{"id":10005388,"date":"2025-09-10T10:40:34","date_gmt":"2025-09-10T08:40:34","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/en\/?p=10005388"},"modified":"2025-09-10T10:48:37","modified_gmt":"2025-09-10T08:48:37","slug":"new-gear-september-our-picks","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/en\/gear\/new-gear-september-our-picks\/","title":{"rendered":"New Gear September 2025 – Our Picks"},"content":{"rendered":"\n

The last days of summer are showing themselves from their best side\u2014with lots of brand-new gear! From a drum kit to unique effects, a professional DJ controller, a biofeedback instrument, versatile lighting, and new microphones, we’ve got it all. Let’s get started!<\/p>\n\n\n\n

Dialtune 4-piece Maple Set Matte Black<\/h2>\n\n\n\n

The four-piece drum set from American manufacturer Dialtune<\/strong> is made from North American maple<\/strong> and finished in matte black<\/strong>. The special feature of these drums is the patented tuning system<\/strong> with synthetic fiber cables<\/strong> and independent tuning dials for the batter and resonance heads<\/strong>. The set includes a 22″ x 16″ bass drum, 10″ x 08″ and 12″ x 09″ rack toms, and a 16″ x 14″ floor tom. Modern drums with an assertive sound!<\/p>\n\n\n

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Dialtune<\/p>\n

4-pcs Maple Set Matte Black<\/h3>\n <\/span>\n\n
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Behringer BM-12 Ring Modulator<\/h2>\n\n\n\n

The Behringer BM-12 Ring Modulator<\/strong> is an authentic replica of the Moog MF-102 from the 1990s, which is no longer available. It produces bell-like timbres<\/strong>, pronounced overtones<\/strong>, and metallic sounds<\/strong>. As with the original, it allows you to modulate almost any sound creatively to produce unique tones. Sporting an old-school design<\/strong>, this analog effects pedal<\/strong> is perfect for guitar, bass, and synths. A must-have for sound enthusiasts!<\/p>\n\n\n

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Behringer<\/p>\n

BM-12 Ring Modulator<\/h3>\n <\/span>\n\n
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JHS Pedals 424 Gain Stage<\/h2>\n\n\n\n

Long before computers, 4-track studios ruled the home recording world. One of the most popular models was the Tascam 424 MKI<\/strong>. Released in 1990, it was known for the special sound of its gain stages<\/strong>. These gain stages are perfectly replicated in the 424 Gain Stage overdrive\/distortion pedal<\/strong> from JHS Pedals<\/strong>. Bring this popular sound back to your pedalboard!<\/p>\n\n\n

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JHS Pedals<\/p>\n

424 Gain Stage<\/h3>\n <\/span>\n\n
\n Rating: 9.00 out of\n 10<\/span>\n
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Rane One MKII<\/h2>\n\n\n\n

Rane<\/strong> has given its professional motorized DJ controller One<\/strong> an MKII<\/strong> makeover. New features include an effects unit<\/strong> with 29 effects<\/strong> and an OLED display, improved faders<\/strong>, and dedicated stem controls<\/strong>. The chassis is now white<\/strong>. And because they were already excellent, the motorized 7.2″ high-torque turntables<\/strong> and the perfectly thought-out workflow<\/strong> have of course been retained. Perfect for clubs and at home!<\/p>\n\n\n

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Rane<\/p>\n

One MKII<\/h3>\n <\/span>\n\n
\n Rating: 9.00 out of\n 10<\/span>\n
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Black Lion Audio Bluey Limiter<\/h2>\n\n\n\n

This mono compressor<\/strong> isn\u2019t just any 1176<\/strong> clone, but a modified “Blue Stripe” compressor<\/strong> based on the preferred vocal compressor of mixing legend Chris Lord-Alge<\/strong>. Thanks to discrete circuitry<\/strong> with Cinemag transformers<\/strong> modelled on the original UTC components, it delivers an authentic sound. The wet\/dry control<\/strong> allows you to adjust the balance between the compressed and unprocessed signals. The stereo link connection<\/strong> is another great extra.<\/p>\n\n\n

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Black Lion Audio<\/p>\n

Bluey Limiter<\/h3>\n <\/span>\n\n
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Soundboks Lightboks<\/h2>\n\n\n\n

This sound-controlled<\/strong>, battery-powered 7 x 12 W RGBW LED party effect light<\/strong> comes in an IP65 dust- and weatherproof design<\/strong>. The Soundboks Lightboks<\/strong> can be paired effortlessly and wirelessly<\/strong> with other Lightboks spotlights. The accompanying app<\/strong> allows for remote control<\/strong> and color adjustments<\/strong>. At maximum light output, you can party for up to 13 hours<\/strong>\u2014perfect for your next event!<\/p>\n\n\n

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Soundboks<\/p>\n

Lightboks<\/h3>\n <\/span>\n\n
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Instruo Pocket Scion<\/h2>\n\n\n\n

The Instruo Pocket Scion<\/strong> converts biological processes<\/strong> into sounds<\/strong> and MIDI data<\/strong>. The biofeedback instrument<\/strong> has 4 sound engines<\/strong> and can be connected to all living organisms. Don’t just try it on yourself\u2014plants, fruit, and vegetables can also make music. The results will amaze you!<\/p>\n\n\n

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Instruo<\/p>\n

Pocket Scion<\/h3>\n <\/span>\n\n
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Valeton GP-5<\/h2>\n\n\n\n

The Valeton GP-5<\/strong> proves that multi-effects for electric guitars<\/strong> don’t have to be big. Despite its tiny mini pedal format<\/strong>, this ultra-compact multi-effects processor<\/strong>, SnapTone<\/strong>, and IR loader<\/strong> can handle over 100 different effects<\/strong>, up to 9<\/strong> of which can be used simultaneously and stored in 100 presets<\/strong>. All parameters can be edited and managed via Bluetooth<\/strong> using an app. A real space saver on your pedalboard that delivers outstanding sound!<\/p>\n\n\n

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Valeton<\/p>\n

GP-5<\/h3>\n <\/span>\n\n
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Ape Labs Marvel Flood & Spot<\/h2>\n\n\n\n

Ape Labs<\/strong> has released new battery-powered outdoor LED lights<\/strong>. Both models feature nine 7 mm chip LEDs<\/strong> (RGB + warm white (2700 K) + cool white (6000 K) + lime), each with 18 W<\/strong> as controllable pixels, and are IP65 rated<\/strong>. The Marvel Flood<\/strong> offers a beam angle of 150\u00ba<\/strong>, while the Marvel Spot<\/strong> has a 15\u00b0 beam angle<\/strong>. Both models are available individually or as a set of four<\/strong> with a carrying case<\/strong>. <\/p>\n\n\n\n

Warm Audio’s new “Junior” & “Junior Studio Essentials” series<\/h2>\n\n\n\n

Warm Audio<\/strong> has just announced brand new large-diaphragm condenser microphones<\/strong>! The WA-87jr<\/strong> is the transformerless FET version with gold-sputtered dual diaphragms, switchable polar patterns (cardioid, omnidirectional, figure-8), a dynamic range of 116 dBA and a maximum sound pressure level of 125\/135 dB SPL (0\/-10 dB pad).<\/p>\n\n\n\n

The WA-87jr SE<\/strong> has a cardioid polar pattern, a dynamic range of 116 dBA and a maximum sound pressure level of 125 dB SPL, whereas the WA-47jr SE<\/strong> offers a cardioid polar pattern, a dynamic range of 138 dBA and a maximum sound pressure level of 147 dB SPL. All models offer a frequency response of 20 to 20,000 Hz<\/strong> and a maximum self-noise level of 9 dBA. They are available in silver<\/strong> and black<\/strong>.<\/p>\n\n\n

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Warm Audio<\/p>\n

WA-47jr SE<\/h3>\n <\/span>\n\n
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Warm Audio<\/p>\n

WA-47jr SE Black<\/h3>\n <\/span>\n\n
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Warm Audio<\/p>\n

WA-87jr<\/h3>\n <\/span>\n\n
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Warm Audio<\/p>\n

WA-87jr Black<\/h3>\n <\/span>\n\n
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Warm Audio<\/p>\n

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Warm Audio<\/p>\n

WA-87jr SE Black<\/h3>\n <\/span>\n\n
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New Gear \u2013 September 2025: Which gear do you like best?<\/h2>\n\n\n\n

Have you already tried or are you already using any of the new products listed here? Let us know in a comment!<\/p>\n\n\n\n

<\/p>\n

Advertisements<\/div>
\"\"<\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Discover the hottest new music gear of 2025 \u2013 studio monitors, synths, guitars, amps, and more! \u25b6\ufe0e New Music Equipment \u2013 September 2025 \u2713 #HelloNewGear<\/p>\n","protected":false},"author":23,"featured_media":10005389,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[1083],"tags":[],"class_list":["post-10005388","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":4,"formatted":"4 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts\/10005388","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/comments?post=10005388"}],"version-history":[{"count":2,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts\/10005388\/revisions"}],"predecessor-version":[{"id":10005391,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts\/10005388\/revisions\/10005391"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/media\/10005389"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/media?parent=10005388"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/categories?post=10005388"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/tags?post=10005388"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}