{"id":42085,"date":"2017-04-18T18:30:41","date_gmt":"2017-04-18T16:30:41","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/?p=42085"},"modified":"2025-03-27T11:04:39","modified_gmt":"2025-03-27T10:04:39","slug":"pick-your-pick-2","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/en\/learn\/pick-your-pick-2\/","title":{"rendered":"Pick your pick!"},"content":{"rendered":"<p>This small, inconspicuous but indispensable\u00a0<strong>tool<\/strong>\u00a0used for playing\u00a0<a href=\"https:\/\/www.thomann.de\/gb\/guitars_and_basses.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>stringed instruments<\/strong><\/a>, is found usually in the form of a drop-shaped platelet. You guessed it, we are talking about the <a href=\"https:\/\/www.thomann.de\/gb\/picks.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>pick<\/strong><\/a> or plectrum, and we\u2019ll be discussing their various <strong>shapes<\/strong>,<strong> colors<\/strong>,\u00a0<strong>thicknesses<\/strong>,\u00a0<strong>sizes<\/strong>\u00a0and\u00a0<strong>materials<\/strong>.<\/p>\n<figure id=\"attachment_39266\" aria-describedby=\"caption-attachment-39266\" style=\"width: 183px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2017\/02\/pick-your-pick-3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-39266\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2017\/02\/pick-your-pick-3-300x288.jpg\" alt=\"\" width=\"183\" height=\"182\" \/><\/a><figcaption id=\"caption-attachment-39266\" class=\"wp-caption-text\">Dunlop Nylon Max Grip 1.0 Player Pack<\/figcaption><\/figure>\n<p>The <a href=\"https:\/\/www.thomann.de\/gb\/picks.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>pick<\/strong><\/a>\u00a0is at the beginning of our signal chain, and thus saying that the\u00a0<strong>tone is<\/strong>\u00a0made with the fingers is only partly true.\u00a0<strong>After all, a pick is responsible for generating the signal<\/strong>\u00a0and thus largely determines character in the sound.\u00a0Of course, the\u00a0<strong>fingers<\/strong>\u00a0on the fret hand, also contribute to <strong>shaping the sound <\/strong>with a touch of vibrato and various other techniques.<\/p>\n<p>Even the way we strike the string with the <a href=\"https:\/\/www.thomann.de\/gb\/picks.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>pick<\/strong><\/a>\u00a0i.e. the angle and force, is critical to obtaining our personal sound.\u00a0This in turn relates to the\u00a0<strong>shape<\/strong>\u00a0and\u00a0<strong>material<\/strong>\u00a0of the pick because different picks played with the same assertion will produce very different sounds.<\/p>\n<hr \/>\n<h3 style=\"text-align: center;\"><strong>Materials<\/strong><\/h3>\n<p>There are countless myths surrounding the material of which picks are made from.\u00a0One of which involved a pick that was carved straight from the devil\u2019s canine and along with it alleged miraculous powers.\u00a0More research on this can be found in the highly entertaining movie &#8220;<strong><em>Tenacious D in The Pick of Destiny<\/em><\/strong><em>&#8220;<\/em>\u00a0starring Jack Black.<\/p>\n<figure id=\"attachment_39249\" aria-describedby=\"caption-attachment-39249\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2017\/02\/pick-your-pick-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-39249 size-medium\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2017\/02\/pick-your-pick-2-300x129.jpg\" alt=\"\" width=\"300\" height=\"129\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2017\/02\/pick-your-pick-2-300x129.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2017\/02\/pick-your-pick-2-768x331.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2017\/02\/pick-your-pick-2.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-39249\" class=\"wp-caption-text\">Tenacious D The Pick of Destiny<\/figcaption><\/figure>\n<p>Ok, let\u2019s stick to the facts.\u00a0The most common material used in picks today is definitely plastic, with hundreds, if not thousands, of variations.\u00a0<strong>I<\/strong><strong>n ancient times<\/strong> of Greece, materials such as <strong>wood<\/strong>, <strong>metal<\/strong>, <strong>stone<\/strong> and <strong>ivory<\/strong>\u00a0were already used to pluck the strings of an instrument, and were then known as a <strong>Plektron<\/strong>. The use of a feather\u2019s quill was also not all too uncommon in the 19th century. Although quite impressive, over time a more convenient and better choice was found to be small sized buttons. These consisted of <strong>bones<\/strong>, <strong>wood<\/strong>, <strong>horn<\/strong>, or similar materials such as <strong>turtle shells<\/strong>. The latter being particularly popular for their elasticity and strong sounding qualities and were later prohibited by law in 1973. Luigi D&#8217;Andrea had already made guitar picks with celluloid as early as 1922, and is to this day one of the most frequently used plastics.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 20%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-42085 gallery-columns-5 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2017\/04\/Timber-Tones-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-42186\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2017\/04\/Timber-Tones-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2017\/04\/Timber-Tones-300x297.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2017\/04\/Timber-Tones.jpg 606w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-42186'>\n\t\t\t\tTimber Tones\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2017\/04\/Dunlop-Tortex-Standard-100-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-42178\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-42178'>\n\t\t\t\tDunlop Tortex Standard 1,00\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2017\/04\/Fender-Classic-Celluloid-Pick-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-42180\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2017\/04\/Fender-Classic-Celluloid-Pick-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2017\/04\/Fender-Classic-Celluloid-Pick-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2017\/04\/Fender-Classic-Celluloid-Pick.jpg 600w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-42180'>\n\t\t\t\tFender Classic Celluloid\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2017\/04\/Dunlop-Nylon-Plectrum-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-42177\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-42177'>\n\t\t\t\tDunlop Nylon Plectrum\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2017\/04\/AT-Picks-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-42173\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-42173'>\n\t\t\t\tAT Picks Metal Plectrum\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p><a href=\"https:\/\/www.thomann.de\/gb\/dunlop.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Dunlop<\/strong><\/a>\u00a0found great success with their nylon picks, while in search of synthetic materials to replace the turtle shell and to replicate its sound, and discovered <strong>Delrin<\/strong>, a material used to produce the famous <a href=\"https:\/\/www.thomann.de\/gb\/search_dir.html?bf=&amp;sw=Tortex%20Dunlop&amp;viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Tortex picks<\/strong><\/a>.\u00a0While standard plastic picks are produced by brands such as <a href=\"https:\/\/www.thomann.de\/gb\/dunlop.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Dunlop<\/strong><\/a>, <a href=\"https:\/\/www.thomann.de\/gb\/fender.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Fender<\/strong><\/a>, <a href=\"https:\/\/www.thomann.de\/gb\/dandrea.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>D&#8217;Andrea<\/strong><\/a>, and <a href=\"https:\/\/www.thomann.de\/gb\/planet_waves.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Planet Waves<\/strong><\/a>, other materials are of course also available.\u00a0British manufacturer <a href=\"https:\/\/www.thomann.de\/gb\/timber_tones.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong><u>Timber Tones<\/u><\/strong><\/a>, for example, offers among other things, picks made of<strong>\u00a0wood<\/strong>,\u00a0<strong>stone<\/strong>,<strong>\u00a0mother of pearl<\/strong>, <strong>horn<\/strong>, <strong>bone<\/strong> or even <strong>leather<\/strong>.\u00a0There are also manufacturers that offer picks in<strong>\u00a0<\/strong><strong>metal<\/strong>.<\/p>\n<figure id=\"attachment_42185\" aria-describedby=\"caption-attachment-42185\" style=\"width: 330px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-42185\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2017\/04\/Timber-Tones-Stone-300x111.jpg\" alt=\"\" width=\"330\" height=\"122\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2017\/04\/Timber-Tones-Stone-300x111.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2017\/04\/Timber-Tones-Stone-768x284.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2017\/04\/Timber-Tones-Stone.jpg 800w\" sizes=\"(max-width: 330px) 100vw, 330px\" \/><figcaption id=\"caption-attachment-42185\" class=\"wp-caption-text\">Timber Tones Stone<\/figcaption><\/figure>\n<figure id=\"attachment_42184\" aria-describedby=\"caption-attachment-42184\" style=\"width: 312px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-42184\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2017\/04\/Timber-Tones-Acoustic-Four-300x179.jpg\" alt=\"\" width=\"312\" height=\"186\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2017\/04\/Timber-Tones-Acoustic-Four-300x179.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2017\/04\/Timber-Tones-Acoustic-Four-768x457.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2017\/04\/Timber-Tones-Acoustic-Four.jpg 800w\" sizes=\"(max-width: 312px) 100vw, 312px\" \/><figcaption id=\"caption-attachment-42184\" class=\"wp-caption-text\">Timber Tones Acoustic Four<\/figcaption><\/figure>\n<h3 style=\"text-align: center;\"><strong>Shape<\/strong><\/h3>\n<p>A pick is generally triangular or teardrop shaped and is usually held between thumb and index finger.\u00a0The drop shape was developed by <a href=\"https:\/\/www.thomann.de\/gb\/dandrea.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>D&#8217;Andrea<\/strong><\/a>\u00a0and <a href=\"https:\/\/www.thomann.de\/gb\/fender.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Fender<\/strong><\/a>\u00a0and is commonly called nr. 351. <strong><a href=\"https:\/\/www.thomann.de\/gb\/dunlop.html\" target=\"_blank\" rel=\"noopener noreferrer\">Dunlop<\/a>\u00a0<\/strong>also offers the drop shape in a smaller version (jazz picks), whereas triangular versions are used by\u00a0<strong>acoustic guitars<\/strong>.\u00a0There are also differences in in the shape and roundness of the tip. <strong><a href=\"https:\/\/www.thomann.de\/gb\/dunlop.html\" target=\"_blank\" rel=\"noopener noreferrer\">Dunlop<\/a><\/strong>, for example, offers the\u00a0<strong>Sharp pick<\/strong>,\u00a0which are completely tapered and very suitable for fast strokes.\u00a0<strong>Herdim picks<\/strong>\u00a0are known for their triangular shape, which has different thicknesses in each corner and a wavy edge.\u00a0The same applies to\u00a0<strong>Sharkfin picks<\/strong>\u00a0which have a thinner tip, as well as a wavy edge.<\/p>\n<p>The thickness of the plectrum is measured in millimeters:<br \/>\n<strong>Extra Light<\/strong>: from 0.38 to 0.50 mm<br \/>\n<strong>Thin\/Light<\/strong>: from 0.50 to 0.70 mm<br \/>\n<strong>Medium<\/strong>: 0.70 to 0.90 mm<br \/>\n<strong>Heavy<\/strong>: 0.90 to 1.2 mm<br \/>\n<strong>Extra Heavy<\/strong>: more than 1.2 mm<\/p>\n\n\t\t<style>\n\t\t\t#gallery-2 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 20%;\n\t\t\t}\n\t\t\t#gallery-2 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-2' class='gallery galleryid-42085 gallery-columns-5 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2017\/04\/Dunlop-Jazz-III-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-42175\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-42175'>\n\t\t\t\tDunlop Jazz III\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2017\/04\/Dunlop-Tortex-Triangle-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-42179\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-42179'>\n\t\t\t\tDunlop Tortex Triangle\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2017\/04\/Herdim-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-42182\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-42182'>\n\t\t\t\tHerdim with 3 different thicknesses\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2017\/04\/Sharkfin-Pick-Relief-Medium-Yellow-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-42183\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-42183'>\n\t\t\t\tSharkfin Pick Relief Medium Yellow\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2017\/04\/Fender-Classic-Celluloid-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-42181\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-42181'>\n\t\t\t\tFender Classic Celluloid\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<h3 style=\"text-align: center;\"><strong>Which pick is right for me?<\/strong><\/h3>\n<p>This is a difficult question &#8211; because you should try them out for yourself.\u00a0First, you should consider and test which shape you can play best. The drop shape is highly variable and is held less firmly during chord strokes, as opposed to a more firm grasp when playing single-notes and solos. A rounded tip produces a slightly softer tone and a pointier pick is suitable for precise solos. Incidentally this is of course not written in stone. Stevie Ray Vaughan is said to have often struck with the rounded side of the picks.<\/p>\n<p>Those who want a firm grip or have sweaty fingers can turn to picks with a special\u00a0<strong>grip<\/strong>\u00a0(<strong>Max<\/strong><strong>\u00a0<\/strong><strong>Grip<\/strong>), ie a non-slip surface.\u00a0You should then find out what strength and weight feels best for you. Even the smallest differences are very important. If your attack is soft, you will probably prefer a thin pick, and for thick strings and hard attacks, a stronger pick may be needed. It always depends on the resistance required.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-3 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-3 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-3' class='gallery galleryid-42085 gallery-columns-2 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2017\/04\/Ibanez-Grip-Wizard-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-3-42190\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-42190'>\n\t\t\t\tIbanez Grip Wizard\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2017\/04\/Dava-Control-Grip-Tip-Delrin-Picks-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-3-42174\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-42174'>\n\t\t\t\tDava Control Grip Tip Delrin Picks\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>If a pickup is too soft, there may be a loss of dynamics: despite a good attack, the low resistance of the pick will produce a low volume.\u00a0Hard picks produce a lighter and more defined attack than soft versions.\u00a0For this reason a\u00a0<a href=\"https:\/\/www.thomann.de\/gb\/dunlop_nylon_plectrum_060_mm.htm?ref=search_rslt_Dunlop+Nylon+Picks_331162_11\"><strong>Dunlop nylon<\/strong><\/a>\u00a0(0.60 mm)\u00a0is often preferred when strumming an <a href=\"https:\/\/www.thomann.de\/gb\/steel_string_acoustic_guitars.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>acoustic guitar<\/strong><\/a>\u00a0and with <a href=\"https:\/\/www.thomann.de\/gb\/electric_guitars.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>electric guitars<\/strong><\/a>\u00a0a <a href=\"https:\/\/www.thomann.de\/gb\/search_dir.html?bf=&amp;sw=Dunlop+Nylon+Picks\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Dunlop nylon pick<\/strong><\/a>\u00a0of 0.76 together with custom-light strings (009 &#8211; 046). Some even use 1.5 mm picks with thicker strings (011 \u2013 052). In our opinion thin strings played with a soft pick\u00a0provide a pleasant sound, and is more relaxed.\u00a0But ask the same question to ten guitarists and you will receive at least eleven different answers.\u00a0Therefore experiment and find YOUR sound.<\/p>\n<h3 style=\"text-align: center;\"><strong>Who plays what?<\/strong><strong>\u00a0 \u00a0\u00a0<\/strong><\/h3>\n<p>If you haven\u2019t been able to find your pick of destiny, you can always model after your heroes or other guitarists with the sound you\u2019re after and choose accordingly.\u00a0The following list is researched from internet and is without guarantee since artists, as well as non-professional guitarists, often change their preferences.<\/p>\n<table width=\"803\">\n<tbody>\n<tr>\n<td width=\"178\"><strong>Brian May<\/strong><\/td>\n<td width=\"625\">An old British sixpence coin<\/td>\n<\/tr>\n<tr>\n<td width=\"178\"><strong>Eric Clapton<\/strong><\/td>\n<td width=\"625\">Ernie Ball Picks Heavy (0.94 mm)<\/td>\n<\/tr>\n<tr>\n<td width=\"178\"><strong>John Mayer<\/strong><\/td>\n<td width=\"625\">Dunlop Tortex 0.88 mm, Dunlop Tortex 1.14 mm<\/td>\n<\/tr>\n<tr>\n<td width=\"178\"><strong>James Hetfield<\/strong><\/td>\n<td width=\"625\">Dunlop Tortex 0.88, Dunlop James Hetfield Black Fang 1.14<\/td>\n<\/tr>\n<tr>\n<td width=\"178\"><strong>Angus Young<\/strong><\/td>\n<td width=\"625\">Fender Extra Heavy<\/td>\n<\/tr>\n<tr>\n<td width=\"178\"><strong>David Gilmour<\/strong><\/td>\n<td width=\"625\">D&#8217;Andrea TG 351 0.96 mm<\/td>\n<\/tr>\n<tr>\n<td width=\"178\"><strong>Jimmy Page<\/strong><\/td>\n<td width=\"625\">HercoFlex 75 (1.0 mm)<\/td>\n<\/tr>\n<tr>\n<td width=\"178\"><strong>Mark Tremonti<\/strong><\/td>\n<td width=\"625\">Dunlop Jazz III, Dunlop Nylon 1.0 mm<\/td>\n<\/tr>\n<tr>\n<td width=\"178\"><strong>The Edge<\/strong><\/td>\n<td width=\"625\">D&#8217;Andrea Medium Nylon<\/td>\n<\/tr>\n<tr>\n<td width=\"178\"><strong>Zakk Wylde<\/strong><\/td>\n<td width=\"625\">Dunlop Tortex Pitchblack Jazz (1.14 mm)<\/td>\n<\/tr>\n<tr>\n<td width=\"178\"><strong>Billie Joe Armstrong<\/strong><\/td>\n<td width=\"625\">Dunlop Tortex 0.73 mm, Dunlop Tortex 0.88 mm<\/td>\n<\/tr>\n<tr>\n<td width=\"178\"><strong>Dave Grohl<\/strong><\/td>\n<td width=\"625\">Dunlop 0.73 mm Gator Grip<\/td>\n<\/tr>\n<tr>\n<td width=\"178\"><strong>Billy Gibbons<\/strong><\/td>\n<td width=\"625\">Dunlop Gels Extra Heavy<\/td>\n<\/tr>\n<tr>\n<td width=\"178\"><strong>Dave Mustaine<\/strong><\/td>\n<td width=\"625\">Dunlop Tortex 0.73<\/td>\n<\/tr>\n<tr>\n<td width=\"178\"><strong>Carlos Santana<\/strong><\/td>\n<td width=\"625\">V-Picks (3 mm)<\/td>\n<\/tr>\n<tr>\n<td width=\"178\"><strong>Dimebag Darell<\/strong><\/td>\n<td width=\"625\">Dunlop Tortex 0.88 mm<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.thomann.de\/gb\/plektren.html\"><strong><br \/>\nFind here our huge selection of picks<\/strong><\/a><strong>!<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div class=\"advads-content-injection-before-content advads-entity-placement\" style=\"text-align: center;\" id=\"advads-1485539995\"><div class=\"advads-adlabel\">Advertisements<\/div><div id=\"advads-2992659121\"><a href=\"https:\/\/www.thomann.de\/intl\/index.html?utm_medium=display&#038;utm_source=partnersite&#038;utm_campaign=branding&#038;utm_content=thoshop&#038;utm_term=gemischt\" target=\"_blank\" aria-label=\"2502_Gear_Banner_Gemischt_729x90_EN_v01\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01.jpg\" alt=\"\"  srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01.jpg 728w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01-300x37.jpg 300w\" sizes=\"(max-width: 728px) 100vw, 728px\" width=\"728\" height=\"90\"   \/><\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Find your pick of destiny! \ud83d\ude09<\/p>\n","protected":false},"author":23,"featured_media":42012,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[10720],"tags":[2442,2440],"class_list":["post-42085","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-learn","tag-pick-of-destiny-en","tag-plectrum"],"category_colors":{"color_key":"learn","css_classes":{"text":"cat-learn","text_light":"cat-learn-light","bg":"cat-bg-learn","bg_light":"cat-bg-learn-light","border":"cat-border-learn","text_on_bg":"cat-text-on-learn"}},"reading_time":{"minutes":6,"formatted":"6 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts\/42085","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/comments?post=42085"}],"version-history":[{"count":0,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts\/42085\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/media\/42012"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/media?parent=42085"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/categories?post=42085"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/tags?post=42085"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}