{"id":374803,"date":"2019-07-14T10:00:29","date_gmt":"2019-07-14T08:00:29","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/?p=374803"},"modified":"2019-07-10T13:16:59","modified_gmt":"2019-07-10T11:16:59","slug":"flute-vs-recorder-the-ultimate-comparison","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/en\/gear\/flute-vs-recorder-the-ultimate-comparison\/","title":{"rendered":"Flute vs. Recorder"},"content":{"rendered":"<p>The <a href=\"https:\/\/www.thomann.de\/gb\/flutes.html\" target=\"_blank\" rel=\"noopener\"><strong>flute<\/strong><\/a> and the <strong><a href=\"https:\/\/www.thomann.de\/gb\/recorders.html\" target=\"_blank\" rel=\"noopener\">recorder<\/a>,<\/strong> aren&#8217;t they the same? Don&#8217;t they produce exactly the same sound? Ummm, no and no! For some strange reason the flute and the recorder very often get confused, many people simply do not know the difference. We are here today to explain their differences. The recorder is that &#8220;beginner&#8217;s instrument&#8221; that many of us were introduced to in elementary school <strong>music class<\/strong>. The flute (also known as the <strong>transverse flute<\/strong>) is the one you can only start playing (sideways!) once you&#8217;ve reached a certain level on the recorder. Are these descriptions accurate? Not quite, let us explain&#8230;<\/p>\n<hr \/>\n<h3 style=\"text-align: center;\">I&#8217;m confused, throw me a bone!<\/h3>\n<figure id=\"attachment_374828\" aria-describedby=\"caption-attachment-374828\" style=\"width: 400px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.thomann.de\/gb\/mollenhauer_waldorf_edition_headjoint_sopr.htm\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-374828\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2222\/07\/Mollenhauer-Waldorf-Edition-Headjoint-Sopr-.jpg\" alt=\"\" width=\"400\" height=\"213\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/07\/Mollenhauer-Waldorf-Edition-Headjoint-Sopr-.jpg 800w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/07\/Mollenhauer-Waldorf-Edition-Headjoint-Sopr--300x160.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/07\/Mollenhauer-Waldorf-Edition-Headjoint-Sopr--768x410.jpg 768w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a><figcaption id=\"caption-attachment-374828\" class=\"wp-caption-text\">Headjoint for soprano recorder<\/figcaption><\/figure>\n<p>What is certain is that both instruments are considerably <strong>old<\/strong> and have a <strong>long tradition<\/strong>. Way back in <strong>prehistoric times<\/strong> flute instruments were made of <strong>hollow bones<\/strong>, sometimes playable with only one hand, sometimes with both. In addition to the particularly frequently occurring <a href=\"https:\/\/www.thomann.de\/gb\/pan_flutes.html\" target=\"_blank\" rel=\"noopener\"><strong>pan flute<\/strong><\/a>, which is made of individual <strong>bamboo<\/strong> or <strong>bone tubes<\/strong> of different lengths, various recorder-like instruments were in use.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-374803 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"241\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2019\/07\/Thomann-Panpipes-18C-300x241.jpg\" class=\"attachment-medium size-medium\" alt=\"Thomann Panpipes 18C\" aria-describedby=\"gallery-1-374817\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2019\/07\/Thomann-Panpipes-18C-300x241.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2019\/07\/Thomann-Panpipes-18C.jpg 747w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-374817'>\n\t\t\t\tPan flute 18C\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"261\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2019\/07\/Thomann-Solist-Panpipes-Alto-G-C2218-300x261.jpg\" class=\"attachment-medium size-medium\" alt=\"Thomann Solist Panpipes Alto G&#039;- C&#039;18\" aria-describedby=\"gallery-1-374816\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2019\/07\/Thomann-Solist-Panpipes-Alto-G-C2218-300x261.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2019\/07\/Thomann-Solist-Panpipes-Alto-G-C2218.jpg 689w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-374816'>\n\t\t\t\tAlto G&#8217;- C&#8217;18\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"258\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2019\/07\/Thomann-Solist-Panpipes-Tenor-D-G222225-300x258.jpg\" class=\"attachment-medium size-medium\" alt=\"Thomann Solist Panpipes Tenor D&#039;-G25\" aria-describedby=\"gallery-1-374815\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2019\/07\/Thomann-Solist-Panpipes-Tenor-D-G222225-300x258.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2019\/07\/Thomann-Solist-Panpipes-Tenor-D-G222225.jpg 698w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-374815'>\n\t\t\t\tTenor D&#8217;-G25\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>At least since the <strong>14th century<\/strong> the recorder is known by its current name which comes from the <strong>Middle-French<\/strong> verb <strong>&#8220;recorder&#8221;<\/strong> (to remember,\u00a0to learn by heart, repeat, relate, recite, play music) and also from its noun form <strong>&#8220;recordeur&#8221;<\/strong> (one who retells, a minstrel). Sounds medieval, doesn&#8217;t it? Precisely, it is related to the era&#8217;s court entertainers, called <strong>&#8220;jongleurs&#8221;<\/strong> who memorised poems by heart and recited them, sometimes with musical accompaniment using this type of instrument:<\/p>\n\n\t\t<style>\n\t\t\t#gallery-2 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-2 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-2' class='gallery galleryid-374803 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"47\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2019\/07\/Yamaha-YRA-27-III-47x300.jpg\" class=\"attachment-medium size-medium\" alt=\"Yamaha YRA-27 III\" aria-describedby=\"gallery-2-374821\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2019\/07\/Yamaha-YRA-27-III-47x300.jpg 47w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2019\/07\/Yamaha-YRA-27-III.jpg 94w\" sizes=\"(max-width: 47px) 100vw, 47px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-374821'>\n\t\t\t\tYamaha YRA-27 III\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"53\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2019\/07\/Mollenhauer-New-Student-1003-53x300.jpg\" class=\"attachment-medium size-medium\" alt=\"Mollenhauer New Student 1003\" aria-describedby=\"gallery-2-374819\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2019\/07\/Mollenhauer-New-Student-1003-53x300.jpg 53w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2019\/07\/Mollenhauer-New-Student-1003.jpg 106w\" sizes=\"(max-width: 53px) 100vw, 53px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-374819'>\n\t\t\t\tMollenhauer New Student 1003\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"23\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2019\/07\/Mollenhauer-1293-Prima-Alto-Recorder-23x300.jpg\" class=\"attachment-medium size-medium\" alt=\"Mollenhauer 1293 Prima Alto Recorder\" aria-describedby=\"gallery-2-374820\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2019\/07\/Mollenhauer-1293-Prima-Alto-Recorder-23x300.jpg 23w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2019\/07\/Mollenhauer-1293-Prima-Alto-Recorder.jpg 46w\" sizes=\"(max-width: 23px) 100vw, 23px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-374820'>\n\t\t\t\tMollenhauer 1293 Prima Alto Recorder\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>In the 3 centuries that followed it was by far the most popular <strong>wind instrument<\/strong>, also because of its tonal proximity to the <strong>human voice<\/strong>. During the 18th century, however, it was forgotten or replaced by other instruments and only regained its popularity in the <strong>mid-20th century<\/strong>. Since then, it has enjoyed constant recognition as a serious instrument especially, but <strong>not exclusively<\/strong>, as a first instrument for <strong>children&#8217;s musical education.\u00a0\u00a0<\/strong><\/p>\n<hr \/>\n<h3 style=\"text-align: center;\">The transverse flute makes a comeback<\/h3>\n<p>During the <strong>baroque period<\/strong> the <strong>transverse flute,<\/strong> which had fallen somewhat into oblivion until then, came back into the spotlight. For the first time there was an explicit distinction between the &#8220;<strong>flauto dolce<\/strong>&#8221; (recorder) and the &#8220;<strong>flauto traverso<\/strong>&#8221; (transverse flute) as their <strong>Italian names<\/strong> illustrate. The transverse flute proved to be the better orchestral instrument because of its <strong>more present sound<\/strong> and, as the orchestras grew in size in the classical and romantic periods, it developed into today&#8217;s <strong>Boehm flute<\/strong>. This model completely <strong>replaced the recorder<\/strong> due to its new characteristics: it was made of <strong>metal<\/strong> for the first time, which made it possible to achieve a significant <strong>increase in volume<\/strong> and <strong>range<\/strong>. In addition, a previously unattainable <strong>technical virtuosity<\/strong> was made possible by a completely new key system that made <strong>Romantic repertoire<\/strong> playable for the first time. Since then the transverse flute has enjoyed a constant popularity and is currently one of the most played instruments in Europe.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-3 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-3 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-3' class='gallery galleryid-374803 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"97\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/07\/Thomann-FL-200R-Flute-Open-Holes-97x300.jpg\" class=\"attachment-medium size-medium\" alt=\"Thomann FL-200R Flute Open Holes\" aria-describedby=\"gallery-3-374846\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/07\/Thomann-FL-200R-Flute-Open-Holes-97x300.jpg 97w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/07\/Thomann-FL-200R-Flute-Open-Holes.jpg 194w\" sizes=\"(max-width: 97px) 100vw, 97px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-374846'>\n\t\t\t\tThomann FL-200R Flute Open Holes\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"97\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/07\/Yamaha-YFL-372-Flute-97x300.jpg\" class=\"attachment-medium size-medium\" alt=\"Yamaha YFL-372 Flute\" aria-describedby=\"gallery-3-374845\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-374845'>\n\t\t\t\tYamaha YFL-372 Flute\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"61\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/07\/Sankyo-CF-301-Flute-RBE--61x300.jpg\" class=\"attachment-medium size-medium\" alt=\"Sankyo CF 301 Flute RBE\" aria-describedby=\"gallery-3-374844\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-374844'>\n\t\t\t\tSankyo CF 301 Flute RBE\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<hr \/>\n<h3 style=\"text-align: center;\">Differences? Not only the playing position!<\/h3>\n<p>The most obvious difference is in the <strong>playing position<\/strong> or <strong>orientation<\/strong> of the instrument: The recorder is held<strong> vertically, straight<\/strong> and with <strong>both hands<\/strong> in front of the upper body, while the transverse flute is held in an <strong>asymmetrical position<\/strong> from the <strong>mouth to the right shoulder<\/strong>. As this can lead to postural damage to the <strong>neck, shoulders<\/strong> and <strong>lower back,<\/strong> children in particular need careful instruction and accompaniment when learning the flute.<\/p>\n<p>The <strong>fingering system<\/strong> is also different, as can be seen from the <strong>flap system<\/strong> of the transverse flute, which contrasts the recorder&#8217;s more simple <strong>finger holes<\/strong>, drilled directly into the tube. The recorder sometimes requires somewhat more <strong>unpleasant finger combinations<\/strong> in order to be able to play <strong>all notes<\/strong> of the <strong>chromatic scale.<\/strong> With the transverse flute, the mechanics are a bit more convenient for the player.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-4 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-4 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 100%;\n\t\t\t}\n\t\t\t#gallery-4 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-4 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-4' class='gallery galleryid-374803 gallery-columns-1 gallery-size-large'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"600\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/07\/flute-fingering.png\" class=\"attachment-large size-large\" alt=\"flute fingering\" aria-describedby=\"gallery-4-375099\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/07\/flute-fingering.png 900w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/07\/flute-fingering-300x200.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/07\/flute-fingering-768x512.png 768w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-375099'>\n\t\t\t\tflute fingering\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"600\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/07\/recorder-fingering.png\" class=\"attachment-large size-large\" alt=\"recorder fingering\" aria-describedby=\"gallery-4-375098\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/07\/recorder-fingering.png 900w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/07\/recorder-fingering-300x200.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2222\/07\/recorder-fingering-768x512.png 768w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-375098'>\n\t\t\t\trecorder fingering\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>The <strong>sound<\/strong> of both instruments is based on the same principle. To put it very simply: a stream of air enters a tube and is split when certain holes in the tube are open. This causes an <strong>oscillation<\/strong> <strong>of the air<\/strong> in the instrument, and depending on which <strong>combination of holes<\/strong> are open the air stream&#8217;s\u00a0<strong>length<\/strong> and<strong> speed varies, producing different notes<\/strong>. In the recorder, the path of the air through a gap in the mouthpiece, the <strong>labium,<\/strong> is predetermined and <strong>fixed.<\/strong> Flute players, however, must <strong>form this path themselves<\/strong> with their <strong>lips.<\/strong> This requires great <strong>control<\/strong> of the lips as well as of the <strong>respiratory system<\/strong>. In this respect it must be noted that the greatest difference in the handling of the two instruments is the <strong>airflow.\u00a0<\/strong><\/p>\n<figure id=\"attachment_375166\" aria-describedby=\"caption-attachment-375166\" style=\"width: 596px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2222\/07\/flute.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-375166\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2222\/07\/flute.gif\" alt=\"\" width=\"596\" height=\"257\" \/><\/a><figcaption id=\"caption-attachment-375166\" class=\"wp-caption-text\">Flute lip positions<\/figcaption><\/figure>\n<hr \/>\n<h3 style=\"text-align: center;\">Conclusion<\/h3>\n<p>The <strong>transverse flute<\/strong> and the <strong>recorder<\/strong> come from the <strong>same origin,<\/strong> but have <strong>developed in different directions<\/strong> over the centuries. Both, however, have their justification as <strong>serious instruments<\/strong> with the potential of creating breathtaking music (no pun intended).\u00a0It is very worthwhile to discover what both of these instruments are capable of. Come to our shop and try them out!<\/p>\n<hr \/>\n<p style=\"text-align: center;\"><a href=\"#top\">back to the top<\/a><\/p>\n<div class=\"advads-content-injection-before-content advads-entity-placement\" style=\"text-align: center;\" id=\"advads-2067298924\"><div class=\"advads-adlabel\">Advertisements<\/div><div id=\"advads-2441646692\"><a href=\"https:\/\/www.thomann.de\/intl\/index.html?utm_medium=display&#038;utm_source=partnersite&#038;utm_campaign=branding&#038;utm_content=thoshop&#038;utm_term=gemischt\" target=\"_blank\" aria-label=\"2502_Gear_Banner_Gemischt_729x90_EN_v01\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01.jpg\" alt=\"\"  srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01.jpg 728w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/3\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_EN_v01-300x37.jpg 300w\" sizes=\"(max-width: 728px) 100vw, 728px\" width=\"728\" height=\"90\"   \/><\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>The flute and recorder, two different instruments with the same distant roots, get confused very often. This article should clear up some misconceptions. <\/p>\n","protected":false},"author":30,"featured_media":375558,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[1083,10720],"tags":[2526,8297,5400,3105,8299,8293,8291,5223,8295,4295],"class_list":["post-374803","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear","category-learn","tag-comparison","tag-flauta","tag-flute","tag-instrument","tag-lips","tag-pan-flute","tag-recorder","tag-school","tag-transverse","tag-wind"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":4,"formatted":"4 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts\/374803","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/users\/30"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/comments?post=374803"}],"version-history":[{"count":0,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts\/374803\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/media\/375558"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/media?parent=374803"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/categories?post=374803"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/tags?post=374803"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}