 p\u00f4les, 2 enveloppes ADSR, un arp\u00e9giateur, un s\u00e9quenceur, 37 touches fines avec aftertouch polyphonique \u2013 et surtout, le son Sequential classique ! \u00c0 \u00e9couter absolument !<\/p>\n\n\n\n

Elektron Tonverk<\/h2>\n\n\n
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\n \"Tonverk\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

Elektron<\/p>\n

Tonverk<\/h3>\n <\/span>\n\n
\n Note : 7.00 sur\n 10<\/span>\n
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\n (40)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1\u00a0229 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Avec huit pistes st\u00e9r\u00e9o polyphoniques pour l\u2019audio ou le MIDI, des machines flexibles, une fonction de multisampling automatique et un syst\u00e8me de modulation et de routage tr\u00e8s pouss\u00e9, l\u2019Elektron Tonverk est bien plus qu\u2019un simple sampler de performance polyphonique. Vois-le comme un centre de production et de performance extr\u00eamement puissant, aussi bien pour le studio que pour la sc\u00e8ne. Un vrai tout-en-un pour l\u2019\u00e9chantillonnage et le s\u00e9quen\u00e7age !<\/p>\n\n\n\n

Singular Sound BeatBuddy 2<\/h2>\n\n\n
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\n \"BeatBuddy\n <\/div>\n <\/div>\n \n \n
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Singular Sound<\/p>\n

BeatBuddy 2<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n (17)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 548 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Le Singular Sound BeatBuddy 2 est id\u00e9al quand aucun batteur n\u2019est disponible mais que tu veux quand m\u00eame profiter de grooves vivants et humains. Au lieu de motifs MIDI statiques, le BeatBuddy 2 contient plus de 220 styles issus de 24 genres, enregistr\u00e9s par des batteurs pros et non quantifi\u00e9s. Tu as le choix entre 13 kits de batterie. Et gr\u00e2ce au syst\u00e8me d\u2019accompagnement interactif, tu obtiens \u00e0 tout moment une section rythmique parfaite en appuyant simplement sur un bouton.<\/p>\n\n\n\n

Blackstar BEAM Solo<\/h2>\n\n\n
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Blackstar<\/p>\n

BEAM-Solo<\/h3>\n <\/span>\n\n
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\n (12)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 133 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Un ampli casque pour guitare et basse ! Le Blackstar BEAM Solo propose 6 mod\u00e8les d\u2019amplis allant du clean au high gain, 6 options d\u2019enceintes et de micros, et 35 effets. Un accordeur et un m\u00e9tronome sont inclus, ainsi qu\u2019une fonction d\u2019enregistrement et le streaming audio en Bluetooth. Et la batterie tient jusqu\u2019\u00e0 6 heures. De quoi rendre le jeu en silence vraiment fun !<\/p>\n\n\n\n

Roland TR-1000<\/h2>\n\n\n
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\n \"TR-1000\"\n\n <\/div>\n <\/div>\n \n \n
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Roland<\/p>\n

TR-1000<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n \n 2\u00a0699 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

La nouvelle TR-1000 de Roland ram\u00e8ne enfin les circuits analogiques authentiques ! Elle propose 10 sons de la TR-808 et 6 sons de la TR-909, recr\u00e9\u00e9s en analogique comme \u00e0 l\u2019\u00e9poque. \u00c0 cela s\u2019ajoutent 50 moteurs sonores num\u00e9riques ACB diff\u00e9rents, ainsi qu\u2019un g\u00e9n\u00e9rateur FM pour des percussions digitales. Mais ce n\u2019est pas tout : la TR-1000 embarque aussi un synth\u00e9 virtuel analogique, un moteur de sampling complet avec plus de 2500 \u00e9chantillons PCM et 46 Go de m\u00e9moire pour tes propres sons, ainsi qu\u2019un large \u00e9ventail d\u2019effets allant du beat slicing et resampling au compresseur, filtre et ampli avec enveloppe par instrument. Le tout avec l\u2019interface TR classique, 42 potards et 10 faders. Difficile de faire plus complet !<\/p>\n\n\n\n

Neuzeit Instruments Drop<\/h2>\n\n\n
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\n \"Drop\"\n\n <\/div>\n <\/div>\n \n \n
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Neuzeit Instruments<\/p>\n

Drop<\/h3>\n <\/span>\n\n
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\n (7)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 789 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Le Neuzeit Instruments Drop est le contr\u00f4leur ma\u00eetre MIDI & USB parfait pour la sc\u00e8ne comme pour le studio. Il prend vraiment toute sa dimension en live : tu peux cr\u00e9er des mappings personnalis\u00e9s pour tout ton setup et sauvegarder jusqu\u2019\u00e0 400 instantan\u00e9s que tu peux rappeler ou faire \u00e9voluer en temps r\u00e9el ou en synchro avec ta track. Avec deux couches comprenant chacune huit faders, huit boutons et 32 encodeurs push, tu as tout sous la main. Tu ne perdras plus jamais le contr\u00f4le !<\/p>\n\n\n\n

Behringer BM-11M Low Pass Filter<\/h2>\n\n\n
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\n \"BM-11M\n <\/div>\n <\/div>\n \n \n
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Behringer<\/p>\n

BM-11M Low Pass Filter<\/h3>\n <\/span>\n\n
\n Note : 7.00 sur\n 10<\/span>\n
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\n (13)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 119 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Pas besoin d\u2019\u00eatre un expert pour reconna\u00eetre que le Behringer BM-11M est une r\u00e9plique du l\u00e9gendaire filtre passe-bas Moog MF-101 de 2001. Alors que l\u2019original n\u2019est disponible que d\u2019occasion \u00e0 des prix astronomiques, la version de Behringer offre ce son authentique \u00e0 un prix bien plus abordable ! Ce filtre passe-bas analogique 2 et 4 p\u00f4les avec enveloppe, r\u00e9sonance et USB\/MIDI donne \u00e0 n\u2019importe quel son une touche unique !<\/p>\n\n\n\n

<\/p>\n\n\n\n

Universal Audio Volt 876 USB Recording Studio<\/h2>\n\n\n
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\n \"Volt\n <\/div>\n <\/div>\n \n \n
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Universal Audio<\/p>\n

Volt 876 USB Recording Studio<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
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\n (5)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 939 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Le Universal Audio Volt 876 USB Recording Studio est une interface audio USB 24×28 au format rack, avec 8 pr\u00e9amplis vintage int\u00e9gr\u00e9s, des compresseurs analogiques inspir\u00e9s de l\u20191176, et des convertisseurs 32 bits\/192 kHz. Elle propose aussi un monitoring direct en temps r\u00e9el avec commandes d\u00e9di\u00e9es en fa\u00e7ade, ainsi que deux mix st\u00e9r\u00e9o \u00e0 faible latence lorsqu\u2019elle est utilis\u00e9e avec UAD Console ou la station LUNA incluse. Un gros bundle logiciel avec plusieurs effets classiques est \u00e9galement fourni. Bien plus qu\u2019une simple porte d\u2019entr\u00e9e dans l\u2019univers Universal Audio !<\/p>\n\n\n\n

AKAI Professional MPC Live III<\/h2>\n\n\n
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\n \"MPC\n <\/div>\n <\/div>\n \n \n
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AKAI Professional<\/p>\n

MPC Live III<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
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\n (30)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1\u00a0569 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Avec son processeur 8 c\u0153urs de 2\u1d49 g\u00e9n\u00e9ration et des performances multipli\u00e9es par quatre par rapport \u00e0 la version pr\u00e9c\u00e9dente, l\u2019AKAI Professional MPC Live III change la donne. Elle embarque 8 Go de RAM, 128 Go de m\u00e9moire interne, 16 pads RGB sensibles \u00e0 la v\u00e9locit\u00e9 avec une nouvelle technologie 3D, et des enceintes st\u00e9r\u00e9o int\u00e9gr\u00e9es. Gr\u00e2ce \u00e0 la batterie lithium-ion, tu peux produire et jouer partout, \u00e0 tout moment, tandis que l\u2019\u00e9cran multi-touch haute r\u00e9solution de 7 pouces te donne un contr\u00f4le total. Un v\u00e9ritable studio complet dans un format compact.<\/p>\n\n\n\n

New Gear \u2013 ton avis<\/h2>\n\n\n\n

As-tu d\u00e9j\u00e0 test\u00e9 ou utilises-tu certains des produits pr\u00e9sent\u00e9s ici ? Dis-le-nous en commentaire !<\/p>\n

PUBLICIT\u00c9<\/div>
\"\"<\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"

D\u00e9couvre les nouveaut\u00e9s musicales les plus en vogue de 2025 \u2013 enceintes de studio, synth\u00e9s, guitares, amplis et bien plus encore ! \u25b6\ufe0e Nouvel \u00c9quipement Musical \u2013 Octobre 2025 \u2713 #HelloNewGear<\/p>\n","protected":false},"author":63,"featured_media":10003564,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[926],"tags":[],"class_list":["post-10003561","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":5,"formatted":"5 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10003561","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/users\/63"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/comments?post=10003561"}],"version-history":[{"count":7,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10003561\/revisions"}],"predecessor-version":[{"id":10003652,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10003561\/revisions\/10003652"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media\/10003564"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media?parent=10003561"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/categories?post=10003561"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/tags?post=10003561"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}