{"id":10001465,"date":"2025-07-22T09:55:00","date_gmt":"2025-07-22T07:55:00","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/fr\/?p=10001465"},"modified":"2025-07-29T11:43:55","modified_gmt":"2025-07-29T09:43:55","slug":"amplis-guitare-son-yungblud","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/fr\/gear\/amplis-guitare-son-yungblud\/","title":{"rendered":"Les amplis\/guitares ou les secrets de l’unique… Son de Yungblud !"},"content":{"rendered":"\n

Le son de Yungblud \u00e0 travers ses amplis et guitares : apr\u00e8s quatre albums seulement, le britannique Dominic Richard Harrison s\u2019est impos\u00e9 comme le fer de lance de la nouvelle g\u00e9n\u00e9ration pop-punk. Trois albums num\u00e9ro un au Royaume-Uni, 28 singles, des centaines de millions de vues sur Youtube, et des textes dans lesquels les post-adolescents de la g\u00e9n\u00e9ration Y peuvent retrouver leurs pr\u00e9occupations quotidiennes. Musicalement, Yungblud est un artiste parfaitement contemporain en cela qu\u2019il se prom\u00e8ne d\u2019un style \u00e0 l\u2019autre, empruntant p\u00eale-m\u00eale au rock britannique, au metal, au hip-hop et \u00e0 la pop ultramoderne, avec une constante : celle d\u2019\u00e9crire d\u2019excellentes chansons, avec des refrains qui s\u2019installent d\u00e9finitivement dans la t\u00eate et ne l\u00e2chent pas. Et bien s\u00fbr, le tout est servi sur fond de murs de guitares massives, pour un son sur lequel nous allons ici nous pencher \u00e0 l\u2019occasion de la sortie de son nouvel album, Idols<\/em>.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

<\/a>Young Blood<\/strong><\/h2>\n\n\n\n

D\u00e8s le d\u00e9part, Yungblud annonce la couleur : sa musique se joue guitare en main, et tant pis si en 2017 l\u2019instrument n\u2019a plus autant le vent en poupe que dans les ann\u00e9es 90<\/strong>. Dans le clip de son premier single, \u201cKing Charles\u201d, on le voit en trio sans bassiste. <\/p>\n\n\n\n

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Vous \u00eates actuellement en train de consulter le contenu d’un espace r\u00e9serv\u00e9 de YouTube<\/strong>. Pour acc\u00e9der au contenu r\u00e9el, cliquez sur le bouton ci-dessous. Veuillez noter que ce faisant, des donn\u00e9es seront partag\u00e9es avec des providers tiers.<\/p> Plus d’informations<\/a> <\/div>

D\u00e9bloquer ce contenu<\/a> Accepter le service requis et d\u00e9bloquer son contenu<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n

Son guitariste Adam Warrington branche une Jazzmaster noire sur un Vox AC30 (nous allons y revenir), et Yungblud lui-m\u00eame a une Fender Telecaster Sunburst<\/strong> <\/a>\u00e0 la touche palissandre. L\u2019ampli derri\u00e8re lui est paradoxalement un classique de l\u2019amplification basse, le Ampeg SVT.<\/p>\n\n\n\n

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La m\u00eame ann\u00e9e, pour \u201cTin Pan Boy\u201d, on le voit avec une Stratocaster \u00e0 la touche \u00e9rable dont la couleur \u00e9voque le Seafoam Green.<\/p>\n\n\n

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La guitare dispara\u00eet ensuite des clips au fur et \u00e0 mesure que le succ\u00e8s de Yungblud se confirme \u00e0 une \u00e9chelle toujours plus grande. Il faut chercher la version live de \u201c11 Minutes\u201d pour le voir avec une tr\u00e8s belle Gibson SG 61 Cherry Red avec le vibrato Maestro, et pour \u201cWeird!\u201d en 2020 il ressort la Telecaster de ses d\u00e9buts. <\/p>\n\n\n\n

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Cette m\u00eame ann\u00e9e, le clip de \u201cStrawberry Lipstick\u201d rappelle aussi l\u2019esth\u00e9tique de \u201cKing Charles\u201d avec ses deux stacks Marshall trois corps (des 1959 Plexi) et surtout sa tr\u00e8s sexy Gibson Firebird VII en Cardinal Red.<\/p>\n\n\n\n

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Les secrets du son de Yungblud – amplis et guitares<\/figcaption><\/figure>\n\n\n\n
PUBLICIT\u00c9<\/div>
\"\"<\/a><\/div><\/div>

Amplis\/guitares, le son de Yungblud – Le calme entre les temp\u00eates<\/strong><\/h2>\n\n\n\n

Tout punk qu\u2019il est, l\u2019acoustique a une place de choix dans l\u2019approche artistique de Yungblud. Ce choix repr\u00e9sente \u00e0 la fois un acc\u00e8s plus direct \u00e0 ses \u00e9motions et une mani\u00e8re de montrer la qualit\u00e9 de ses chansons sans production dantesque. D\u00e8s 2018, il sort un deuxi\u00e8me EP intitul\u00e9 Yungblud (Unplugged)<\/a><\/strong><\/em> sur lequel on retrouve les titres de son premier EP \u00e9ponyme en versions acoustiques.<\/p>\n\n\n\n

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Dans le domaine unplugged, Yungblud semble avoir une pr\u00e9f\u00e9rence pour le camp Gibson, puisque dans une version live acoustique de \u201cLoner\u201d on le voit avec une J-45. Dans le clip de \u201cDon\u2019t Feel Like Feeling Sad Today (Sad Version)\u201d, c\u2019est une LG-2 qu\u2019il gratte avec un capodastre \u00e0 la huiti\u00e8me case, assis sur le bord de son lit. Petit probl\u00e8me pour l\u2019identifier clairement : le clip est en noir et blanc ! Il faudra donc attendre de la revoir pour les passages acoustiques du \u201cIm A Mess\u201d d\u2019Avril Lavigne pour retrouver la LG-2 en couleur avec son Cherry Sunburst.<\/p>\n\n\n\n

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L.R.Baggs<\/p>\n

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Pour la version live de cette m\u00eame chanson, Yungblud reste chez Gibson avec une Hummingbird amplifi\u00e9e via le micro de rosace L.R. Baggs M1.<\/p>\n\n\n\n

<\/a>L\u2019homme de l\u2019ombre<\/strong><\/h2>\n\n\n\n

Sur cette m\u00eame vid\u00e9o live, on voit d\u2019ailleurs un deuxi\u00e8me guitariste dans l\u2019ombre de Yungblud, lui aussi sur une Hummingbird. Adam Warrington est \u00e0 la fois songwriter, producteur, bassiste et surtout guitariste sur toutes les tourn\u00e9es de Yungblud depuis le d\u00e9but. L\u2019\u00e9cossais est un alli\u00e9 sonore ultra pr\u00e9cieux qui, contrairement \u00e0 Yungblud lui-m\u00eame, est tout \u00e0 fait g\u00e9n\u00e9reux en informations \u00e0 propos de son matos.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

C\u00f4t\u00e9 guitares, on le voit souvent avec une Fender Classic Player Jazzmaster noire<\/a>. Dans \u201cKing Charles\u201d, elle a une plaque de protection tortoise, qui sera ensuite remplac\u00e9e par une plaque blanche, mais il s\u2019agit bien de la m\u00eame guitare. <\/p>\n\n\n

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De mani\u00e8re g\u00e9n\u00e9rale, il affectionne tout particuli\u00e8rement les guitares noires, avec notamment une Gibson SG Standard<\/a>, une ES-335<\/a> et une Gretsch Duo Jet<\/a>.

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\n (2)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 2\u00a0999 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n<\/div>\n\n\n\n

Enfin, il a aussi une Les Paul Standard sunburst <\/a>que l\u2019on voit dans le clip de \u201cStrawberry Lipstick\u201d et qui a eu la t\u00eate cass\u00e9e \u00e0 deux reprises.<\/p>\n\n\n

\n \n \n \n
\n \n
\n
\n \"Les\n <\/div>\n <\/div>\n \n \n
\n \n

Gibson<\/p>\n

Les Paul Standard 60 Fd VCS<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (11)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1\u00a0929 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

C\u00f4t\u00e9 amplis, il m\u00e9lange deux classiques de l\u2019amplification britannique pour un r\u00e9sultat tout \u00e0 fait \u00e9norme : une t\u00eate Hiwatt Custom 20 et un combo Marshall Bluesbreaker 1962. En studio, il utilise aussi une Orange Tiny Terror<\/a>.<\/p>\n\n\n\n

\n
\n \n \n \n
\n \n
\n
\n \"1962\n <\/div>\n <\/div>\n \n \n
\n \n

Marshall<\/p>\n

1962 Bluesbreaker<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (5)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1\u00a0799 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n
\n \n \n \n
\n \n
\n
\n \"Rocker\n <\/div>\n <\/div>\n \n \n
\n \n

Orange<\/p>\n

Rocker 15 Terror<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (54)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 699 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n<\/div>\n\n\n\n

Enfin, pour les p\u00e9dales, il y a de quoi faire, et l\u2019on retrouve beaucoup de multieffets boss (ES-8, RV-500<\/a>, DD-500<\/a> et MD-500<\/a>), <\/p>\n\n\n\n

\n
\n \n \n \n
\n \n
\n
\n \"RV-500\n <\/div>\n <\/div>\n \n \n
\n \n

Boss<\/p>\n

RV-500 Reverb<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (32)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 429 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n
\n \n \n \n
\n \n
\n
\n \"DD-500\n <\/div>\n <\/div>\n \n \n
\n \n

Boss<\/p>\n

DD-500 Digital Delay<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (69)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 387 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n
\n \n \n \n
\n \n
\n
\n \"MD-500\n <\/div>\n <\/div>\n \n \n
\n \n

Boss<\/p>\n

MD-500 Modulation<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (27)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 428 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n<\/div>\n\n\n\n

mais aussi deux fuzz JHS (Mufuletta et Crayon) ainsi que l\u2019incontournable DigiTech Whammy<\/a>. Ce v\u00e9ritable arsenal lui permet de multiplier les textures sonores tandis que Yungblud se charge des rythmiques plus nerveuses.<\/p>\n\n\n\n

\n
\n \n \n \n
\n \n
\n
\n \"Muffuletta\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

JHS Pedals<\/p>\n

Muffuletta<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (8)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 259 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n
\n \n \n \n
\n \n
\n
\n \"Crayon\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

JHS Pedals<\/p>\n

Crayon<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (12)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 209 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n
\n \n \n \n
\n \n
\n
\n \"Whammy\n <\/div>\n <\/div>\n \n \n
\n \n

Digitech<\/p>\n

Whammy 5<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (532)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 199 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n<\/div>\n\n\n\n

<\/a>Sign\u00e9 Furax<\/strong><\/h2>\n\n\n\n

Yungblud fait partie de ces artistes qui ont ranim\u00e9 l\u2019envie de guitare parmi la jeune g\u00e9n\u00e9ration, et \u00e0 ce titre il \u00e9tait logique qu\u2019il finisse par avoir son mod\u00e8le signature. C\u2019est donc en 2024 que Epiphone a annonc\u00e9 la sortie de la Yungblud SG Junior<\/a>. <\/p>\n\n\n

\n \n \n \n
\n \n
\n
\n \"YUNGBLUD\n <\/div>\n <\/div>\n \n \n
\n \n

Epiphone<\/p>\n

YUNGBLUD SG Junior CW<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (10)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 537 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

C\u2019est une guitare qui rend hommage \u00e0 la glorieuse simplicit\u00e9 de la SG Junior vintage, le tout avec un prix accessible pour les fans les moins riches. On la voit notamment dans le clip de \u201cI\u2019m A Mess\u201d avec Avril Lavigne pour les parties \u00e9lectriques.<\/p>\n\n\n\n

\n
<\/div>
<\/div>

Vous \u00eates actuellement en train de consulter le contenu d’un espace r\u00e9serv\u00e9 de YouTube<\/strong>. Pour acc\u00e9der au contenu r\u00e9el, cliquez sur le bouton ci-dessous. Veuillez noter que ce faisant, des donn\u00e9es seront partag\u00e9es avec des providers tiers.<\/p> Plus d’informations<\/a> <\/div>

D\u00e9bloquer ce contenu<\/a> Accepter le service requis et d\u00e9bloquer son contenu<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n

Mais Yungblud a d\u00e9j\u00e0 le regard tourn\u00e9 vers l\u2019avenir, puisqu\u2019il a r\u00e9v\u00e9l\u00e9 que pour son prochain mod\u00e8le signature, il aimerait une Epiphone hollow body. En effet, pour l\u2019enregistrement de Idols<\/em>, il a beaucoup utilis\u00e9 sa Gibson ES-330 noire de 1964. Adam Warrington avait quant \u00e0 lui une Epiphone Casino, et les deux mod\u00e8les sont tr\u00e8s proches dans leur conception enti\u00e8rement creuse et avec micros P90.<\/p>\n\n\n\n

\n
\n \n \n \n
\n \n
\n
\n \"ES-330\n <\/div>\n <\/div>\n \n \n
\n \n

Gibson<\/p>\n

ES-330 Tobacco Sunburst<\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (2)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 3\u00a0129 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n
\n \n \n \n
\n \n
\n
\n \"Casino\n <\/div>\n <\/div>\n \n \n
\n \n

Epiphone<\/p>\n

Casino Vintage Sunburst<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (19)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 598 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n<\/div>\n\n\n\n

Son de Yungblud – Amplis et Guitares<\/h2>\n\n\n\n

Nous ne sommes donc pas au bout de nos surprises, et il y a fort \u00e0 parier que du c\u00f4t\u00e9 de Nashville on travaille d\u00e9j\u00e0 sur la prochaine Yungblud. Et pour ceux\/celles que \u00e7a int\u00e9resserait de voir le matos de Linkin Park… Rendez-vous dans cet article : Le Son Signature de Linkin Park \u25b7 Amplis, Guitares & Secrets !<\/a><\/p>\n\n\n\n

\"\"<\/figure>\n
PUBLICIT\u00c9<\/div>
\"\"<\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Les secrets du son de Yungblud \u25b7 \u00e0 l\u2019occasion de la sortie de son nouvel album, Idols, faisons un zoom sur les guitares et amplis du groupe !<\/p>\n","protected":false},"author":76,"featured_media":10001606,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[926],"tags":[10000015,10000014],"class_list":["post-10001465","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear","tag-matos-stars","tag-yungblud"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":5,"formatted":"5 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10001465","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/users\/76"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/comments?post=10001465"}],"version-history":[{"count":21,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10001465\/revisions"}],"predecessor-version":[{"id":10001534,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/posts\/10001465\/revisions\/10001534"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media\/10001606"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/media?parent=10001465"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/categories?post=10001465"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/fr\/wp-json\/wp\/v2\/tags?post=10001465"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}