{"id":519923,"date":"2024-05-03T14:55:51","date_gmt":"2024-05-03T12:55:51","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/?p=519923"},"modified":"2025-05-30T18:28:52","modified_gmt":"2025-05-30T16:28:52","slug":"hello-new-gear-may-2024","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/en\/gear\/hello-new-gear-may-2024\/","title":{"rendered":"Hello New Gear – May 2024"},"content":{"rendered":"\n

We\u2019ve once again put together a colourful mix of the latest gear for you this month! From headphones, microphones, and grooveboxes to synthesizers, wicked effects pedals, and the new version of Auto-Tune, we’ve got everything that makes musicians happy. So let’s get started without further ado!<\/b><\/p>\n\n\n\n

beyerdynamic DT 770 PRO X Limited Edition<\/h2>\n\n\n\n
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The\u00a0beyerdynamic DT 770 PRO X Limited Edition studio headphones<\/strong>\u00a0celebrate the manufacturer\u2019s\u00a0100th anniversary.\u00a0<\/strong>With a\u00a0frequency response\u00a0<\/strong>of\u00a05 to 40,000 Hz<\/strong>, an\u00a0impedance\u00a0<\/strong>of\u00a048 ohms,\u00a0<\/strong>and a\u00a0sound pressure level\u00a0<\/strong>of\u00a098 dB\u00a0<\/strong>(@ 1 mW\/500 Hz),\u00a0112 dB\u00a0<\/strong>(@ 1 V\/500 Hz), these\u00a0circumaural<\/strong>,\u00a0closed-back, dynamic<\/strong>\u00a0headphones also impress with their technical specifications. This makes the\u00a0new edition of the legendary DT 770 PRO\u00a0<\/strong>a perfect choice for studio reference headphones!<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Shure MV7 Plus<\/h2>\n\n\n\n
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Shure<\/p>\n

MV7 Plus<\/h3>\n <\/span>\n\n
\n Rating: 9.00 out of\n 10<\/span>\n
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The\u00a0Shure MV7 Plus dynamic podcast microphone\u00a0<\/strong>bridges the gap betweentwo worlds. You can either use it as a traditional\u00a0analog XLR microphone<\/strong>, or\u00a0connect it<\/strong>\u00a0directly to a computer or tablet.\u00a0<\/strong>With its\u00a0multi-coloured LED touch panel interface,\u00a0<\/strong>the microphone allows you to control the gain, headphone level, monitor mix, and mute. Its\u00a0AD converters\u00a0<\/strong>operate at 16 or 24 bit and 44.1 or 48 kHz. With a\u00a0frequency range\u00a0<\/strong>of\u00a050 to 16,000 Hz<\/strong>,the MV7 Plus is perfect for speech and voice applications!<\/p>\n<\/div>\n<\/div>\n\n\n\n

Elektron Digitakt II<\/h2>\n\n\n\n
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Elektron<\/p>\n

Digitakt II<\/h3>\n <\/span>\n\n
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The new generation of this\u00a0sampling<\/strong>\u00a0groovebox\u00a0<\/strong>is a true performance explosion compared to its predecessor.\u00a0Elektron Digitakt II\u00a0<\/strong>now offers\u00a016 stereo or mono tracks<\/strong>, all of which can be used for\u00a0audio or MIDI.\u00a0<\/strong>With lots of\u00a0effects\u00a0<\/strong>from\u00a0filters\u00a0<\/strong>and\u00a0overdrive\u00a0<\/strong>to\u00a03 LFOs per track,\u00a0<\/strong>as well as adjustable\u00a0clock dividers\u00a0<\/strong>and\u00a0individual pattern lengths\u00a0<\/strong>per track, it provides limitless creative possibilities.\u00a0400 MB of sample memory\u00a0<\/strong>and\u00a020 GB of internal memory\u00a0<\/strong>offer plenty of space for new ideas \u2013 your ideas! Watch the\u00a0video below\u00a0<\/strong>for more details:<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Friedman IR-D Preamp<\/h2>\n\n\n\n
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IR-D Dual Tube Preamp<\/h3>\n <\/span>\n\n
\n Rating: 9.00 out of\n 10<\/span>\n
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A\u00a0complete Friedman rig in a compact, pedalboard-friendly format\u00a0<\/strong>\u2013 that\u2019s the\u00a0Friedman IR-D Preamp<\/strong>, a\u00a02-channel<\/strong>\u00a0tube pedal preamp for electric guitar<\/strong>. The preamp is based on the\u00a0Dirty Shirley\/Twin Sister modified JTM45 circuit design,\u00a0<\/strong>which delivers the\u00a0classic British tone<\/strong>. You can hear and see how it sounds and what else the pedal has to offer in the Bonedo\u00a0video below<\/strong>:<\/p>\n<\/div>\n<\/div>\n\n\n\n

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SOMA Terra Special Edition<\/h2>\n\n\n\n
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Yes, that is a\u00a0solid piece of oakwood\u00a0<\/strong>that housesthe\u00a0SOMA Terra Special Edition<\/strong>. This special edition of the\u00a0digital touch keyboard synthesizer\u00a0<\/strong>is limited to just\u00a066 units\u00a0<\/strong>witha\u00a0handcrafted enclosure<\/strong>. The synth is\u00a012-voice polyphonic<\/strong>\u00a0and offers\u00a012 dynamic metal<\/strong>\u00a0note sensors\u00a0<\/strong>with aftertouch,\u00a04 dynamic metal<\/strong>\u00a0sensors\u00a0<\/strong>for controlling various sound parameters, and\u00a08 controls for synthesis parameters, volume, and effects<\/strong>.\u00a032 different synthesis algorithms\u00a0<\/strong>provide a huge variety of sounds. You can hear what this sounds like in the\u00a0video below\u00a0<\/strong>featuring the standard version of the SOMA Terra:<\/p>\n<\/div>\n<\/div>\n\n\n\n

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IK Multimedia ToneX One<\/h2>\n\n\n\n
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IK Multimedia<\/p>\n

ToneX One<\/h3>\n <\/span>\n\n
\n Rating: 8.00 out of\n 10<\/span>\n
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The\u00a0IK Multimedia ToneX One is\u00a0<\/strong>an\u00a0amp and distortion pedal\u00a0<\/strong>with AI Machine Modeling technology for\u00a0guitar and bass<\/strong>.\u00a020 presets\u00a0<\/strong>can be\u00a0stored on the pedal\u00a0<\/strong>and over 20,000 more are available online for free. The pedal offers\u00a0direct access\u00a0<\/strong>to volume, bass, mids, and treble, as well as gate, compressor, reverb mix, and gain. Moreover, it also functions as an\u00a0audio interface\u00a0<\/strong>if required. Sound examples can be found in the video below:<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Old Blood Noise Endeavors Dark Light Dual Reverb<\/h2>\n\n\n\n
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Limited to just 2,000 units,\u00a0<\/strong>this\u00a0reverb pedal for electric guitar\u00a0<\/strong>combines the Dark Star\u2019s Dark Pitch Shifted Delayed and Bit Crushed Reverb sounds with the Sunlight\u2019s Bright Modulated Comb Filtered and Bandpassed Reverb sounds. The\u00a0combination of two classics from Old Blood Noise Endeavors\u00a0<\/strong>invites you to experiment with wacky sounds far beyond traditional reverb. Endless reverb tails, anyone? The\u00a0Old Blood Noise Endeavors Dark Light Dual Reverb\u00a0<\/strong>is aimed (not just) at experimental electric guitarists looking for that special sound!<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Arturia AstroLab<\/h2>\n\n\n\n
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Arturia<\/p>\n

AstroLab<\/h3>\n <\/span>\n\n
\n Rating: 8.00 out of\n 10<\/span>\n
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The\u00a0Arturia AstroLab\u00a0<\/strong>is a\u00a0stage keyboard\u00a0<\/strong>with\u00a061 semi-weighted full-size keys<\/strong>. Whether in the studio or on stage: with\u00a01,300 internal sounds\u00a0<\/strong>and up to\u00a010,000 sounds accessible via Arturia software<\/strong>, you always have the right sound at your fingertips. With\u00a010 different sound engines\u00a0<\/strong>ranging from virtual analogue, sample-based, and wavetable synthesis to FM, granular synthesis, and vocoder, it offers a huge variety. You can find a detailed overview of the possibilities with many sound examples in the\u00a0video below<\/strong>:<\/p>\n<\/div>\n<\/div>\n\n\n\n

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IK Multimedia ToneX Pedal Special Edition<\/h2>\n\n\n\n
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The\u00a0IK Multimedia ToneX Pedal\u00a0<\/strong>is an\u00a0amp and distortion stompbox pedal\u00a0<\/strong>that authentically reproduces the sound of amps, speakers, and overdrive\/distortion pedals. It is suitable for\u00a0guitar and bass\u00a0<\/strong>and provides\u00a0150 customisable presets,\u00a0<\/strong>but you can also\u00a0capture your own gear<\/strong>. A 24-bit \/ 192-kHz\u00a0USB audio interface\u00a0<\/strong>is also included. To celebrate Musikhaus Thomann\u2019s 70th anniversary, we\u2019re offering this\u00a0special edition\u00a0<\/strong>at a\u00a0fantastic price.<\/strong>\u00a0You can find all the details on our product page!<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Lewitt RAY<\/h2>\n\n\n\n
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Lewitt<\/p>\n

RAY Autofocus Microphone<\/h3>\n <\/span>\n\n
\n Rating: 9.00 out of\n 10<\/span>\n
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The\u00a0Lewitt RAY is\u00a0<\/strong>a\u00a0large-diaphragm cardioid condenser microphone\u00a0<\/strong>that uses sensor-based AURA technology to enable\u00a0fully automated levelling and autofocusing of the voice<\/strong>. Inside is a\u00a01-inch gold-plated true condenser capsule<\/strong>. The\u00a0frequency response\u00a0<\/strong>rangesfrom\u00a020 to 20,000 Hz\u00a0<\/strong>and the noise floor is only 8 dB (A). The microphone comes with a DTP 40 Lb leather case, LCT 40 SH shock mount, LCT 40 PSx magnetic pop filter, and LCT40 Wx windscreen. The\u00a0video below\u00a0<\/strong>explains how the microphone works:<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Antares Auto-Tune Pro 11<\/h2>\n\n\n\n
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Antares<\/p>\n

AutoTune Pro 11 Download<\/h3>\n <\/span>\n\n
\n Rating: 9.00 out of\n 10<\/span>\n
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Antares Auto-Tune is synonymous with\u00a0pitch correction\u00a0<\/strong>and the latest version,\u00a0Antares Auto-Tune Pro 11<\/strong>, has just been released.\u00a0<\/strong>The plug-in, available for\u00a0Windows\u00a0<\/strong>and\u00a0MacOS\u00a0<\/strong>in AAX native, VST3, and AU formats, comes with features such as a\u00a0Graph Mode interface<\/strong>,\u00a0cross-project editing of different Auto-Tune tracks in one window<\/strong>,\u00a0natural Flex-Tune real-time pitch correction<\/strong>, real-time pitch shifting and formant correction, and\u00a0modelling of the throat<\/strong>. You can also use it to fix or manipulate the\u00a0timing\u00a0<\/strong>of a performance.Furthermore, Auto-Tune Pro 11 includes a new 4-voice harmonizer effect. And if you can\u2019t get enough of the\u00a0classic Auto-Tune sound<\/strong>, use Classic Mode! More in the\u00a0video below<\/strong>:<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Vahlbruch Kaluna II HV Tube Drive<\/h2>\n\n\n\n
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Vahlbruch<\/p>\n

Kaluna II HV Tube Drive<\/h3>\n <\/span>\n\n
\n Rating: 9.00 out of\n 10<\/span>\n
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The\u00a0Vahlbruch Kaluna II HV Tube Drive<\/strong>\u00a0all-analogue overdrive\/distortion pedal\u00a0<\/strong>is equipped with an\u00a0ECC83\/12AX7 double triode tube\u00a0<\/strong>that runs on 250 V and a\u00a0silent MagTraB switch.\u00a0<\/strong>In addition tothe familiar gain structure of the first version (V1), this\u00a0new version\u00a0<\/strong>features a\u00a0new structure switch\u00a0<\/strong>with a choice of higher (HOT) and lower (LOW) gain modes. As always, the pedal is handmade in Germany. A real recommendation for anyone who\u2019s got something to distort!<\/p>\n<\/div>\n<\/div>\n\n\n\n

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As you can see, the month of May once again brings a huge variety of new gear! Do you have a favourite that you\u2019ve perhaps tried out or used yourself? Let us know in a comment.<\/strong><\/strong><\/p>\n

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Check out all the new musical gadgets and innovative instruments here \u25b6\ufe0e New Music Equipment \u2013 May 2024 \u2713 #HelloNewGear<\/p>\n","protected":false},"author":25,"featured_media":519924,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[1083],"tags":[],"class_list":["post-519923","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":6,"formatted":"6 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts\/519923","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/comments?post=519923"}],"version-history":[{"count":1,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts\/519923\/revisions"}],"predecessor-version":[{"id":10000285,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts\/519923\/revisions\/10000285"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/media\/519924"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/media?parent=519923"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/categories?post=519923"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/tags?post=519923"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}