{"id":88621,"date":"2018-03-07T16:59:20","date_gmt":"2018-03-07T15:59:20","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/?p=88621"},"modified":"2018-03-08T10:36:39","modified_gmt":"2018-03-08T09:36:39","slug":"best-materials-drums","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/en\/gear\/best-materials-drums\/","title":{"rendered":"What are the best materials for drums?"},"content":{"rendered":"<p><strong>#ThomannDrumDays<\/strong>\u00a0will be happening from\u00a0<strong>March 5th to 11th<\/strong>, 2018, especially on\u00a0<strong><a href=\"https:\/\/www.facebook.com\/ThomannInternational\/\" target=\"_blank\" rel=\"noopener\">Facebook<\/a><\/strong>\u00a0and\u00a0<strong><a href=\"https:\/\/tho.mn\/insta\" target=\"_blank\" rel=\"noopener\">Instagram<\/a><\/strong>. It\u2019s all about the world of\u00a0<strong>drums<\/strong>!<\/p>\n<p>For drumheads and drum enthusiasts we have\u00a0<strong>exclusive deals<\/strong>,\u00a0<strong>VIP artist videos<\/strong>, helpful\u00a0<strong>articles\u00a0<\/strong>here on the\u00a0<strong>t.blog<\/strong>\u00a0and\u00a0<strong>entertainment<\/strong>\u00a0planned for you.<\/p>\n<p>Stop by and visit\u00a0??<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-87732 size-large\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2018\/05\/1540x850_thomann_drum_days-1024x565.jpg\" alt=\"\" width=\"1024\" height=\"565\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/05\/1540x850_thomann_drum_days-1024x565.jpg 1024w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/05\/1540x850_thomann_drum_days-300x166.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/05\/1540x850_thomann_drum_days-768x424.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/05\/1540x850_thomann_drum_days.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Maple, birch, poplar, mahogany, steel, brass, aluminium, acrylic &#8230; Choosing a shell material for drums is often a challenge, and not just for beginners. &#8220;Maple sounds balanced, birch has more bass, steel sounds sharp, brass softer&#8221; &#8230; these are often examples in advertisements and catalogs of the manufacturers, but is it really that easy? And what does &#8220;balanced&#8221; actually mean? And what material is suitable for me if I want to use my <a href=\"https:\/\/www.thomann.de\/gb\/acoustic_drums.html\" target=\"_blank\" rel=\"noopener\">snare<\/a> in both a punk band and a singer-songwriter project? In this blog, we want to get to the bottom the matter. Here we go!<\/strong><\/p>\n<hr \/>\n<h3 style=\"text-align: center;\">For beginner and intermediate drum sets, the shell material plays only a minor role<\/h3>\n<p>Let&#8217;s say you saved 500 to 1000 Euros for a beginner or lower-middle class <a href=\"https:\/\/www.thomann.de\/gb\/acoustic_drums.html\" target=\"_blank\" rel=\"noopener\"><strong>drum set<\/strong><\/a> and would like to buy the best kit for your money. Now, is the <a href=\"https:\/\/www.thomann.de\/gb\/pearl_exx725br_c_export_arctic_spar.htm\" target=\"_blank\" rel=\"noopener\"><strong>Pearl Export<\/strong><\/a>, with <strong>Asian mahogany<\/strong> and <strong>poplar<\/strong> shells, the safest bet? Or does the <a href=\"https:\/\/www.thomann.de\/gb\/tama_imperialstar_studio_bbob.htm\" target=\"_blank\" rel=\"noopener\"><strong>Tama<\/strong><\/a> sound a bit better with pure poplar shells?<\/p>\n<p><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2018\/01\/12248787_800.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-52110 size-medium\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2018\/01\/12248787_800-300x274.jpg\" alt=\"\" width=\"300\" height=\"274\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/12248787_800-300x274.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/12248787_800.jpg 678w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.thomann.de\/gb\/complete_drumkits.html?oa=pra\" target=\"_blank\" rel=\"noopener\"><strong>Cheaper drum kits<\/strong><\/a> are often made from <strong>softer, easier-to-process woods<\/strong> such as poplar and Asian mahogany (not to be confused with the much more expensive <strong>African mahogany<\/strong>), which tend to have a slightly less powerful tone compared to the high-end series. Do not make your decision strictly based on the <strong>shell material<\/strong>, whether shell composition A, B or C is the best remains <strong>a matter of taste<\/strong>. The most important thing is that the sizes are right for you, that the hardware suits your needs and that it inspires some <strong>playfulness<\/strong> when you get into the rehearsal room. And once you&#8217;ve torn through the first set of drum skins (or <strong>drumheads<\/strong>), upgrading to <a href=\"https:\/\/www.thomann.de\/gb\/drumhead_sets.html\" target=\"_blank\" rel=\"noopener\"><strong>brandname skins<\/strong><\/a> will give you another boost in sound and confidence.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-88621 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"161\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/Evans-EC2S-Standard-Set-Clear-300x161.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-52111\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/Evans-EC2S-Standard-Set-Clear-300x161.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/Evans-EC2S-Standard-Set-Clear-768x412.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/Evans-EC2S-Standard-Set-Clear.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-52111'>\n\t\t\t\tEvans EC2S Standard Set Clear\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"156\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/Remo-PP-0962-BE-Emperor-Coated-300x156.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-52112\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/Remo-PP-0962-BE-Emperor-Coated-300x156.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/Remo-PP-0962-BE-Emperor-Coated-768x398.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/Remo-PP-0962-BE-Emperor-Coated.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-52112'>\n\t\t\t\tRemo PP-0962-BE Emperor Coated\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<h2 style=\"text-align: center;\"><strong>Toms, Bass drums<\/strong><\/h2>\n<p>For <a href=\"https:\/\/www.thomann.de\/gb\/tomtoms.html\" target=\"_blank\" rel=\"noopener\"><strong>toms<\/strong><\/a> and <a href=\"https:\/\/www.thomann.de\/gb\/bass_drums.html\" target=\"_blank\" rel=\"noopener\"><strong>bass drums<\/strong><\/a>: maple, birch or beech wood? Or maybe something more exotic? Or a mix? Even though there are surprisingly good-sounding drums to buy nowadays for little money, there&#8217;s still an itch to buy what is &#8220;really good&#8221;. A kit for life, preferably put together with the matching sizes, a stunning finish and &#8211; last but not least &#8211; the optimal shell material. Just to be sure : Whether the drums were made of maple or birch, has never decided whether a song was a huge success or not. Why is that? Laymen hear virtually no difference in identically constructed and tuned toms or bass drums made of maple, birch or beech. For woods that are significantly <strong>harder<\/strong>, such as <strong>bubinga<\/strong> or significantly <strong>softer<\/strong> like poplar or mahogany, the probability is slightly higher.<\/p>\n<p>Experienced sound technicians and drummers, who have already played many different kits on their premises (ie under identical conditions), will nonetheless have certain preferences. For example, maple sounds a bit more centred than birch in a direct comparison, Bubinga likes to emphasise the <strong>bass range<\/strong> and the <strong>attack<\/strong> a bit more, and poplar shells usually sound a bit <strong>softer<\/strong> and<strong> darker<\/strong>. You should note, however, that the shell materials are often embedded by the manufacturers in different concepts and designs. So pay attention in the comparisons that a very thin shell enhances the properties of soft woods such as poplar or mahogany. This effect is of course desired if it is to go in the traditional retro direction in terms of sound, as with this <a href=\"https:\/\/www.thomann.de\/gb\/gretsch_broadkaster_vb_jazz_antique.htm\" target=\"_blank\" rel=\"noopener\"><strong>Gretsch Broadkaster Kit<\/strong><\/a>:<\/p>\n<p><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2018\/01\/11154250_800.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-52114 size-medium\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2018\/01\/11154250_800-300x236.jpg\" alt=\"\" width=\"300\" height=\"236\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/11154250_800-300x236.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/11154250_800.jpg 763w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Conversely, a properly configured <a href=\"https:\/\/www.thomann.de\/gb\/sonor_sq2_shell_set_beech_rock.htm\" target=\"_blank\" rel=\"noopener\"><strong>Sonor SQ2<\/strong><\/a>, with thicker shell construction and sharper bearing edges, sounds much more modern and aggressive:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-52115 size-medium\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2018\/01\/7467465_800-300x242.jpg\" alt=\"\" width=\"300\" height=\"242\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/7467465_800-300x242.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/7467465_800.jpg 745w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>By the way, the legendary <strong>birch sound reference<\/strong> is the <strong><a href=\"https:\/\/www.thomann.de\/gb\/yamaha_recording_custom_standard_sb.htm\" target=\"_blank\" rel=\"noopener\">Yamaha Recording Custom<\/a><\/strong>, with the current version with its <strong>30 degree bearing edges<\/strong> and the somewhat <strong>thinner shells<\/strong> tending to return to a <strong>warmer, softer<\/strong> direction than the models offered from the mid-1980s.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2018\/01\/11196149_800.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-52116 size-medium\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2018\/01\/11196149_800-252x300.jpg\" alt=\"\" width=\"252\" height=\"300\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/11196149_800-252x300.jpg 252w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/11196149_800.jpg 504w\" sizes=\"(max-width: 252px) 100vw, 252px\" \/><\/a><\/p>\n<h3>Conclusion<\/h3>\n<p>Harder woods such as <strong>birch, maple and beech sound more present, &#8220;louder&#8221;<\/strong>, while softer ones such as <strong>mahogany and poplar are a bit softer and more forgiving<\/strong>. The latter two are therefore often found in the modern <strong>vintage-style models<\/strong> of many manufacturers. With this information you should be able to narrow down, a bit, what type of sound you should expect. Using the Internet, you can also quickly find out which drums your heroes play and pick up some suggestions for their own kit choice. In general, the same applies here with <strong>cheaper drums<\/strong>: Toms and bass drums must have the <strong>right sizes<\/strong>, <strong>work well<\/strong> with your sound and <strong>look great<\/strong>, factors that inspire significantly more than the invisible knowledge of a special wood mixture. And if the fear of making a wrong purchase decision robs you of sleep, don&#8217;t worry, even the loudest metal kit can be quickly converted to a 70s disco kit with a set of <strong>retro-style skins<\/strong>. For example, with the <a href=\"https:\/\/www.thomann.de\/gb\/aquarian_16_american_vintage_medium_co.htm\" target=\"_blank\" rel=\"noopener\"><strong>Aquarian American Vintage<\/strong><\/a> models:<\/p>\n<p><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2018\/01\/9767623_800.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-52117\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2018\/01\/9767623_800-300x300.jpg\" alt=\"Aquarian 16&quot; American Vintage Medium Co\" width=\"162\" height=\"190\" \/><\/a><\/p>\n<p>Of course, the reverse also works, because a set of <strong>clear, single-ply skins<\/strong> also brings a &#8220;dull&#8221;-sounding retro kit to life with more <strong>attack<\/strong> and <strong>brightness<\/strong>. A good example are these <strong><a href=\"https:\/\/www.thomann.de\/gb\/remo_pp_1192_ba_ambassador_clear.htm\" target=\"_blank\" rel=\"noopener\">Remo Ambassador<\/a> <\/strong>skins:\u00a0<strong><br \/>\n<\/strong><\/p>\n<p><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2018\/01\/11595534_800.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-52118 size-medium\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2018\/01\/11595534_800-300x166.jpg\" alt=\"Remo PP-1192-BA Ambassador Clear\" width=\"300\" height=\"166\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/11595534_800-300x166.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/11595534_800-768x424.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/11595534_800.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<div class=\"advads-content-injection-before-2-h2 advads-entity-placement\" style=\"text-align: center;\" id=\"advads-16289878\"><div class=\"advads-adlabel\">Advertisements<\/div><div id=\"advads-1196206138\"><a href=\"https:\/\/www.thomann.de\/intl\/index.html?utm_medium=display&#038;utm_source=partnersite&#038;utm_campaign=branding&#038;utm_content=thoshop&#038;utm_term=gemischt\" target=\"_blank\" aria-label=\"2502_Gear_Banner_Gemischt_729x90_EN_v01\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01.jpg\" alt=\"\"  srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01.jpg 728w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01-300x37.jpg 300w\" sizes=\"(max-width: 728px) 100vw, 728px\" width=\"728\" height=\"90\"   \/><\/a><\/div><\/div><h2 style=\"text-align: center;\"><strong><br \/>\nSnare<\/strong><\/h2>\n<p>When it comes to toms and bass drums professionals already pay a lot of attention to the shell material, so when it comes to the <a href=\"https:\/\/www.thomann.de\/gb\/acoustic_drums.html\" target=\"_blank\" rel=\"noopener\"><strong>snare drum<\/strong><\/a> chances are they are even more picky. If it&#8217;s not so much for the sound, the size and look are just as important for this &#8220;centrepiece&#8221; of a drum kit. The most commonly used materials for snares are <strong>steel, brass <\/strong>and<strong> aluminium<\/strong> but also <strong>maple <\/strong>and<strong> birch<\/strong>.<\/p>\n<h3>Steel<\/h3>\n<p>Steel is rightly considered a <strong>bright<\/strong> and <strong>clear-sounding<\/strong> material relatively <strong>rich in overtones<\/strong>. Steel snares are popular with drummers who like a <strong>clean &#8220;bang&#8221;<\/strong>. That doesn&#8217;t mean that this material would only be suitable for rock and metal, on the contrary. A great example of a <strong>versatile<\/strong> snare is the <a href=\"https:\/\/www.thomann.de\/gb\/pearl_14x05_sensitone_beaded_steel.htm\" target=\"_blank\" rel=\"noopener\"><strong>Pearl Sensitone Steel<\/strong><\/a>, which can be used across genres, is reasonably priced and well-made:<\/p>\n<p><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2018\/01\/8653021_800.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-52120 size-medium\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2018\/01\/8653021_800-300x206.jpg\" alt=\"Pearl 14&quot;x05&quot; Sensitone Beaded Steel\" width=\"300\" height=\"206\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/8653021_800-300x206.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/8653021_800-768x527.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/8653021_800.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<h3>Brass<\/h3>\n<p>Brass is a classic material for snares and many drummers describe the sound character as\u00a0<strong>warmer <\/strong>and\u00a0<strong>rounder <\/strong>than steel. Brass is a softer alloy than steel and therefore absorbs a greater part of the high frequency vibrations. The result is a sound that many drummers would rather blindly attribute to a wooden-shelled snare. The brass classic, par excellence, is certainly the famous <a href=\"https:\/\/www.thomann.de\/gb\/ludwig_lb417_14x65_black_beauty.htm\" target=\"_blank\" rel=\"noopener\"><strong>Ludwig Black Beauty<\/strong><\/a>.<\/p>\n<p>If the &#8211; admittedly juicy &#8211; price for this seamlessly drawn snare drum is too high for you, it is also worth taking a look at the many similarly-built products. For <strong>less than 200 euros<\/strong>, for example, there is this <a href=\"https:\/\/www.thomann.de\/gb\/millenium_14x55_power_brass_snare.htm\" target=\"_blank\" rel=\"noopener\"><strong>Millenium<\/strong><\/a> model:<a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2018\/01\/10696712_800.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-52122 size-medium\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2018\/01\/10696712_800-300x278.jpg\" alt=\"Millenium 14&quot;x5,5&quot; Power Brass Snare\" width=\"300\" height=\"278\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/10696712_800-300x278.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/10696712_800.jpg 647w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<h3><strong>Aluminium<\/strong><\/h3>\n<p>Those who work with metal shell snares cannot avoid aluminium because <strong>two of the most widely used snare drums of all time are made of aluminium<\/strong>. There is talk of the <a href=\"https:\/\/www.thomann.de\/gb\/ludwig_lm402_14x65_supra_phonic.htm\" target=\"_blank\" rel=\"noopener\"><strong>Supraphonic<\/strong><\/a> and <strong><a href=\"https:\/\/www.thomann.de\/gb\/ludwig_lm404c_14_x05_acrolite_snare.htm\" target=\"_blank\" rel=\"noopener\">Acrolite<\/a>\u00a0Ludwig<\/strong> models , both with the legendary, seamless drawn aluminium shell, which was immortalised on countless recordings and is still extremely popular. Aluminium is reputed to be a <strong>dry-sounding<\/strong> metal, which allows for the sound to fit surprisingly well in a variety of styles. Strong resonance cannot be promised for most models, so drummers with a gaffer tape allergy should look in the aluminium category. Besides the Ludwigs there are a variety of alternatives in <strong>different price ranges<\/strong>, for example from the <a href=\"https:\/\/www.thomann.de\/gb\/tama_lal1455_sound_lab_snare.htm\" target=\"_blank\" rel=\"noopener\"><strong>Tama SLP<\/strong><\/a> series:<\/p>\n<p><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2018\/01\/12010958_800.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-52127 size-medium\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2018\/01\/12010958_800-300x219.jpg\" alt=\"\" width=\"300\" height=\"219\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/12010958_800-300x219.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/12010958_800-768x560.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/12010958_800.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<h3><strong>Maple<\/strong><\/h3>\n<p>If you like it woody, you can steer directly to the <a href=\"https:\/\/www.thomann.de\/gb\/search_dir.html?sw=snare+maple\" target=\"_blank\" rel=\"noopener\"><strong>maple category of snares<\/strong><\/a>. Maple snares could be described as <strong>rather bright, versatile <\/strong>and <strong>assertive, <\/strong>but<strong> not shrill<\/strong>.\u00a0 So it is no wonder that these snares are preferred by drummers of many styles. Accordingly, the model selection is huge. If you can spend real money, the one-piece models of <a href=\"https:\/\/www.thomann.de\/gb\/search_dir.html?sw=Noble+and+Cooley+snare+maple\" target=\"_blank\" rel=\"noopener\"><strong>Noble and Cooley<\/strong><\/a> are a great choice, with the finest response and fat, bold shell tone in abundance.\u00a0<a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2018\/01\/5234871_800.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-52128 size-medium\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2018\/01\/5234871_800-300x242.jpg\" alt=\"Noble &amp; Cooley 14&quot;x05&quot; Classic Snare Maple\" width=\"300\" height=\"242\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/5234871_800-300x242.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/5234871_800.jpg 745w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>But even for a fraction of the money you will find <a href=\"https:\/\/www.thomann.de\/gb\/14_wooden_snare_drums.html?oa=pra&amp;sw=maple%20snare\" target=\"_blank\" rel=\"noopener\"><strong>absolutely viable alternatives<\/strong><\/a> that may need to be retrofitted with some <a href=\"https:\/\/www.thomann.de\/gb\/14_inch_snaredrum_heads.html?sw=snare%20skins\" target=\"_blank\" rel=\"noopener\"><strong>professional skins<\/strong><\/a> and possibly some good <a href=\"https:\/\/www.thomann.de\/gb\/search_dir.html?sw=snare+wires\" target=\"_blank\" rel=\"noopener\"><strong>snare wires<\/strong><\/a>, but otherwise a very good base is available.<\/p>\n<h3>Birch and Mixed Constructions (hybrid shell)<\/h3>\n<p>Since <strong>birch<\/strong> is also a <strong>hard wood<\/strong> with similar physical properties as <strong>maple<\/strong>, there are many sonic parallels. <strong>Full basses and highs<\/strong> make for great presence of these shells, but you should definitely test it yourself, because other design features such as bearing edges, rims\/hoops and lugs \/ tension rods also have a big influence on the overall sound. For example, <a href=\"https:\/\/www.thomann.de\/gb\/sonor_sq1_14_x65_snare_gt_black.htm\" target=\"_blank\" rel=\"noopener\"><strong>Sonor&#8217;s new SQ1 series<\/strong><\/a> delivers <strong>fine tones<\/strong> and <strong>good workmanship<\/strong>:<a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2018\/01\/11989713_800.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-52129 size-medium\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2018\/01\/11989713_800-300x228.jpg\" alt=\"Sonor SQ1 14&quot;x6,5&quot; Snare GT Black\" width=\"300\" height=\"228\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/11989713_800-300x228.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/11989713_800-768x584.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/11989713_800.jpg 789w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>However, many <strong>&#8220;pure&#8221; birch<\/strong> snares are currently not on the market, instead, many manufacturers have relied on the production of <strong>mixed-material shells<\/strong>. Only part of the layers are made of birch, the rest is for example <strong>Kapur<\/strong>, as with the <a href=\"https:\/\/www.thomann.de\/gb\/pearl_ssc_14x55_snare_black.htm\" target=\"_blank\" rel=\"noopener\"><strong>Session Studio models by Pearl<\/strong><\/a>:<\/p>\n<p><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2018\/01\/11825790_800.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-52130 size-medium\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2018\/01\/11825790_800-300x226.jpg\" alt=\"Pearl SSC 14&quot;x5,5&quot; Snare Black\" width=\"300\" height=\"226\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/11825790_800-300x226.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/11825790_800-768x578.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/01\/11825790_800.jpg 797w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<h3>Conclusion<\/h3>\n<p>Sure, the shell material is important, but you should not get grey hair deciding on one. First of all, think about which <strong>size<\/strong> and <strong>price range<\/strong> is suitable for you. When you have found a nice model, the <strong>materials come second<\/strong>. Of course, the case is different if you have already gained a lot of experience and know how an aluminium snare sounds. We recommend that you check the appropriate <strong>tests at<\/strong> <a href=\"https:\/\/www.bonedo.de\/drums\/tests.html\" target=\"_blank\" rel=\"noopener\"><strong>bonedo.de<\/strong><\/a>, because there are so many high-quality sound files and reviews of many models, which may convince you to get something completely different than originally planned. Enjoy listening, checking and playing!<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h3>Even more reading material &#8230;<\/h3>\n<p><a href=\"https:\/\/www.thomann.de\/blog\/en\/quiz-can-answer-drum-gear-related-questions\/\">Quiz &#8211; How well do you know your drum gear?<\/a><\/p>\n<p><a href=\"https:\/\/www.thomann.de\/blog\/en\/drummer-warm-ups\/\">Drummer Warm-ups For Achieving Smoothness<\/a><\/p>\n<p><a href=\"https:\/\/www.thomann.de\/blog\/en\/cymbals-practical-guide\/\">Cymbals: A Practical Guide<\/a><\/p>\n<p><a href=\"https:\/\/www.thomann.de\/blog\/en\/how-to-choose-your-drumsticks\/\">Everything About Drumsticks<\/a><\/p>\n<p><a href=\"https:\/\/www.thomann.de\/blog\/en\/10-must-drummer-accessories\/\">10 Must-Have Drummer Accessories\u00a0<\/a><\/p>\n<hr \/>\n<h3>Advice \/ consultation<\/h3>\n<p>If you have any questions or need advice we are more than happy to help! Join us in the\u00a0<strong><a href=\"https:\/\/www.thomann.de\/gb\/compinfo_tour_6.html\" target=\"_blank\" rel=\"noopener\">Drum Department<\/a><\/strong>\u00a0<strong>in Treppendorf<\/strong>\u00a0or contact us by\u00a0<strong><a href=\"mailto:drums@thomann.de\">e-mail<\/a><\/strong>\u00a0or by phone at\u00a0<strong>(09546) 9223 40<\/strong>\u00a0to chat with us!\u00a0?<\/p>\n<div class=\"advads-content-injection-before-content advads-entity-placement\" style=\"text-align: center;\" id=\"advads-3208934352\"><div class=\"advads-adlabel\">Advertisements<\/div><div id=\"advads-1322926414\"><a href=\"https:\/\/www.thomann.de\/intl\/index.html?utm_medium=display&#038;utm_source=partnersite&#038;utm_campaign=branding&#038;utm_content=thoshop&#038;utm_term=gemischt\" target=\"_blank\" aria-label=\"2502_Gear_Banner_Gemischt_729x90_EN_v01\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01.jpg\" alt=\"\"  srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01.jpg 728w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01-300x37.jpg 300w\" sizes=\"(max-width: 728px) 100vw, 728px\" width=\"728\" height=\"90\"   \/><\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Does the material of your drums really make a difference for the sound? Find out in this article&#8230;<\/p>\n","protected":false},"author":30,"featured_media":72074,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[1083],"tags":[3976,3978,3970,3951,3968,3974,3972],"class_list":["post-88621","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear","tag-acrylic","tag-copper","tag-drum-kit","tag-drums-en","tag-material","tag-tonewoods","tag-wood"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":9,"formatted":"9 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts\/88621","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/users\/30"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/comments?post=88621"}],"version-history":[{"count":0,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts\/88621\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/media\/72074"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/media?parent=88621"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/categories?post=88621"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/tags?post=88621"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}