{"id":10002375,"date":"2025-12-09T10:00:00","date_gmt":"2025-12-09T09:00:00","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/es\/?p=10002375"},"modified":"2025-12-05T18:20:40","modified_gmt":"2025-12-05T17:20:40","slug":"teclados-en-directo-soportes-cables-y-accesorios-utiles","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/es\/inspiracion\/teclados-en-directo-soportes-cables-y-accesorios-utiles\/","title":{"rendered":"Teclados en directo: soportes, cables y accesorios \u00fatiles"},"content":{"rendered":"\n

Has ensayado con la banda, la lista de temas est\u00e1 cerrada y la furgo para la gira est\u00e1 cargada: \u00a1toca subirse al escenario! Pero, \u00bfqu\u00e9 equipo necesitas adem\u00e1s de los propios instrumentos si vas a usar teclados<\/a> en directo? \ud83c\udfb9<\/p>\n\n\n\n

A continuaci\u00f3n te dejamos algunos consejos: desde el soporte adecuado hasta el cable correcto. \ud83d\udc47<\/p>\n\n\n\n

Soporte para teclado: sin una base s\u00f3lida, no hay nada que hacer<\/strong><\/h2>\n\n\n\n

Si quieres tocar el teclado en directo, lo primero que necesitas es un soporte estable para teclado<\/a><\/strong>. No hay nada peor que tus instrumentos caros acaben en el suelo si la cosa se pone movida en el escenario. Pero \u00bfqu\u00e9 soporte elegir? Hay tantas opciones que al principio puede ser un l\u00edo. Tranquilo: con las preguntas adecuadas, puedes acotar mucho la b\u00fasqueda.<\/p>\n\n\n

\n \n \n \n
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\n \"Keyboard\n <\/div>\n <\/div>\n \n \n
\n \n

Roadworx<\/p>\n

Keyboard Stand 2<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (223)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 33 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Primera pregunta clave: \u00bfCu\u00e1ntos teclados tienes y de qu\u00e9 tipo son?<\/strong> \u00bfVas a subir un piano de escenario con teclado contrapesado o varios teclados apilados? Seg\u00fan el peso y disposici\u00f3n, ya puedes descartar muchas opciones.<\/p>\n\n\n\n

Segunda pregunta, m\u00e1s personal: \u00bfPrefieres tocar sentado o de pie?<\/strong> Algunos teclistas prefieren tocar sentados como en casa, otros se mueven m\u00e1s tocando de pie. Tambi\u00e9n depende del estilo: en un coro es m\u00e1s com\u00fan sentarse, en una banda pop, probablemente est\u00e9s de pie.<\/p>\n\n\n

\n \n \n \n
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\n \"18990\n <\/div>\n <\/div>\n \n \n
\n \n

K&M<\/p>\n

18990 Rick<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
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\n <\/svg>\n <\/div>\n
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\n (117)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 63 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Con estas dos respuestas, toca decidir qu\u00e9 tipo de soporte<\/strong> se ajusta mejor. Seg\u00fan tus necesidades, algunas opciones ya ni te valdr\u00e1n.<\/p>\n\n\n\n

Los soportes tipo X<\/strong> son los m\u00e1s comunes. Los modelos b\u00e1sicos aguantan teclados ligeros; los de doble barra pueden con pianos pesados. Eso s\u00ed, f\u00edjate bien en la carga m\u00e1xima \u2014que a veces en las fichas t\u00e9cnicas es algo optimista.<\/p>\n\n\n\n

\"Keyboard<\/figure>\n\n\n\n

\u00bfLo mejor de los soportes tipo X? Que se montan y desmontan en segundos. Al acabar el concierto, lo pliegas en un momento y listo. Muchos permiten a\u00f1adir una segunda o tercera altura. \u00bfLo malo? Que cuanto m\u00e1s alto lo pongas, m\u00e1s estrecho queda (y viceversa). Y si tocas sentado, puedes acabar d\u00e1ndote con las rodillas en la X.<\/p>\n\n\n

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\n \"KS-2010\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

Millenium<\/p>\n

KS-2010<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1446)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 42 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Los soportes tipo mesa<\/strong> van genial para teclados pesados y para tocar sentado. Aparte de soportar mucho peso, ofrecen total libertad de movimiento para las piernas. Puedes colocar los pedales sin problema. Tambi\u00e9n suelen permitir a\u00f1adir niveles extra.<\/p>\n\n\n

\n \n \n \n
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\n \"KS-2000\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

Millenium<\/p>\n

KS-2000<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (485)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 79 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

\u00bfInconvenientes? Algunos modelos se montan m\u00e1s lento. Hay mesas que se pliegan, pero otras hay que desmontarlas por completo para transportarlas. Adem\u00e1s, ajustar la altura no siempre es f\u00e1cil, ya que muchas tienen patas que se regulan por separado.<\/p>\n\n\n

\n \n
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\n
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\n \"18820\n <\/div>\n\n
\n\n
\n\n \n

K&M<\/p>\n

18820 Omega Pro Black<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
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\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (222)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 166 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"18953\"\n\n <\/div>\n\n
\n\n
\n\n \n

K&M<\/p>\n

18953<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
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\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (341)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 166 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Los soportes tipo columna<\/strong> son un puntazo visual y est\u00e1n pensados para tocar de pie. Pueden sostener 2 o 3 teclados sin taparte. Algunos modelos permiten guardar las patas dentro de la columna o plegarlas para el transporte.<\/p>\n\n\n

\n \n \n \n
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\n \"Keyboard\n <\/div>\n <\/div>\n \n \n
\n \n

Stay<\/p>\n

Keyboard Stand Tower Black<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (31)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 195 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Eso s\u00ed, hay modelos cuya base puede dificultar el uso de pedales. Pero marcas como K&M (serie Spider) o Stay han resuelto este problema muy bien.<\/p>\n\n\n

\n \n
\n
\n
\n
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\n \"18860\n <\/div>\n\n
\n\n
\n\n \n

K&M<\/p>\n

18860 Spider Pro Black<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (396)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 299 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"AX-48\n <\/div>\n\n
\n\n
\n\n \n

Ultimate<\/p>\n

AX-48 Pro B<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 8.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (62)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 222 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Los soportes en Z<\/strong> son parecidos a los tipo mesa, pero con un look m\u00e1s moderno. Tambi\u00e9n van bien para tocar de pie.<\/p>\n\n\n

\n \n
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\n \"Keyboard\n <\/div>\n\n
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\n\n \n

Roadworx<\/p>\n

Keyboard Stand Z<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
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\n <\/svg>\n <\/div>\n
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\n (69)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 92 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"KS410B\n <\/div>\n\n
\n\n
\n\n \n

Hercules Stands<\/p>\n

KS410B Keyboard Stand<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
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\n <\/svg>\n <\/div>\n
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\n (87)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 145 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"KS7365EJ\"\n\n <\/div>\n\n
\n\n
\n\n \n

On-Stage<\/p>\n

KS7365EJ<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 8.00 de\n 10<\/span>\n
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\n (106)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 105 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Keyboards en directo: los cables tambi\u00e9n importan<\/strong><\/h2>\n\n\n\n

Para conectar tus teclados al sistema de sonido del evento, tienes que llevar los cables adecuados<\/strong>. Regla b\u00e1sica: todo lo que va antes de la DI-Box<\/a><\/strong> lo traes t\u00fa; a partir de ah\u00ed, se encarga el t\u00e9cnico o la empresa de sonido.<\/p>\n\n\n\n

Esto significa que necesitas cables jack<\/strong> de buena calidad y de distintas longitudes. Y cr\u00e9enos, cuando un d\u00eda tengas que cambiar un cable a toda prisa durante el line-check con el p\u00fablico mirando, te alegrar\u00e1s de haber tra\u00eddo cables de repuesto<\/strong>.<\/p>\n\n\n

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\n \"RIC-B10\"\n\n <\/div>\n\n
\n\n
\n\n \n

Roland<\/p>\n

RIC-B10<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
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\n <\/svg>\n <\/div>\n
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\n (93)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 15.90 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"CCI\n <\/div>\n\n
\n\n
\n\n \n

Cordial<\/p>\n

CCI 6 PP<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
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\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1231)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 11.60 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Como los teclados trabajan con nivel de l\u00ednea<\/strong>, no necesitan cables tan exigentes como las guitarras (que trabajan con se\u00f1ales m\u00e1s bajas). Aun as\u00ed, un cable de calidad te da m\u00e1s durabilidad y un mejor sonido.<\/p>\n\n\n

\n \n
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\n \"The\n <\/div>\n\n
\n\n
\n\n \n

Sommer Cable<\/p>\n

The Spirit XXL Instr. 6.0<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (650)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 28 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"The\n <\/div>\n\n
\n\n
\n\n \n

Sommer Cable<\/p>\n

The Spirit XXL Instr. 6.0<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (650)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 28 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

La mayor\u00eda de teclados tienen salidas jack de 6,3 mm<\/strong>, as\u00ed que en un apuro incluso podr\u00edas usar un cable de guitarra. El problema viene con sintes peque\u00f1os, cajas de ritmos, grooveboxes o mezcladores que usan mini jack o incluso RCA.<\/p>\n\n\n

\n \n \n \n
\n \n
\n
\n \"Basic\n <\/div>\n <\/div>\n \n \n
\n \n

Sommer Cable<\/p>\n

Basic HBA-3S62 6,0m<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (41)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 18.40 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

En estos casos, lleva siempre tus cables adaptadores<\/strong> (\u00a1y alg\u00fan repuesto!). No cuentes con poder conseguir uno al vuelo en mitad de un bolo. Se espera que entregues tu se\u00f1al en jack mono est\u00e1ndar.<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"Basic\n <\/div>\n\n
\n\n
\n\n \n

Sommer Cable<\/p>\n

Basic HBA-3S62 6,0m<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (41)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 18.40 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"TPY\n <\/div>\n\n
\n\n
\n\n \n

pro snake<\/p>\n

TPY 2030 KPP<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1140)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 6.10 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Basic\n <\/div>\n\n
\n\n
\n\n \n

Sommer Cable<\/p>\n

Basic HBA-62C2 6,0m<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (24)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 19.40 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Keyboards en directo: DI-Box<\/strong><\/h2>\n\n\n\n

Si ya has tocado en directo, seguro que has visto c\u00f3mo el t\u00e9cnico conecta tu teclado a una DI-Box<\/a><\/strong>. Pero \u00bfqu\u00e9 es eso y para qu\u00e9 sirve?<\/p>\n\n\n\n

Una DI-Box convierte la se\u00f1al no balanceada de tu teclado en una se\u00f1al balanceada<\/strong>. As\u00ed se evitan interferencias (como ruidos de radio o fuentes de alimentaci\u00f3n) en los largos cables hasta la mesa. Aunque hay teclados que ya tienen salidas balanceadas, lo m\u00e1s habitual es usar DI-Boxes para conectar en directo.<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"PAN\n <\/div>\n\n
\n\n
\n\n \n

Palmer<\/p>\n

PAN 04A<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (33)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 148 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Pocket\n <\/div>\n\n
\n\n
\n\n \n

Millenium<\/p>\n

Pocket DI 2<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (300)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 35 \u20ac <\/span>\n <\/div>\n\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Normalmente, el organizador o la empresa de sonido tendr\u00e1 suficientes DI-Boxes. Y si hab\u00e9is enviado un rider actualizado, ya te esperar\u00e1n en tu sitio en el escenario. Aun as\u00ed, no est\u00e1 de m\u00e1s llevar las tuyas por si acaso. Aseg\u00farate de tener suficientes canales (2 para un teclado est\u00e9reo).<\/p>\n\n\n

\n \n \n \n
\n \n
\n
\n \"DIB-102\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

IMG Stageline<\/p>\n

DIB-102<\/h3>\n <\/span>\n\n
\n Valoraci\u00f3n: 9.00 de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (37)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 53 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Ver producto\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Keyboards en directo: asesoramiento t\u00e9cnico de Thomann<\/strong><\/h2>\n\n\n\n

Como ves, tocar en directo no es solo cuesti\u00f3n musical: tambi\u00e9n hace falta preparaci\u00f3n t\u00e9cnica. Ensayar es cosa tuya, pero con el equipo te echamos una mano encantados.<\/p>\n\n\n\n

Si tienes dudas, contacta con nuestros especialistas usando el bot\u00f3n \u201cAsesoramiento\u201d que encontrar\u00e1s en cada p\u00e1gina de producto de la tienda.<\/p>\n\n\n\n

\u00bfPrefieres hablar por tel\u00e9fono? Aqu\u00ed tienes todos nuestros datos de contacto<\/a>. Y si te apetece pasarte por nuestra tienda en Treppendorf, \u00a1te atenderemos encantados!<\/p>\n\n\n\n

Y si quieres echar un vistazo por tu cuenta, aqu\u00ed tienes todos los Keyboards de nuestra tienda.<\/a><\/strong><\/p>\n\n\n\n

\"Keyboards<\/figure>\n\n\n\n

Keyboards en directo: tu opini\u00f3n y tus consejos<\/strong><\/h2>\n\n\n\n

\u00bfTocas el teclado en directo? \u00bfQu\u00e9 accesorios no pueden faltar nunca en tu equipo? \u00a1Cu\u00e9ntanoslo en los comentarios!<\/p>\n","protected":false},"excerpt":{"rendered":"

Consejos esenciales para teclistas en vivo: soportes seg\u00fan tu estilo, cableado correcto, uso de DI-Box y recomendaciones para un directo s\u00f3lido, ordenado y sin ruidos.<\/p>\n","protected":false},"author":21,"featured_media":10002377,"comment_status":"open","ping_status":"0","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[10690],"tags":[],"class_list":["post-10002375","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-inspiracion"],"category_colors":{"color_key":"inspire","css_classes":{"text":"cat-inspire","text_light":"cat-inspire-light","bg":"cat-bg-inspire","bg_light":"cat-bg-inspire-light","border":"cat-border-inspire","text_on_bg":"cat-text-on-inspire"}},"reading_time":{"minutes":5,"formatted":"5 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/posts\/10002375","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/comments?post=10002375"}],"version-history":[{"count":2,"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/posts\/10002375\/revisions"}],"predecessor-version":[{"id":10002378,"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/posts\/10002375\/revisions\/10002378"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/media\/10002377"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/media?parent=10002375"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/categories?post=10002375"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/es\/wp-json\/wp\/v2\/tags?post=10002375"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}