{"id":10002379,"date":"2025-12-12T10:00:00","date_gmt":"2025-12-12T09:00:00","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/es\/?p=10002379"},"modified":"2025-12-06T00:24:45","modified_gmt":"2025-12-05T23:24:45","slug":"que-interfaz-de-audio-necesito","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/es\/inspiracion\/que-interfaz-de-audio-necesito\/","title":{"rendered":"\u00bfQu\u00e9 interfaz de audio necesito?"},"content":{"rendered":"\n

Uno de los equipos m\u00e1s importantes para cualquiera que quiera grabar y producir m\u00fasica es la interfaz de audio<\/strong>. Como puente entre las se\u00f1ales de audio y el ordenador<\/strong> o tu dispositivo m\u00f3vil, juega un papel clave. Por eso hay much\u00edsimos tipos diferentes y seguro que ya te has preguntado: \u00bfqu\u00e9 interfaz de audio necesito y cu\u00e1l encaja mejor conmigo?<\/strong><\/p>\n\n\n

\n \n \n \n
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\n \"Connect\n <\/div>\n <\/div>\n \n \n
\n \n

Lewitt<\/p>\n

Connect 2<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
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\n (12)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 125 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Interfaces de audio: las caracter\u00edsticas m\u00e1s importantes<\/h2>\n\n\n\n

Hay muchos criterios para diferenciar interfaces. Probablemente el punto m\u00e1s importante es la cantidad de entradas y salidas<\/strong> que puedes usar al mismo tiempo. En el caso m\u00e1s sencillo, te basta con una salida est\u00e9reo. Si trabajas totalmente \u201cin the box\u201d y nunca vas a grabar samples ni se\u00f1ales de micr\u00f3fono, simplemente conectas tus monitores a la salida. Pero \u00a1ojo con la salida de auriculares, que no falte!<\/p>\n\n\n

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\n \"Scarlett\n <\/div>\n <\/div>\n \n \n
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Focusrite<\/p>\n

Scarlett 2i2 3rd Gen<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
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\n \n 118 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Distintos tipos de entrada<\/h2>\n\n\n\n

Lo m\u00e1s probable es que agradezcas tener entradas. Importante para quien quiera grabar instrumentos ac\u00fasticos, voz hablada, cantada o sonidos para dise\u00f1o sonoro: solo a las entradas de micr\u00f3fono<\/strong> se pueden conectar micros, mientras que los entradas de l\u00ednea<\/strong> sirven para conectar las salidas de previos de micro externos, procesadores de efectos o mesas de mezclas.<\/p>\n\n\n

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\n \"Vocaster\n <\/div>\n <\/div>\n \n \n
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Focusrite<\/p>\n

Vocaster One<\/h3>\n <\/span>\n\n
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\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Como interfaz sencilla pero de gran calidad, una opci\u00f3n es elegir un modelo con previos de micro de clase \u201cboutique\u201d. Pero como hoy en d\u00eda las interfaces est\u00e1n a precios muy ajustados, ya puedes conseguir por muy poco dinero<\/strong> equipos que suenan realmente bien.<\/p>\n\n\n\n

Sobre todo si vas a grabar guitarra el\u00e9ctrica o bajo, viene muy bien contar con una entrada de instrumento<\/strong> adicional. As\u00ed puedes usar directamente efectos por software y amplis virtuales sin ning\u00fan paso extra.<\/p>\n\n\n

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\n \"88M\"\n\n <\/div>\n <\/div>\n \n \n
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Neve<\/p>\n

88M<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
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\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

<\/p>\n\n\n\n

Interfaces de audio: el n\u00famero de canales tambi\u00e9n cuenta<\/h2>\n\n\n\n

Si quieres grabar una bater\u00eda microfoneada o una banda completa, vas a necesitar muchas entradas. Y si quieres conectar varios efectos hardware o un sumador anal\u00f3gico, tambi\u00e9n te har\u00e1n falta bastantes salidas. Aqu\u00ed entran en juego las interfaces de audio con un buen n\u00famero de canales<\/strong>. Muchas adem\u00e1s se pueden encadenar o ampliar con m\u00e1s entradas y salidas<\/strong> usando formatos de conexi\u00f3n digital como ADAT.<\/p>\n\n\n

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\n \"Studio\n <\/div>\n\n
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Presonus<\/p>\n

Studio 1824c<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
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\n \n 398 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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EVO<\/p>\n

EVO 16<\/h3>\n <\/span>\n\n
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\n \n 438 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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MOTU<\/p>\n

848<\/h3>\n <\/span>\n\n
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\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

F\u00edjate bien en el monitoring<\/h2>\n\n\n\n

Un punto clave es el monitoring<\/strong>: tienes que poder subir y bajar el volumen de los monitores, y algunos interfaces permiten silenciar la se\u00f1al, elegir entre distintos pares de cajas, poner la se\u00f1al en mono o incluso hablar con los m\u00fasicos que est\u00e1n en otra sala mediante un micr\u00f3fono de talkback<\/strong>. \u00bfTienes varios m\u00fasicos? Entonces tambi\u00e9n vienen genial varios amplificadores de auriculares integrados.<\/p>\n\n\n

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Steinberg<\/p>\n

UR22C Recording Pack<\/h3>\n <\/span>\n\n
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\n (25)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 199 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Para poder, por ejemplo, cantar encima de una base musical, hay que ajustar la proporci\u00f3n entre el playback y la se\u00f1al del micr\u00f3fono: eso es el direct monitoring<\/strong>. Y para que la voz no se escuche totalmente seca por los auriculares, algunos interfaces incluyen sus propios procesadores de efectos<\/strong>, que pueden a\u00f1adir, por ejemplo, una reverb a la voz. Muchos interfaces permiten adem\u00e1s una gesti\u00f3n muy c\u00f3moda<\/strong> mediante una app de control desde el ordenador.<\/p>\n\n\n

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Presonus<\/p>\n

AudioBox USB 96 25th Anniv Ed<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 8.00 de\n 10<\/span>\n
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Interfaces de audio: diferentes tama\u00f1os de carcasa<\/h2>\n\n\n\n

Si no tienes mucho espacio o quieres usar la interfaz de audio de forma m\u00f3vil, son muy pr\u00e1cticas las carcasas peque\u00f1as<\/strong>, que a menudo funcionan sin fuente de alimentaci\u00f3n adicional y tambi\u00e9n son compatibles con dispositivos m\u00f3viles como una tablet. En montajes m\u00e1s grandes, seguramente agradecer\u00e1s poder montarla en un rack de 19 pulgadas<\/strong>.<\/p>\n\n\n

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\n \"Babyface\n <\/div>\n <\/div>\n \n \n
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RME<\/p>\n

Babyface Pro FS<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
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\n \n 725 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
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Interfaces de audio: los modelos m\u00e1s habituales<\/h2>\n\n\n\n

RME<\/h3>\n\n\n\n

Las interfaces de RME llevan a\u00f1os siendo el referente absoluto en cuanto a estabilidad. Drivers impecables y hardware muy duradero garantizan una fiabilidad total, tambi\u00e9n en el modelo Babyface Pro FS.<\/p>\n\n\n

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RME<\/p>\n

Babyface Pro FS<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
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\n \n 725 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Focusrite: serie Scarlett<\/h3>\n\n\n\n

Los modelos de la serie Scarlett de Focusrite est\u00e1n entre las interfaces m\u00e1s usadas, en gran parte gracias a su excelente relaci\u00f3n calidad-precio. Est\u00e1n disponibles en distintos tama\u00f1os y se utilizan desde para homestudios hasta para podcasts.<\/p>\n\n\n

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\n \"Scarlett\n <\/div>\n\n
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Focusrite<\/p>\n

Scarlett 2i2 4th Generation<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
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\n \"Scarlett\n <\/div>\n\n
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Focusrite<\/p>\n

Scarlett Solo 4th Gen<\/h3>\n <\/span>\n\n
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Focusrite<\/p>\n

Scarlett 4i4 4th Generation<\/h3>\n <\/span>\n\n
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Universal Audio<\/h2>\n\n\n\n

Quien busca un cl\u00e1sico en la liga semiprofesional y profesional suele ir directo a los modelos Universal Audio Apollo Twin (Duo\/Quad). Los plug-ins UAD llevan a\u00f1os siendo un est\u00e1ndar, y los previos Unison est\u00e1n muy bien valorados incluso en estudios profesionales.<\/p>\n\n\n

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\n \"Apollo\n <\/div>\n <\/div>\n \n \n
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Universal Audio<\/p>\n

Apollo Twin X USB Heritage<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
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Motu<\/h3>\n\n\n\n

La serie M de Motu es ya todo un fijo en el mercado del home studio. Gracias a sus conversores de gran calidad a buen precio, sus latencias muy bajas y sus excelentes pantallas de medici\u00f3n de nivel, los modelos M2 y M4 se han convertido en aut\u00e9nticos cl\u00e1sicos.<\/p>\n\n\n

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MOTU<\/p>\n

M2<\/h3>\n <\/span>\n\n
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\n (485)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 235 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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\n \"M4\"\n\n <\/div>\n\n
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MOTU<\/p>\n

M4<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (364)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 289 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Audient<\/h3>\n\n\n\n

Si quieres un aut\u00e9ntico \u201csonido de consola\u201d, deber\u00edas echar un vistazo s\u00ed o s\u00ed a las interfaces iD4, iD14 e iD24 de la serie iD de Audient. Sus previos de alt\u00edsima calidad tienen una fama excelente entre los profesionales de la grabaci\u00f3n.<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"iD4\n <\/div>\n\n
\n\n
\n\n \n

Audient<\/p>\n

iD4 MKII<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (264)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 145 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"iD14\n <\/div>\n\n
\n\n
\n\n \n

Audient<\/p>\n

iD14 MKII<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (373)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 222 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"iD24\"\n\n <\/div>\n\n
\n\n
\n\n \n

Audient<\/p>\n

iD24<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (57)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 315 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Steinberg<\/h2>\n\n\n\n

Las interfaces de la serie UR de Steinberg son muy populares por sus estables previos Yamaha y se usan a menudo con Cubase, aunque no solo con Cubase. Tambi\u00e9n aqu\u00ed tienes distintos modelos con diferentes configuraciones.<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"UR22C\n <\/div>\n\n
\n\n
\n\n \n

Steinberg<\/p>\n

UR22C Red<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (8)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 169 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"URX44C\"\n\n <\/div>\n\n
\n\n
\n\n \n

Yamaha<\/p>\n

URX44C<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (8)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 341 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"UR12\n <\/div>\n\n
\n\n
\n\n \n

Yamaha<\/p>\n

UR12 MK3 Black<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 0 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 118 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Presonus<\/h2>\n\n\n\n

La serie Presonus AudioBox USB \/ Studio es ya todo un cl\u00e1sico dentro de la gama de entrada. Las interfaces, que a menudo se venden en packs, llevan bastante tiempo en el mercado y sus drivers son, en consecuencia, muy estables.<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"AudioBox\n <\/div>\n\n
\n\n
\n\n \n

Presonus<\/p>\n

AudioBox USB 96 25th Anniv Ed<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 8.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (167)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 74 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Studio\n <\/div>\n\n
\n\n
\n\n \n

Presonus<\/p>\n

Studio 24c<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (212)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 98 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Studio\n <\/div>\n\n
\n\n
\n\n \n

Presonus<\/p>\n

Studio 1824c<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (93)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 398 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

\u00bfQu\u00e9 interfaz de audio necesito? \u2013 Resumen y ayuda para la compra<\/h2>\n\n\n\n

Con estos consejos deber\u00edas poder averiguar bastante r\u00e1pido qu\u00e9 interfaz de audio encaja con lo que necesitas. En cuanto tengas clara la cantidad de entradas y salidas, c\u00f3mo quieres gestionar el monitoring y el tama\u00f1o que te viene mejor, ver\u00e1s que enseguida empiezan a destacar algunos modelos adecuados para ti.<\/p>\n\n\n\n

En la tienda<\/a> encontrar\u00e1s distintas interfaces de audio, ordenadas seg\u00fan sus opciones de conexi\u00f3n; el est\u00e1ndar, en cualquier caso, son las interfaces USB<\/a>. Y a trav\u00e9s del bot\u00f3n \u201cAsesoramiento\u201d, que ver\u00e1s en cada p\u00e1gina de producto, puedes ponerte en contacto f\u00e1cilmente con nuestros especialistas. \u00a1El asesoramiento es totalmente gratuito y sin compromiso!<\/p>\n\n\n\n

En este enlace encontrar\u00e1s todas nuestras direcciones de contacto por si prefieres una asesor\u00eda telef\u00f3nica.<\/a><\/p>\n\n\n\n

Tambi\u00e9n puedes venir a vernos al Thomann Shop en Treppendorf y resolver all\u00ed mismo todas tus dudas sobre interfaces de audio. Seguro que entre todos encontramos la interfaz perfecta para ti.<\/p>\n\n\n

\n \n \n \n
\n \n
\n
\n \"Rodecaster\n <\/div>\n <\/div>\n \n \n
\n \n

Rode<\/p>\n

Rodecaster Duo<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 8.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (39)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 361 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Y si quieres dejar tus dudas o alg\u00fan consejo, \u00a1an\u00edmate y escr\u00edbenos un comentario!<\/strong><\/p>\n\n\n\n

\u00bfQu\u00e9 interfaz de audio? Preguntas, consejos y m\u00e1s<\/h2>\n\n\n\n

Si tienes preguntas, consejos o ideas sobre el tema de las interfaces de audio, o si simplemente quieres contarnos cu\u00e1l es tu interfaz favorita, \u00a1d\u00e9janos un comentario!<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

nterfaces de audio: lo esencial antes de comprar. Canales I\/O, tipos de entrada, direct monitoring, control por app y tama\u00f1o (m\u00f3vil vs. rack). Referencias populares y consejos para escoger la mejor para tu estudio.<\/p>\n","protected":false},"author":21,"featured_media":10002381,"comment_status":"open","ping_status":"0","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[10690],"tags":[],"class_list":["post-10002379","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-inspiracion"],"category_colors":{"color_key":"inspire","css_classes":{"text":"cat-inspire","text_light":"cat-inspire-light","bg":"cat-bg-inspire","bg_light":"cat-bg-inspire-light","border":"cat-border-inspire","text_on_bg":"cat-text-on-inspire"}},"reading_time":{"minutes":6,"formatted":"6 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/posts\/10002379","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/comments?post=10002379"}],"version-history":[{"count":1,"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/posts\/10002379\/revisions"}],"predecessor-version":[{"id":10002382,"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/posts\/10002379\/revisions\/10002382"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/media\/10002381"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/media?parent=10002379"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/categories?post=10002379"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/tags?post=10002379"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}