{"id":869937,"date":"2026-01-22T10:00:00","date_gmt":"2026-01-22T09:00:00","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/?p=869937"},"modified":"2026-01-26T11:58:39","modified_gmt":"2026-01-26T10:58:39","slug":"namm-noticias-en-directo","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/es\/gear\/namm-noticias-en-directo\/","title":{"rendered":"NAMM Show 2025 \u2013 Noticias en directo"},"content":{"rendered":"\n

El equipo de Thomann (Kris, Guillaume y el resto de la tropa) est\u00e1 ya en el NAMM 2026, listo para lanzarse de cabeza al mundo de las novedades de la industria musical. Desde reencontrarnos con colegas del sector hasta cacharrear con el nuevo equipo m\u00e1s potente, este a\u00f1o la feria promete momentos muy jugosos.<\/p>\n\n\n\n

Tenemos muchas ganas de celebrar todo lo que tiene que ver con la m\u00fasica y compartir inspiraci\u00f3n, innovaci\u00f3n y la energ\u00eda que hacen del NAMM un evento tan especial.<\/p>\n\n\n\n

Qu\u00e9date por aqu\u00ed en este live blog para ver actualizaciones en tiempo real, v\u00eddeos exclusivos y los productos m\u00e1s destacados directamente desde la feria. Y no te pierdas nada en Instagram y YouTube. <\/p>\n\n\n\n\n

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Nuevos pedales MXR & Dunlop | Way Huge, EVH & Iron Maiden <\/strong><\/h2>\n\n\n\n\n
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Est\u00e1s viendo un contenido de marcador de posici\u00f3n de YouTube<\/strong>. Para acceder al contenido real, haz clic en el siguiente bot\u00f3n. Ten en cuenta que al hacerlo compartir\u00e1s datos con terceros proveedores.<\/p> M\u00e1s informaci\u00f3n<\/a> <\/div>

Desbloquear este contenido<\/a> Aceptar el servicio requerido y desbloquear su contenido<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n\n

En el NAMM 2026, MXR y Dunlop han presentado una gama de pedales nueva y muy variada, que va desde fuzz cl\u00e1sico hasta distorsi\u00f3n moderna de alta ganancia y wahs signature. En este v\u00eddeo echamos un vistazo m\u00e1s de cerca al Way Huge Jumbo Fuzz, al EVH Modern High Gain y al Iron Maiden Wah, destacando su car\u00e1cter sonoro y para qu\u00e9 tipo de usos est\u00e1 pensado cada uno.<\/p>\n\n\n\n\n

ANUNCIO<\/div>
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ESP\/LTD \u2013 Novedades 2026 <\/h2>\n\n\n\n\n
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Est\u00e1s viendo un contenido de marcador de posici\u00f3n de YouTube<\/strong>. Para acceder al contenido real, haz clic en el siguiente bot\u00f3n. Ten en cuenta que al hacerlo compartir\u00e1s datos con terceros proveedores.<\/p> M\u00e1s informaci\u00f3n<\/a> <\/div>

Desbloquear este contenido<\/a> Aceptar el servicio requerido y desbloquear su contenido<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n\n

La presentaci\u00f3n de ESP\/LTD en el NAMM 2026 se centra en ampliar series ya existentes y a\u00f1adir nuevos modelos signature y bar\u00edtonos en varios rangos de precio. El lineup incluye nuevas colaboraciones con artistas, actualizaciones de la gama japonesa E-II y una amplia selecci\u00f3n de guitarras LTD desde modelos de entrada hasta instrumentos profesionales, manteniendo el foco en el metal moderno y los dise\u00f1os de alto rendimiento.<\/p>\n\n\n\n\n

\ud83d\udc49 Descubre aqu\u00ed todos los nuevos modelos ESP\/LTD<\/a> \ud83d\udc48<\/strong><\/h3>\n\n\n\n\n

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Wampler Pedalhead<\/h2>\n\n\n\n\n
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Est\u00e1s viendo un contenido de marcador de posici\u00f3n de YouTube<\/strong>. Para acceder al contenido real, haz clic en el siguiente bot\u00f3n. Ten en cuenta que al hacerlo compartir\u00e1s datos con terceros proveedores.<\/p> M\u00e1s informaci\u00f3n<\/a> <\/div>

Desbloquear este contenido<\/a> Aceptar el servicio requerido y desbloquear su contenido<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n\n


El Synergy Wampler Pedalhead es una etapa de potencia est\u00e9reo de alto rendimiento en formato pedalera, dise\u00f1ada para su uso con modeladores digitales y previos, ofreciendo un tacto similar al de las v\u00e1lvulas en un formato muy compacto. Con seis modelos de etapa de potencia, un cargador de IR integrado y control MIDI, est\u00e1 pensado para ser el \u201cmotor\u201d central de rigs de guitarra modernos, ya sean directos o h\u00edbridos.<\/p>\n\n\n\n\n

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Nuevos modelos Larry Carlton 2026<\/h2>\n\n\n\n\n

Serie S7 \u2013 Swirl Finish & tapa de fresno<\/strong><\/p>\n\n\n

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Larry Carlton<\/p>\n

S7 SW Blue Swirl<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 0 de\n 10<\/span>\n
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\n \n 679 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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\n \"S7\n <\/div>\n\n
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Larry Carlton<\/p>\n

S7 SW Black Swirl<\/h3>\n <\/span>\n\n
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\n \n 679 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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Larry Carlton<\/p>\n

S7 Ash Top Amber Burst<\/h3>\n <\/span>\n\n
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Los modelos S7 de 2026 llaman la atenci\u00f3n con unos acabados Black Swirl y Blue Swirl muy llamativos, junto a una versi\u00f3n Ash Top m\u00e1s refinada en Amber Burst. Basadas en la plataforma tipo ST de siempre, montan configuraci\u00f3n HSS con coil-splitting, trastes de acero inoxidable y clavijas de bloqueo, combinando una est\u00e9tica potente con prestaciones modernas.<\/p>\n\n\n\n\n

Serie L \u2013 L7 DX y L5<\/strong><\/p>\n\n\n

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Larry Carlton<\/p>\n

L7 Dx Tobacco Sunburst<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 0 de\n 10<\/span>\n
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Larry Carlton<\/p>\n

L7 Dx Amber Burst<\/h3>\n <\/span>\n\n
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Larry Carlton<\/p>\n

L7 Dx Amber Burst LH<\/h3>\n <\/span>\n\n
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Larry Carlton<\/p>\n

L5 Amber Burst<\/h3>\n <\/span>\n\n
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\n \n 485 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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Larry Carlton<\/p>\n

L5 Tobacco Sunburst<\/h3>\n <\/span>\n\n
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Larry Carlton<\/p>\n

L5 Amber Burst LH<\/h3>\n <\/span>\n\n
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Larry Carlton<\/p>\n

L5 Black<\/h3>\n <\/span>\n\n
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La nueva L7 DX lleva la gama single-cut un paso m\u00e1s all\u00e1 con binding en el cuerpo, clavijas de bloqueo y humbuckers LC Custom-2 para un feel m\u00e1s premium al estilo LP. Situada entre la L3 y la L7, la nueva serie L5 ofrece una opci\u00f3n m\u00e1s accesible, con humbuckers con coil-split, construcci\u00f3n en caoba y un tono single-cut cl\u00e1sico.<\/p>\n\n\n\n\n

Q7 y T7 \u2013 Nuevos colores<\/strong><\/p>\n\n\n

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Larry Carlton<\/p>\n

T7 SW Yellow Swirl<\/h3>\n <\/span>\n\n
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Larry Carlton<\/p>\n

T7 SW Blue Swirl<\/h3>\n <\/span>\n\n
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Larry Carlton<\/p>\n

Q7 Hollow Transparent Blue<\/h3>\n <\/span>\n\n
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Larry Carlton<\/p>\n

Q7 Hollow Transparent Black<\/h3>\n <\/span>\n\n
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Larry Carlton<\/p>\n

Q7 Hollow Amber Burst<\/h3>\n <\/span>\n\n
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Los modelos Q7 y T7 de Larry Carlton reciben acabados m\u00e1s vibrantes para 2026, ampliando sus opciones est\u00e9ticas sin cambiar el dise\u00f1o base. La T7 a\u00f1ade acabados Blue Swirl y Yellow Swirl, mientras que la semi-hueca Q7 estrena Transparent Blue, Transparent Black y Hollow Amber Burst para un look m\u00e1s vistoso y de gama alta.<\/p>\n\n\n\n\n

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Est\u00e1s viendo un contenido de marcador de posici\u00f3n de YouTube<\/strong>. Para acceder al contenido real, haz clic en el siguiente bot\u00f3n. Ten en cuenta que al hacerlo compartir\u00e1s datos con terceros proveedores.<\/p> M\u00e1s informaci\u00f3n<\/a> <\/div>

Desbloquear este contenido<\/a> Aceptar el servicio requerido y desbloquear su contenido<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n\n

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Blackstar TV-10 A Head y TV-10 B Head<\/h2>\n\n\n
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Blackstar<\/p>\n

TV-10 B 1 x 12 Olive<\/h3>\n <\/span>\n\n
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Blackstar<\/p>\n

TV-10 A 6L6<\/h3>\n <\/span>\n\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 555 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"TV-10\n <\/div>\n\n
\n\n
\n\n \n

Blackstar<\/p>\n

TV-10 B EL34<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 0 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 541 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"TV-10\n <\/div>\n\n
\n\n
\n\n \n

Blackstar<\/p>\n

TV-10 A 1 x 12" Beige<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 0 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 432 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n\n

Los cabezales Blackstar TV-10 A y TV-10 B llevan el sonido del combo TV-10 a un formato de cabezal a v\u00e1lvulas compacto, ofreciendo tonos americanos (6L6) y brit\u00e1nicos (EL34) aut\u00e9nticos a 10 vatios. Con controles sencillos, salidas emuladas tomadas desde la etapa de potencia y pantallas 1\u00d712 a juego, ofrecen car\u00e1cter valvular cl\u00e1sico en un set vers\u00e1til para estudio y escenario.<\/p>\n\n\n\n\n

<\/p>\n\n\n\n\n

Korg Phase8 Limited Edition<\/strong><\/h2>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Phase8\n <\/div>\n <\/div>\n \n \n
\n \n

Korg<\/p>\n

Phase8 Limited Edition<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 6.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 955 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n\n

El KORG phase8 es un sintetizador electroac\u00fastico de ocho voces que genera el sonido mediante resonadores de acero en vibraci\u00f3n f\u00edsica, combinados con modulaci\u00f3n, secuenciaci\u00f3n y efectos al estilo de los sintes. Desarrollado por KORG Berlin, ofrece una interacci\u00f3n f\u00edsica muy directa, resonadores personalizables y un enfoque h\u00edbrido \u00fanico que difumina la l\u00ednea entre instrumento ac\u00fastico y sinte electr\u00f3nico.<\/p>\n\n\n\n\n

<\/p>\n\n\n\n\n

Reloop PTB-2<\/strong><\/h2>\n\n\n
\n \n \n \n
\n \n
\n
\n \"PTB-2\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

Reloop<\/p>\n

PTB-2<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (4)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 249 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n\n

El Reloop PTB-2 es un mezclador para DJ compacto y orientado al uso m\u00f3vil, pensado para ofrecer flexibilidad en situaciones reales. Combina un cl\u00e1sico layout de 2+1 canales con Bluetooth, funci\u00f3n de interfaz de audio USB-C y controles anal\u00f3gicos sencillos. Con ruteo flexible, comportamiento del crossfader personalizable y alimentaci\u00f3n por USB-C para aut\u00e9ntica portabilidad, est\u00e1 hecho para DJs que necesitan un mixer fiable, que ocupe poco y funcione en cualquier sitio.<\/p>\n\n\n\n\n

<\/p>\n\n\n\n\n

Novedades Harley Benton NAMM 2026<\/strong><\/h2>\n\n\n
\n \n
\n
\n
\n
\n
\n \"ST-Modern\n <\/div>\n\n
\n\n
\n\n \n

Harley Benton<\/p>\n

ST-Modern Plus MN HSS GMB<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 10.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (12)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 349 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"ST-Modern\n <\/div>\n\n
\n\n
\n\n \n

Harley Benton<\/p>\n

ST-Modern Plus HSS DRM<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 10.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (20)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 349 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Victory-BK\n <\/div>\n\n
\n\n
\n\n \n

Harley Benton<\/p>\n

Victory-BK LH Classic Series<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 0 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 149 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"SC-Custom\n <\/div>\n\n
\n\n
\n\n \n

Harley Benton<\/p>\n

SC-Custom III Purple Satin<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (3)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 299 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"SC-Custom\n <\/div>\n\n
\n\n
\n\n \n

Harley Benton<\/p>\n

SC-Custom III Moritz Yellow<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 0 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 299 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"SC-Custom\n <\/div>\n\n
\n\n
\n\n \n

Harley Benton<\/p>\n

SC-Custom III Silver Sparkle<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 10.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (4)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 299 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"SC-Custom\n <\/div>\n\n
\n\n
\n\n \n

Harley Benton<\/p>\n

SC-Custom III Quilt Midnight<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (11)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 299 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"SC-Custom\n <\/div>\n\n
\n\n
\n\n \n

Harley Benton<\/p>\n

SC-Custom III Baritone AB<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (8)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 349 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"TB-70VS\n <\/div>\n\n
\n\n
\n\n \n

Harley Benton<\/p>\n

TB-70VS LH Deluxe Series<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 8.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (3)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 199 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n\n

La gama de Harley Benton en el NAMM 2026 ampl\u00eda varias series populares con nuevos acabados en lugar de redise\u00f1os completos, a\u00f1adiendo colores frescos a los modelos ST-Modern Plus y una amplia selecci\u00f3n de nuevos looks \u2014incluida una opci\u00f3n bar\u00edtono\u2014 para la serie SC-Custom III. Para rematar, llegan dos nuevas guitarras para zurdos, reforzando el enfoque de Harley Benton en la variedad, la accesibilidad y los instrumentos llenos de prestaciones a precios asequibles.<\/p>\n\n\n\n\n

<\/p>\n\n\n\n\n

PDP Concept Acrylic: Kit and Snare<\/h2>\n\n\n
\n \n \n \n
\n \n
\n
\n \"PDP\n <\/div>\n <\/div>\n \n \n
\n \n

DW<\/p>\n

PDP 14"x6.5" SN Clear Acrylic<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 0 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 398 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n\n

La serie PDP Concept Acrylic reinterpreta la bater\u00eda acr\u00edlica utilizando acr\u00edlico transparente no solo para los cascos, sino tambi\u00e9n para los aros, creando un impacto visual muy potente y una personalidad sonora propia. Disponible como kit de 4 piezas y caja de 14\u2033, la serie promete rimshots con pegada, el ataque cl\u00e1sico del acr\u00edlico y herrajes PDP modernos en todo el set.<\/p>\n\n\n\n\n

Orange OR60<\/h2>\n\n\n
\n \n
\n
\n
\n
\n
\n \"OR\n <\/div>\n\n
\n\n
\n\n \n

Orange<\/p>\n

OR 60 Orange<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (2)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 2,366 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"OR\n <\/div>\n\n
\n\n
\n\n \n

Orange<\/p>\n

OR 60 Black<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 0 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 2,266 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n\n

El Orange OR60 es un ampli de guitarra de 60 W a v\u00e1lvulas, fabricado en Reino Unido y dise\u00f1ado como el amplificador monocanal m\u00e1s vers\u00e1til de Orange hasta la fecha, con v\u00e1lvulas 6L6 y unos graves ajustados y respuesta muy clara. Con doble volumen conmutable, opciones Bright, controles de Presence y Resonance, power scaling y loop de efectos a v\u00e1lvulas, funciona tanto como limpio potente como plataforma flexible para pedales.<\/p>\n\n\n\n\n

\n
<\/div>
<\/div>

Est\u00e1s viendo un contenido de marcador de posici\u00f3n de YouTube<\/strong>. Para acceder al contenido real, haz clic en el siguiente bot\u00f3n. Ten en cuenta que al hacerlo compartir\u00e1s datos con terceros proveedores.<\/p> M\u00e1s informaci\u00f3n<\/a> <\/div>

Desbloquear este contenido<\/a> Aceptar el servicio requerido y desbloquear su contenido<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n\n

DW True-Cast Bronze Snare & Collectors Series Pure Walnut Kit<\/h2>\n\n\n
\n \n
\n
\n
\n
\n
\n \"14"x04"\n <\/div>\n\n
\n\n
\n\n \n

DW<\/p>\n

14"x04" True-Cast Bronze Snare<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 0 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 4,598 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"14"x07"\n <\/div>\n\n
\n\n
\n\n \n

DW<\/p>\n

14"x07" SN Walnut Ebony Burst<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 0 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 1,198 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Walnut\n <\/div>\n\n
\n\n
\n\n \n

DW<\/p>\n

Walnut Satin Ebony Burst 6pcs<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 0 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 9,198 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n\n

DW sube el nivel con dos lanzamientos destacados: la ultralimitada True-Cast Bronze Snare, con casco de bell bronze fundido en arena desarrollado junto a Dave Elitch para lograr un control de afinaci\u00f3n y una pegada espectaculares, limitada a solo 100 unidades en todo el mundo. Junto a ella, el kit Collectors Series Pure Walnut presenta los primeros cascos \u00edntegramente de nogal en la gama flagship de DW, con un sonido lleno, de timbre grave, est\u00e9tica de lujo y la artesan\u00eda del California Custom Shop.<\/p>\n\n\n\n\n

Isovox Pro<\/h2>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Pro\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

Isovox<\/p>\n

Pro<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 0 de\n 10<\/span>\n
\n
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\n \n 3,899 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n\n

El ISOVOX PRO es una cabina vocal m\u00f3vil completamente redise\u00f1ada que ofrece una ac\u00fastica controlada e independiente de la sala para conseguir tomas consistentes en cualquier lugar. Con un interior m\u00e1s amplio, un Reference Acoustic System mejorado, soporte de micr\u00f3fono ajustable y ventilaci\u00f3n activa ultrasilenciosa, est\u00e1 pensada para voces profesionales, locuci\u00f3n y creaci\u00f3n de contenido en espacios sin tratar.<\/p>\n\n\n\n\n

<\/p>\n\n\n\n\n

Warm Audio Retro 64<\/h2>\n\n\n
\n \n \n \n
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\n
\n \"Retro\n <\/div>\n <\/div>\n \n \n
\n \n

Warm Audio<\/p>\n

Retro 64<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 10.00 de\n 10<\/span>\n
\n
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\n (2)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 149 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n\n

El Warm Audio Retro 64 es una reinterpretaci\u00f3n moderna y asequible del cl\u00e1sico Electro-Voice 664, con dise\u00f1o din\u00e1mico Variable-D que minimiza el efecto proximidad y ofrece un sonido enfocado y equilibrado. Con gran rechazo fuera de eje y un rango medio muy presente, brilla en voces, amplis de guitarra, bater\u00edas y aplicaciones tipo broadcast tanto en directo como en estudio.<\/p>\n\n\n\n\n

<\/p>\n\n\n\n\n

Blackstar ID:X Floor Series<\/h2>\n\n\n
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\n
\n
\n
\n \"ID:X\n <\/div>\n\n
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Blackstar<\/p>\n

ID:X Floor One<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
\n
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\n (2)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 185 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"IDX:Floor\n <\/div>\n\n
\n\n
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Blackstar<\/p>\n

IDX:Floor Two<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 10.00 de\n 10<\/span>\n
\n
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\n (2)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 231 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"IDX:Floor\n <\/div>\n\n
\n\n
\n\n \n

Blackstar<\/p>\n

IDX:Floor Three<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
\n
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\n (4)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 275 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n\n

La serie Blackstar ID:X Floor lleva la tecnolog\u00eda de modelado de amplis de la marca a un formato multiefectos de suelo compacto, con controles intuitivos y sonido listo para estudio. Disponible en tres versiones, ofrece voces de ampli muy vers\u00e1tiles, edici\u00f3n profunda de efectos integrada y conectividad moderna para practicar, grabar y tocar en directo.<\/p>\n\n\n\n\n


PRS JM Silver Sky RW Wild Blue LTD<\/h2>\n\n\n
\n \n \n \n
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\n
\n \"JM\n <\/div>\n <\/div>\n \n \n
\n \n

PRS<\/p>\n

JM Silver Sky RW Wild Blue LTD<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 0 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n \n 2,899 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n\n

La PRS 2026 Silver Sky Wild Blue es una edici\u00f3n limitada de la signature de John Mayer, restringida a solo 1.000 guitarras en todo el mundo, con un llamativo acabado turquesa inspirado en influencias est\u00e9ticas personales del propio Mayer. Basada en las especificaciones cl\u00e1sicas de la Silver Sky y con pastillas 635JM, combina el tono y el feel de siempre con un plus de exclusividad coleccionable.<\/p>\n\n\n\n\n

<\/p>\n\n\n\n\n

Yamaha Pacifica SC P11 Series & Chris Buck Signature Revstar<\/h2>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Chris\n <\/div>\n <\/div>\n \n \n
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Yamaha<\/p>\n

Chris Buck RS02CB Honey Gold<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 10.00 de\n 10<\/span>\n
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\n (2)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1,219 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n\n

Desarrollada muy de cerca con Chris Buck, la RS02CB Revstar traslada su modelo de Custom Shop de toda la vida a un instrumento de producci\u00f3n con cuerpo aligerado mediante c\u00e1maras, m\u00e1stil reforzado con carbono y acabado Honey Gold. Las pastillas de estilo P90 con voicing propio y el puente wraparound TonePros ofrecen un tono din\u00e1mico y expresivo en un dise\u00f1o muy estable y listo para carretera.<\/p>\n\n\n\n\n

\n
<\/div>
<\/div>

Est\u00e1s viendo un contenido de marcador de posici\u00f3n de YouTube<\/strong>. Para acceder al contenido real, haz clic en el siguiente bot\u00f3n. Ten en cuenta que al hacerlo compartir\u00e1s datos con terceros proveedores.<\/p> M\u00e1s informaci\u00f3n<\/a> <\/div>

Desbloquear este contenido<\/a> Aceptar el servicio requerido y desbloquear su contenido<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n
\n \n
\n
\n
\n
\n
\n \"Pacifica\n <\/div>\n\n
\n\n
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Yamaha<\/p>\n

Pacifica SC Std+ 11S SW<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 0 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n \n 985 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Pacifica\n <\/div>\n\n
\n\n
\n\n \n

Yamaha<\/p>\n

Pacifica SC Std+ 11SM BM<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 0 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n \n 985 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Pacifica\n <\/div>\n\n
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Yamaha<\/p>\n

Pacifica SC Std+ 11S DB<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 7.00 de\n 10<\/span>\n
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\n (2)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 985 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Pacifica\n <\/div>\n\n
\n\n
\n\n \n

Yamaha<\/p>\n

Pacifica SC Std+ 11SM PMG<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 10.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 985 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Pacifica\n <\/div>\n\n
\n\n
\n\n \n

Yamaha<\/p>\n

Pacifica SC Std+ 11S PMG<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 8.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 985 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Pacifica\n <\/div>\n\n
\n\n
\n\n \n

Yamaha<\/p>\n

Pacifica SC Std+ 11SM Ash Pink<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 6.00 de\n 10<\/span>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 985 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Pacifica\n <\/div>\n\n
\n\n
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Yamaha<\/p>\n

Pacifica SC Std+ 11S Ash Pink<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 0 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 985 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Pacifica\n <\/div>\n\n
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Yamaha<\/p>\n

Pacifica SC P11S Shell White<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 0 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n \n 2,222 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Pacifica\n <\/div>\n\n
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Yamaha<\/p>\n

Pacifica SC P11SM BM<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 0 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n \n 2,199 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Pacifica\n <\/div>\n\n
\n\n
\n\n \n

Yamaha<\/p>\n

Pacifica SC P11S BM<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 0 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 2,199 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Pacifica\n <\/div>\n\n
\n\n
\n\n \n

Yamaha<\/p>\n

Pacifica SC P11S Sunny Orange<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 0 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 2,222 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Pacifica\n <\/div>\n\n
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Yamaha<\/p>\n

Pacifica SC P11S BMB<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 0 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n \n 2,222 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Pacifica\n <\/div>\n\n
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Yamaha<\/p>\n

Pacifica SC P11SM Ash Pink<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 0 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 2,199 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Pacifica\n <\/div>\n\n
\n\n
\n\n \n

Yamaha<\/p>\n

Pacifica SC P11S Ash Pink<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 0 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 2,222 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n\n

La Yamaha Pacifica SC P11 lleva un dise\u00f1o single-cut tipo T a la familia Pacifica, combinando un cuerpo de aliso contorneado con especificaciones premium como trastes de acero inoxidable, m\u00e1stil con radio compuesto y herrajes de bloqueo. Con pastillas Reflectone desarrolladas junto a Rupert Neve y electr\u00f3nica flexible con push\/pull, mezcla la comodidad moderna con los tonos cl\u00e1sicos de las single-cut.<\/p>\n\n\n\n\n

 Korg Kaoss Pad V<\/h2>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Kaoss\n <\/div>\n <\/div>\n \n \n
\n \n

Korg<\/p>\n

Kaoss Pad V<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (4)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 569 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n\n


El Kaoss Pad V es una unidad de efectos y muestreo muy pr\u00e1ctica, con control Dual Touch intuitivo que te permite moldear varios par\u00e1metros a la vez. Combina 170 efectos, loop sampling, integraci\u00f3n de audio por USB y potentes herramientas de automatizaci\u00f3n en un dise\u00f1o compacto y orientado a la interpretaci\u00f3n.<\/p>\n\n\n\n\n

<\/p>\n\n\n\n\n

Neural DSP Quad Cortex Mini<\/h2>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Quad\n <\/div>\n <\/div>\n \n \n
\n \n

Neural DSP<\/p>\n

Quad Cortex Mini<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 8.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (19)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1,266 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n\n

El Quad Cortex Mini lleva las capturas en alta resoluci\u00f3n de amplis, pantallas y pedales de Neural DSP a un formato compacto y f\u00e1cil de integrar en cualquier pedalera. Con acceso a Cortex Cloud, carga avanzada de IR y un ruteo muy flexible, es un motor de tono de nivel profesional para guitarristas modernos.<\/p>\n\n\n\n\n

<\/p>\n\n\n\n\n

Boss GX-1 Guitar Effects Processor<\/h2>\n\n\n
\n \n \n \n
\n \n
\n
\n \"GX-1\n <\/div>\n <\/div>\n \n \n
\n \n

Boss<\/p>\n

GX-1 Guitar Effects Processor<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 8.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (15)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 255 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n\n

El Boss GX-1 es un procesador multiefectos port\u00e1til para guitarra y bajo con tecnolog\u00eda de amplis AIRD y un flujo de trabajo muy sencillo. Con una amplia selecci\u00f3n de efectos, audio por Bluetooth, alimentaci\u00f3n a pilas y edici\u00f3n mediante app, est\u00e1 pensado para practicar, grabar y tocar en directo.<\/p>\n\n\n\n\n

<\/p>\n\n\n\n\n

Epiphone Fatoumata Diawara SG<\/h2>\n\n\n
\n \n \n \n
\n \n
\n
\n \"Fatoumata\n <\/div>\n <\/div>\n \n \n
\n \n

Epiphone<\/p>\n

Fatoumata Diawara SG<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 8.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 649 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n\n

Esta guitarra signature de estilo SG combina la cl\u00e1sica construcci\u00f3n en caoba con una electr\u00f3nica muy vers\u00e1til, incluyendo coil-splitting y cambio de fase. Con un llamativo acabado en rojo y herrajes dorados, ofrece tonos de inspiraci\u00f3n vintage con toda la flexibilidad moderna.<\/p>\n\n\n\n\n

<\/p>\n\n\n\n\n

Rane System One<\/h2>\n\n\n
\n \n \n \n
\n \n
\n
\n \"System\n <\/div>\n <\/div>\n \n \n
\n \n

Rane<\/p>\n

System One<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 10.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (3)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 2,539 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n\n

El Rane System One es un potente sistema DJ aut\u00f3nomo con platos motorizados, pantalla t\u00e1ctil y controles de interpretaci\u00f3n muy completos. Combina Engine OS, desbloqueo de Serato DJ Pro, grabaci\u00f3n interna y control de iluminaci\u00f3n para ofrecer un setup profesional todo en uno.<\/p>\n\n\n\n\n

<\/p>\n\n\n\n\n

AKAI Professional MPC XL<\/h2>\n\n\n
\n \n \n \n
\n \n
\n
\n \"MPC\n <\/div>\n <\/div>\n \n \n
\n \n

AKAI Professional<\/p>\n

MPC XL<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 10.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (9)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 2,490 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n\n

La MPC XL es un centro de producci\u00f3n standalone tope de gama, con una gran pantalla multit\u00e1ctil, pads de \u00faltima generaci\u00f3n y una enorme potencia de proceso. Dise\u00f1ada como n\u00facleo del estudio, permite secuenciar, samplear, conectar hardware externo y controlarlo todo sin necesidad de ordenador.<\/p>\n\n\n\n\n

<\/p>\n\n\n\n\n

PRS SE Ed Sheeran Cosmic Splash<\/h2>\n\n\n
\n \n \n \n
\n \n
\n
\n \"SE\n <\/div>\n <\/div>\n \n \n
\n \n

PRS<\/p>\n

SE Ed Sheeran Cosmic Splash<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 10.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1,759 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n\n

Limitada a solo 1.000 guitarras en todo el mundo, la PRS SE Cosmic Splash Hollowbody I Piezo Baritone combina la visi\u00f3n musical de Ed Sheeran con un arte inspirado en sus pinturas Cosmic Carpark<\/em> de 2025. Con incrustaciones simb\u00f3licas, escala bar\u00edtono y un sistema de pastillas magn\u00e9ticas + piezo muy vers\u00e1til, es un instrumento llamativo y coleccionable pensado tanto para la creatividad como para el directo.<\/p>\n\n\n\n\n

<\/p>\n\n\n\n\n

HEDD Type 20 A-CORE<\/h2>\n\n\n
\n \n
\n
\n
\n
\n
\n \"Type\n <\/div>\n\n
\n\n
\n\n \n

HEDD<\/p>\n

Type 20 A-CORE left<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 0 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n \n 1,745 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Type\n <\/div>\n\n
\n\n
\n\n \n

HEDD<\/p>\n

Type 20 A-CORE right<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 0 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 1,745 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n\n

El HEDD Type 20 A-CORE es un monitor de estudio de 3 v\u00edas de referencia que combina tweeters AMT con una ruta de se\u00f1al completamente anal\u00f3gica para ofrecer un sonido preciso y con fase coherente. Dise\u00f1ado tanto para campo cercano como para campo medio, proporciona una escucha potente y detallada sin DSP, como alternativa \u201cpura\u201d frente a muchos monitores digitales modernos.<\/p>\n\n\n\n\n


Neve 1073DPX-D<\/h2>\n\n\n
\n \n \n \n
\n \n
\n
\n \"1073DPX-D\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

Neve<\/p>\n

1073DPX-D<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 10.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 4,399 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n\n


El Neve 1073DPX-D es una interfaz de audio de gama alta que combina dos etapas cl\u00e1sicas de previo y EQ 1073 con conversi\u00f3n premium de 192 kHz \/ 24 bits. Con expansi\u00f3n ADAT flexible, puntos de inserci\u00f3n y posibilidad de reamplificar desde el DAW a trav\u00e9s de los 1073, es igual de potente para la grabaci\u00f3n que para aportar car\u00e1cter anal\u00f3gico en la mezcla.<\/p>\n\n\n\n\n

Martin Super D-18 & Super D-28<\/h2>\n\n\n
\n \n
\n
\n
\n
\n
\n \"Super\n <\/div>\n\n
\n\n
\n\n \n

Martin Guitar<\/p>\n

Super HD-28<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 0 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 4,999 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Super\n <\/div>\n\n
\n\n
\n\n \n

Martin Guitar<\/p>\n

Super D-18<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 0 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 3,799 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n\n


Los nuevos modelos Super D de Martin para 2026 introducen un cuerpo tipo dreadnought m\u00e1s grande, con aproximadamente un 20 % m\u00e1s de volumen interno. El resultado es m\u00e1s volumen, graves m\u00e1s profundos y un mayor rango din\u00e1mico, manteniendo la est\u00e9tica cl\u00e1sica de Martin. La Super D-18 se centra en el tono c\u00e1lido y contundente de la caoba con un extra de proyecci\u00f3n, mientras que la Super HD-28 combina el cuerpo ampliado con la riqueza del palosanto y arm\u00f3nicos complejos para lograr la m\u00e1xima pegada y profundidad.<\/p>\n\n\n\n\n

Roland GO:MIXER Studio<\/h2>\n\n\n
\n \n \n \n
\n \n
\n
\n \"GO:MIXER\n <\/div>\n <\/div>\n \n \n
\n \n

Roland<\/p>\n

GO:MIXER Studio<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 10.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 285 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n\n

El Roland GO:MIXER Studio es un mezclador USB e interfaz de audio port\u00e1til pensado para m\u00fasicos, streamers y creadores de contenido. Ofrece grabaci\u00f3n a 24 bits \/ 192 kHz y conectividad flexible para micros, instrumentos y dispositivos m\u00f3viles. Con efectos integrados, loopback para streaming, memorias de escena y una gran integraci\u00f3n con apps, ofrece una soluci\u00f3n limpia, compacta y lista para c\u00e1mara para los flujos de trabajo modernos.<\/p>\n\n\n\n\n

Mesa Boogie 90s Triple Rectifier<\/h2>\n\n\n
\n \n \n \n
\n \n
\n
\n \"90s\n <\/div>\n <\/div>\n \n \n
\n \n

Mesa Boogie<\/p>\n

90s Triple Rectifier<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 0 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 4,111 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n\n

El MESA\/Boogie 90s Triple Rectifier vuelve como un icono de alta ganancia de 150 W y 2 canales, recreando fielmente el circuito original que defini\u00f3 el sonido guitarrero pesado de los 90. Con un enorme margen de headroom a v\u00e1lvulas, rectificaci\u00f3n conmutable y el inconfundible \u201cpunch\u201d Rectifier, ofrece la pegada agresiva y el tacto que lo convirtieron en un est\u00e1ndar del rock y metal modernos.<\/p>\n\n\n\n\n

\n\n\n\n\n

\ud83d\udcf8 \u00bfQuieres m\u00e1s?
Mira nuestras Stories en Instagram para m\u00e1s gear, noticias y diversi\u00f3n
<\/strong>\ud83d\udc49 Haz clic aqu\u00ed<\/a> <\/strong><\/h3>\n\n
ANUNCIO<\/div>
\"\"<\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Las \u00faltimas novedades y lanzamientos directamente desde el NAMM, en Anaheim, California. Actualizaremos este blog a diario \ud83d\ude09<\/p>\n","protected":false},"author":21,"featured_media":10003201,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[928],"tags":[],"class_list":["post-869937","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":12,"formatted":"12 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/posts\/869937","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/comments?post=869937"}],"version-history":[{"count":9,"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/posts\/869937\/revisions"}],"predecessor-version":[{"id":10003217,"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/posts\/869937\/revisions\/10003217"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/media\/10003201"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/media?parent=869937"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/categories?post=869937"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/tags?post=869937"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}