{"id":82473,"date":"2018-02-26T18:31:16","date_gmt":"2018-02-26T17:31:16","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/?p=82473"},"modified":"2018-02-26T16:44:39","modified_gmt":"2018-02-26T15:44:39","slug":"amplify-acoustic-guitar-2","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/en\/learn\/amplify-acoustic-guitar-2\/","title":{"rendered":"How to amplify an acoustic guitar"},"content":{"rendered":"<p style=\"text-align: center;\"><strong>The acoustic guitar is a splendid instrument: It can sufficiently fill a song on its own and in union with a voice it can represent a complete song. Not to mention the sound of the instrument itself: rich in frequencies, it can soothe in the rhythmical and heavy numbers as much as in the soft and arpeggiated ones. There is a huge &#8220;BUT&#8221; in all of this: amplification. What is the best way to amplify an acoustic guitar and get a good sound? Let&#8217;s find out!\u00a0<\/strong><\/p>\n<hr \/>\n<p>An acoustic guitar, in the recording studio, should always be <a href=\"https:\/\/www.thomann.de\/gb\/microphones_for_acoustic_guitars1.html\" target=\"_blank\" rel=\"noopener\">mic&#8217;d<\/a> (if possible, with a <a href=\"https:\/\/www.thomann.de\/gb\/microphones_for_acoustic_guitars1.html\" target=\"_blank\" rel=\"noopener\">stereo microphone configuration<\/a>). That said, it is obvious that in a live situation, rehearsal or in the absence of adequate gear, recording the guitar becomes a problem.<\/p>\n<p>The most widespread method is certainly that which involves a <a href=\"https:\/\/www.thomann.de\/gb\/piezo_pickups.html\" target=\"_blank\" rel=\"noopener\">piezo-electric pick-up<\/a>: alternatively, during the years, <a href=\"https:\/\/www.thomann.de\/gb\/magnetic_pu_for_acoustic_guitars.html\" target=\"_blank\" rel=\"noopener\">magnetic pick-ups<\/a> (pick-up placed in the sound hole), contact pick-ups (normally installed inside the instrument), microphones and hybrid systems have also become popular.<\/p>\n<h3 style=\"text-align: center;\"><a href=\"https:\/\/www.thomann.de\/gb\/piezo_pickups.html\" target=\"_blank\" rel=\"noopener\">PIEZO<\/a><\/h3>\n<p>The piezo-electric pick-up or undersaddle (literally: which is under the bridge saddle) is one of the most popular amplification systems on stringed instruments. Capturing the vibrations of the guitar&#8217;s top, the piezo is equipped on all the amplified guitars and normally has an active circuit (which therefore requires power supply via a 9V battery). Among the disadvantages of the piezo we find a very &#8216;mediocre&#8217; sound that takes little account of the overall sound of the instrument, while among the advantages we definitely have a very high resistance to feedback (useful in concerts, to avoid involuntary screeching) and the cost is more than acceptable. Used in the studio, in combination with a microphone, it can give excellent results especially if carefully EQ&#8217;d.<\/p>\n<p>If you need a piezo pickup for your guitar, we recommend the <a href=\"https:\/\/www.thomann.de\/gb\/shadow_sh099.htm\" target=\"_blank\" rel=\"noopener\">Shadow SH099<\/a> (combined with a good pre-amp), <a href=\"https:\/\/www.thomann.de\/gb\/fishman_agx094.htm\" target=\"_blank\" rel=\"noopener\">Fishman AGX094<\/a> (passive) or the well-known <a href=\"https:\/\/www.thomann.de\/gb\/l_r.baggs_element_active_system_vtc.htm\" target=\"_blank\" rel=\"noopener\">L.R. Baggs Element Active System<\/a>.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-82473 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"263\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Shadow-SH099-300x263.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-82560\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Shadow-SH099-300x263.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Shadow-SH099.jpg 685w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-82560'>\n\t\t\t\tShadow SH099\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"228\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Fishman-AGX094-300x228.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-82559\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Fishman-AGX094-300x228.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Fishman-AGX094-768x584.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Fishman-AGX094.jpg 816w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-82559'>\n\t\t\t\tFishman AGX094\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"212\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/L.R.Baggs-Element-Active-System-VTC-300x212.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-82558\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/L.R.Baggs-Element-Active-System-VTC-300x212.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/L.R.Baggs-Element-Active-System-VTC-768x543.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/L.R.Baggs-Element-Active-System-VTC.jpg 820w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-82558'>\n\t\t\t\tL.R.Baggs Element Active System VTC\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<h3><\/h3>\n<h3 style=\"text-align: center;\"><a href=\"https:\/\/www.thomann.de\/gb\/magnetic_pu_for_acoustic_guitars.html\" target=\"_blank\" rel=\"noopener\">Magnetic \/ Sound Hole Pickup<\/a><\/h3>\n<p>The magnetic pick-up has a huge advantage: unlike all the other systems listed, it is the only one that provides a non-permanent and non-invasive installation on the instrument. Magnetic pick-ups, in fact, being very similar to electric guitar pickups, sound best when placed under the strings towards the centre \/ neck side of the instrument. The particular shape allows you to hook them to the sound hole of the guitar, fix\u00a0them (normally screwing two small screws that tighten the clamps), let the cable hang out of the sound hole (maybe fix it to the body with some tape, plug in the jack and start playing! Obviously it is also possible to do a permanent installation by drilling and installing the jack to replace the shoulder strap hook. The magnetic pick-up produces a very swollen, mediocre sound and, at times, almost &#8216;electric&#8217; and should therefore be used considering this peculiarity of timbre. Perfect for its high resistance to feedback, it is available in a hundred variations, some active and other passive, sometimes offering equalization and volume adjustments installed directly on the pick-up itself.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-2 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-2 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-2' class='gallery galleryid-82473 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Harley-Benton-TrueTone-SH-20-300x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-2-82566\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Harley-Benton-TrueTone-SH-20-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Harley-Benton-TrueTone-SH-20-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Harley-Benton-TrueTone-SH-20.jpg 623w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-82566'>\n\t\t\t\tHarley Benton TrueTone SH-20\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Dean-Markley-Pro-Mag-Plus-300x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-2-82565\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Dean-Markley-Pro-Mag-Plus-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Dean-Markley-Pro-Mag-Plus-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Dean-Markley-Pro-Mag-Plus.jpg 619w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-82565'>\n\t\t\t\tDean Markley Pro Mag Plus\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"198\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/DiMarzio-The-Black-Angel-DP-234-300x198.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-2-82564\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/DiMarzio-The-Black-Angel-DP-234-300x198.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/DiMarzio-The-Black-Angel-DP-234-768x506.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/DiMarzio-The-Black-Angel-DP-234.jpg 820w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-82564'>\n\t\t\t\tDiMarzio The Black Angel DP 234\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n<p>For simple, passive magnetic pickups which sound good, we recommend the <a href=\"https:\/\/www.thomann.de\/gb\/harley_benton_truetone_sh_20.htm\" target=\"_blank\" rel=\"noopener\">Harley Benton TrueTone SH-20<\/a>, the <a href=\"https:\/\/www.thomann.de\/gb\/dean_markley_pro_mag_sc1.htm\" target=\"_blank\" rel=\"noopener\">Dean Markley Pro Mag Plus<\/a> and the <a href=\"https:\/\/www.thomann.de\/gb\/dimarzio_the_black_angel_dp_234.htm\" target=\"_blank\" rel=\"noopener\">Dimarzio&#8217;s The Black Angel<\/a>. Going up the price we find active pick-ups with integrated volume controls such as <a href=\"https:\/\/www.thomann.de\/gb\/fishman_neod_schallochtonabnehmer.htm\" target=\"_blank\" rel=\"noopener\">Fishman Neo-D Single Coil<\/a>, <a href=\"https:\/\/www.thomann.de\/gb\/lrbaggs_m1_activ_soundhole_pickup.htm\" target=\"_blank\" rel=\"noopener\">L.R. Baggs M1 Active<\/a> and the <a href=\"https:\/\/www.thomann.de\/gb\/schertler_m_ag6_black_magnetic_pickup.htm\" target=\"_blank\" rel=\"noopener\">Schertler M-AG6 Black Magnetic Pickup<\/a>.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-3 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-3 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-3' class='gallery galleryid-82473 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"298\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Fishman-Neo-D-SingleCoil-298x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-3-82569\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Fishman-Neo-D-SingleCoil-298x300.jpg 298w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Fishman-Neo-D-SingleCoil-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Fishman-Neo-D-SingleCoil.jpg 616w\" sizes=\"(max-width: 298px) 100vw, 298px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-82569'>\n\t\t\t\tFishman Neo-D SingleCoil\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"194\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/L.R.Baggs-M1-Activ-Soundhole-Pickup-300x194.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-3-82568\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/L.R.Baggs-M1-Activ-Soundhole-Pickup-300x194.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/L.R.Baggs-M1-Activ-Soundhole-Pickup-768x497.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/L.R.Baggs-M1-Activ-Soundhole-Pickup.jpg 820w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-82568'>\n\t\t\t\tL.R.Baggs M1 Activ Soundhole Pickup\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"266\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Schertler-M-AG6-Black-Magnetic-Pickup-300x266.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-3-82567\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Schertler-M-AG6-Black-Magnetic-Pickup-300x266.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Schertler-M-AG6-Black-Magnetic-Pickup.jpg 698w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-82567'>\n\t\t\t\tSchertler M-AG6-Black Magnetic Pickup\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: center;\"><a href=\"https:\/\/www.thomann.de\/gb\/transducers.html\" target=\"_blank\" rel=\"noopener\">Contact pick-ups \/ transducers<\/a><\/h3>\n<p>Contact pick-ups at first glance may seem similar to piezo pick-ups: they basically share the same technology (normally, a ceramic disk) while offering a rather different sound from the traditional piezo &#8216;undersaddle&#8217;. Normally installed on the surface of the guitar&#8217;s body (or inside it), they offer an excellent acoustic output with a very natural sound and faithful to the non-amplified sound of the instrument. For certain musical genres they can sound a bit &#8220;lifeless&#8221;, needing to work in combination with a magnetic pick-up to get out those desired bass frequencies. That said, contact pick-ups like the <a href=\"https:\/\/www.thomann.de\/gb\/kk_pure_mini_pure_western_mini.htm\" target=\"_blank\" rel=\"noopener\">K &amp; K Pure Mini<\/a> are chosen every day by hundreds of guitarists who want to get only one thing from their acoustic pick-up: an answer that is as natural as possible. For smaller budgets, it is impossible not to mention the <a href=\"https:\/\/www.thomann.de\/gb\/harley_benton_hbt.htm\" target=\"_blank\" rel=\"noopener\">Harley Benton HB-T<\/a>, the <a href=\"https:\/\/www.thomann.de\/gb\/shadow_sh712_tonabnehmer.htm\" target=\"_blank\" rel=\"noopener\">Shadow SH712<\/a>, and the<a href=\"https:\/\/www.thomann.de\/gb\/schaller_oyster_723.htm\" target=\"_blank\" rel=\"noopener\"> Schaller Oyster S \/ P<\/a>.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-4 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-4 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 25%;\n\t\t\t}\n\t\t\t#gallery-4 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-4 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-4' class='gallery galleryid-82473 gallery-columns-4 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"195\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/KK-Pure-Mini-Pure-Western-Mini-300x195.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-4-82574\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/KK-Pure-Mini-Pure-Western-Mini-300x195.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/KK-Pure-Mini-Pure-Western-Mini-768x500.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/KK-Pure-Mini-Pure-Western-Mini.jpg 820w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-82574'>\n\t\t\t\tK&#038;K Pure Mini (Pure Western Mini)\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"243\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Harley-Benton-HB-T-300x243.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-4-82573\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Harley-Benton-HB-T-300x243.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Harley-Benton-HB-T.jpg 765w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-82573'>\n\t\t\t\tHarley Benton HB-T\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"287\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Shadow-SH712-287x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-4-82572\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Shadow-SH712-287x300.jpg 287w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Shadow-SH712.jpg 593w\" sizes=\"(max-width: 287px) 100vw, 287px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-82572'>\n\t\t\t\tShadow SH712\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"242\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Schaller-Oyster-242x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-4-82571\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Schaller-Oyster-242x300.jpg 242w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Schaller-Oyster.jpg 501w\" sizes=\"(max-width: 242px) 100vw, 242px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-82571'>\n\t\t\t\tSchaller Oyster S\/P\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: center;\"><a href=\"https:\/\/www.thomann.de\/gb\/acoustic_guitar_microphones_guitars.html\" target=\"_blank\" rel=\"noopener\">Microphones \/ Blend<\/a><\/h3>\n<p>The microphones for acoustic guitar are the closest solution to the so-called concept of &#8220;perfect acoustic guitar reproduction&#8221; and allow to reproduce all the nuances of the instrument. The classic condenser microphone in front of the hole (and, perhaps, a second microphone directed towards the fretboard), especially in the live venue, is not always the best choice: on stage there is a lot of noise and, even in the absence of a band, just a guitarist and a small crowd is enough to create too much noise and incur feedback given the sensitivity of the microphone(s).<\/p>\n<p>For this reason, several manufacturers offer clip microphones, solutions for those who need to obtain a sound that is almost perfect in terms of naturalness during concerts. The\u00a0<a href=\"https:\/\/www.thomann.de\/gb\/lrbaggs_anthem_sl.htm\" target=\"_blank\" rel=\"noopener\">L.R. Baggs Anthem SL<\/a> (also available in the <a href=\"https:\/\/www.thomann.de\/gb\/lrbaggs_lyric_microphone.htm\" target=\"_blank\" rel=\"noopener\">Lyric<\/a> version) is one of the most obvious choices in this field. The <a href=\"https:\/\/www.thomann.de\/gb\/the_tbone_ovid_system_cc_100.htm\" target=\"_blank\" rel=\"noopener\">t.bone Ovid System CC100<\/a>, the <a href=\"https:\/\/www.thomann.de\/gb\/dpa_dvote_4099_guitar.htm\" target=\"_blank\" rel=\"noopener\">DPA d: vote 4099<\/a>, the <a href=\"https:\/\/www.thomann.de\/gb\/akg_c_411_l.htm\" target=\"_blank\" rel=\"noopener\">AKG C411 L<\/a>, the <a href=\"https:\/\/www.thomann.de\/gb\/b_band_ag_mic.htm\" target=\"_blank\" rel=\"noopener\">B-Band AG Mic<\/a> and the very special and mobile-friendly<a href=\"https:\/\/www.thomann.de\/gb\/ik_multimedia_irig_acoustic_stage.htm\" target=\"_blank\" rel=\"noopener\"> IK Multimedia iRig Acoustic Stage<\/a> follow (in no particular order).<\/p>\n\n\t\t<style>\n\t\t\t#gallery-5 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-5 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-5 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-5 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-5' class='gallery galleryid-82473 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"118\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/L.R.Baggs-Anthem-SL-300x118.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-5-82584\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/L.R.Baggs-Anthem-SL-300x118.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/L.R.Baggs-Anthem-SL-768x303.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/L.R.Baggs-Anthem-SL.jpg 820w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-5-82584'>\n\t\t\t\tL.R.Baggs Anthem SL\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"238\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/the-t.bone-Ovid-System-CC-100-238x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-5-82583\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/the-t.bone-Ovid-System-CC-100-238x300.jpg 238w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/the-t.bone-Ovid-System-CC-100.jpg 492w\" sizes=\"(max-width: 238px) 100vw, 238px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-5-82583'>\n\t\t\t\tthe t.bone Ovid System CC 100\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"257\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/DPA-d-vote-4099-Guitar-300x257.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-5-82582\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/DPA-d-vote-4099-Guitar-300x257.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/DPA-d-vote-4099-Guitar.jpg 723w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-5-82582'>\n\t\t\t\tDPA d:vote 4099 Guitar\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"180\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/AKG-C-411-L-300x180.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-5-82581\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/AKG-C-411-L-300x180.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/AKG-C-411-L-768x461.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/AKG-C-411-L.jpg 820w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-5-82581'>\n\t\t\t\tAKG C 411 L\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/B-Band-AG-MIC-300x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-5-82580\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/B-Band-AG-MIC-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/B-Band-AG-MIC-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/B-Band-AG-MIC.jpg 620w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-5-82580'>\n\t\t\t\tB-Band AG-MIC\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"280\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/IK-Multimedia-iRig-Acoustic-Stage-300x280.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-5-82579\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/IK-Multimedia-iRig-Acoustic-Stage-300x280.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/IK-Multimedia-iRig-Acoustic-Stage.jpg 665w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-5-82579'>\n\t\t\t\tIK Multimedia iRig Acoustic Stage\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n<h3><a href=\"https:\/\/www.thomann.de\/gb\/misc_transducers_for_acoustic_guitars.html\" target=\"_blank\" rel=\"noopener\">Hybrid \/ composite systems<\/a><\/h3>\n<p>With the use of a guitar clip microphone you encounter an obvious problem: what to do when the feedback on the stage is too loud and \/ or you need to support your guitar sound with another texture like your fingers&#8217; percussion on the strings or body? There are several solutions on the market such as the magnetic pickup with built-in microphone, the\u00a0<a href=\"https:\/\/www.thomann.de\/gb\/seymour_duncan_ssa6_mag_mic.htm\" target=\"_blank\" rel=\"noopener\">Seymour Duncan Mag Mic<\/a>, or the <a href=\"https:\/\/www.thomann.de\/gb\/fishman_rare_earth_blend.htm\" target=\"_blank\" rel=\"noopener\">Fishman Rare Earth Blend<\/a> that allows you to direct the built-in microphone as you like. The <a href=\"https:\/\/www.thomann.de\/gb\/kk_trinity_solo_mini.htm\" target=\"_blank\" rel=\"noopener\">K &amp; K Trinity Solo Mini<\/a> combines the natural sound of a contact pickup with an adjustable microphone. These systems are, normally, the most expensive solutions given the complexity of the parts involved.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-6 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-6 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-6 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-6 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-6' class='gallery galleryid-82473 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"123\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Seymour-Duncan-SA-6-Mag-Mic-300x123.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-6-82593\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Seymour-Duncan-SA-6-Mag-Mic-300x123.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Seymour-Duncan-SA-6-Mag-Mic-768x314.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Seymour-Duncan-SA-6-Mag-Mic.jpg 820w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-82593'>\n\t\t\t\tSeymour Duncan SA-6 Mag Mic\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"212\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Fishman-Rare-Earth-Mic-Blend-300x212.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-6-82592\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Fishman-Rare-Earth-Mic-Blend-300x212.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Fishman-Rare-Earth-Mic-Blend-768x543.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/Fishman-Rare-Earth-Mic-Blend.jpg 820w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-82592'>\n\t\t\t\tFishman Rare Earth Mic Blend\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"148\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/KK-Trinity-Solo-Mini-300x148.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-6-82591\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/KK-Trinity-Solo-Mini-300x148.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/KK-Trinity-Solo-Mini-768x378.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2018\/02\/KK-Trinity-Solo-Mini.jpg 820w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-82591'>\n\t\t\t\tK&#038;K Trinity Solo Mini\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n<hr \/>\n<p>\u26a0\u00a0<strong>WARNING<\/strong>\u00a0\u26a0\u00a0For the installation of most of these amplification systems, contact qualified personnel! The permanent installation of piezo-electric systems, transducers, contact pick-ups and hybrid systems involves modification of some parts of your instrument. This is to be done only if you know the correct procedure and you have the right dexterity and experience. When you order a guitar from Thomann, you can request the immediate installation of a pick-up system at your convenience: contact one of our departments immediately to know the costs and details.<\/p>\n<div class=\"advads-content-injection-before-content advads-entity-placement\" style=\"text-align: center;\" id=\"advads-3489832541\"><div class=\"advads-adlabel\">Advertisements<\/div><div id=\"advads-792038421\"><a href=\"https:\/\/www.thomann.de\/intl\/index.html?utm_medium=display&#038;utm_source=partnersite&#038;utm_campaign=branding&#038;utm_content=thoshop&#038;utm_term=gemischt\" target=\"_blank\" aria-label=\"2502_Gear_Banner_Gemischt_729x90_EN_v01\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01.jpg\" alt=\"\"  srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01.jpg 728w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01-300x37.jpg 300w\" sizes=\"(max-width: 728px) 100vw, 728px\" width=\"728\" height=\"90\"   \/><\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>How do you amplify your acoustic guitar and make it sound good? <\/p>\n","protected":false},"author":30,"featured_media":82525,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[10720],"tags":[3899,3897,2083,3901],"class_list":["post-82473","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-learn","tag-acoustic-en","tag-amplification","tag-guitar-en","tag-pickups-en"],"category_colors":{"color_key":"learn","css_classes":{"text":"cat-learn","text_light":"cat-learn-light","bg":"cat-bg-learn","bg_light":"cat-bg-learn-light","border":"cat-border-learn","text_on_bg":"cat-text-on-learn"}},"reading_time":{"minutes":6,"formatted":"6 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts\/82473","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/users\/30"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/comments?post=82473"}],"version-history":[{"count":0,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts\/82473\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/media\/82525"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/media?parent=82473"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/categories?post=82473"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/tags?post=82473"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}