{"id":396955,"date":"2019-12-01T18:01:37","date_gmt":"2019-12-01T17:01:37","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/?p=396955"},"modified":"2020-04-22T16:20:24","modified_gmt":"2020-04-22T14:20:24","slug":"hit-the-tone-secrets-of-postpunk","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/en\/gear\/hit-the-tone-secrets-of-postpunk\/","title":{"rendered":"Hit the Tone! Secrets of postpunk"},"content":{"rendered":"<h3 style=\"text-align: center;\">Story time!<\/h3>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-397925\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2222\/11\/Postpunk-art.png\" alt=\"\" width=\"705\" height=\"437\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Postpunk-art.png 705w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Postpunk-art-300x186.png 300w\" sizes=\"(max-width: 705px) 100vw, 705px\" \/><\/p>\n<p>It&#8217;s well known that once <strong>punk &#8217;77<\/strong> exploded, <strong>two roads<\/strong> were opened: One was the &#8220;<strong>New Wave<\/strong>&#8220;, which affected the hedonistic vein and the insatiable taste for <strong>melody<\/strong>. The other was more raw, shattering and even violent, this was the &#8220;<strong>Postpunk<\/strong>&#8221; route. Wherever punk fell flat, postpunk picked up the pieces and reordered them into a new anti-establishment paradigm. A revision of <strong>1950s rock &#8216;n&#8217; roll<\/strong> and a contemptuous shift from <strong>progressive<\/strong> and <strong>classic rock<\/strong>, postpunk took the first steps to develop an <strong>industry<\/strong> alternative to the mainstream (which would later become the origin of <strong>indie rock<\/strong>). It brought a rupture in sound: in addition to <strong>placing the bass as the epicentre<\/strong> of the melody and <strong>freezing the guitars<\/strong>, it brought the <strong>cultural avant-garde<\/strong> to rock &#8216;n&#8217; roll.<\/p>\n<p>In this episode of <strong>Hit the Tone!<\/strong> we&#8217;re going to attempt to show you how to make your <strong>guitar<\/strong> icy, angular and dark through several specific models and specific tricks when using <strong>effects pedals<\/strong>. Now, get out of your comfort zone!<\/p>\n<h3 style=\"text-align: center;\">First of all, which guitar do I choose?<\/h3>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-397929\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2222\/11\/Rowland.png\" alt=\"\" width=\"481\" height=\"419\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Rowland.png 481w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Rowland-300x261.png 300w\" sizes=\"(max-width: 481px) 100vw, 481px\" \/><\/p>\n<p>With these types of questions it&#8217;s fundamental to look to the <strong>masters.<\/strong> One of them is, without doubt, <strong>Rowland S. Howard<\/strong> (pictured above), member of <strong>The Birthday Party<\/strong> and <strong>The Bad Seeds<\/strong>, among others. In the majority of cases you will see that the guitarists of the most important postpunk bands carry guitars that have certain elements in common. Bearing in mind that what will <strong>almost totally<\/strong> define your postpunk sound are the <strong>pedals,<\/strong> the most advisable is to choose guitars with <strong>clean, defined<\/strong> and <strong>powerful<\/strong> sounds and which are also endowed with a certain amount of <strong>versatility<\/strong> to give your sound <strong>personality<\/strong>.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 25%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-396955 gallery-columns-4 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"111\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Jazzmaster-111x300.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-397935\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Jazzmaster-111x300.png 111w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Jazzmaster.png 157w\" sizes=\"(max-width: 111px) 100vw, 111px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-397935'>\n\t\t\t\tJazzmaster\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"112\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Jaguar-112x300.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-397934\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Jaguar-112x300.png 112w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Jaguar.png 166w\" sizes=\"(max-width: 112px) 100vw, 112px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-397934'>\n\t\t\t\tJaguar\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"110\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Tele-110x300.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-397933\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Tele-110x300.png 110w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Tele.png 161w\" sizes=\"(max-width: 110px) 100vw, 110px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-397933'>\n\t\t\t\tTelecaster\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"114\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Strat-114x300.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-397932\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Strat-114x300.png 114w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Strat.png 164w\" sizes=\"(max-width: 114px) 100vw, 114px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-397932'>\n\t\t\t\tStratocaster\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>It is not by chance that the five models above are the most used in the postpunk genre. As we said, it is essential that your guitar generates a clean, defined and powerful sound. No matter how much it comes from punk, in postpunk there&#8217;s not a trace of <strong>garage rock<\/strong>. And if we talk about defined sound obviously we have to to talk about <a href=\"https:\/\/www.thomann.de\/gb\/fender.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Fender<\/strong><\/a>. The <a href=\"https:\/\/www.thomann.de\/gb\/search_dir.html?sw=fender+jazzmaster&amp;amp;smcs=707f08_2061\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Jazzmaster <\/strong><\/a>as well as the <a href=\"https:\/\/www.thomann.de\/gb\/search_dir.html?sw=fender+jaguar&amp;amp;smcs=707f08_2102\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Jaguar<\/strong><\/a>, the <a href=\"https:\/\/www.thomann.de\/gb\/search_dir.html?sw=fender+telecaster&amp;amp;smcs=707f08_16358\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Telecaster<\/strong><\/a> or the <a href=\"https:\/\/www.thomann.de\/gb\/st_models.html?sw=fender%20stratocaster&amp;amp;ls=25&amp;amp;smuuid=3804df08-df7e-49d3-a2e0-8f714f230e65\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Stratocaster<\/strong><\/a> are perfect guitars for the sound we&#8217;re looking for.<\/p>\n<p>But man cannot live off of Leo Fender&#8217;s inventions alone, therefore it is necessary offer <strong>alternatives.<\/strong> When you think of the <strong>Rickenbacker<\/strong> you immediately think of fringe haircuts, turtleneck collars and squeaky-clean melodies. However, this purity of sound is ideal for postpunk when <strong>moulded by pedals<\/strong>, as we pointed out earlier.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-2 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-2 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-2' class='gallery galleryid-396955 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"127\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Rickenbacker-330-MBL-127x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Rickenbacker-330-MBL-127x300.png 127w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Rickenbacker-330-MBL.png 179w\" sizes=\"(max-width: 127px) 100vw, 127px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"130\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Epiphone-Casino-TQ-130x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Epiphone-Casino-TQ-130x300.png 130w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Epiphone-Casino-TQ.png 184w\" sizes=\"(max-width: 130px) 100vw, 130px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"109\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Reverend-Double-Agent-W-NFM-109x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Reverend-Double-Agent-W-NFM-109x300.png 109w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Reverend-Double-Agent-W-NFM.png 162w\" sizes=\"(max-width: 109px) 100vw, 109px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>A model that immediately comes to mind is the <a href=\"https:\/\/www.thomann.de\/gb\/rickenbacker_330_mbl.htm\"><strong>330 MBL<\/strong><\/a>, played, among others, by<strong> Daniel Kessler<\/strong>, guitarist for <strong>Interpol,<\/strong> one of the bands that led the revival of the postpunk at the beginning of this century. We&#8217;re talking about a <strong>semi-acoustic guitar<\/strong> (which implies more versatility) with <strong>two high gain single coil pickups<\/strong>. In a you&#8217;ll see why it&#8217;s important that the pickups are just like that. The<strong>\u00a0 <\/strong><a href=\"https:\/\/www.thomann.de\/gb\/epiphone_casino_tq.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Epiphone Casino<\/strong><\/a><strong>\u00a0<\/strong> is another interesting option, especially if you want to sound loud and blunt (watch out for its pair of <strong>Gibson P-90 pickups<\/strong>), which, with the appropriate distortion, will create dark atmospheres. We finish this review of possible guitars with a jewel used by the great <strong>Andy Gill<\/strong> (<a href=\"https:\/\/www.youtube.com\/watch?v=ElhAysq3O6c\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Gang of Four<\/strong><\/a>), the <a href=\"https:\/\/www.thomann.de\/gb\/reverend_double_agent_w_nfm.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Reverend Double Agent W<\/strong><\/a>. What separates this guitar from the other two? Well, versatility, it&#8217;s a guitar that incorporates both a <strong>humbucker pickup<\/strong> and a <strong>P-90<\/strong>! Simply desirable. In short: when choosing a guitar, take into account the <strong>power,<\/strong> the <strong>definition of the sound<\/strong> and the <strong>versatility<\/strong> it offers you with electronics<strong>.\u00a0<\/strong><\/p>\n<div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"youtube-content-blocker\" data-borlabs-cookie-content=\"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\">\n<div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-youtube\">\n<div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.thomann.de\/blog\/app\/uploads\/borlabs-cookie\/2\/brlbs-cb-youtube-main.png')\"><\/div>\n<div class=\"brlbs-cmpnt-cb-main\">\n<div class=\"brlbs-cmpnt-cb-play-button\"><\/div>\n<div class=\"brlbs-cmpnt-cb-content\">\n<p class=\"brlbs-cmpnt-cb-description\">You are currently viewing a placeholder content from <strong>YouTube<\/strong>. To access the actual content, click the button below. Please note that doing so will share data with third-party providers.<\/p>\n<p> <a class=\"brlbs-cmpnt-cb-provider-toggle\" href=\"#\" data-borlabs-cookie-show-provider-information role=\"button\">More Information<\/a> <\/div>\n<div class=\"brlbs-cmpnt-cb-buttons\"> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Unblock this content<\/a> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-accept-service role=\"button\" style=\"display: inherit\">Accept required service and unblock its content<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<h3 style=\"text-align: center;\">Choose your pickups wisely<\/h3>\n<p>Well, as we&#8217;ve seen, there isn&#8217;t much to choosing a guitar to play postpunk, because there are other elements that will determine your sound more. One of them is the type of <strong>pickups<\/strong>.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-3 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 100%;\n\t\t\t}\n\t\t\t#gallery-3 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-3' class='gallery galleryid-396955 gallery-columns-1 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"274\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Fender-Pure-Vintage-65-Strat-PU-Set-300x274.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-3-399025\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Fender-Pure-Vintage-65-Strat-PU-Set-300x274.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Fender-Pure-Vintage-65-Strat-PU-Set.png 458w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-399025'>\n\t\t\t\tSingle coil\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>The <a href=\"https:\/\/www.thomann.de\/gb\/single_coil_pickups.html?sw=single%20coil%20pickups&amp;smuuid=e1b88501-1535-4faa-9d2a-a2813949e3ac\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>single coil pickups<\/strong><\/a> are the <strong>oldest in history<\/strong> and are characterised by a bright, round, warm sound. Why are you flinching? Oh, because they can cause a constant <strong>buzz<\/strong> when you play at high volume? We should resort to them when looking for a clean sound and smooth distortion. To understand this, listen to one of the quieter songs of <a href=\"https:\/\/www.youtube.com\/watch?v=WfLQRFImMwY\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>The Church<\/strong><\/a>, for example.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-4 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-4 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-4 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-4 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-4' class='gallery galleryid-396955 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"235\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Gibson-490R-CC-Humbucker-Pickup-300x235.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-4-399023\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Gibson-490R-CC-Humbucker-Pickup-300x235.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Gibson-490R-CC-Humbucker-Pickup.png 534w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-399023'>\n\t\t\t\tCovered Humbucker\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"224\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Gibson-P-496R-Humbucker-BK-300x224.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-4-399024\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Gibson-P-496R-Humbucker-BK-300x224.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Gibson-P-496R-Humbucker-BK.png 545w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-399024'>\n\t\t\t\tUncovered Humbucker\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>To <strong>correct that buzz<\/strong>, <a href=\"https:\/\/www.thomann.de\/gb\/humbucker_pickups.html?sw=humbucker%20pickups&amp;smuuid=6807308c-b06b-48b7-a6d5-d0fab0dd6957\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>humbucker pickups<\/strong><\/a> were invented. By connecting two single coils in a particular way, the hum disappears. As a drawback, a certain brightness also disappears, and gives the sound an overall &#8220;<strong>more powerful<\/strong>&#8221; aspect. Plugged into the amplifier with the same volume as the single coils, the humbuckers sound much <strong>louder.<\/strong> That&#8217;s why we&#8217;ll use them when we&#8217;re looking to shake the floor and ceiling, when looking to sound, for example, like <a href=\"https:\/\/www.youtube.com\/watch?v=FyYMzEplnfU\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>My Bloody Valentine<\/strong><\/a>.<\/p>\n<div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"youtube-content-blocker\" data-borlabs-cookie-content=\"PGlmcmFtZSB0aXRsZT0iNSBUeXBlcyBPZiBIdW1idWNrZXIgUGlja3VwcyB8IFNvdW5kIENvbXBhcmlzb24gfMKgVGhvbWFubiIgd2lkdGg9IjUwMCIgaGVpZ2h0PSIyODEiIHNyYz0iaHR0cHM6Ly93d3cueW91dHViZS1ub2Nvb2tpZS5jb20vZW1iZWQvTUNCd3MwbVJXWVU\/ZmVhdHVyZT1vZW1iZWQiIGZyYW1lYm9yZGVyPSIwIiBhbGxvdz0iYWNjZWxlcm9tZXRlcjsgYXV0b3BsYXk7IGNsaXBib2FyZC13cml0ZTsgZW5jcnlwdGVkLW1lZGlhOyBneXJvc2NvcGU7IHBpY3R1cmUtaW4tcGljdHVyZTsgd2ViLXNoYXJlIiByZWZlcnJlcnBvbGljeT0ic3RyaWN0LW9yaWdpbi13aGVuLWNyb3NzLW9yaWdpbiIgYWxsb3dmdWxsc2NyZWVuPjwvaWZyYW1lPg==\">\n<div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-youtube\">\n<div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.thomann.de\/blog\/app\/uploads\/borlabs-cookie\/2\/brlbs-cb-youtube-main.png')\"><\/div>\n<div class=\"brlbs-cmpnt-cb-main\">\n<div class=\"brlbs-cmpnt-cb-play-button\"><\/div>\n<div class=\"brlbs-cmpnt-cb-content\">\n<p class=\"brlbs-cmpnt-cb-description\">You are currently viewing a placeholder content from <strong>YouTube<\/strong>. To access the actual content, click the button below. Please note that doing so will share data with third-party providers.<\/p>\n<p> <a class=\"brlbs-cmpnt-cb-provider-toggle\" href=\"#\" data-borlabs-cookie-show-provider-information role=\"button\">More Information<\/a> <\/div>\n<div class=\"brlbs-cmpnt-cb-buttons\"> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Unblock this content<\/a> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-accept-service role=\"button\" style=\"display: inherit\">Accept required service and unblock its content<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<h3 style=\"text-align: center;\">Are pedals that important?<\/h3>\n<div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"youtube-content-blocker\" data-borlabs-cookie-content=\"PGlmcmFtZSB0aXRsZT0iVGhlIEN1cmUgLSBBIEZvcmVzdCIgd2lkdGg9IjUwMCIgaGVpZ2h0PSIzNzUiIHNyYz0iaHR0cHM6Ly93d3cueW91dHViZS1ub2Nvb2tpZS5jb20vZW1iZWQveGlrLXkweGxwWjA\/ZmVhdHVyZT1vZW1iZWQiIGZyYW1lYm9yZGVyPSIwIiBhbGxvdz0iYWNjZWxlcm9tZXRlcjsgYXV0b3BsYXk7IGNsaXBib2FyZC13cml0ZTsgZW5jcnlwdGVkLW1lZGlhOyBneXJvc2NvcGU7IHBpY3R1cmUtaW4tcGljdHVyZTsgd2ViLXNoYXJlIiByZWZlcnJlcnBvbGljeT0ic3RyaWN0LW9yaWdpbi13aGVuLWNyb3NzLW9yaWdpbiIgYWxsb3dmdWxsc2NyZWVuPjwvaWZyYW1lPg==\">\n<div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-youtube\">\n<div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.thomann.de\/blog\/app\/uploads\/borlabs-cookie\/2\/brlbs-cb-youtube-main.png')\"><\/div>\n<div class=\"brlbs-cmpnt-cb-main\">\n<div class=\"brlbs-cmpnt-cb-play-button\"><\/div>\n<div class=\"brlbs-cmpnt-cb-content\">\n<p class=\"brlbs-cmpnt-cb-description\">You are currently viewing a placeholder content from <strong>YouTube<\/strong>. To access the actual content, click the button below. Please note that doing so will share data with third-party providers.<\/p>\n<p> <a class=\"brlbs-cmpnt-cb-provider-toggle\" href=\"#\" data-borlabs-cookie-show-provider-information role=\"button\">More Information<\/a> <\/div>\n<div class=\"brlbs-cmpnt-cb-buttons\"> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Unblock this content<\/a> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-accept-service role=\"button\" style=\"display: inherit\">Accept required service and unblock its content<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p>Oh, yes, much more than you can imagine. Listen to the song &#8220;<strong>A Forest<\/strong>&#8221; by<strong> The Cure<\/strong> (above). Pay special attention to the guitar. The sound is different than what a clean guitar produces? That&#8217;s how important postpunk pedals are. We&#8217;ll start with the classic triad in any &#8217;80s pedalboard: <strong>compressor, chorus and distortion<\/strong>.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-5 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-5 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-5 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-5 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-5' class='gallery galleryid-396955 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"172\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/MXR-Dynacomp-1-172x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/MXR-Dynacomp-1-172x300.png 172w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/MXR-Dynacomp-1.png 251w\" sizes=\"(max-width: 172px) 100vw, 172px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"180\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Behringer-CS400-180x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Behringer-CS400-180x300.png 180w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Behringer-CS400.png 247w\" sizes=\"(max-width: 180px) 100vw, 180px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"233\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Keeley-Aria-233x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Keeley-Aria-233x300.png 233w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Keeley-Aria.png 329w\" sizes=\"(max-width: 233px) 100vw, 233px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>The <a href=\"https:\/\/www.thomann.de\/gb\/misc_guitar_effects.html?sw=compressor&amp;smuuid=aa20459f-cfa2-45c4-866f-512476bd2f73\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>compressor<\/strong><\/a> is an <strong>adjustable gain amplifier<\/strong>, which means, for practical purposes, it <strong>levels out the peaks and valleys of gain<\/strong> in your sound. It is, therefore, a practically fundamental pedal, even more so in postpunk, where both <strong>punches<\/strong> and <strong>arpeggios<\/strong> on the guitar are common. The <a href=\"https:\/\/www.thomann.de\/gb\/mxr_dynacomp.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>MXR Dyna Comp<\/strong><\/a>\u00a0was used (in its darkest and less full-stage era) by <a href=\"https:\/\/www.youtube.com\/watch?v=g2BqLlVHlWA\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>The Edge<\/strong><\/a>. Its knobs (<strong>Output<\/strong> and <strong>Sensitivity<\/strong>) interest us in this case. If we are looking for a rather aggressive sound, we must increase the Output (which functions as a <strong>volume<\/strong> control), since the pedal automatically balances the tones, which we can modify with the Sensitivity. The <a href=\"https:\/\/www.thomann.de\/gb\/behringer_cs400.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Behringer CS-400<\/strong><\/a> stands out for its value for money and for its <strong>intuitive<\/strong> use: it has <strong>Compression, Tone, Attack and Sustain<\/strong> knobs. Since its compression is quite soft, it will allow us to play with textures and, surely, we will want to combine it with a powerful chorus and distortion. Another alternative is <a href=\"https:\/\/www.thomann.de\/gb\/keeley_aria.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Keeley Aria<\/strong><\/a>, used, for example, by<a href=\"https:\/\/www.youtube.com\/watch?v=UroPqMsr3UU\" target=\"_blank\" rel=\"noopener noreferrer\"><strong> Daniel Kessler<\/strong><\/a>. This pedal gives us the <strong>smooth distortion<\/strong> of an overdrive, so we don&#8217;t need to crank the drive as much (if the &#8220;<strong>FX Order<\/strong>&#8221; switch is set to <strong>Compressor first<\/strong>).<\/p>\n<h3 style=\"text-align: center;\">The king of the 80s: the <a href=\"https:\/\/www.thomann.de\/gb\/chorus_flanger_phaser.html?sw=chorus&amp;smuuid=1e37e2aa-8435-421e-9317-20dae5d9670d\" target=\"_blank\" rel=\"noopener noreferrer\">chorus<\/a><\/h3>\n<p>I bet that between 1980 and 1990 no more than ten songs played on any radio station in which the guitar (or, even, the voice) did not use the chorus effect. It&#8217;s a <strong>modulation effect<\/strong> that copies the guitar signal and <strong>doubles it<\/strong> with a slight <strong>time lag<\/strong> and<strong> detuning<\/strong>. The result is a sound with more <strong>body<\/strong> and<strong> colour<\/strong>, which is essential if you are the only guitarist in your band. No? Come on, listen to <a href=\"https:\/\/www.youtube.com\/watch?v=z-Ztaw9Zc2Y\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>this<\/strong><\/a>. Now <a href=\"https:\/\/www.youtube.com\/watch?v=n3nPiBai66M\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>this<\/strong><\/a>. Now <a href=\"https:\/\/www.youtube.com\/watch?v=ZCOSPtyZAPA\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>this<\/strong><\/a>. Yes: <strong>all<\/strong> those guitars have chorus.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-6 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-6 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-6 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-6 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-6' class='gallery galleryid-396955 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"256\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Boss-CE-5-256x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Boss-CE-5-256x300.png 256w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Boss-CE-5.png 361w\" sizes=\"(max-width: 256px) 100vw, 256px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"255\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/tc-electronic-Corona-Chorus-255x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/tc-electronic-Corona-Chorus-255x300.png 255w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/tc-electronic-Corona-Chorus.png 357w\" sizes=\"(max-width: 255px) 100vw, 255px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>The above are two examples of <strong>affordable<\/strong> and really interesting <a href=\"https:\/\/www.thomann.de\/gb\/chorus_flanger_phaser.html?viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>chorus pedals<\/strong><\/a>, the <a href=\"https:\/\/www.thomann.de\/gb\/boss_ce5_chorus_ensemble.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Boss CE-5<\/strong><\/a> and the <a href=\"https:\/\/www.thomann.de\/gb\/tc_electronic_corona_chorus.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>tc electronic Corona<\/strong><\/a>. The knobs of chorus pedals can have several names, but they usually respond to the same functions. The <strong>Rate<\/strong> (or <strong>Speed<\/strong> or <strong>Freq.<\/strong>) allows us to choose the oscillation speed of the (de)tuning. This is key: depending on how you equalize it, you&#8217;l\u00a0 l get a smooth effect or you&#8217;ll look like the<em> 80 person facts, a<\/em> bastard son between Madonna and George Michael. With depth we can vary the amount of detune applied and, again, sound like something <strong>soft<\/strong> (<strong>The Cure<\/strong> style) or something more <strong>strident<\/strong> (<strong>The Fall<\/strong>). The <strong>Mix<\/strong> (or <strong>Level<\/strong> or <strong>Chorus<\/strong> or <strong>Blend<\/strong>) regulates the proportion between clean signal and effected signal and the <strong>Tone<\/strong> serves to equalize the bass and treble response of the signal with effect. As we said, it&#8217;s dangerous to go too far with the chorus. Our advice is to keep it in the middle and, if we want to sound more clairvoyant, put more <strong>overdrive<\/strong> or <strong>distortion<\/strong>.<\/p>\n<h3 style=\"text-align: center;\">Another listening break&#8230; This song:<\/h3>\n<div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"youtube-content-blocker\" data-borlabs-cookie-content=\"PGlmcmFtZSB0aXRsZT0iVGhlIEJpcnRoZGF5IFBhcnR5IC0gSnVua3lhcmQiIHdpZHRoPSI1MDAiIGhlaWdodD0iMzc1IiBzcmM9Imh0dHBzOi8vd3d3LnlvdXR1YmUtbm9jb29raWUuY29tL2VtYmVkLzl4aV80NWJJMDNFP2ZlYXR1cmU9b2VtYmVkIiBmcmFtZWJvcmRlcj0iMCIgYWxsb3c9ImFjY2VsZXJvbWV0ZXI7IGF1dG9wbGF5OyBjbGlwYm9hcmQtd3JpdGU7IGVuY3J5cHRlZC1tZWRpYTsgZ3lyb3Njb3BlOyBwaWN0dXJlLWluLXBpY3R1cmU7IHdlYi1zaGFyZSIgcmVmZXJyZXJwb2xpY3k9InN0cmljdC1vcmlnaW4td2hlbi1jcm9zcy1vcmlnaW4iIGFsbG93ZnVsbHNjcmVlbj48L2lmcmFtZT4=\">\n<div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-youtube\">\n<div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.thomann.de\/blog\/app\/uploads\/borlabs-cookie\/2\/brlbs-cb-youtube-main.png')\"><\/div>\n<div class=\"brlbs-cmpnt-cb-main\">\n<div class=\"brlbs-cmpnt-cb-play-button\"><\/div>\n<div class=\"brlbs-cmpnt-cb-content\">\n<p class=\"brlbs-cmpnt-cb-description\">You are currently viewing a placeholder content from <strong>YouTube<\/strong>. To access the actual content, click the button below. Please note that doing so will share data with third-party providers.<\/p>\n<p> <a class=\"brlbs-cmpnt-cb-provider-toggle\" href=\"#\" data-borlabs-cookie-show-provider-information role=\"button\">More Information<\/a> <\/div>\n<div class=\"brlbs-cmpnt-cb-buttons\"> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Unblock this content<\/a> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-accept-service role=\"button\" style=\"display: inherit\">Accept required service and unblock its content<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p>Do you like it? Well, you won&#8217;t get that guitar sound without a <a href=\"https:\/\/www.thomann.de\/gb\/distortion_pedals.html?sw=distortion&amp;smuuid=fece9a62-12aa-4eaa-a253-1b7995d9450c\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>distortion pedal<\/strong><\/a>. Let&#8217;s continue!<\/p>\n\n\t\t<style>\n\t\t\t#gallery-7 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-7 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-7 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-7 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-7' class='gallery galleryid-396955 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"143\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Suhr-Riot-Mini-143x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Suhr-Riot-Mini-143x300.png 143w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Suhr-Riot-Mini.png 214w\" sizes=\"(max-width: 143px) 100vw, 143px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"260\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Proco-Rat-2-Distortion-260x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Proco-Rat-2-Distortion-260x300.png 260w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Proco-Rat-2-Distortion.png 371w\" sizes=\"(max-width: 260px) 100vw, 260px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"185\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/MXR-Distortion-Plus-185x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/MXR-Distortion-Plus-185x300.png 185w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/MXR-Distortion-Plus.png 286w\" sizes=\"(max-width: 185px) 100vw, 185px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p><strong>Distortion pedals<\/strong> differ from <strong>overdrive pedals<\/strong> in that they produce a more <strong>saturated<\/strong> and <strong>direct<\/strong> sound, the signal produces less couplings and the result is something <strong>more artificial.<\/strong> As for their operation, the truth is that there isn&#8217;t much to say: their knobs are usually quite self-explanatory. As you can see, the three that you see above, the <a href=\"https:\/\/www.thomann.de\/gb\/suhr_riot_mini.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Suhr Riot Mini<\/strong><\/a>, the <a href=\"https:\/\/www.thomann.de\/gb\/proco_rat2.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Proco Rat 2<\/strong><\/a> and the <a href=\"https:\/\/www.thomann.de\/gb\/mxr_distortion_plus_bodeneffekt.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>MXR Distortion +<\/strong><\/a> are all quite <strong>intuitive<\/strong> pedals, with their <strong>volume<\/strong> and <strong>distortion level<\/strong> knobs. The Rat also incorporates a <strong>filter<\/strong> knob, which works differently to the <strong>Tone<\/strong> or <strong>Brightness<\/strong> knobs by always retaining at least a minimal amount of each frequency. What does this mean? The extreme levels will be as usable (not dry and useless, as in other cases) as the mid-range. Although distortion pedals are probably the most intuitive, remember that a proper <strong>combination<\/strong> of <strong>compressor, chorus and distortion<\/strong> (especially the latter two) will be determine your sound. But wait, there&#8217;s more&#8230;<\/p>\n<h3 style=\"text-align: center;\">More pedals?<\/h3>\n<div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"youtube-content-blocker\" data-borlabs-cookie-content=\"PGlmcmFtZSB0aXRsZT0iRnJhbnogRmVyZGluYW5kIC0gVGFrZSBNZSBPdXQgKE9mZmljaWFsIFZpZGVvKSIgd2lkdGg9IjUwMCIgaGVpZ2h0PSIyODEiIHNyYz0iaHR0cHM6Ly93d3cueW91dHViZS1ub2Nvb2tpZS5jb20vZW1iZWQvR2hDWEFpTno5Sm8\/ZmVhdHVyZT1vZW1iZWQiIGZyYW1lYm9yZGVyPSIwIiBhbGxvdz0iYWNjZWxlcm9tZXRlcjsgYXV0b3BsYXk7IGNsaXBib2FyZC13cml0ZTsgZW5jcnlwdGVkLW1lZGlhOyBneXJvc2NvcGU7IHBpY3R1cmUtaW4tcGljdHVyZTsgd2ViLXNoYXJlIiByZWZlcnJlcnBvbGljeT0ic3RyaWN0LW9yaWdpbi13aGVuLWNyb3NzLW9yaWdpbiIgYWxsb3dmdWxsc2NyZWVuPjwvaWZyYW1lPg==\">\n<div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-youtube\">\n<div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.thomann.de\/blog\/app\/uploads\/borlabs-cookie\/2\/brlbs-cb-youtube-main.png')\"><\/div>\n<div class=\"brlbs-cmpnt-cb-main\">\n<div class=\"brlbs-cmpnt-cb-play-button\"><\/div>\n<div class=\"brlbs-cmpnt-cb-content\">\n<p class=\"brlbs-cmpnt-cb-description\">You are currently viewing a placeholder content from <strong>YouTube<\/strong>. To access the actual content, click the button below. Please note that doing so will share data with third-party providers.<\/p>\n<p> <a class=\"brlbs-cmpnt-cb-provider-toggle\" href=\"#\" data-borlabs-cookie-show-provider-information role=\"button\">More Information<\/a> <\/div>\n<div class=\"brlbs-cmpnt-cb-buttons\"> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Unblock this content<\/a> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-accept-service role=\"button\" style=\"display: inherit\">Accept required service and unblock its content<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p>Aha! Remember this guitar line? Sure you do, unless you&#8217;re a pensioner or you&#8217;ve had arthritis for 15 years, you&#8217;ve even danced to it. Well, alas, my friend, we have a piece of news: you still need a pedal to get that sound. This is called <a href=\"https:\/\/www.thomann.de\/gb\/reverb_and_hall_effects.html?sw=reverb&amp;smuuid=bb239530-d81b-4098-8be6-e1953639cac9\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>reverb<\/strong><\/a>.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-8 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-8 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-8 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-8 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-8' class='gallery galleryid-396955 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"170\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/EarthQuaker-Devices-Ghost-Echo-V3-170x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/EarthQuaker-Devices-Ghost-Echo-V3-170x300.png 170w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/EarthQuaker-Devices-Ghost-Echo-V3.png 246w\" sizes=\"(max-width: 170px) 100vw, 170px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"187\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Electro-Harmonix-Holy-Grail-187x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Electro-Harmonix-Holy-Grail-187x300.png 187w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Electro-Harmonix-Holy-Grail.png 286w\" sizes=\"(max-width: 187px) 100vw, 187px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"182\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Boss-RV-6-182x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Boss-RV-6-182x300.png 182w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Boss-RV-6.png 259w\" sizes=\"(max-width: 182px) 100vw, 182px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>The <strong>reverb pedal<\/strong> allows us to provoke the sensation that we are producing a sound in a different place (with more <strong>echo,<\/strong> <strong>more space<\/strong> or <strong>less space<\/strong>) than where we are. Although it is not an essential pedal to play postpunk, adding it to our footswitch will considerably expand our tools when it comes to producing <strong>atmospheres<\/strong>. Both the <a href=\"https:\/\/www.thomann.de\/gb\/earthquaker_devices_ghost_echo_v3_reverb.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>EarthQuaker Devices Ghost Echo V3<\/strong><\/a>\u00a0and the <a href=\"https:\/\/www.thomann.de\/gb\/electro_harmonix_nano_holy_grail.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Electro Harmonix Holy Grail<\/strong><\/a> or the <a href=\"https:\/\/www.thomann.de\/gb\/boss_rv_6.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Bo<\/strong><\/a><a href=\"https:\/\/www.thomann.de\/gb\/boss_rv_6.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>ss RV-6<\/strong><\/a> are reverbs that should be noted. The Holy Grail is simple, with a reverb knob and 3 predefined modes (<strong>Spring \/ Hall \/ Flerb<\/strong>), of which the Spring option is most interesting for postpunk, recreating classic spring reverbs of the <strong>&#8217;50s<\/strong>. The other two have the usual knobs, referring to <strong>reverberation time, mix<\/strong> and <strong>tone.<\/strong> When adjusting them, you have to take into account the <strong>chorus<\/strong> and the <strong>distortion<\/strong> in your effect chain, because the reverb will generate a tail end of each sound. If we don&#8217;t combine it well, we can create a real messy soup of sound. No good.<\/p>\n<p>Another pedal that is not fundamental but that will help us get closer to the postpunk universe is the <a href=\"https:\/\/www.thomann.de\/gb\/delays_and_echos.html?sw=delay&amp;smuuid=94cfa4e8-60d0-4eb4-8f5d-1191c15d7f08\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Delay<\/strong><\/a>. This effect copies the guitar signal and plays it some time later, generating an <strong>echo.<\/strong> As in the case of the reverb, calibrating it is vital according to what we have in mind regarding chorus and distortion: if we put a good amount of chorus and distortion, it would be advisable not to abuse the delay. The basic knobs of a delay pedal are the <strong>delay time<\/strong> (modifies how long it takes for the pedal to repeat the signal) and the number of repetitions or <strong>feedback<\/strong>, which determines how many times the previously copied wave will be repeated.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-9 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-9 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-9 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-9 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-9' class='gallery galleryid-396955 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"176\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Boss-DD-8-Digital-Delay-176x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Boss-DD-8-Digital-Delay-176x300.png 176w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Boss-DD-8-Digital-Delay.png 255w\" sizes=\"(max-width: 176px) 100vw, 176px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"254\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Electro-Harmonix-Deluxe-Memory-Man-TT1100-300x254.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Electro-Harmonix-Deluxe-Memory-Man-TT1100-300x254.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Electro-Harmonix-Deluxe-Memory-Man-TT1100.png 500w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>These are basically the knobs incorporated in the <a href=\"https:\/\/www.thomann.de\/gb\/boss_dd_8_digital_delay.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Boss DD-8<\/strong><\/a>. The other model you have in the picture, the <a href=\"https:\/\/www.thomann.de\/gb\/electro_harmonix_deluxe_memory_man_tt1100.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Electro Harmonix Deluxe Memory Man TT1100<\/strong><\/a> also allows you to divide the effect to specific <strong>rhythmic figures<\/strong> (quarter note, eighth note, dotted eighth note, triplet and sixteenth note). The equalization (<strong>EQ<\/strong>) of the feedback is fundamental, because if we go too far on either end of the spectrum we can destroy any intended atmosphere.<\/p>\n<p>We finish this review of &#8220;postpunk pedalistics&#8221; with the <a href=\"https:\/\/www.thomann.de\/gb\/chorus_flanger_phaser.html?price-first=0&amp;filter=true&amp;feature-46418=true&amp;viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>flanger<\/strong><\/a>, an effect that is obtained by duplicating the original signal and applying a very slight delay to this second signal, with a comb filter respecting the harmonics and producing a <strong>metallic oscillating sound<\/strong>. Oh, still still have no idea how it sounds? Watch this:<\/p>\n<div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"youtube-content-blocker\" data-borlabs-cookie-content=\"PGlmcmFtZSB0aXRsZT0iTW9kZXJuIEVuZ2xpc2ggLSBNZXNoIGFuZCBMYWNlIiB3aWR0aD0iNTAwIiBoZWlnaHQ9IjI4MSIgc3JjPSJodHRwczovL3d3dy55b3V0dWJlLW5vY29va2llLmNvbS9lbWJlZC94QzI2bTVrSTZtcz9mZWF0dXJlPW9lbWJlZCIgZnJhbWVib3JkZXI9IjAiIGFsbG93PSJhY2NlbGVyb21ldGVyOyBhdXRvcGxheTsgY2xpcGJvYXJkLXdyaXRlOyBlbmNyeXB0ZWQtbWVkaWE7IGd5cm9zY29wZTsgcGljdHVyZS1pbi1waWN0dXJlOyB3ZWItc2hhcmUiIHJlZmVycmVycG9saWN5PSJzdHJpY3Qtb3JpZ2luLXdoZW4tY3Jvc3Mtb3JpZ2luIiBhbGxvd2Z1bGxzY3JlZW4+PC9pZnJhbWU+\">\n<div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-youtube\">\n<div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.thomann.de\/blog\/app\/uploads\/borlabs-cookie\/2\/brlbs-cb-youtube-main.png')\"><\/div>\n<div class=\"brlbs-cmpnt-cb-main\">\n<div class=\"brlbs-cmpnt-cb-play-button\"><\/div>\n<div class=\"brlbs-cmpnt-cb-content\">\n<p class=\"brlbs-cmpnt-cb-description\">You are currently viewing a placeholder content from <strong>YouTube<\/strong>. To access the actual content, click the button below. Please note that doing so will share data with third-party providers.<\/p>\n<p> <a class=\"brlbs-cmpnt-cb-provider-toggle\" href=\"#\" data-borlabs-cookie-show-provider-information role=\"button\">More Information<\/a> <\/div>\n<div class=\"brlbs-cmpnt-cb-buttons\"> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Unblock this content<\/a> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-accept-service role=\"button\" style=\"display: inherit\">Accept required service and unblock its content<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n\n\t\t<style>\n\t\t\t#gallery-10 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-10 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-10 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-10 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-10' class='gallery galleryid-396955 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"248\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Electro-Harmonix-Stereo-Electric-Mistress-248x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Electro-Harmonix-Stereo-Electric-Mistress-248x300.png 248w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Electro-Harmonix-Stereo-Electric-Mistress.png 364w\" sizes=\"(max-width: 248px) 100vw, 248px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"209\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Boss-BF-3-209x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Boss-BF-3-209x300.png 209w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Boss-BF-3.png 292w\" sizes=\"(max-width: 209px) 100vw, 209px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>One of its great prophets has always been <strong>Keith Levene<\/strong>, <a href=\"https:\/\/www.youtube.com\/watch?v=Nv0efmUKP9s\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>PiL<\/strong><\/a> guitarist. Levene usually uses what is probably the most controversial flanger: the <a href=\"https:\/\/www.thomann.de\/gb\/electro_harmonix_stereo_electric_mistress.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Electro Harmonix Stereo Electric Mistress<\/strong><\/a>. Like the <a href=\"https:\/\/www.thomann.de\/gb\/boss_bf3.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Boss BF-3<\/strong><\/a>, it allows you to control both the <strong>interval<\/strong> at which the second wave is triggered and the <strong>level of effect<\/strong> of the second wave. The flanger, like the chorus, is a dangerous effect: <strong>used with moderation<\/strong> it can be very <strong>elegant<\/strong> (check out the first albums of <a href=\"https:\/\/open.spotify.com\/album\/3OrGW7wRB8dIZ8EYrAkkWW\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>The Gun Club<\/strong><\/a>, for example), but if it gets out of hand, we could end up with a copy of a horrible &#8217;80s nightmare.<\/p>\n<h3 style=\"text-align: center;\">Anything else?<\/h3>\n<p>Yeah, but it&#8217;ll be quick. Let&#8217;s remember: you already have your <strong>guitar,<\/strong> you know which <strong>pickups<\/strong> are right for you and you know how to configure a <strong>pedalboard<\/strong> to play postpunk. Now you need to hear yourself, yes, we&#8217;re talking about an <strong><a href=\"https:\/\/www.thomann.de\/gb\/solid_state_guitar_combos.html?sw=spring%20reverb&amp;filter=true&amp;smuuid=a1a91fab-20da-47e6-b800-58ca812843a9\" target=\"_blank\" rel=\"noopener noreferrer\">amplifier<\/a><\/strong>.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-11 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-11 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 25%;\n\t\t\t}\n\t\t\t#gallery-11 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-11 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-11' class='gallery galleryid-396955 gallery-columns-4 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"234\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Fender-Tone-Master-Twin-Reverb-300x234.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Fender-Tone-Master-Twin-Reverb-300x234.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Fender-Tone-Master-Twin-Reverb.png 522w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"239\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Vox-AC30-C2-300x239.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Vox-AC30-C2-300x239.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Vox-AC30-C2.png 531w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"275\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Marshall-MG101GFX-300x275.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Marshall-MG101GFX-300x275.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Marshall-MG101GFX.png 467w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"239\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Blackstar-ID-Core-150-300x239.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Blackstar-ID-Core-150-300x239.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/11\/Blackstar-ID-Core-150.png 483w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Although, as we pointed out before, the most important element to play postpunk with a guitar will be the guitar effects, the choice of amplifier also has its importance. It is usually recommended to limit the effects to the pedals, but when the time comes, it is advisable to choose an amp with the <strong>reverb<\/strong> in mind. Especially, as we said before, in the <strong>spring reverb.<\/strong> The two models above, the <a href=\"https:\/\/www.thomann.de\/gb\/fender_tone_master_twin_reverb.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Fender Tone Master Twin Reverb<\/strong><\/a> and the <a href=\"https:\/\/www.thomann.de\/gb\/vox_ac30_c2_gitarrencombo.htm\"><strong>Vox AC30 C2<\/strong><\/a>, as well as those below, the <a href=\"https:\/\/www.thomann.de\/gb\/marshall_mg101gfx.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Marshall MG101GFX<\/strong><\/a> and the <a href=\"https:\/\/www.thomann.de\/gb\/blackstar_id_core_150.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Blackstar ID Core 150<\/strong><\/a> have among their qualities this characteristic. Depending on the reverb we have in the pedal, we will configure the amp one way or another.<\/p>\n<p>And now yes, Heaven knows, you are prepared to behave like the guitarist of <a href=\"https:\/\/www.youtube.com\/watch?v=7Oxqf_15k0w&amp;list=OLAK5uy_k2RMLQxaaT022KvumTaoi0ayjg7v70KwA&amp;index=2\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Idles<\/strong><\/a>&#8230;<\/p>\n<div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"youtube-content-blocker\" data-borlabs-cookie-content=\"PGlmcmFtZSB0aXRsZT0iSURMRVMgcGVyZm9ybSBTYW1hcml0YW5zIG9uIExhdGVyLi4uIHdpdGggSm9vbHMgSG9sbGFuZCIgd2lkdGg9IjUwMCIgaGVpZ2h0PSIyODEiIHNyYz0iaHR0cHM6Ly93d3cueW91dHViZS1ub2Nvb2tpZS5jb20vZW1iZWQvdVhoOGFlNVJhQTQ\/ZmVhdHVyZT1vZW1iZWQiIGZyYW1lYm9yZGVyPSIwIiBhbGxvdz0iYWNjZWxlcm9tZXRlcjsgYXV0b3BsYXk7IGNsaXBib2FyZC13cml0ZTsgZW5jcnlwdGVkLW1lZGlhOyBneXJvc2NvcGU7IHBpY3R1cmUtaW4tcGljdHVyZTsgd2ViLXNoYXJlIiByZWZlcnJlcnBvbGljeT0ic3RyaWN0LW9yaWdpbi13aGVuLWNyb3NzLW9yaWdpbiIgYWxsb3dmdWxsc2NyZWVuPjwvaWZyYW1lPg==\">\n<div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-youtube\">\n<div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.thomann.de\/blog\/app\/uploads\/borlabs-cookie\/2\/brlbs-cb-youtube-main.png')\"><\/div>\n<div class=\"brlbs-cmpnt-cb-main\">\n<div class=\"brlbs-cmpnt-cb-play-button\"><\/div>\n<div class=\"brlbs-cmpnt-cb-content\">\n<p class=\"brlbs-cmpnt-cb-description\">You are currently viewing a placeholder content from <strong>YouTube<\/strong>. To access the actual content, click the button below. Please note that doing so will share data with third-party providers.<\/p>\n<p> <a class=\"brlbs-cmpnt-cb-provider-toggle\" href=\"#\" data-borlabs-cookie-show-provider-information role=\"button\">More Information<\/a> <\/div>\n<div class=\"brlbs-cmpnt-cb-buttons\"> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Unblock this content<\/a> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-accept-service role=\"button\" style=\"display: inherit\">Accept required service and unblock its content<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<h3 style=\"text-align: center;\">Conclusion<\/h3>\n<p>Well, you&#8217;ve come this far. Remember when you were a lost soul seeking guidance in the noble art of postpunk? It seems like centuries ago. At this point, the conclusion is clear: find out about the technology, think about how to set up a system to turn what&#8217;s in your head into sound and, above all, immerse your self in the postpunk universe: listen to <strong>Gang of Four, Joy Division, The Fall, Wire, Mission of Burma, Bauhaus<\/strong> and<strong> The Church<\/strong> until your ears bleed and you can&#8217;t think of anything else but wearing black. Then you&#8217;ll be well on your way.<\/p>\n<div class=\"advads-content-injection-before-content advads-entity-placement\" style=\"text-align: center;\" id=\"advads-3888182312\"><div class=\"advads-adlabel\">Advertisements<\/div><div id=\"advads-1073160597\"><a href=\"https:\/\/www.thomann.de\/intl\/index.html?utm_medium=display&#038;utm_source=partnersite&#038;utm_campaign=branding&#038;utm_content=thoshop&#038;utm_term=gemischt\" target=\"_blank\" aria-label=\"2502_Gear_Banner_Gemischt_729x90_EN_v01\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01.jpg\" alt=\"\"  srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01.jpg 728w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01-300x37.jpg 300w\" sizes=\"(max-width: 728px) 100vw, 728px\" width=\"728\" height=\"90\"   \/><\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>How do you sound like your postpunk heroes? It&#8217;s not easy but if you know a few tricks you could be well on your way&#8230;<\/p>\n","protected":false},"author":30,"featured_media":399564,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[1083,10676,10720],"tags":[5926,2528,10698,10626,7639,10624,2083,10628,7641,2581,3901,10387,10385,10389,2585,10622],"class_list":["post-396955","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear","category-inspire","category-learn","tag-amplifier-en","tag-amps-en","tag-angular","tag-chorus-en","tag-distortion-en","tag-flanger","tag-guitar-en","tag-humbucker-en","tag-overdrive-en","tag-pedals","tag-pickups-en","tag-post","tag-postpunk","tag-punk","tag-reverb-en","tag-single-coil"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":13,"formatted":"13 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts\/396955","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/users\/30"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/comments?post=396955"}],"version-history":[{"count":0,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts\/396955\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/media\/399564"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/media?parent=396955"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/categories?post=396955"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/tags?post=396955"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}