{"id":10002931,"date":"2025-09-09T10:00:00","date_gmt":"2025-09-09T08:00:00","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/fr\/?p=10002931"},"modified":"2025-10-31T12:11:58","modified_gmt":"2025-10-31T11:11:58","slug":"new-gear-septembre-2025","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/fr\/gear\/new-gear-septembre-2025\/","title":{"rendered":"New Gear – Septembre 2025"},"content":{"rendered":"\n

Les derniers jours de l\u2019\u00e9t\u00e9 se montrent sous leur meilleur jour \u2014 avec plein de nouveaux instruments !<\/strong> D\u2019une batterie aux effets uniques, un contr\u00f4leur DJ professionnel, un set d\u2019\u00e9clairage polyvalent et de nouveaux micros, on a vraiment de tout. C\u2019est parti !<\/p>\n\n\n\n

Dialtune Set en \u00c9rable 4 pi\u00e8ces Noir Mat<\/h2>\n\n\n\n

Ce kit de batterie du fabricant am\u00e9ricain Dialtune est fabriqu\u00e9 en \u00e9rable nord-am\u00e9ricain et fini en noir mat. La particularit\u00e9 de ces f\u00fbts est le syst\u00e8me d\u2019accordage brevet\u00e9 avec c\u00e2bles en fibre synth\u00e9tique et molettes ind\u00e9pendantes pour les peaux de frappe et de r\u00e9sonance. Le set inclut une grosse caisse de 22″ x 16″, des toms suspendus de 10″ x 08″ et 12″ x 09″, ainsi qu\u2019un tom basse de 16″ x 14″. Une batterie moderne avec un son affirm\u00e9 !<\/p>\n\n\n

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Dialtune<\/p>\n

4-pcs Maple Set Matte Black<\/h3>\n <\/span>\n\n
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\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n
PUBLICIT\u00c9<\/div>
\"\"<\/a><\/div><\/div>

Behringer BM-12 Ring Modulator<\/h2>\n\n\n\n

Le Behringer BM-12 Ring Modulator est une r\u00e9plique authentique du Moog MF-102 des ann\u00e9es 90, aujourd\u2019hui introuvable. Il produit des sonorit\u00e9s proches de cloches, des harmoniques marqu\u00e9s et des textures m\u00e9talliques. Comme l\u2019original, il permet de moduler quasiment n\u2019importe quel son de mani\u00e8re cr\u00e9ative pour obtenir des timbres uniques. Avec son design old-school, cette p\u00e9dale analogique est parfaite pour guitare, basse et synth\u00e9s. Un must pour les passionn\u00e9s de sound design !<\/p>\n\n\n

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Behringer<\/p>\n

BM-12 Ring Modulator<\/h3>\n <\/span>\n\n
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\n \n 99 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
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JHS Pedals 424 Gain Stage<\/h2>\n\n\n\n

Bien avant l\u2019\u00e8re de l\u2019ordinateur, les studios 4 pistes dominaient le monde du home recording. L\u2019un des mod\u00e8les les plus populaires \u00e9tait le Tascam 424 MKI. Sorti en 1990, il \u00e9tait connu pour le caract\u00e8re particulier de son gain. Ce son a \u00e9t\u00e9 parfaitement recr\u00e9\u00e9 dans la p\u00e9dale overdrive\/distorsion 424 Gain Stage de JHS Pedals. Ram\u00e8ne ce son iconique dans ton pedalboard !<\/p>\n\n\n

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JHS Pedals<\/p>\n

424 Gain Stage<\/h3>\n <\/span>\n\n
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Rane One MKII<\/h2>\n\n\n\n

Rane a remis \u00e0 jour son contr\u00f4leur DJ motoris\u00e9 : le Rane One MKII. Parmi les nouveaut\u00e9s, on trouve une unit\u00e9 d\u2019effets avec 29 effets et \u00e9cran OLED, des faders am\u00e9lior\u00e9s et des contr\u00f4les d\u00e9di\u00e9s aux stems. Le ch\u00e2ssis est d\u00e9sormais blanc. Et comme ils \u00e9taient d\u00e9j\u00e0 excellents, les plateaux motoris\u00e9s de 7,2″ \u00e0 fort couple et le workflow bien pens\u00e9 ont encore \u00e9t\u00e9 perfectionn\u00e9s. Parfait pour le club comme pour la maison !<\/p>\n\n\n

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Rane<\/p>\n

One MKII<\/h3>\n <\/span>\n\n
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Black Lion Audio Bluey Limiter<\/h2>\n\n\n\n

Ce compresseur mono n\u2019est pas un simple clone du 1176, mais un \u00ab Blue Stripe \u00bb modifi\u00e9, bas\u00e9 sur le compresseur vocal pr\u00e9f\u00e9r\u00e9 de la l\u00e9gende du mix Chris Lord-Alge. Gr\u00e2ce au circuit discret avec transformateurs Cinemag inspir\u00e9s des composants UTC originaux, il d\u00e9livre un son authentique. Le contr\u00f4le wet\/dry permet d\u2019\u00e9quilibrer le signal compress\u00e9 et non compress\u00e9.<\/p>\n\n\n

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Black Lion Audio<\/p>\n

Bluey Limiter<\/h3>\n <\/span>\n\n
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Soundboks Lightboks<\/h2>\n\n\n\n

Ce module lumineux LED RGBW 7 x 12 W, contr\u00f4l\u00e9 par le son et aliment\u00e9 par batterie, est con\u00e7u IP65 pour r\u00e9sister \u00e0 la poussi\u00e8re et aux intemp\u00e9ries. Le Soundboks Lightboks peut \u00eatre reli\u00e9 facilement et sans fil \u00e0 d\u2019autres projecteurs Lightboks. L\u2019application d\u00e9di\u00e9e permet un contr\u00f4le \u00e0 distance et le r\u00e9glage des couleurs. \u00c0 pleine luminosit\u00e9, tu peux danser jusqu\u2019\u00e0 13 heures \u2014 parfait pour ton prochain \u00e9v\u00e9nement !<\/p>\n\n\n

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Soundboks<\/p>\n

Lightboks<\/h3>\n <\/span>\n\n
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Instruo Pocket Scion<\/h2>\n\n\n\n

L\u2019Instruo Pocket Scion convertit les processus biologiques en sons et en donn\u00e9es MIDI. Cet outil de biofeedback dispose de 4 moteurs sonores et peut \u00eatre connect\u00e9 \u00e0 tous les organismes vivants. Ne l\u2019essaie pas seulement sur toi : plantes, fruits et l\u00e9gumes peuvent aussi faire de la musique. Les r\u00e9sultats vont te surprendre !<\/p>\n\n\n

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Instruo<\/p>\n

Pocket Scion<\/h3>\n <\/span>\n\n
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Valeton GP-5<\/h2>\n\n\n\n

Le Valeton GP-5 prouve que les multi-effets pour guitare \u00e9lectrique n\u2019ont pas besoin d\u2019\u00eatre encombrants. Malgr\u00e9 son format mini ultra-compact, ce processeur multi-effets, SnapTone et chargeur d\u2019IR, g\u00e8re plus de 100 effets diff\u00e9rents, jusqu\u2019\u00e0 9 simultan\u00e9ment, enregistrables dans 100 presets. Tous les param\u00e8tres peuvent \u00eatre modifi\u00e9s et contr\u00f4l\u00e9s en Bluetooth via une appli. Un vrai gain de place sur ton pedalboard, avec un son exceptionnel !<\/p>\n\n\n

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Valeton<\/p>\n

GP-5<\/h3>\n <\/span>\n\n
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Ape Labs Marvel Flood & Spot<\/h2>\n\n\n\n

Ape Labs a lanc\u00e9 de nouveaux projecteurs LED d\u2019ext\u00e9rieur sur batterie. Les deux mod\u00e8les embarquent neuf puces LED de 7 mm (RGB + blanc chaud (2700 K) + blanc froid (6000 K) + lime), chacune de 18 W en pixels contr\u00f4lables, et sont certifi\u00e9s IP65. Le Marvel Flood offre un angle de 150\u00ba, tandis que le Marvel Spot a un angle de 15\u00ba. Les deux sont propos\u00e9s \u00e0 l\u2019unit\u00e9 ou en set de quatre avec flight case. Tous les d\u00e9tails sont sur notre site.<\/p>\n\n\n

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Ape Labs<\/p>\n

Marvel TB 4 Spot<\/h3>\n <\/span>\n\n
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Ape Labs<\/p>\n

Marvel TB 4 Flood<\/h3>\n <\/span>\n\n
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Nouvelle s\u00e9rie \u201cJunior\u201d & \u201cJunior Studio Essentials\u201d de Warm Audio<\/h2>\n\n\n\n

Warm Audio vient d\u2019annoncer de nouveaux micros \u00e0 condensateur \u00e0 large membrane ! Le WA-87jr est la version FET sans transformateur avec capsule \u00e0 double membrane dor\u00e9e, directivit\u00e9s s\u00e9lectionnables (cardio\u00efde, omnidirectionnelle, figure-8), plage dynamique de 116 dBA et niveau max de pression sonore de 125\/135 dB SPL (0\/-10 dB pad).<\/p>\n\n\n\n

Le WA-87jr SE a une directivit\u00e9 cardio\u00efde, une plage dynamique de 116 dBA et un niveau max de 125 dB SPL, tandis que le WA-47jr SE propose une directivit\u00e9 cardio\u00efde, une plage dynamique de 138 dBA et un niveau max de 147 dB SPL. Tous les mod\u00e8les couvrent une r\u00e9ponse en fr\u00e9quence de 20 \u00e0 20 000 Hz. Disponibles en argent et en noir.<\/p>\n\n\n

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Warm Audio<\/p>\n

WA-47jr SE<\/h3>\n <\/span>\n\n
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Warm Audio<\/p>\n

WA-87jr<\/h3>\n <\/span>\n\n
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Warm Audio<\/p>\n

WA-87jr Black<\/h3>\n <\/span>\n\n
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New Gear \u2013 Septembre 2025 : Lequel te pla\u00eet le plus ?<\/strong><\/h2>\n\n\n\n

Tu as d\u00e9j\u00e0 test\u00e9 ou tu utilises d\u00e9j\u00e0 certains des nouveaux produits list\u00e9s ? Dis-le-nous en commentaire !<\/strong><\/p>\n\n

PUBLICIT\u00c9<\/div>
\"\"<\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Les derniers jours de l\u2019\u00e9t\u00e9 se montrent sous leur meilleur jour \u2014 avec plein de nouveaux instruments ! D\u2019une batterie aux effets uniques, un contr\u00f4leur DJ professionnel, un set d\u2019\u00e9clairage polyvalent et de nouveaux micros, on a vraiment de tout. C\u2019est parti !<\/p>\n","protected":false},"author":63,"featured_media":10002934,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[926],"tags":[],"class_list":["post-10002931","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":4,"formatted":"4 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10002931","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/users\/63"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/comments?post=10002931"}],"version-history":[{"count":3,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10002931\/revisions"}],"predecessor-version":[{"id":10003803,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10002931\/revisions\/10003803"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media\/10002934"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media?parent=10002931"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/categories?post=10002931"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/tags?post=10002931"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}