{"id":10003314,"date":"2025-10-10T09:55:00","date_gmt":"2025-10-10T07:55:00","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/fr\/?p=10003314"},"modified":"2025-09-24T11:27:51","modified_gmt":"2025-09-24T09:27:51","slug":"matos-guitare-du-groupe-architects","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/fr\/gear\/matos-guitare-du-groupe-architects\/","title":{"rendered":"Matos guitare du groupe Architects \u25b7 l\u2019architecture unique du GROS son \ud83c\udfb8"},"content":{"rendered":"\n

Le groupe britannique Architects fait partie des valeurs s\u00fbres du metalcore depuis deux d\u00e9cennies, et leur son de guitare est absolument colossal, sur sc\u00e8ne comme en studio. \u200b\ud83c\udfb8\u200b Le matos guitare du groupe Architects – si on veut en parler, il faut d\u2019abord bien comprendre que le groupe a connu une vie extr\u00eamement compliqu\u00e9e.<\/p>\n\n\n\n

\n
<\/div>
<\/div>

Vous \u00eates actuellement en train de consulter le contenu d’un espace r\u00e9serv\u00e9 de YouTube<\/strong>. Pour acc\u00e9der au contenu r\u00e9el, cliquez sur le bouton ci-dessous. Veuillez noter que ce faisant, des donn\u00e9es seront partag\u00e9es avec des providers tiers.<\/p> Plus d’informations<\/a> <\/div>

D\u00e9bloquer ce contenu<\/a> Accepter le service requis et d\u00e9bloquer son contenu<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n

Les fr\u00e8res jumeaux Searle ont mont\u00e9 le groupe en 2004, Tom \u00e0 la guitare et Dan \u00e0 la batterie. Tim Hillier-Brook \u00e9tait alors le deuxi\u00e8me guitariste. En 2006, le bassiste Tim Lucas quitte le groupe, puis c\u2019est le chanteur Matt Johnson qui part \u00e0 son tour alors que le premier album Nightmare<\/em> vient tout juste de sortir. C\u2019est le moment o\u00f9 Sam Carter devient le chanteur de Architects, un poste qu\u2019il occupe encore \u00e0 l\u2019heure actuelle. En 2012, c\u2019est avant la sortie du cinqui\u00e8me album Daybreaker<\/em> que le guitariste Hillier-Brook quitte le navire. <\/p>\n\n\n\n

Son rempla\u00e7ant Adam Christianson n\u2019est annonc\u00e9 officiellement que trois ans plus tard. Le 20 ao\u00fbt 2016, la trag\u00e9die frappe et Tom Searle succombe \u00e0 un cancer \u00e0 28 ans seulement, puis en 2017 le clip de \u201cDoomsday\u201d pr\u00e9sente le nouveau guitariste du groupe, Josh Middleton. Ce dernier finira par quitter le groupe en 2023, le dernier rebondissement d\u2019une histoire pour le moins chaotique. Sur le onzi\u00e8me album The Sky, the Earth & All Between<\/em> en 2025, Architects est devenu un quartet, et Adam Christianson est d\u00e9sormais l\u2019unique guitariste en studio. En live, le groupe accueille le deuxi\u00e8me guitariste Martyn Evans, ainsi que Ryan Burnett qui g\u00e8re autant le clavier que la guitare en fonction des morceaux.<\/p>\n\n\n\n

Matos guitare du groupe Architects, Les fondations<\/strong><\/h2>\n\n\n\n

La premi\u00e8re paire de guitaristes du groupe est donc celle que Tom Searle forme avec Tim Hillier-Brook. C\u2019est le duo qui marque la p\u00e9riode mathcore d\u2019Architects, avec une forte influence de The Dillinger Escape Plan. C\u00f4t\u00e9 instruments, les deux musiciens sont sur la marque japonaise ESP LTD, avec une r\u00e9partition tr\u00e8s claire des formes : la superstrat Horizon noire pour Searle, l\u2019Eclipse style Les Paul blanche pour Hillier-Brook. Dans les deux cas, ils ont choisi les micros humbucker actifs EMG ainsi que des chevalets fixes type Tune-o-Matic, la configuration la plus adapt\u00e9e pour supporter un jeu de sc\u00e8ne pour le moins \u00e9nergique. <\/p>\n\n\n\n


Par la suite, dans le matos guitare du groupe architects, on verra aussi Hillier-Brook sur une Fender Telecaster signature Jim Root, la version de la solid body historique revue par le monstre de Slipknot. Ainsi, on y retrouve les deux EMG et le chevalet fixe, mais avec un manche viss\u00e9 cette fois-ci.<\/p>\n\n\n\n

\n \n \n \n
\n \n
\n
\n \"LTD\n <\/div>\n <\/div>\n \n \n
\n \n

ESP<\/p>\n

LTD Horizon CTM '87 Black<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 1\u00a0579 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"LTD\n <\/div>\n <\/div>\n \n \n
\n \n

ESP<\/p>\n

LTD EC-1000T CTM VGS<\/h3>\n <\/span>\n\n
\n Note : 7.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (6)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 999 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"81\n <\/div>\n <\/div>\n \n \n
\n \n

EMG<\/p>\n

81 Black<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (684)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 85 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n

Le matos guitare du groupe architects comprend plusieurs mod\u00e8les d\u2019amplis, qui d\u00e9filent derri\u00e8re eux : on peut voir un demi-stack Laney dans le clip de \u201cIn The Desert\u201d, mais par la suite ce sont des variations de 5150 qui sont \u00e0 l\u2019honneur. Peavey 5150 original ou EVH 5150 II, mais aussi ENGL Savage 120 pouss\u00e9 par une overdrive Ibanez TS9 qui permet de sculpter les graves trop baveux.<\/p>\n\n\n\n

\n \n \n \n
\n \n
\n
\n \"6505\n <\/div>\n <\/div>\n \n \n
\n \n

Peavey<\/p>\n

6505 II Head<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1\u00a0429 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Jim\n <\/div>\n <\/div>\n \n \n
\n \n

Fender<\/p>\n

Jim Root Telecaster Flat White<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (57)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1\u00a0579 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Savage\n <\/div>\n <\/div>\n \n \n
\n \n

Engl<\/p>\n

Savage 120 E-610 MKII<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (9)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 2\u00a0333 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"TS9\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

Ibanez<\/p>\n

TS9<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (508)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 131 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n
PUBLICIT\u00c9<\/div>
\"\"<\/a><\/div><\/div>

Matos guitare du groupe Architects, Faire monter la Mayones<\/strong><\/h2>\n\n\n\n

La p\u00e9riode suivante est celle du duo Tom Searle \/ Josh Middleton qui n\u2019a dur\u00e9 que quelques mois mais qui est celui que l\u2019on entend sur le superbe All Our Gods Have Abandoned Us<\/em>, au titre tristement pr\u00e9monitoire en 2016. Searle s\u2019int\u00e9resse alors \u00e0 la marque polonaise Mayones, dont la Regius 6 fait tourner la t\u00eate de nombreux musiciens de la sc\u00e8ne metalcore de l\u2019\u00e9poque. Elle est \u00e9quip\u00e9e de micros Bare Knuckle, passifs mais avec un \u00e9norme niveau de sortie, et le chevalet est hardtail, \u00e0 cordes traversantes donc.<\/p>\n\n\n\n

\n \n \n \n
\n \n
\n
\n \"Regius\n <\/div>\n <\/div>\n \n \n
\n \n

Mayones Guitars<\/p>\n

Regius Core 6 AMH<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 5\u00a0799 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"LTD\n <\/div>\n <\/div>\n \n \n
\n \n

ESP<\/p>\n

LTD MH-1000NT BB BLK<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 1\u00a0759 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"HORIZON\n <\/div>\n <\/div>\n \n \n
\n \n

ESP<\/p>\n

HORIZON II FM STBLKSB CH FL<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 5\u00a0499 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n

Middleton de son c\u00f4t\u00e9 reste fid\u00e8le \u00e0 ESP LTD avec un mod\u00e8le MH \u00e0 table en \u00e9rable flamm\u00e9e \u00e9quip\u00e9e de deux Fishman Fluence pour l\u2019accordage en Fa di\u00e8se (ultra bas donc), et une Horizon modifi\u00e9e en Fishman Fluence pour l\u2019accordage en Sol di\u00e8se (un peu moins bas mais tr\u00e8s bas quand m\u00eame !).<\/p>\n\n\n\n

\n \n \n \n
\n \n
\n
\n \"Fluence\n <\/div>\n <\/div>\n \n \n
\n \n

Fishman<\/p>\n

Fluence Killswitch Engage Set<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (8)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 269 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Mobius\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

Strymon<\/p>\n

Mobius<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (159)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 444 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Big\n <\/div>\n <\/div>\n \n \n
\n \n

Strymon<\/p>\n

Big Sky<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (425)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 459 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Timeline\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

Strymon<\/p>\n

Timeline<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (438)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 465 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n

C\u2019est aussi l\u2019\u00e9poque o\u00f9 le pedalboard de Searle se d\u00e9veloppe consid\u00e9rablement pour reproduire toutes les textures que l\u2019on entend sur les albums du groupe. On y trouve notamment le trio gagnant de Strymon avec le multieffet de modulations Mobius, la reverb BigSky et le delay Timeline, plusieurs Walrus Audio (le compresseur Deep Six, la disto Iron Horse et l\u2019overdrive Messner), une fuzz JHS Muffuletta et un octaver Electro Harmonix POG 2. Le plus \u00e9patant est que le guitariste garde un jeu de sc\u00e8ne spectaculaire tout en pilotant un engin d\u2019une complexit\u00e9 pareille.<\/p>\n\n\n\n

\n \n \n \n
\n \n
\n
\n \"POG2\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

Electro Harmonix<\/p>\n

POG2<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (268)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 315 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Deepsix\n <\/div>\n <\/div>\n \n \n
\n \n

Walrus Audio<\/p>\n

Deepsix V3<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (20)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 203 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Iron\n <\/div>\n <\/div>\n \n \n
\n \n

Walrus Audio<\/p>\n

Iron Horse V3<\/h3>\n <\/span>\n\n
\n Note : 8.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (10)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 209 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Muffuletta\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

JHS Pedals<\/p>\n

Muffuletta<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (8)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 259 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n

Le tout sort sur une t\u00eate d\u2019ampli dont la r\u00e9putation n\u2019est plus \u00e0 faire, la monstrueuse Diezel Herbert et ses 180 watts.<\/p>\n\n\n\n

\n \n \n \n
\n \n
\n
\n \"Herbert\n <\/div>\n <\/div>\n \n \n
\n \n

Diezel<\/p>\n

Herbert EL34 MKIII<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (3)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 2\u00a0885 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n

<\/a>Renaissance num\u00e9rique<\/strong><\/h2>\n\n\n\n
\"le<\/figure>\n\n\n\n

Suite \u00e0 la disparition tragique de Searle, Architects accueille donc Adam Christianson pour donner la r\u00e9plique \u00e0 Josh Middleton. Christianson joue lui aussi sur Mayones, une Setius \u00e9quip\u00e9e en Bare Knuckle avec chevalet Tune-O-Matic mais cordes traversantes pour le Fa di\u00e8se, et une Regius baritone avec un chevalet hardtail. Pour autant, il est aussi fan de country et \u00e7a se ressent dans son choix plus inhabituel d\u2019une excellente copie de Telecaster, la LSL T-Bone. Bien s\u00fbr, sa version a deux humbuckers Bare Knuckle et un chevalet hardtail, mais elle garde le look bien reconnaissable de l\u2019originale. Par la suite, il collaborera aussi avec la marque pour son mod\u00e8le baritone, la LSL Bari-Bone.<\/p>\n\n\n\n

\n \n \n \n
\n \n
\n
\n \"Regius\n <\/div>\n <\/div>\n \n \n
\n \n

Mayones Guitars<\/p>\n

Regius 7 TDRG<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 5\u00a0799 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"T\n <\/div>\n <\/div>\n \n \n
\n \n

LSL<\/p>\n

T Bone Destoto\/Sonic Blue Aged<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 3\u00a0790 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n

C\u00f4t\u00e9 effets, Christianson n\u2019est pas tr\u00e8s loin de Searle. On a donc les trois Strymon \u00e9voqu\u00e9es plus haut, une overdrive Maxon OD-9 (type Tube Screamer) et un noise gate ISP Decimator. Relativement simple, et tr\u00e8s efficace. Enfin, les amplis \u00e0 lampe ne sont plus qu\u2019un lointain souvenir et les deux guitaristes passent donc par le simulateur Kemper Profiler, dans sa version rack.<\/p>\n\n\n\n

\n \n \n \n
\n \n
\n
\n \"OD-9\n <\/div>\n <\/div>\n \n \n
\n \n

Maxon<\/p>\n

OD-9 Overdrive<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (182)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 156 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Decimator\n <\/div>\n <\/div>\n \n \n
\n \n

ISP Technologies<\/p>\n

Decimator X Noise Reduction<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (507)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 185 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Profiler\n <\/div>\n <\/div>\n \n \n
\n \n

Kemper<\/p>\n

Profiler Rack MK 2<\/h3>\n <\/span>\n\n
\n Note : 8.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (6)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1\u00a0398 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n
\n
<\/div>
<\/div>

Vous \u00eates actuellement en train de consulter le contenu d’un espace r\u00e9serv\u00e9 de YouTube<\/strong>. Pour acc\u00e9der au contenu r\u00e9el, cliquez sur le bouton ci-dessous. Veuillez noter que ce faisant, des donn\u00e9es seront partag\u00e9es avec des providers tiers.<\/p> Plus d’informations<\/a> <\/div>

D\u00e9bloquer ce contenu<\/a> Accepter le service requis et d\u00e9bloquer son contenu<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n

<\/a>On The Road Again<\/strong><\/h2>\n\n\n\n

Le groupe est actuellement en tourn\u00e9e europ\u00e9enne pour l\u2019album The Sky, the Earth & All Between<\/em> (\u00e0 l\u2019Adidas Arena de Paris le 29 septembre), apr\u00e8s avoir ouvert pour Linkin Park dans les stades cet \u00e9t\u00e9. Pour l\u2019occasion, tu pourras y entendre Adam Christianson avec Martyn Evans. Le premier reste fid\u00e8le \u00e0 Mayones, et il joue d\u00e9sormais sur des mod\u00e8les Aquila Cardinal.<\/p>\n\n\n\n

\n \n \n \n
\n \n
\n
\n \"Aquila\n <\/div>\n <\/div>\n \n \n
\n \n

Mayones Guitars<\/p>\n

Aquila Elite S 6 Poplar LB<\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 4\u00a0699 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"RG470DXFM-CS\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

Ibanez<\/p>\n

RG470DXFM-CS<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 599 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n
\n \n \n \n
\n \n
\n
\n \"LTD\n <\/div>\n <\/div>\n \n \n
\n \n

ESP<\/p>\n

LTD M-1 Custom \u00b487 Candy Apple<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (3)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 999 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n

De son c\u00f4t\u00e9, Martyn Evans a d\u2019abord jou\u00e9 dans des groupes, notamment Bleed From Within de 2011 \u00e0 2017, puis il est devenu guitar tech pour Architects avant de devenir le guitariste de tourn\u00e9e du groupe en 2023. \u00c0 l\u2019\u00e9poque de Bleed From Within, il jouait sur Ibanez RG avec Floyd Rose, mais il est d\u00e9sormais pass\u00e9 chez ESP. En mai dernier, il a re\u00e7u un magnifique mod\u00e8le du Custom Shop, une M1 en finition silverburst avec un unique micro Fishman Fluence. Effet garanti !<\/p>\n\n\n\n

Malgr\u00e9 ces changements et \u00e9volutions, Architects reste un groupe incontournable, et sur sc\u00e8ne, personne ne ressortira indemne du voyage apr\u00e8s les derni\u00e8res notes de \u201cAnimals\u201d.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Matos guitare du groupe Architects<\/a> : Quel matos tu r\u00eaverais d’avoir chez toi ?<\/strong><\/h2>\n\n\n\n

Dis nous en commentaire quel pi\u00e8ce du matos guitare du groupe Architects tu aimerais avoir chez toi !
Jette un oeil \u00e0 l’article :
Matos AC\/DC \u25b7 Guitare et Ampli : Le Son de la Haute Tension<\/strong><\/a><\/h4>\n\n\n\n
\n
<\/div>
<\/div>

Vous \u00eates actuellement en train de consulter le contenu d’un espace r\u00e9serv\u00e9 de YouTube<\/strong>. Pour acc\u00e9der au contenu r\u00e9el, cliquez sur le bouton ci-dessous. Veuillez noter que ce faisant, des donn\u00e9es seront partag\u00e9es avec des providers tiers.<\/p> Plus d’informations<\/a> <\/div>

D\u00e9bloquer ce contenu<\/a> Accepter le service requis et d\u00e9bloquer son contenu<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n
PUBLICIT\u00c9<\/div>
\"\"<\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Le groupe britannique Architects fait partie des valeurs s\u00fbres du metalcore depuis deux d\u00e9cennies, et leur son de guitare est absolument colossal, sur sc\u00e8ne comme en studio. \u200b\ud83c\udfb8<\/p>\n","protected":false},"author":76,"featured_media":10003449,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[926],"tags":[10000091,10000092,10000093],"class_list":["post-10003314","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear","tag-architects","tag-matos-groupe","tag-rockstar"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":6,"formatted":"6 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10003314","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/users\/76"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/comments?post=10003314"}],"version-history":[{"count":18,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10003314\/revisions"}],"predecessor-version":[{"id":10003377,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10003314\/revisions\/10003377"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media\/10003449"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media?parent=10003314"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/categories?post=10003314"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/tags?post=10003314"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}