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Yamaha THR 100H Dual

Yamaha THR 100H Dual

Head amp for electric guitar

  • Dual version of the THR 100 - two completely independent amps in one housing
  • Single amp power : 100 W to 8/16 ohm or 50 W to 4 ohm
  • Dual amp power: 100 W (50 W + 50 W)
  • Class D power amp
  • Amplifier types per amp: Solid, Clean, Crunch, Lead and Modern
  • Emulated tube types per amp: EL34, 6L6GC, KT88, EL84 & 6V6
  • Effects: 2x Booster, 2x Reverb, Noise Gate
  • FX Loop and Speaker Simulation
  • 2 Instrument inputs: 6.3 mm jack
  • Controls per amp: Amp Type, Booster, Gain, Master, Bass, Middle, Treble, Presence, Reverb & Level
  • Rear panel controls / switches: 2x Class A / AB, ground lift, impedance selection: 4/8/16 Ohm and power output: 25/50 / 100W
  • Headphone jack: 3.5 mm mini-jack
  • Foot switch connection
  • FX loop
  • 2 Speaker connections and 2 XLR line outputs
  • Dimensions (W x H x D): 445 x 248 x 125 mm
  • Weight: 4.2 kg
  • Incl. foot switch and power supply
  • Optionally available carrying bag: 399063 (not included)

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10 customer ratings:

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Digital (s) R (h)? Yes, it really works!

Donald, 28.01.2016
Due to the previous bad experiences with various digital amps (modeling amps, software), I am an excellent fan of tube amplifiers, which I have used exclusively in recent years. The very positive video presentations and reviews of professional journals made me curious and led to the purchase of the Yamaha digital amp THR100HD. The "D" in the device designation indicates that it is even two identical amps (dual) in one housing, which considerably enriches the possible applications.
First of all, the basic observation: in fact, the sound properties as well as the responsiveness and thus the feeling of play are astonishingly consistent with a good tube amp. Clean is anyway no problem, but also Hig-Gain and above all the for digitalamps critical setting for crunch sound excellent. Thus, with the so-called VCM (Virtual Circuit Modeling), Yamaha has obviously succeeded in reproducing the behavior of analog circuits.
The setting possibilities are extremely varied and allow a personal "modeling" of tube sounds in an analogous way, ie by means of various rotary switches (without annoying, confusing display menus). To do this, you should take some time to familiarize yourself with the effect of the rotary control. First, it is useful to set the basic sound with the amplifier type selection switch and the tube type selector switch. The settings do not have to do with the technology that is actually present in the tube amp you want to model. One models after hearing. Then the desired tube pitch can be adjusted with the gain and master controls. Subsequently, fine tuning is performed with Middle (very effective - rather than 12), Treble, Presence and Bass. The Boost control offers excellent possibilities for a rich silky distortion. Three booster types can be fixed via software with a PC / laptop connected via USB. When the booster rotary switch is set to moderate values, you can influence the sound well with the guitar volume control.
With the following settings of the knobs, I could model the high-gain sound of my Engl-Amp, which I use: Amplifier type = modern, tube type = 6V6, Class AB, Booster Orange = 9: 30, Master = 13, Bass = 13, Middle = 9:30, Treble = 9:30, Presence = 9:30, Reverb to taste. The direct comparison with the Engl tube amp produces a practically identical sound! Perceptible differences only affect nuances, which can be perceived if one knows the modeled tube amp well. In the band mix and live the configuration sounds anyway without audible difference. The above settings worked perfectly with a 1x12 Celestion Alnico Gold Bulldog loudspeaker as well as 2x12 Celestion Vintage 30. Regarding the guitars, Les Paul, Strat and PRS Custom harmonize perfectly with the digitally modeled amp and give a feel like the tube amp.
With the above-mentioned software, loudspeaker simulations with different microphone types and arrangements can be set, which can be sent via line-out to the mixing console or recording device. In addition, a noise gate can be added.
It is worthwhile using the Yamaha Amp in the dual-amp version: As is known, many professionals use separate amps for clean and lead sounds and combine both amps, resulting in an assertive lead sound without loss of clarity - and this works Also with the THR100H Dual.
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Better than real tube amps!

Johan9486, 11.01.2016
Can only say WOW! I have owned AC30, Blackstars and before this, a Mesa Mark V. In honestly believe that the THR100HD is better than all of them. I kept my Mesa Roadking 212 with C90 + V30 and it sounds fantastic through that cab. Combined with an Evintide H9 in the loop in true stereo, I'm in sound heaven ...

Some pros
- All models sound great, both through cab and DI (IR)
- the 100w is well enough to drive a 212 cab and it does not sound like a class-d power amp. It sounds and feels like a tube power amp
- The dirty sounds clean up very well when I roll back my volume. Således, jeg løper en kombinasjon av to medium, får lyde i stereo og rulle av lyd for en ren lyd og kick i boosten for høyvinning og solo.
- Reverb is high quality
- boost stomp boxes are very accurate modeled.
- and more .... :)

The only negative point so far
- I would have liked separate volume controls for DI out and speaker out.

I definately recomend this amp. Yamaha rocks! :)
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B-Stock from 798 € available
866 €
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item number 370939
sales unit 1 piece
available since November 2015
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in this category Rank 9
at thomann.de Rank 17811
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