{"id":236621,"date":"2018-07-10T04:31:38","date_gmt":"2018-07-10T02:31:38","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/?p=236621"},"modified":"2018-07-10T10:56:57","modified_gmt":"2018-07-10T08:56:57","slug":"playing-singing-at-the-same-time","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/en\/learn\/playing-singing-at-the-same-time\/","title":{"rendered":"Playing & singing at the same time – tips & tricks"},"content":{"rendered":"

For many people, playing guitar<\/strong> is easier while singing<\/strong> than playing bass<\/strong>. Singing and playing drums<\/strong> is even harder for some but playing the keyboard<\/strong> is a breeze. Mastering instrumental multitasking<\/strong> is a challenge<\/strong> for most musicians. However,\u00a0the exception proves the rule. Some make it look so easy:\u00a0Paul McCartney<\/strong>, for example, plays complex bass lines and sings beautifully while always making it look effortless. But for mere mortals it’s all about “practice makes perfect<\/strong>“.<\/p>\n

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Autorin Catharina Bouthari, photo: Inga Seevers<\/figcaption><\/figure>\n

Training without any problems can work for some, but with a calculated system<\/strong> the results come faster. Here are some suggestions and thoughts from our author Catharina Boutari<\/strong>*, who will give us some tips & tricks:<\/p>\n

Einfach drauflos trainieren kann klappen, mit System kommen die Erfolge aber schneller. Hier ein paar Anregungen und Gedanken von unserer Autorin<\/strong> Catharina Boutari*<\/strong>, die euch weiterhelfen:<\/p>\n

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Get the basics down first!<\/h3>\n

Learn both parts separately<\/strong>.
\nIn singing<\/strong>, that means:<\/p>\n

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  1. Memorising the text<\/strong>.<\/li>\n
  2. Go through the melody thoroughly and note any difficult parts. Learn to overcome these “stumbling blocks” intensively<\/strong>.<\/li>\n
  3. Get the arrangement<\/strong>, i.e. the sequence of the individual song parts, memorised<\/strong>.<\/li>\n<\/ol>\n

    With the instrument<\/strong>, just like with the vocals:<\/p>\n

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    1. Master the technical difficulties you encounter<\/strong>: motor and general rhythm techniques.<\/li>\n
    2. Make sure you can play the chords or the accompaniment without looking<\/strong> at your instrument!<\/li>\n
    3. Play the song without errors\u00a0<\/strong>(challenge yourself and try to do it 10 times<\/strong> without a single error)<\/li>\n
    4. Play the song instrumentally<\/strong> with the band!<\/li>\n<\/ol>\n
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      Get in shape rhythmically!<\/h3>\n

      All variations of quarters, eighths, sixteenths and triplets should be able to groove<\/strong> and in general should not be foreign lands for you. Practice clapping <\/strong>with your hands<\/strong>, on the instrument, <\/strong>or making beats with\u00a0your mouth<\/strong> for constant practice.<\/p>\n

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      Practice instrumental multitasking like a partner dance!<\/h3>\n

      Understand how the song and instruments are interwoven. Which words are used for which chord movements, which are in between? Go through the song at a snail’s pace<\/strong>, part by part<\/strong>, and practice the whole choreography. Difficult places are approaching their cycle by cycle until they run smoothly. Only when this groundwork has been done will you pick up the pace in small steps. This requires patience<\/strong>, but this is the only way to eliminate all sources of error. My tip: Use your feet<\/strong> as a connecting element. If it goes quarter or eighth, the instrument plays to it. Sing along. Do both together over your walking feet.<\/p>\n

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      Be efficient!<\/h3>\n

      Leave enough room for your performance<\/strong>! If parts are too heavy and don’t work despite intensive practice, look for alternative ways. Can the phrasing<\/strong> be simplified? Can someone else<\/strong> in the band take the part and you play something easier? Are there any instrumental alternatives? Don’t be vain<\/strong>. Let yourselves breathe so that you can be confident<\/strong> on stage. That deserves the most applause!\u00a0
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      About the author<\/h3>\n

      Catharina<\/strong> is a singer, songwriter, session musician, live artist and works as a vocal coach.\u00a0She worked as a stage musician, music director and opera director at Hamburg<\/strong>‘s Thalia Theater<\/strong>. Since 2012, Catharina has been touring solo under the name Puder<\/strong><\/a>.<\/p>\n

      Click here <\/a><\/strong>for<\/a> Catharina Boutari’s website<\/a><\/strong><\/p>\n

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      Do you have any tips and tricks for the community? We look forward to your comments here on the blog or on our Facebook page<\/a>!\u00a0 \u270d<\/h3>\n
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      It’s not easy to play and sing at the same time! Here are some tips from a pro…<\/p>\n","protected":false},"author":30,"featured_media":235932,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[10720],"tags":[4962,4966,4964,3268,4968],"class_list":["post-236621","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-learn","tag-perform","tag-play","tag-sing","tag-tips","tag-tricks-en"],"category_colors":{"color_key":"learn","css_classes":{"text":"cat-learn","text_light":"cat-learn-light","bg":"cat-bg-learn","bg_light":"cat-bg-learn-light","border":"cat-border-learn","text_on_bg":"cat-text-on-learn"}},"reading_time":{"minutes":3,"formatted":"3 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts\/236621","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/users\/30"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/comments?post=236621"}],"version-history":[{"count":0,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts\/236621\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/media\/235932"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/media?parent=236621"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/categories?post=236621"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/tags?post=236621"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}