{"id":507674,"date":"2023-05-10T10:00:08","date_gmt":"2023-05-10T08:00:08","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/?p=507674"},"modified":"2023-05-10T22:41:05","modified_gmt":"2023-05-10T20:41:05","slug":"legendary-guitar-amplifiers","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/en\/gear\/legendary-guitar-amplifiers\/","title":{"rendered":"Legendary Guitar Amp brands – Marshall, Fender & co."},"content":{"rendered":"

When it comes to the tone, guitarists often come out as quite conservative contemporaries. Since the 1950s, an aesthetic sound ideal has been established in the field of amplifiers, which despite all its facets and nuances can be described as a standard. While the technical features have evolved over the decades, from all-tube to transistor to modeling and hybrid amplifiers, the preferred sounds have remained similar, almost identical. Below, we’ll talk about some of the iconic amp brands that have defined the sound of the decades.<\/strong><\/p>\n

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Marshall<\/strong><\/h2>\n

With his amps, Jim Marshall probably put the most obvious stamp on the sound of rock ‘n’ roll. Over the decades he has brought various models onto the market and thus onto the stages of the world. Whether it’s alongside Jimi Hendrix or many other guitar heroes, the “1959” amp was and is constantly found as a companion – it’s arguably the Marshall amp with the most eventful history, with the most reissues and special series, that has ever existed in the history of the Brits. And since 2004, there has been (parallel to the 1959SLP from the New Vintage series) yet another edition. The 1959HW<\/a><\/strong> is a very special treat, because it is completely hand-wired using the exact same manufacturing techniques for producing Jimi Hendrix’s stage amps (at that time still in Jim Marshall’s first factory in Hayes).<\/p>\n

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\"Marshall
Marshall 1959 HW<\/figcaption><\/figure>\n<\/div>\n

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Fender<\/strong><\/h2>\n

Fender<\/strong><\/a>\u00a0has established itself from the start as the complete opposite of the Brit sound and is one of the classic amp manufacturers par excellence.\u00a0Fender’s amps were formative for the Californian amp sound. Since then they have proven their qualities in almost every genre.\u00a0In fact, Fender has countless models such as the Tweed amps<\/strong>, the Twin Reverb<\/strong>,\u00a0Bassman<\/strong>\u00a0or the Fender Deluxe Reverb<\/strong>, which many perceive as the typical Fender clean tone.\u00a0While huge racks with power amps and preamps as well as expensive studio effects were popular in the ’80s, the trend is currently going back to combos or heads with 4\u00d712” boxes. The Deluxe Reverb<\/strong><\/a> is currently appearing\u00a0as the little brother of the Twin Reverb<\/strong><\/a>. The advantage of the Deluxe lies in the much lower output, which means that it can be driven into harmonic distortion even at moderate volumes.\u00a0The Deluxe also delivers excellent clean sounds, the Fender-typical spring reverb and the tube vibrato effect for more vintage sound variants.<\/p>\n

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\"Fender<\/a>
Fender Tone Master Deluxe Reverb<\/figcaption><\/figure>\n<\/div>\n

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Vox<\/strong><\/h2>\n

Along with Marshall and Fender, Vox amps<\/a><\/strong> are among the true guitar amp classics. In fact, the AC30 and AC15 in particular with treble boosters, multi-delays and reverbs have shaped the tonal appearance of beat, rock and co. since the 1960s. Not least because of the Beatles, the Vox amps came into global focus.\u00a0A number of other guitarists have entrusted their sound to Made in Britain combo amps in the years since.\u00a0Queen guitarist Brian May is one of the flagship heroes who were and are inextricably linked to the Vox AC30. Known for his unmistakably singing sound, he usually stacked 9 Vox AC30s in three rows on top of each other.\u00a0With the\u00a0Vox AC30 C2X Blue Bulldog<\/a>\u00a0<\/strong>the all-tube combo has been relaunched as a gently modernized cult amp with typical features. Equipped with 3x 12AX7 (ECC83) preamp tubes and 4x EL84 power amp tubes, the amp delivers a whopping 30 watts of power.\u00a0They sound through the two Blue Bulldog Alnico loudspeakers, which are known for their excellent quality.<\/p>\n

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\"Vox<\/a>
Vox AC30 C2X Blue Bulldog<\/figcaption><\/figure>\n<\/div>\n

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Mesa Boogie<\/strong><\/h2>\n

From the 1970s, Mesa Boogie became the studio standard for many guitarists such as Carlos Santana, Al Di Meola, Steve Lukather and John Petrucci.\u00a0The amps of James Hetfield, Kirk Hammett, Robert Trujillo or Cliff Burton were also part of the Mesa Boogie gang. In the high-gain sector, the company first gained a large following with the Mark IV and then with the Rectifier.\u00a0Unfortunately, after being acquired by Gibson a few years ago, the Mesa Boogie flew off the shelves of many retailers.\u00a0Nevertheless, the scene hopes that the high-gain signs will change again and that Mesa Boogie will soon be able to build high-quality amplifiers without sacrificing quality.<\/p>\n

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Soldano<\/strong><\/h2>\n

The ideal sound from the end of the ’80s called for higher distortion values \u200b\u200band gain structures. If you wanted to deliver more modern sounds with more gain as a guitarist, you could hardly avoid modifications to the amplifier.\u00a0Mike Soldano was no longer an insider tip among insiders when it came to modifying amplifiers.\u00a0The Soldano SLO100 was born in 1987 and has been produced, by hand, for months since then. Soldano managed to become a classic in the amplifier world as a late innovator.\u00a0The legendary high-gain amp head always had to struggle with a fair amount of noise. The reissue version from 2020 is the precious Soldano SLO-100<\/strong><\/a> amp head modified on this point in particular and scores with a significantly lower noise level.\u00a0Hum and crosstalk between the channels are prevented by improved grounding and revised power supply electronics. You can find all Soldano<\/strong> amps at thomann.de here<\/a>!<\/p>\n

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\"Soldano<\/a>
Soldano SLO 100 Classic Head<\/figcaption><\/figure>\n<\/div>\n

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More amps on the market<\/strong><\/h2>\n

Of course, there are numerous other amplifiers, each with their own qualities and special advantages.\u00a0This starts with\u00a0Hiwatt<\/strong>\u00a0,\u00a0Orange<\/a><\/strong>\u00a0,\u00a0Laney<\/strong>\u00a0and\u00a0Music Man<\/a><\/strong>\u00a0, extends to\u00a0Peavey<\/strong>\u00a0or\u00a0Engl<\/strong><\/a>\u00a0and ends with boutique models from e.g.\u00a0B.\u00a0Diezel<\/a><\/strong>\u00a0,\u00a0Bogner<\/a><\/strong>\u00a0,\u00a0Dumble<\/strong>\u00a0or\u00a0Friedman<\/strong><\/a> by a long shot. To illuminate all of them here would certainly have its appeal, would certainly go beyond the scope and your patience. But the video below is all the more interesting, in which our guitar specialists crank up four of the popular reissues and put them to the test.<\/p>\n

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Legendary Amplifiers |\u00a0Video<\/strong><\/h2>\n

In our video below, Kris and Guillaume check out the Legends’ amp tone.\u00a0Caution: LOUD!<\/p>\n

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