{"id":331489,"date":"2019-01-16T18:00:04","date_gmt":"2019-01-16T17:00:04","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/?p=331489"},"modified":"2019-01-29T16:31:49","modified_gmt":"2019-01-29T15:31:49","slug":"namm-2019-studio-tech","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/en\/gear\/namm-2019-studio-tech\/","title":{"rendered":"NAMM 2019 Studio & Tech coverage"},"content":{"rendered":"

#ThoNAMM19<\/span><\/strong><\/p>\n

?\u00a0Music never stops evolving, and often this is thanks to the technology involved in producing and recording it. Highly-regarded producers have always been the ones who pushed the envelope when it comes to recording techniques and innovation in the studio. Follow us here on the t.blog where you will find all the latest, up-to-the-minute information about new studio & tech products unveiled at NAMM 2019…\u00a0?<\/strong><\/p>\n

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IK Multimedia iLoud MTM<\/a><\/h3>\n
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IK Multimedia iLoud MTM <\/strong>is a\u00a02-way active monitor<\/strong> with 1″ tweeter<\/strong> and 2x 3,5″ woofer<\/strong> and high performance bass-reflex port<\/strong>. Because of its unique design it can be placed\u00a0horizontally or vertically<\/strong> and comes with a tilting mount<\/strong> which angles from 0\u00b0 to 20\u00b0. <\/strong>What’s most interesting about this monitor is that it can\u00a0digitally calibrate<\/strong> to suit the room<\/strong> that you are listening in. It does this using DSP<\/strong> and the built-in\u00a0ARC technology<\/strong> and\u00a0microphone.<\/strong> Fantastic!<\/div>\n<\/div>\n
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Focal Trio11 Be Red Burr Ash<\/a><\/h3>\n

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The Focal Trio11 Be Red Burr Ash<\/strong> is a 3-way<\/strong> AND 2-way<\/strong> monitor in one. How is that possible? Well, with a switch it can be changed from a 3-way to a 2-way system allowing for comfortable comparison listening.<\/strong> Its rotatable midrange speaker<\/strong> and tweeter<\/strong>\u00a0makes it equally suitable for horizontal or vertical alignment<\/strong>.\u00a0EQ possibilities<\/strong> mean it can be adjusted for any room and a nice decoupling<\/strong> mechanism of the midrange speaker, via silent blocks, make its reproduction very accurate. Check the link above<\/strong>\u00a0and the video below for more info…<\/p>\n

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Steinberg AXR4<\/a><\/h3>\n

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The Steinberg AXR4<\/strong><\/a> is a\u00a0rack-mountable<\/strong>\u00a0Thunderbolt 2 audio interface <\/strong>with\u00a028 x 24 Channels<\/strong>,\u00a032-bit integer<\/strong> \/ 384 kHz recording<\/strong> & playback;<\/strong> 4x AXR Hybrid mic preamps<\/strong> with Rupert Neve designs<\/a> SILK circuit emulation,\u00a0SSPLL technology <\/strong>for extremely low jitter,\u00a0DSPX chip<\/strong> and dsp Mix FX technology<\/strong> for latency-free monitoring<\/strong> with DSP-based effects,\u00a0<\/strong>28 x 24 matrix mixer\u00a0<\/strong>and an\u00a0LCD display<\/strong>. Truly professional stuff.<\/p>\n<\/div>\n

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Arturia AudioFuse Studio<\/a><\/h3>\n<\/div>\n

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This USB 3.0 audio interface<\/strong> captures your audio in 24-Bit \/ 192 kHz<\/strong>, has 18 inputs<\/strong> and 20 outputs<\/strong>, Bluetooth<\/strong> audio receiver supporting aptX<\/strong> and AAC,<\/strong> built-in monitor controller<\/strong> with DIM, MUTE and MONO functions, speaker and source selector<\/strong>, integrated 3x USB hub<\/strong> for external devices and USB-C<\/strong> connector. The future is here.<\/p>\n

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Tascam Series 208i<\/a> &\u00a0102i<\/a><\/h3>\n
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