{"id":437870,"date":"2020-10-09T08:00:01","date_gmt":"2020-10-09T06:00:01","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/?p=437870"},"modified":"2020-10-09T10:02:29","modified_gmt":"2020-10-09T08:02:29","slug":"10-facts-about-john-lennon-on-his-80th-birthday","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/en\/inspire\/10-facts-about-john-lennon-on-his-80th-birthday\/","title":{"rendered":"10 facts about John Lennon on his 80th Birthday"},"content":{"rendered":"<h3 style=\"text-align: center;\">An Homage to the Unforgettable<\/h3>\n<p><strong>John Lennon<\/strong>, world-famous co-founder and member of the legendary <strong>Beatles<\/strong>, was by far one of the most dazzling figures in music history . He was one of the most brilliant songwriters and most influential musicians of all times. He died much too early at the age of just forty. On <strong>October 9th<\/strong> of this year John Lennon would have turned <strong>80 years old<\/strong>. That&#8217;s reason enough for a retrospective on the work of this beloved dreamer&#8230;<\/p>\n<h3 style=\"text-align: center;\">1. Middle name from the turmoil of the Second World War<\/h3>\n<p>John was born on October 9th, 1940 during the time of the <strong>Second World War<\/strong>. Shaped by the generally difficult circumstances, he grew up with his aunt. His full name was \u201cJohn <strong>Winston<\/strong> Lennon\u201d, whereby his middle name refers to the then British Prime Minister Winston Churchill. Lennon, like Churchill, was a rebel with a lot of inner insecurity and dissension. They were also both <strong>political thinkers<\/strong>, Lennon once said: \u201c<em><strong>If everyone would demand peace instead of a new television set then there would be peace<\/strong><\/em>&#8220;.<\/p>\n<p><strong><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/media.giphy.com\/media\/QJNfssxjZ5SzC\/giphy.gif\" \/><\/strong><\/p>\n<h3 style=\"text-align: center;\">2. A modest and very skilled guitarist<\/h3>\n<p>John never particularly bragged about his <strong>skill<\/strong> on the <strong>guitar<\/strong>, for him it was more of a means to an end. He was not interested in proving himself as an acrobatic guitar hero, far from it. More important was the <strong>songwriting<\/strong> and the <strong>delivery<\/strong>, both of which he excelled at. His <strong>rhythm<\/strong> <strong>playing<\/strong> was so good, though, that it was often not noticeable, it blended into the songs perfectly. For those times, his playing was absolutely special and, for all its <strong>nonchalance<\/strong>, spectacular, with pioneering character. Often John played the rhythm parts in <strong>rapid triplets<\/strong> like on &#8220;<a href=\"https:\/\/youtu.be\/TSpiwK5fig0\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>All My Loving<\/strong><\/a>&#8220;. Thereby he often used so-called <strong>banjo chords<\/strong>, i.e. chords on <strong>four strings<\/strong>. That he actually played the banjo was clearly audible in his playing.<\/p>\n<div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"youtube-content-blocker\" data-borlabs-cookie-content=\"PGlmcmFtZSB0aXRsZT0iVGhlIEJlYXRsZXMgLSBJIEZlZWwgRmluZSIgd2lkdGg9IjUwMCIgaGVpZ2h0PSIyODEiIHNyYz0iaHR0cHM6Ly93d3cueW91dHViZS1ub2Nvb2tpZS5jb20vZW1iZWQvV3JBVjVFVkk0dFU\/ZmVhdHVyZT1vZW1iZWQiIGZyYW1lYm9yZGVyPSIwIiBhbGxvdz0iYWNjZWxlcm9tZXRlcjsgYXV0b3BsYXk7IGNsaXBib2FyZC13cml0ZTsgZW5jcnlwdGVkLW1lZGlhOyBneXJvc2NvcGU7IHBpY3R1cmUtaW4tcGljdHVyZTsgd2ViLXNoYXJlIiByZWZlcnJlcnBvbGljeT0ic3RyaWN0LW9yaWdpbi13aGVuLWNyb3NzLW9yaWdpbiIgYWxsb3dmdWxsc2NyZWVuPjwvaWZyYW1lPg==\">\n<div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-youtube\">\n<div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.thomann.de\/blog\/app\/uploads\/borlabs-cookie\/2\/brlbs-cb-youtube-main.png')\"><\/div>\n<div class=\"brlbs-cmpnt-cb-main\">\n<div class=\"brlbs-cmpnt-cb-play-button\"><\/div>\n<div class=\"brlbs-cmpnt-cb-content\">\n<p class=\"brlbs-cmpnt-cb-description\">You are currently viewing a placeholder content from <strong>YouTube<\/strong>. To access the actual content, click the button below. Please note that doing so will share data with third-party providers.<\/p>\n<p> <a class=\"brlbs-cmpnt-cb-provider-toggle\" href=\"#\" data-borlabs-cookie-show-provider-information role=\"button\">More Information<\/a> <\/div>\n<div class=\"brlbs-cmpnt-cb-buttons\"> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Unblock this content<\/a> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-accept-service role=\"button\" style=\"display: inherit\">Accept required service and unblock its content<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<h3 style=\"text-align: center;\">3. Composer and songwriter far away from musical reduction<\/h3>\n<p>The cadenzas and chord combinations, especially, of Lennon&#8217;s songs were everything but mainstream. While bands like the Rolling Stones were more oriented towards the blues, Lennon &amp; Co. contrasted <strong>major chords against minor<\/strong> <strong>chords<\/strong>, and incorporated<strong> key changes<\/strong> in many songs. Thereby they were obviously in love with progressions other than the typical root note, 3rd and 5th.<\/p>\n<p>Again and again Lennon flirted with the <strong>catchy<\/strong>, like in the legendary intro including the <strong>hook<\/strong> <strong>line<\/strong> of<br \/>\n&#8220;<a href=\"https:\/\/youtu.be\/xLBVgnZyuic\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>I Feel Fine<\/strong><\/a>.&#8221; Whether the <strong>complexity<\/strong> was intentional in terms of music theory or more accidental, is not really clear. Around that, John Lennon wrote: &#8220;I could not yet grasp A minor7 at that time; so I took A minor.&#8221;<\/p>\n<div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"youtube-content-blocker\" data-borlabs-cookie-content=\"PGlmcmFtZSB0aXRsZT0iVGhlIEJlYXRsZXMgLSBJIEZlZWwgRmluZSIgd2lkdGg9IjUwMCIgaGVpZ2h0PSIyODEiIHNyYz0iaHR0cHM6Ly93d3cueW91dHViZS1ub2Nvb2tpZS5jb20vZW1iZWQvV3JBVjVFVkk0dFU\/ZmVhdHVyZT1vZW1iZWQiIGZyYW1lYm9yZGVyPSIwIiBhbGxvdz0iYWNjZWxlcm9tZXRlcjsgYXV0b3BsYXk7IGNsaXBib2FyZC13cml0ZTsgZW5jcnlwdGVkLW1lZGlhOyBneXJvc2NvcGU7IHBpY3R1cmUtaW4tcGljdHVyZTsgd2ViLXNoYXJlIiByZWZlcnJlcnBvbGljeT0ic3RyaWN0LW9yaWdpbi13aGVuLWNyb3NzLW9yaWdpbiIgYWxsb3dmdWxsc2NyZWVuPjwvaWZyYW1lPg==\">\n<div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-youtube\">\n<div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.thomann.de\/blog\/app\/uploads\/borlabs-cookie\/2\/brlbs-cb-youtube-main.png')\"><\/div>\n<div class=\"brlbs-cmpnt-cb-main\">\n<div class=\"brlbs-cmpnt-cb-play-button\"><\/div>\n<div class=\"brlbs-cmpnt-cb-content\">\n<p class=\"brlbs-cmpnt-cb-description\">You are currently viewing a placeholder content from <strong>YouTube<\/strong>. To access the actual content, click the button below. Please note that doing so will share data with third-party providers.<\/p>\n<p> <a class=\"brlbs-cmpnt-cb-provider-toggle\" href=\"#\" data-borlabs-cookie-show-provider-information role=\"button\">More Information<\/a> <\/div>\n<div class=\"brlbs-cmpnt-cb-buttons\"> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Unblock this content<\/a> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-accept-service role=\"button\" style=\"display: inherit\">Accept required service and unblock its content<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<h3 style=\"text-align: center;\">4. From the Reeperbahn into the world<\/h3>\n<p>The glamour with the thousands of <strong>screaming teenagers<\/strong> was not always there. Quite the opposite. The Beatles went the hard way. Starting in 1960 they were in <strong>Hamburg<\/strong>, where they regularly performed in the <strong>Star Club<\/strong>. They ended up being the house band there for <strong>entertainment<\/strong> and <strong>dancing<\/strong> and usually performed <strong>several times a day<\/strong>. This period was, for them, <strong>advantageous<\/strong> because they could actually <strong>hear themselves<\/strong> on stage. This was about to change when they returned to <strong>Liverpool<\/strong>. The so-called <strong>Beatlemania<\/strong> broke out worldwide, with the well-known ecstatic and hysterical <strong>screaming<\/strong> and <strong>shouting<\/strong> of (mostly female) <strong>fans<\/strong>. The amplifiers and sound systems of those times can&#8217;t be compared with those of today so at most gigs the Beatles <strong>could not hear themselves<\/strong> because of the thunderous fans. John hated that.<\/p>\n<p><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/media.giphy.com\/media\/3oz8xVPdsiFn9F6s4o\/giphy.gif\" \/><\/p>\n<h3 style=\"text-align: center;\">5. The Rooftop Concert<\/h3>\n<p>The Beatles&#8217;<strong> last joint live performance<\/strong> took place on <strong>January 30th, 1969<\/strong>. Later it became known as the <strong>Rooftop Concert<\/strong>. They performed on the rooftop of the <strong>Apple building<\/strong> in<strong> London<\/strong> and had<br \/>\nit filmed in the process. The performance was intended for the<strong> &#8220;Let It Be&#8221; film<\/strong>. At that time the Beatles had just gone through a strenuous and gruelling time, they have long since fallen out. Already the Rooftop-Concert was the sign of their imminent, but not yet announced, <strong>dissolution<\/strong>. Shortly afterwards, in 1970, McCartney and Lennon <strong>left the band<\/strong>. They even argued about who would be the first to leave!<\/p>\n<p><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/media.giphy.com\/media\/l0rDgnciqLd1C\/giphy.gif\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: center;\">6. Peace activist and sensitive thinker<\/h3>\n<p>Alongside his second wife<strong> Yoko Ono<\/strong>, whom he had met in 1966, John was\u00a0strongly committed to <strong>world<\/strong> <strong>peace<\/strong>. Again and again they brought peaceful protests against the <strong>Vietnam War<\/strong> into the public eye. He was not &#8220;only&#8221; co-founder and leading head of the Beatles. At the same time, he was an important <strong>peace activist<\/strong> and <strong>social critic<\/strong>. As a solo artist he wrote politically-motivated hits like &#8220;<a href=\"https:\/\/youtu.be\/C3_0GqPvr4U\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Give Peace a Chance<\/strong><\/a>&#8221; and &#8220;<strong><a href=\"https:\/\/youtu.be\/yN4Uu0OlmTg\" target=\"_blank\" rel=\"noopener noreferrer\">Happy Xmas (War Is Over)<\/a>&#8220;<\/strong>. The most famous song by John Lennon is still considered one of the most important songs for peace: &#8220;<a href=\"https:\/\/www.youtube.com\/watch?v=L6svOHFSAH8\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Imagine<\/strong><\/a>&#8220;.<\/p>\n<div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"youtube-content-blocker\" data-borlabs-cookie-content=\"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\">\n<div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-youtube\">\n<div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.thomann.de\/blog\/app\/uploads\/borlabs-cookie\/2\/brlbs-cb-youtube-main.png')\"><\/div>\n<div class=\"brlbs-cmpnt-cb-main\">\n<div class=\"brlbs-cmpnt-cb-play-button\"><\/div>\n<div class=\"brlbs-cmpnt-cb-content\">\n<p class=\"brlbs-cmpnt-cb-description\">You are currently viewing a placeholder content from <strong>YouTube<\/strong>. To access the actual content, click the button below. Please note that doing so will share data with third-party providers.<\/p>\n<p> <a class=\"brlbs-cmpnt-cb-provider-toggle\" href=\"#\" data-borlabs-cookie-show-provider-information role=\"button\">More Information<\/a> <\/div>\n<div class=\"brlbs-cmpnt-cb-buttons\"> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Unblock this content<\/a> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-accept-service role=\"button\" style=\"display: inherit\">Accept required service and unblock its content<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<h3 style=\"text-align: center;\">7. Lennon and his electric guitars over the years<\/h3>\n<p>For electric guitars Lennon had mostly relied on the <a href=\"https:\/\/www.thomann.de\/gb\/rickenbacker_325c64.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Rickenbacker-325<\/strong><\/a> models. From 1965 on he played, almost exclusively, his semi-acoustic <a href=\"https:\/\/www.thomann.de\/gb\/search_dir.html?viewMode=block&amp;sw=445681%20%2B%20168419%20%2B%20123530&amp;smcs=e76490_4670\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Epiphone Casino<\/strong><\/a>. First it appeared in the <strong><a href=\"https:\/\/www.thomann.de\/gb\/epiphone_casino_vintage_sunburst.htm\" target=\"_blank\" rel=\"noopener noreferrer\">sunburst finish<\/a>.<\/strong> Then the psychedelic hype started and the guitar was abstrusely overpainted, then stripped again to the reduced <a href=\"https:\/\/www.thomann.de\/gb\/epiphone_casino_nc.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>natural finish<\/strong><\/a> as, for example, at Rooftop Concert. The special feature of the Casino: In contrast to most semi-acoustics, it <strong>has no sustain block<\/strong>. The result is that <strong>its top can vibrate much more freely<\/strong>. Especially unique for clean or slightly crunchy sounds!<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.thomann.de\/gb\/epiphone_casino_nc.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-437921\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2222\/10\/Epi-Casino.jpg\" alt=\"\" width=\"410\" height=\"166\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/10\/Epi-Casino.jpg 410w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/10\/Epi-Casino-300x121.jpg 300w\" sizes=\"(max-width: 410px) 100vw, 410px\" \/><\/a><\/p>\n<h3 style=\"text-align: center;\">8. Lennon&#8217;s acoustic guitar auctioned for $2.4 million<\/h3>\n<p>John had bought a <strong>Gibson J160E<\/strong> in Liverpool in 1962. For about a year he played on the <strong>acoustic<\/strong> <strong>guitar<\/strong>. While playing on this instrument, he played, together with Paul McCartney, songs like &#8220;All My Loving&#8221;, &#8220;I Want to Hold Your Hand&#8221; and &#8220;She Loves You&#8221;. At a concert in December <strong>1963<\/strong> in London the guitar disappeared. In <strong>2015<\/strong> the almost-50-years-lost sweetheart reappeared at the &#8220;Rock&#8217;n&#8217;Roll Auction&#8221; in Beverly Hills by the Washington auction house<strong> Julien&#8217;s<\/strong>, where it was being auctioned off! The price: <strong>2.4 million dollars<\/strong> (about 2.2 million euros).<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-437922\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2222\/10\/Lennon-Gibson.jpg\" alt=\"\" width=\"410\" height=\"166\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/10\/Lennon-Gibson.jpg 410w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/10\/Lennon-Gibson-300x121.jpg 300w\" sizes=\"(max-width: 410px) 100vw, 410px\" \/><\/p>\n<h3 style=\"text-align: center;\">9. Then the unthinkable happened<\/h3>\n<p>On <strong>December 8, 1980<\/strong> the unbelievable happened: John was <strong>shot<\/strong>, in front of his home in New York&#8217;s Central Park, at close range by a mentally disturbed assassin with <strong>four bullets<\/strong>. At the Roosevelt<br \/>\nGeneral Hospital he <strong>died from his injuries<\/strong>. His murderer David Chapman has been sitting in custody ever since in a New York prison. He himself had pleaded guilty. Now, after four decades, he&#8217;s showing, for the first time, remorse and is apologising for his actions. Recently, he has been denied parole for the 11th time by the probation commission.<\/p>\n<p><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/media.giphy.com\/media\/fi9iBFsZXieAg\/giphy.gif\" \/><\/p>\n<h3 style=\"text-align: center;\">10. Unbelievable non-stop output<\/h3>\n<p>Though often thoughtful, John Lennon was always in the middle of life. He was a restless doer who could not or would not stand still, permanently searching for the new and meaningful. All the more fitting is his statement: &#8220;<strong><em>Life is what happens<\/em>\u00a0to you while\u00a0<em>you<\/em>&#8216;<em>re busy making other plans<\/em><\/strong>.&#8221; John Lennon was a provocateur, cynic, peacemaker, do-gooders. He has enriched all our lives. That of the older generations directly, that of the younger ones with the music and the <strong>feeling<\/strong> he left behind.<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" src=\"https:\/\/media.giphy.com\/media\/oegTbCFy6zcLC\/giphy.gif\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It would&#8217;ve been John Lennon&#8217;s 80th birthday today so we have some interesting facts about his life here to celebrate&#8230;<\/p>\n","protected":false},"author":30,"featured_media":437964,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[10676],"tags":[],"class_list":["post-437870","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-inspire"],"category_colors":{"color_key":"inspire","css_classes":{"text":"cat-inspire","text_light":"cat-inspire-light","bg":"cat-bg-inspire","bg_light":"cat-bg-inspire-light","border":"cat-border-inspire","text_on_bg":"cat-text-on-inspire"}},"reading_time":{"minutes":6,"formatted":"6 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts\/437870","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/users\/30"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/comments?post=437870"}],"version-history":[{"count":0,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts\/437870\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/media\/437964"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/media?parent=437870"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/categories?post=437870"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/tags?post=437870"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}