{"id":521262,"date":"2024-06-11T14:30:43","date_gmt":"2024-06-11T12:30:43","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/?p=521262"},"modified":"2025-05-30T18:02:47","modified_gmt":"2025-05-30T16:02:47","slug":"hello-new-gear-juni-2024","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/en\/gear\/hello-new-gear-juni-2024\/","title":{"rendered":"Hello New Gear – June 2024"},"content":{"rendered":"\n

Summer is almost here, and it arrives with lots of hot new products! In this edition, we have microphones, synthesizers, a spectral processor, 3rd-generation guitar amps, and a special limited edition effects pedal. Let’s get started! \ud83c\udf1e<\/strong><\/p>\n\n\n\n

Shure Nexadyne 8<\/h2>\n\n\n
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Shure<\/p>\n

Nexadyne 8\/C<\/h3>\n <\/span>\n\n
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Shure<\/p>\n

Nexadyne 8\/S<\/h3>\n <\/span>\n\n
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This new\u00a0dynamic vocal microphone for live performance\u00a0<\/strong>continues the long tradition of the great\u00a0Shure classics<\/strong>. The\u00a0Shure Nexadyne 8\u00a0<\/strong>is available in 2 versions: the cardioid\u00a08\/C\u00a0<\/strong>and the supercardioid\u00a08\/S<\/strong>. Both mics offer a\u00a0frequency range of 20 to 20,000 Hz<\/strong>. The\u00a08\/C\u00a0<\/strong>has a\u00a0sensitivity of -46.5 dBV\/Pa (4.7 mV)\u00a0<\/strong>and a\u00a0max. SPL of 151.5 dB<\/strong>, while the\u00a08\/S\u00a0<\/strong>has a\u00a0sensitivity of -49.5 dBV\/Pa (3.4 mV)\u00a0<\/strong>and a\u00a0max. SPL of 154.5 dB.<\/strong>\u00a0New classics with an all-black finish!<\/p>\n<\/div>\n<\/div>\n\n\n\n

Advertisements<\/div>
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Lauten Audio Tom Mic<\/h2>\n\n\n\n
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Lauten Audio<\/p>\n

Tom Mic<\/h3>\n <\/span>\n\n
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The\u00a0Lauten Audio Tom Mic\u00a0<\/strong>is exactly what its name suggests: a\u00a0microphone for toms<\/strong>. The\u00a0supercardioid mic\u00a0<\/strong>with a\u00a032 mm capsule\u00a0<\/strong>was specially developed for recording all kinds of toms. It has\u00a0switchable lowpass and highpass filters\u00a0<\/strong>and operates on\u00a048 V phantom power<\/strong>. As always, you can find all the specs on our\u00a0product page, but what\u2019s even more interesting is its sound. We recommend the detailed\u00a0video below\u00a0<\/strong>with Foo Fighters producer\u00a0Darrel Thorp\u00a0<\/strong>and\u00a0Sean \u201cSully\u201d Sullivan<\/strong>:<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Arturia PolyBrute 12<\/h2>\n\n\n\n
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Arturia<\/p>\n

PolyBrute 12<\/h3>\n <\/span>\n\n
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The original Arturia PolyBrute was already a fantastic synth, but its successor, the\u00a0Arturia PolyBrute 12<\/strong>, steps it up a notch! Now with\u00a012 voices<\/strong>, the\u00a0polyphonic analogue synthesizer\u00a0<\/strong>boasts a revolutionary\u00a0new keyboard mechanism\u00a0<\/strong>with\u00a0various touch modes\u00a0<\/strong>including\u00a0polyphonic aftertouch<\/strong>. To make room for 6 additional analogue voice cards, the housing has grown a bit. One of the most powerful polyphonic synths of our time! Find out more about the new\u00a0FullTouch keyboard\u00a0<\/strong>in the\u00a0video below<\/strong>:<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Erica Synths Bullfrog XL<\/h2>\n\n\n\n
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Erica Synths<\/p>\n

Bullfrog XL<\/h3>\n <\/span>\n\n
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This\u00a0monophonic desktop synth\u00a0<\/strong>has a completely analogue signal path. The\u00a0Erica Synths Bullfrog\u00a0<\/strong>was developed in collaboration with\u00a0techno legend Richie Hawtin\u00a0<\/strong>as a\u00a0creative learning synth for subtractive synthesis<\/strong>, which is why the panel is very straightforward. The new\u00a0XL version\u00a0<\/strong>is not only super-sized, but also comes with\u00a0additional features\u00a0<\/strong>such as a\u00a0two-channel oscilloscope\u00a0<\/strong>and\u00a0built-in speakers\u00a0<\/strong>for hands-on patching. For all the details, we recommend the\u00a0video below<\/strong>:<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Warm Audio WA-44<\/h2>\n\n\n\n
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Warm Audio<\/p>\n

WA-44<\/h3>\n <\/span>\n\n
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Ribbon technology<\/strong>,\u00a0figure-of-eight polar pattern<\/strong>, a\u00a0frequency range of 20 to 20,000 Hz,\u00a0<\/strong>and a\u00a0maximum sound pressure level of 140 dB\u00a0<\/strong>\u2013 the\u00a0Warm Audio WA-44\u00a0<\/strong>is a brand-new\u00a0studio microphone\u00a0<\/strong>with a\u00a0wide range of applications\u00a0<\/strong>from vocals to drums and bass to brass. The retro-styled enclosure houses\u00a0custom CineMag USA transformers\u00a0<\/strong>and a\u00a02.5-micron ribbon<\/strong>. Watch the\u00a0video below\u00a0<\/strong>to experience the microphone in studio use on vocals and various instruments:<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Pittsburgh Modular Voltage Lab 2<\/h2>\n\n\n\n
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Pittsburgh Modular<\/p>\n

Voltage Lab 2<\/h3>\n <\/span>\n\n
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The\u00a0Pittsburgh Modular Voltage Lab 2 is\u00a0<\/strong>an\u00a0analogue\u00a0<\/strong>and\u00a0fully modular synthesizer\u00a0<\/strong>in\u00a0Eurorack format<\/strong>. Thanks to its\u00a0101 patch points,\u00a0<\/strong>it offers almost limitless sound design possibilities. With\u00a02 oscillators<\/strong>, a\u00a0ring modulator<\/strong>, FM,\u00a02 linkable function generators<\/strong>, an amplifier, an attenuator, a mixer\/splitter, and an LFO, as well as a\u00a0MIDI-to-CV converter\u00a0<\/strong>and much more, it leaves nothing to be desired. Moreover, it even comes with a\u00a0complex 16-note touch controller and sequencer<\/strong>. More details and sound examples in the\u00a0video below<\/strong>:<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Moog Spectravox<\/h2>\n\n\n\n
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Moog<\/p>\n

Spectravox<\/h3>\n <\/span>\n\n
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News from\u00a0Moog<\/strong>! The\u00a0Moog Spectravox<\/strong>\u00a0is a\u00a0semi-modular analogue spectral processor<\/strong>. It consists of a\u00a010-band filter bank \/ vocoder<\/strong>, an\u00a0analogue carrier oscillator<\/strong>, a\u00a0noise generator<\/strong>, an\u00a0LFO,\u00a0<\/strong>and no less than\u00a019 inputs and 17 outputs\u00a0<\/strong>for patching and connecting other modular gear. Speaking of modular: The Spectravox takes up\u00a060 HP<\/strong>\u00a0of space when used in a\u00a0Eurorack<\/strong>\u00a0system. The song by Jamie Lidell in the\u00a0video below\u00a0<\/strong>consists entirely of sounds made or processed with the Moog Spectravox:<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Boss Katana Gen 3<\/h2>\n\n\n
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Boss<\/p>\n

Katana 50 Gen 3<\/h3>\n <\/span>\n\n
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Katana 100 Gen 3<\/h3>\n <\/span>\n\n
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The popular\u00a0Katana\u00a0<\/strong>modelling\u00a0amp series\u00a0<\/strong>from\u00a0Boss is\u00a0<\/strong>back for a third round with the new\u00a0Boss Katana 50 Gen 3\u00a0<\/strong>and\u00a0Boss Katana 100 Gen 3 electric guitar combos<\/strong>. Both feature\u00a012-inch speakers\u00a0<\/strong>and deliver \u2013 the name says it all \u2013 50 and 100 watts of power respectively. Thanks to the new\u00a0Tube Logic technology<\/strong>, the\u00a0playing feel<\/strong>\u00a0is now much more realistic. Moreover, there are now\u00a06 amp characteristics<\/strong>\u00a0including the\u00a0new Pushed type<\/strong>, all of which offer a selectable variation. As always, you can find all the details on our product pages.<\/p>\n\n\n\n

Warm Audio Centavo Overdrive Black LTD<\/h2>\n\n\n\n
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One of the original units manufactured between 1994 and 2009 was reportedly sold for half a million dollars some time ago. Luckily,\u00a0Warm Audio<\/strong>\u2018s\u00a0accurate replica\u00a0<\/strong>of the most sought-after\u00a0overdrive pedal\u00a0<\/strong>of all time is considerably cheaper. The\u00a0Warm Audio Centavo Overdrive\u00a0<\/strong>is now available as a\u00a0limited edition\u00a0<\/strong>in\u00a0black<\/strong>. Like the standard model, it offers the\u00a0original circuitry\u00a0<\/strong>of the vintage pedal, as well as a \u201cMOD\u201d switch for a\u00a0well-known modification\u00a0<\/strong>that boosts the bass response \u2013 all at an affordable price!<\/p>\n<\/div>\n<\/div>\n\n\n\n

Universal Audio Instrumenten-Mikrofone<\/h2>\n\n\n
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\n \n 87 \u00a3 <\/span>\n <\/div>\n\n \n \n View Product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"SD-5\"\n\n <\/div>\n\n
\n\n
\n\n \n

Universal Audio<\/p>\n

SD-5<\/h3>\n <\/span>\n\n
\n Rating: 10.00 out of\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (7)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 171 \u00a3 <\/span>\n <\/div>\n\n \n \n View Product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"SD-3\n <\/div>\n\n
\n\n
\n\n \n

Universal Audio<\/p>\n

SD-3 Set<\/h3>\n <\/span>\n\n
\n Rating: 10.00 out of\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 315 \u00a3 <\/span>\n <\/div>\n\n \n \n View Product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"SD-1\n <\/div>\n\n
\n\n
\n\n \n

Universal Audio<\/p>\n

SD-1 Swivel Mic Arm Bundle<\/h3>\n <\/span>\n\n
\n Rating: 0 out of\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 294 \u00a3 <\/span>\n <\/div>\n\n \n \n View Product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Universal Audio\u2019s\u00a0dynamic microphone series\u00a0<\/strong>has grown! The brand-new\u00a0SD-5<\/strong>\u00a0is a\u00a0dynamic microphone with hemisphere modeling\u00a0<\/strong>that shines on all\u00a0low-frequency signals\u00a0<\/strong>from kick drums to bass amps. The\u00a0hemisphere modeling technology\u00a0<\/strong>allows for\u00a0reproducing the sound characteristics of various microphones\u00a0<\/strong>and shaping the sound of your recordings with the filter, proximity, and axis controls. The second new mic\u00a0SD-3\u00a0<\/strong>is perfect for\u00a0percussion and other instruments<\/strong>. The range also includes the\u00a0SD-7<\/strong>, also with hemisphere modelling, and the\u00a0SD-1<\/strong>. A versatile microphone family for every application with plenty of processing options for your sound.<\/p>\n\n\n\n

\n\n\n\n

Hello New Gear: Give Us Your Feedback!<\/strong><\/strong><\/h2>\n\n\n\n

What are some of your favourites? Have you already tried any of the new products? Let us know in the comments!<\/strong><\/p>\n

Advertisements<\/div>
\"\"<\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Check out all the new musical gadgets and innovative instruments here \u25b6\ufe0e New Music Equipment \u2013 June 2024 \u2713 #HelloNewGear<\/p>\n","protected":false},"author":23,"featured_media":521277,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[1083],"tags":[10993,23039],"class_list":["post-521262","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear","tag-hello-new-gear-en","tag-neu"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":5,"formatted":"5 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts\/521262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/comments?post=521262"}],"version-history":[{"count":2,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts\/521262\/revisions"}],"predecessor-version":[{"id":10000273,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts\/521262\/revisions\/10000273"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/media\/521277"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/media?parent=521262"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/categories?post=521262"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/tags?post=521262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}