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Walrus Audio Lillian Analog Phaser

Effect Pedal for Electric Guitar

  • Analogue phaser
  • Can be switched between a 4-stage and a 6-stage phaser
  • D-P-V controller for infinitely variable Dry blending
  • Phaser and Vibrato
  • Controls: Rate, Width, Feedback, D-P-V, Stages
  • 4-Stage phaser: Warm and dense sounds
  • 6-Stage phaser: Complex, filtered sounds
  • From very subtle to extreme effect sounds
  • Top-mounted connections
  • Momentary function
  • Soft switch relay bypass
  • True bypass
  • 9 V DC 100mA
  • Dimensions (D x W x H): 121 x 66 x 41 mm
  • Weight: 0.27 kg
  • Made in USA
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Further Information

Chorus No
Flanger No
Phaser Yes

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23 Customer Ratings
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4.9 /5
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This is THE PHASER!
Cozm0, 12.12.2019
The Walrus Audio Lillian Analog Phaser is a phaser that sounds good out of the box and is very musical. It does go crazy on the modulation if you turn the knobs to max, but it is still usable. I love the graphic on the pedal as it IS ART and thus, tells a story. I believe that every single Walrus Audio Pedal has at least three songs laying in the artwork itself. Combine that with the sound and you have got a great pedal.
In conclusion, I highly recommend this pedal and any products from this manufacturer. They usually don't let me down and neither did this one.
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Walrus Audio Lillian Analog Phaser
IlyaI, 17.08.2021
Great Phaser pedal.
5 out of 5.
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Ach, das ist nur so eine Phase
C14, 07.11.2020
Frisch aus der Steinzeit elektrischer Effekte kommt Lillian anpropellert und klingt - wen wunderts - so richtig schön altmodisch. Irgendwo zwischen waberndem Chorus und Auto-Wah fummelt man sich seinen Sound zurecht und kann selig sein.

Denn entgegen aller Vernunft klingt das gut, mit Stärken bei stramm geschlagenem Akkord - wie Auto-Wah halt, nur nicht so aufdringlich - und als Nachbrenner aller Art von Modulationseffekten, bringt den Chorus zum Schweben und gibt dem Echo was zu tun. Da werden auch feine Obertöne hinzugeschummelt, wodurch das Ergebnis Frische bewahrt und nicht im Effekt versuppt.

Das Kästchen ist mIt den Drehknöpfen mechanisch und musikalisch gut steuerbar. Vor Allem ist da ein Mix- Regler, was den Unterschied zu den (MXR-) Klassikern ausmacht, die immer volle Breitseite feuern - Lillian paßt sich da gut ins Gesamte ein.

Die Verarbeitung ist sehr gut, die Buchsen liegen vorbildlich platzsparend alle an der Kopfseite. Die beiliegende Legende von der Kriegspilotin mag mögen, wer will.

Fazit: Manche Phasen dauern länger.
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Un très bon outil pour ceux qui s'intéressent aux phasers
Eh là bas, 14.12.2019
Le phaser est le premier effet que j'ai découvert et c'est aussi celui qui me donne le plus de plaisir à manipuler.
Lillian est la troisième pédale que j'utilise. La première est un clone analogique DIY amélioré de la plus célèbre pédale du genre, la phase 90. La seconde est une pédale analogique de plus de 15 ans, fabriquée au japon .
Ces phasers ont tout les trois un son singulier, mais c'est Lillian qui donne les résultats les plus intéressants à mon sens.
Par exemple le feedback sur Lillian donne des harmoniques et des modulations, lorsqu'on l'augmente, qui respectent beaucoup le son d'origine, et non pas un souffle type "flanger" .
Les possibilités que permettent le potard Dry-Phaser-Vibrato et le commutateur 4/6 étages sont très larges, avec une basse comme sur une guitare, avec ou sans distorsions, saturations, réverbérations...
On peut utiliser Lillian comme un phaser normal, mais j'ai tendance à utiliser le vibrato qui donne un effet plus unis et à rechercher des harmoniques dans la modulation.

En bref Lillian apporte sa pierre dans la musique, et devrait devenir un classique un jour dans la Zone des phasers.
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205 €
All prices incl. VAT
Available immediately
Available immediately

This item is in stock and can be dispatched immediately.

Standard Delivery Times

Delivery free of charge expected between Tuesday, 28.09. and Wednesday, 29.09.

Your Contacts
Phone: +32-237-69120
FAX: +49-9546-9223-24
Online Guides
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The term ‘modulation’ in its broadest sense covers a range of sonic effects, from the subtlest chorus to ear-bending ring modulation.
 
 
 
 
 
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