{"id":10003380,"date":"2025-09-26T09:55:00","date_gmt":"2025-09-26T07:55:00","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/fr\/?p=10003380"},"modified":"2025-09-24T11:07:18","modified_gmt":"2025-09-24T09:07:18","slug":"matos-guitare-du-groupe-oasis","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/fr\/gear\/matos-guitare-du-groupe-oasis\/","title":{"rendered":"Matos guitare du groupe Oasis \u25b7 Le son de la Brit’ Pop \ud83c\uddec\ud83c\udde7"},"content":{"rendered":"\n

Zoom sur le matos guitare du groupe Oasis : le son unique de la brit’pop ! \ud83c\uddec\ud83c\udde7 Si tu es passionn\u00e9 de rock britannique, et en particulier si tu \u00e9tais adolescent dans les ann\u00e9es 90, tu n\u2019as pas pu passer \u00e0 c\u00f4t\u00e9 de la nouvelle : Oasis est de retour, et ils sont actuellement en plein milieu d\u2019une tourn\u00e9e absolument pharaonique !<\/p>\n\n\n\n

Les lads de Manchester ont rallum\u00e9 les Marshall et d\u00e9passent all\u00e8grement les records de public pour leur tourn\u00e9e Live \u201825. Cinq dates \u00e0 Heaton Park (Manchester), cinq \u00e0 Wembley (Londres), le tout \u00e0 guichets ferm\u00e9s, et le groupe est actuellement en pleine tourn\u00e9e nord-am\u00e9ricaine. Pour l\u2019occasion, Noel Gallagher a post\u00e9 une photo de son pedalboard sur Instagram avec la l\u00e9gende \u201cau cas o\u00f9 qui que ce soit en aurait quoi que ce soit \u00e0 faire\u201d. R\u00e9sultat ? Plus de 78 000 \u201cj\u2019aime\u201d. Manifestement, les guitaristes veulent savoir. Je te propose donc aujourd\u2019hui un retour sur l\u2019\u00e9volution du matos de Noel.<\/p>\n\n\n\n

\"Matos<\/figure>\n\n\n\n

<\/a>Humbles d\u00e9buts<\/strong><\/h2>\n\n\n\n

Coup de chance, les fans d\u2019Oasis sont nombreux, et ils sont suffisamment acharn\u00e9s pour avoir r\u00e9colt\u00e9 de nombreuses informations sur le sujet.<\/p>\n\n\n\n

Tout commence en 1993 avec l\u2019enregistrement du premier album, Definitely Maybe<\/em>. Comme tout groupe d\u00e9butant qui se respecte, Oasis dispose d\u2019un mat\u00e9riel tout \u00e0 fait modeste. C\u00f4t\u00e9 guitare, Noel compose les premiers morceaux sur une simple Epiphone Les Paul Standard. Oasis a d\u2019ailleurs en grande partie contribu\u00e9 \u00e0 redonner ses lettres de noblesse \u00e0 la marque apr\u00e8s des ann\u00e9es d\u2019obscurit\u00e9.<\/p>\n\n\n\n

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Epiphone<\/p>\n

1959 Les Paul Standard DCS<\/h3>\n <\/span>\n\n
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Boss<\/p>\n

RE-2 Space Echo Delay\/Reverb<\/h3>\n <\/span>\n\n
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Boss<\/p>\n

BP-1W Booster\/Preamp<\/h3>\n <\/span>\n\n
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\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n

Pour les amplis, on reste sur une r\u00e9f\u00e9rence du matos bon march\u00e9 nineties avec le Marshall Valvestate 80 watts. C\u2019est un combo \u00e0 transistor, l\u2019\u00e9quivalent de la gamme MG \u00e0 l\u2019heure actuelle. Mais Gallagher a tr\u00e8s souvent jou\u00e9 sur un syst\u00e8me \u00e0 deux amplis en parall\u00e8le afin d\u2019obtenir un son plus riche, et pour contraster avec le Marshall il utilisait alors un WEM Dominator MkIII. Cet ampli britannique \u00e9tait un 15 watts \u00e0 lampe.<\/p>\n\n\n\n

Pour pousser le tout, Noel faisait appel \u00e0 un Roland Space Echo. Ce gros \u00e9cho \u00e0 bande des ann\u00e9es 70 et 80 avait un pr\u00e9ampli embarqu\u00e9 qui avait le chic pour r\u00e9v\u00e9ler le meilleur des amplis sur lesquels on le branchait. Gallagher l\u2019utilisait avant tout comme boost \u201calways on\u201d toujours enclench\u00e9, et allumait le delay lui-m\u00eame de fa\u00e7on plus sporadique. \u00c0 l\u2019heure actuelle, le Space Echo n\u2019est plus fabriqu\u00e9, mais on retrouve une simulation de son delay avec la p\u00e9dale compacte Boss RE-2, et surtout une version de son pr\u00e9ampli avec la Boss BP-1W.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
PUBLICIT\u00c9<\/div>
\"\"<\/a><\/div><\/div>

Matos guitare du groupe Oasis – Appeler un ami<\/strong><\/h2>\n\n\n\n

Pour l\u2019enregistrement du premier album, Gallagher a fait appel \u00e0 la gentillesse d\u2019un ami qui s\u2019y conna\u00eet particuli\u00e8rement bien en matos : Johnny Marr, l\u2019inventeur du son de The Smiths. Pour permettre \u00e0 Gallagher de varier les textures sonores, Marr lui a fait envoyer plusieurs belles pi\u00e8ces de sa collection au studio. La principale \u00e9tait une Les Paul sunburst qui avait appartenu \u00e0 Pete Townshend (The Who), un mod\u00e8le difficile \u00e0 identifier qui pourrait \u00eatre un manche de Gold Top sur un corps plus r\u00e9cent. Cette guitare a souffert sur la tourn\u00e9e suivante, et Marr a donc offert en remplacement sa Les Paul Custom de 1978, celle de The Queen Is Dead<\/em>.<\/p>\n\n\n\n

Marr a aussi confi\u00e9 sa fameuse Rickenbacker 330 Jetglo \u00e0 Gallagher, un instrument central du son de The Smiths.<\/p>\n\n\n\n

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Gibson<\/p>\n

Les Paul Standard 60s IT<\/h3>\n <\/span>\n\n
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Gibson<\/p>\n

Les Paul 68 Custom Reissue EB<\/h3>\n <\/span>\n\n
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Rickenbacker<\/p>\n

330 JG<\/h3>\n <\/span>\n\n
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\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n

C\u2019est aussi \u00e0 cette p\u00e9riode charni\u00e8re, entre la sortie de Definitely Maybe<\/em>, la tourn\u00e9e qui a suivi et l\u2019enregistrement du deuxi\u00e8me album, que les deux guitaristes du groupe, Noel et Bonehead, se sont chacun offert une Epiphone Riviera. En bon fans des Beatles, il \u00e9tait logique que la marque Epiphone les attire, en particulier les mod\u00e8les hollow body comme la Casino de Lennon et McCartney (m\u00eame si la Riviera est semi-hollow). C\u2019est cette guitare que l\u2019on entend sur la plupart des parties rythmiques de (What\u2019s The Story) Morning Glory<\/em>.<\/p>\n\n\n\n

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Epiphone<\/p>\n

Noel Gallagher Riviera<\/h3>\n <\/span>\n\n
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Epiphone<\/p>\n

USA Casino Vintage Sunburst<\/h3>\n <\/span>\n\n
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Fender<\/p>\n

AV II 65 Strat RW SHG<\/h3>\n <\/span>\n\n
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Pour cet album, Gallagher fait aussi bon usage d\u2019une Fender Stratocaster de 1965 – l\u00e0 encore pr\u00eat\u00e9e par Marr – qu\u2019il branche un Vox AC30 des ann\u00e9es 60 pour le solo de \u201cDon\u2019t Look Back In Anger\u201d.<\/p>\n\n\n\n

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Vox<\/p>\n

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Epiphone<\/p>\n

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Gibson<\/p>\n

Dove Original Antique Natural<\/h3>\n <\/span>\n\n
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En acoustique, on voit surtout Noel avec une superbe Epiphone Frontier, un mod\u00e8le am\u00e9ricain des ann\u00e9es 60 qui rappelait beaucoup la Dove de Gibson, ne serait-ce que par son corps en \u00e9rable.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Matos guitare du groupe Oasis – La folie des grandeurs<\/strong><\/h2>\n\n\n\n

C\u2019est avec cet album et ses singles absolument massifs que le groupe devient le mastodonte absolu du milieu des nineties. En tourn\u00e9e, Gallagher met \u00e0 jour son syst\u00e8me d\u2019amplis avec deux t\u00eates \u00e0 lampes typiques de l\u2019\u00e9poque : on a donc un Marshall JCM900, un mod\u00e8le qui existe encore \u00e0 l\u2019heure actuelle mais qui est aussi disponible sous forme de p\u00e9dale, et un Orange OR-120, un mod\u00e8le ultra puissant que l\u2019on retrouve d\u00e9sormais en version 30 watts, le OR-30.<\/p>\n\n\n\n

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Marshall<\/p>\n

MR4100 – JCM 900<\/h3>\n <\/span>\n\n
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Marshall<\/p>\n

JCM900 Distortion<\/h3>\n <\/span>\n\n
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Orange<\/p>\n

OR 30 Orange<\/h3>\n <\/span>\n\n
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\n \n 1\u00a0949 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n

C\u2019est sur la tourn\u00e9e de 1996 que Noel Gallagher s\u2019est aussi \u00e9quip\u00e9 de deux nouvelles Epiphone Sheraton fabriqu\u00e9es aux USA dans l\u2019usine Gibson : une sunburst, et surtout la fameuse Union Jack orn\u00e9e du drapeau britannique qui fera ensuite l\u2019objet d\u2019un mod\u00e8le signature.<\/p>\n\n\n\n

C\u2019est la p\u00e9riode des concerts l\u00e9gendaires film\u00e9s \u00e0 Knebworth devant deux fois 125 000 personnes, le tout avec un pedalboard d\u2019une simplicit\u00e9 d\u00e9sarmante : un accordeur Boss, une wah Vox, un delay Boss DD-3 (que Gallagher pr\u00e9sente comme \u201cmeilleur delay de tous les temps\u201d) et un compresseur Boss CS-3. Comme quoi, quand les chansons sont bonnes il n\u2019y a pas besoin de grand chose\u2026<\/p>\n\n\n\n

\n \n \n \n
\n \n
\n
\n \"Sheraton\n <\/div>\n <\/div>\n \n \n
\n \n

Epiphone<\/p>\n

Sheraton Vintage Sunburst<\/h3>\n <\/span>\n\n
\n Note : 6.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (4)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 777 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"TU-3\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

Boss<\/p>\n

TU-3<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (2571)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 95 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"VX\n <\/div>\n <\/div>\n \n \n
\n \n

Vox<\/p>\n

VX V847A Wah<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (572)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 85 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"DD-3T\n <\/div>\n <\/div>\n \n \n
\n \n

Boss<\/p>\n

DD-3T Digital Delay<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (72)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 144 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"CS-3\n <\/div>\n <\/div>\n \n \n
\n \n

Boss<\/p>\n

CS-3 Compression Sustainer<\/h3>\n <\/span>\n\n
\n Note : 8.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (517)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 109 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n

Les d\u00e9corations de Noel<\/strong> – matos guitare du groupe Oasis<\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Fin 1996, Gallagher ach\u00e8te la guitare qui deviendra sa principale \u00e0 ce jour, celle avec laquelle il reste encore associ\u00e9, une Gibson ES-355 TD de 1960. La ES-355 est une quart de caisse semi-hollow qui ressemble beaucoup \u00e0 la ES-335 dans son look comme dans sa conception, mais en plus luxueuse. On a donc la touche en \u00e9b\u00e8ne plut\u00f4t que palissandre, l\u2019accastillage dor\u00e9 et surtout la t\u00eate avec binding d\u00e9cor\u00e9e du m\u00eame losange \u00e9clat\u00e9 que les Les Paul Custom. C\u2019est donc ce tr\u00e8s beau mod\u00e8le \u00e9quip\u00e9 d\u2019un Bigsby qui est devenu la r\u00e9f\u00e9rence absolue pour Noel.<\/p>\n\n\n\n

\n \n \n \n
\n \n
\n
\n \"1959\n <\/div>\n <\/div>\n \n \n
\n \n

Gibson<\/p>\n

1959 ES-355 Reissue WR LA<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 7\u00a0598 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"ES-335\n <\/div>\n <\/div>\n \n \n
\n \n

Gibson<\/p>\n

ES-335 Dot 60s Cherry<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (19)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 2\u00a0999 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Les\n <\/div>\n <\/div>\n \n \n
\n \n

Gibson<\/p>\n

Les Paul 68 Custom Reissue EB<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (16)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 5\u00a0999 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n

C\u00f4t\u00e9 amplis, il traverse les ann\u00e9es 2000 avec plusieurs setups, notamment une t\u00eate Vox AC50 sur un baffle Marshall 4×12 avec deux Fender Blues Junior qui viennent en renfort. Le tout \u00e9tant boost\u00e9 par le pr\u00e9ampli \u00e0 lampe d\u2019un \u00e9cho SIB.<\/p>\n\n\n\n

\n \n \n \n
\n \n
\n
\n \"1960AV\n <\/div>\n <\/div>\n \n \n
\n \n

Marshall<\/p>\n

1960AV 412 Cabinet<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (118)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1\u00a0049 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Blues\n <\/div>\n <\/div>\n \n \n
\n \n

Fender<\/p>\n

Blues Junior IV<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (83)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 755 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Compressor\n <\/div>\n <\/div>\n \n \n
\n \n

Keeley<\/p>\n

Compressor Plus<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (295)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 159 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n

Puis en 2010, lorsqu\u2019il monte son groupe High Flying Birds, Noel Gallagher passe d\u00e9finitivement sur les amplis Hiwatt pour un son plus clair. Il avait d\u00e9j\u00e0 eu un ampli combo vertical tr\u00e8s impressionnant qu\u2019il ne sortait pas en tourn\u00e9e, mais sur sc\u00e8ne c\u2019est le Custom 50 qui a gagn\u00e9 sa place. C\u2019est aussi l\u2019\u00e9poque o\u00f9 il a commenc\u00e9 \u00e0 int\u00e9grer un Keeley Compressor Plus parmi ses p\u00e9dales.<\/p>\n\n\n\n

\n
<\/div>
<\/div>

Vous \u00eates actuellement en train de consulter le contenu d’un espace r\u00e9serv\u00e9 de YouTube<\/strong>. Pour acc\u00e9der au contenu r\u00e9el, cliquez sur le bouton ci-dessous. Veuillez noter que ce faisant, des donn\u00e9es seront partag\u00e9es avec des providers tiers.<\/p> Plus d’informations<\/a> <\/div>

D\u00e9bloquer ce contenu<\/a> Accepter le service requis et d\u00e9bloquer son contenu<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n

Matos guitare du groupe Oasis – Back in black<\/strong><\/h2>\n\n\n\n

Pour la tourn\u00e9e de reformation Live \u201825, Noel s\u2019est permis un beau pedalboard finalement assez peu garni par rapport \u00e0 l\u2019ampleur de l\u2019\u00e9v\u00e8nement. On y trouve quelques raret\u00e9s (le SIB en boost \u00e0 lampe, un treble booster BSM, un booster Kingsley et un booster Pete Cornish emprunt\u00e9 au producteur Paul Stacey), mais pour le reste on retrouve des r\u00e9f\u00e9rences tout \u00e0 fait classiques : accordeur Polytune, wah Crybaby Mini, compresseur Keeley, delay Strymon El Capistan, Timeline et Empress EchoSystem, reverb Boss RV-5 et enfin trois ZVex Lo-Fi Junky pour des r\u00e9glages diff\u00e9rents. Le tout sort sur deux Hiwatt Custom 50 et deux Marshall Bluesbreaker, de quoi se faire entendre tranquillement.<\/p>\n\n\n\n

\n \n \n \n
\n \n
\n
\n \"PolyTune\n <\/div>\n <\/div>\n \n \n
\n \n

tc electronic<\/p>\n

PolyTune 3 Tuner\/Buffer<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1242)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 68 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"CBM95\n <\/div>\n <\/div>\n \n \n
\n \n

Dunlop<\/p>\n

CBM95 CryBaby Mini Wah<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (212)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 111 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Compressor\n <\/div>\n <\/div>\n \n \n
\n \n

Keeley<\/p>\n

Compressor Plus<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (295)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 159 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n

C\u00f4t\u00e9 matos guitare du groupe Oasis, on retrouve \u00e9videmment la ES-355T, mais celle qui a le plus fait parler d\u2019elle est une Les Paul qui vient de l\u2019atelier Murphy Lab de Gibson, enti\u00e8rement noire avec deux P90 chrom\u00e9s. Ce mod\u00e8le a fait l\u2019objet d\u2019une r\u00e9plique en \u00e9dition tr\u00e8s limit\u00e9e, mais pour ceux qui n\u2019ont pas d\u00e9gain\u00e9 \u00e0 temps vous retrouverez quelque chose de tr\u00e8s proche avec une Les Paul 1956, \u00e0 cela pr\u00e8s qu\u2019elle sera Gold Top plut\u00f4t que noire.<\/p>\n\n\n\n

\n \n \n \n
\n \n
\n
\n \"El\n <\/div>\n <\/div>\n \n \n
\n \n

Strymon<\/p>\n

El Capistan V2<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (28)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 419 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Timeline\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

Strymon<\/p>\n

Timeline<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (438)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 465 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Echosystem\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

Empress Effects<\/p>\n

Echosystem<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n (74)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 525 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n

Dans tous les cas, c\u2019est la qualit\u00e9 de ce que vous chantez qui comptera vraiment ! Et de ce c\u00f4t\u00e9-l\u00e0, on ne peut que faire confiance \u00e0 Oasis qui ont de quoi remplir une setlist enti\u00e8re de tubes.<\/p>\n\n\n\n

\n \n \n \n
\n \n
\n
\n \"RV-6\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

Boss<\/p>\n

RV-6<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (436)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 169 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Instant\n <\/div>\n <\/div>\n \n \n
\n \n

Z.Vex<\/p>\n

Instant Lo Fi Junky Vexter<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (49)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 249 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"1959\n <\/div>\n <\/div>\n \n \n
\n \n

Gibson<\/p>\n

1959 ES-355 Reissue WR LA<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 7\u00a0598 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Les\n <\/div>\n <\/div>\n \n \n
\n \n

Gibson<\/p>\n

Les Paul 56 Goldtop VOS<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (5)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 4\u00a0199 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n

Matos guitare du groupe Oasis<\/a> – Quel matos tu r\u00eaverais d’avoir chez toi ? <\/strong><\/h2>\n\n\n\n

Dis nous quel Matos guitare du groupe Oasis<\/strong> tu aimerais avoir \u00e0 la maison !<\/p>\n\n\n\n

Jette un oeil \u00e0 notre autre article :
Le Son Signature de Linkin Park : Amplis, Guitares & Secrets !<\/a><\/h4>\n
PUBLICIT\u00c9<\/div>
\"\"<\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Zoom sur le matos guitare du groupe Oasis : le son unique de la brit’pop ! \ud83c\uddec\ud83c\udde7 <\/p>\n","protected":false},"author":76,"featured_media":10003448,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[926],"tags":[10000092,10000094,10000095],"class_list":["post-10003380","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear","tag-matos-groupe","tag-oasis","tag-oasis-guitare"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":7,"formatted":"7 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10003380","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/users\/76"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/comments?post=10003380"}],"version-history":[{"count":16,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10003380\/revisions"}],"predecessor-version":[{"id":10003545,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10003380\/revisions\/10003545"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media\/10003448"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media?parent=10003380"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/categories?post=10003380"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/tags?post=10003380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}