{"id":10003219,"date":"2025-07-11T09:30:00","date_gmt":"2025-07-11T07:30:00","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/en\/?p=10003219"},"modified":"2025-07-10T12:59:57","modified_gmt":"2025-07-10T10:59:57","slug":"new-gear-july-our-picks","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/en\/gear\/new-gear-july-our-picks\/","title":{"rendered":"New Gear July 2025 – Our Picks"},"content":{"rendered":"\n

Summer is here! And with it, some hot new gear has arrived in our shop. This time there are new studio monitors, a synth, a digital mixer, a complete portable recording studio, in-ear headphones, guitars, an amp, a digital handpan, and even a recorder. All are special and worth experiencing, so let’s get started!<\/strong> <\/p>\n\n\n\n

KRK Kreate 3, 5 & 8<\/h2>\n\n\n\n

The KRK Kreate<\/strong> series includes three new active nearfield studio monitors<\/strong> sporting the distinct yellow woofer made of composite glass fibre aramid<\/strong>. The Kreate 3 <\/strong>is available as a pair with a combined output of 66 watts and a frequency response of 70 to 33,000 Hz. The Kreate 5 <\/strong>(55 W, 58 to 40,000 Hz) and Kreate 8 <\/strong>(100 W, 48 to 40,000 Hz) are available individually. Perfect for precise acoustic control!<\/p>\n\n\n

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KRK<\/p>\n

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\n Rating: 9.00 out of\n 10<\/span>\n
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KRK<\/p>\n

Kreate 5<\/h3>\n <\/span>\n\n
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KRK<\/p>\n

Kreate 8<\/h3>\n <\/span>\n\n
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Advertisements<\/div>
\"\"<\/a><\/div><\/div>

Arturia MiniFreak Vocoder<\/h2>\n\n\n\n

Here comes the limited edition <\/strong>of the Arturia MiniFreak <\/strong>with a new vocoder feature <\/strong>and an included detachable gooseneck microphone <\/strong>in summery white. Of course, it has lost none of its algorithmic synthesizer <\/strong>capabilities with 31 selectable oscillator modes <\/strong>and extensive modulation options<\/strong>. An extremely versatile little synth!<\/p>\n\n\n

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Arturia<\/p>\n

MiniFreak Vocoder<\/h3>\n <\/span>\n\n
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Allen & Heath QU-5\/6\/7 and Dante versions<\/h2>\n\n\n\n

Allen & Heath <\/strong>presents its new generation of digital mixing consoles <\/strong>in three different sizes, with and without Dante connectivity<\/strong>. Depending on the size, the mixers are equipped with 16, 24 or 32 mic\/line combo inputs. All offer 38 inputs for mixing. <\/strong>With motorized faders<\/strong>, freely assignable buttons, and a 7-inch touch display<\/strong>, they\u2019re easy to use. And thanks to the 96 kHz XCVI Core<\/strong>, the sound quality is outstanding. Perfect for your next event!<\/p>\n\n\n

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Allen & Heath<\/p>\n

QU-6<\/h3>\n <\/span>\n\n
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Allen & Heath<\/p>\n

QU-7<\/h3>\n <\/span>\n\n
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Allen & Heath<\/p>\n

QU-5D<\/h3>\n <\/span>\n\n
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Allen & Heath<\/p>\n

QU-6D<\/h3>\n <\/span>\n\n
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Allen & Heath<\/p>\n

QU-7D<\/h3>\n <\/span>\n\n
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Teenage Engineering TP-7, CM-15 & TX-6 Black<\/h2>\n\n\n\n

Teenage Engineering <\/strong>presents three new portable recording devices \u2013 all with professional functions and impeccable style! The TP-7 Black <\/strong>is a multitrack field recorder <\/strong>that records and plays up to 3 stereo tracks through 24-bit\/96 kHz converters. The CM-15 Black<\/strong> large diaphragm condenser microphone <\/strong>with a supercardioid polar pattern can be used in the classic way via XLR and phantom power, but also works as a USB mic and even as a stand-alone mic with a built-in rechargeable battery and a line output. Finally, the TX-6 Black <\/strong>is a portable professional mixer <\/strong>with 6 stereo inputs and 3 stereo outputs, 3-band EQ and compressor per channel, 2 stereo multi-effects processors, an integrated 12-channel USB audio interface, and a built-in rechargeable battery. The perfect 3-piece combo for travelling!<\/p>\n\n\n

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Teenage Engineering<\/p>\n

TP-7 Black<\/h3>\n <\/span>\n\n
\n Rating: 9.00 out of\n 10<\/span>\n
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Teenage Engineering<\/p>\n

CM-15 Black<\/h3>\n <\/span>\n\n
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Teenage Engineering<\/p>\n

TX-6 Black<\/h3>\n <\/span>\n\n
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Drumeo EarDrums – Black Edition<\/h2>\n\n\n\n

These in-ear headphones <\/strong>from Drumeo <\/strong>have been specially developed for drummers. 2 dynamic drivers <\/strong>+ 1 balanced armature driver <\/strong>ensure perfect sound quality with a frequency range of 18 to 22,000 Hz. <\/strong>With12 different silicone ear tips, you\u2019re sure to find the perfect fit <\/strong>for your ears. And thanks to the improved 2-pin cable, they are now even more robust<\/strong>. For drummers who value excellent sound, even in their own ears.<\/p>\n\n\n

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Drumeo<\/p>\n

EarDrums – Black Edition<\/h3>\n <\/span>\n\n
\n Rating: 9.00 out of\n 10<\/span>\n
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Roland MN-10 Mood Pan<\/h2>\n\n\n\n

A handpan, tongue drum, gamelan, singing bowl, crystal singing bowl, sitar, <\/strong>and more in one instrument? The new MN-10 Mood Pan <\/strong>from Roland is just that. It offers 9 pads with preset scales, so no prior experience is required! <\/strong>And with the Mood Pan Plus app for iOS and Android, you can edit sounds and customize moods. In addition to built-in speakers<\/strong>, there\u2019s a headphone output. Your next instrument for that special sound.<\/p>\n\n\n

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Roland<\/p>\n

MN-10 Mood Pan<\/h3>\n <\/span>\n\n
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Kunath Sigo Tenor Recorder<\/h2>\n\n\n\n

Yes, the Kunath Sigo Tenor <\/strong>is a classic tenor recorder <\/strong>\u2013 but with a modern and ergonomic <\/strong>design thanks to the angled head joint <\/strong>and a thumb rest <\/strong>that\u2019s integrated into the shape. It is tuned to 442 Hz. <\/strong>The body is made from Resona, a renewable raw material<\/strong>, while the head joint is made from plant-based resins. A recorder with a modern twist!<\/p>\n\n\n

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Kunath<\/p>\n

Sigo Tenor Recorder<\/h3>\n <\/span>\n\n
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beyerdynamic DT IE in-ear headphones<\/h2>\n\n\n\n

Beyerdynamic has released four new in-ear headphones<\/strong>. The DT 70 IE<\/strong>, DT 71 IE<\/strong>, DT 72 IE, <\/strong>and DT 73 IE <\/strong>all have an impedance <\/strong>of 16 ohms<\/strong>. Thanks to the TESLA 11 full-range driver system, <\/strong>they offer an outstanding frequency response <\/strong>of 5 to 40,000 Hz.<\/strong> The DT 70 IE is perfect for precise mixing and quiet stages. The DT 71 IE is suitable for monitoring drums and bass, while the DT 72 IE is the ideal model for singers and guitarists. Finally, the DT 73 IE has an optimized frequency response for classical instruments and piano. Four models, four use cases, always a perfect sound!<\/p>\n\n\n

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beyerdynamic<\/p>\n

DT 70 IE<\/h3>\n <\/span>\n\n
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beyerdynamic<\/p>\n

DT 71 IE<\/h3>\n <\/span>\n\n
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beyerdynamic<\/p>\n

DT 72 IE<\/h3>\n <\/span>\n\n
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beyerdynamic<\/p>\n

DT 73 IE<\/h3>\n <\/span>\n\n
\n Rating: 10.00 out of\n 10<\/span>\n
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Taylor Gold Label 517e Blacktop and 717e<\/h2>\n\n\n\n

Taylor <\/strong>presents two new all-solid Grand Pacific dreadnoughts <\/strong>with pickups<\/strong>. Both models sport mahogany necks, West African ebony fingerboards, and torrefied spruce tops. The back and sides of the 517e Blacktop are made from mahogany, while the 717e features Indian rosewood back and sides. Both models are equipped with an LR Baggs Element VTC system <\/strong>for optimum sound transmission. Both of these USA-made guitars come with a case<\/strong>. Anyone who loves the Taylor sound will want to play these two instruments!<\/p>\n\n\n

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\n \"Gold\n <\/div>\n\n
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Taylor<\/p>\n

Gold Label 517e Blacktop<\/h3>\n <\/span>\n\n
\n Rating: 0 out of\n 10<\/span>\n
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\n \n 2,285 \u00a3 <\/span>\n <\/div>\n\n \n \n View Product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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\n \"Gold\n <\/div>\n\n
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Taylor<\/p>\n

Gold Label 717e<\/h3>\n <\/span>\n\n
\n Rating: 0 out of\n 10<\/span>\n
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Peavey 6505 MH<\/h2>\n\n\n\n

Two channels<\/strong>, 20 watts <\/strong>RMS, built-in reverb<\/strong>, an effects loop, <\/strong>and a USB recording output<\/strong>: the new 6505 MH mini tube top <\/strong>from Peavey <\/strong>isn\u2019t short on features. It\u2019s equipped with three 12AX7\/ECC83 tubes <\/strong>in the preamp stage and two EL84s <\/strong>in the power amp stage. Furthermore, it offers a common 3-band EQ<\/strong>, pre-gain and post-gain per channel, presence and resonance controls, and crunch and bright switches in the rhythm channel. The amp can be reduced to 5 or 1 watt at the flick of a switch. The perfect amp for small stages, rehearsal rooms, and recording!<\/p>\n\n\n

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Peavey<\/p>\n

6505 MH<\/h3>\n <\/span>\n\n
\n Rating: 8.00 out of\n 10<\/span>\n
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New Gear July 2025: Your Opinion<\/h2>\n\n\n\n

Have you already tried any of the new products listed here or are you already using them? Let us know in a comment!<\/strong><\/p>\n\n\n\n

<\/p>\n

Advertisements<\/div>
\"\"<\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Discover the hottest new music gear of 2025 \u2013 studio monitors, synths, guitars, amps, and more! \u25b6\ufe0e New Music Equipment \u2013 July 2025 \u2713 #HelloNewGear<\/p>\n","protected":false},"author":23,"featured_media":10003225,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[1083],"tags":[],"class_list":["post-10003219","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":5,"formatted":"5 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts\/10003219","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/comments?post=10003219"}],"version-history":[{"count":7,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts\/10003219\/revisions"}],"predecessor-version":[{"id":10004187,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/posts\/10003219\/revisions\/10004187"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/media\/10003225"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/media?parent=10003219"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/categories?post=10003219"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/en\/wp-json\/wp\/v2\/tags?post=10003219"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}