Stairville Stage PAR 18 Tri-Color LED3W

Professional PAR Spotlight

  • With tri-colour LED RGB colour mixing system
  • 18 Piece tri-color LEDs with 3 W of power each
  • Very uniform color mixing as the mixed color is emitted directly from the LEDs
  • Coverage pattern: 40°
  • Control via DMX 512, stand-alone or sound-to-light
  • Dimensions: 330 x 300 x 215 mm
  • Suitable barn doors: Article Nr 293818 (not included)

Further information

Construction Type Studio PAR
Number of LEDs 18
power of the single LED 3 W
Color mixing RGB
LED Type x-in-1
Floor housing No
Fanless Yes
remote control not supported
wireless DMX No
Housing Color Black

Come up with your own creative bundle and save

If you order this product together with others as part of a bundle, you can save up to 9 % additionally!
Stairville Stage PAR 18 Tri-Color LED3W 2x + Stairville Folding Floor Stand Black 2x +
4 more
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starting from 239 €
92 customer ratings:
  • 5
  • 4
  • 3
  • 2
  • 1
4.3 / 5.0
  • colour mix
  • illuminating power
  • quality
52 written ratings Read all reviews
Total
features
light output
quality

Stairville Stage Par 18 Tri

Michael M. 105, 28.05.2013
Quality light for a low price. Does everything I hoped it would and more. I would highly recommend this light for install or touring. Very bright at 100% and covers the stage perfectly.
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A true light storm

redline, 30.03.2012

Dort wo bisher einzelne PAR 64er Farben mit sehr viel elektrischer Energie erzeugten, reicht nun ein Scheinwerfer mit gerade mal 60 Watt Anschlussleistung, um das ganze Farbspektrum perfekt bei hoher Lichtstärke zu erzeugen. Als besonders gut ist auch die Qualität der Farben zu bewerten. Sei es gelb, rot , blau oder ... alle Farben kommen sehr sauber.

Der Austrittswinkel des Lichtstrahls ist glücklicherweise so gewählt, dass man in 3 bis 4 m Entfernung eine vernünftig große Fläche ausleuchten kann - also besser als LED-Scheinwerfer mit einer "Spot - Charakteristik".

Fazit nach mehr als 2 Jahren Bühneneinsatz:

Wir besitzen insgesamt 12 Stück dieser Scheinwerfer, die bei zahlreichen Konzerten eingesetzt wurden. Sie ersetzen komplett unser ehemaliges farbiges Effektlicht [16 PAR 64 á 500 Watt => 8.000 Watt Anschlussleistung].

Drehstrom adé!

Mit rund 700 Watt schaffen wir es nun farbiges Effektlicht in allen Grundstimmungen. Sei es "gelb", "orange", "rot", "pink", grün oder "blau", alle eingestellten Farbwerte lassen sich über unser Software gestütztes DMX-System klar definieren und können bei Bedarf zu 100 % reproduziert werden.

Die Darstellung der Farbe "weiß" ist im Vergleich zu Halogen- oder Weißlicht-LED-Scheinwerfern mit diesem RGB-System nur bedingt gut zu realisieren. Das erzeugte "Weißlicht" wirkt immer künstlich und tendiert zu einem leicht "blau - violetten" Farbton [Hautfarbtöne wirken dadurch blass und unnatürlich].

Während der Veranstaltungen werden die Scheinwerfer nur "handwarm" und können daher sofort nach Veranstaltungsende abgebaut und verpackt werden.

Zum sehr wichtigen Thema Betriebssicherheit kann man sagen, dass wir in den über 2 Betriebsjahren der Scheinwerfer, nur einen Ausfall während eines Konzerts hatten (und das bei einer Gesamtzahl von rund 60 - 70 Konzerten). Leider mussten wir aber 2 Scheinwerfer direkt nach dem Kauf wieder zurücksenden, da sie im Auslieferungszustand nicht einwandfrei funktionierten - es war in beiden Fällen die Farbe blau defekt. Wie nicht anders erwartet, erhielten wie von Thomann sofort (!!!!!!) Ersatz. Perfekt.

Ein anderer Punkt der uns auffiel ist die Tatsache, dass sich die Scheinwerfer nicht "ruckelfrei" faden lassen, sei es von Lichtpult aus oder von einem dmx-PC-System. In beiden Fällen "springen" die Scheinwerfer sofort nach dem dmx-Lichtwert "0" hin zum dmx-Lichtwert "1", um mindestens 10 %. So ist ein konstantes ein- und ausfaden nicht perfekt möglich.

Angesichts des günstigen Anschaffungspreises ist dies aber zu akzeptieren.

Ein Tipp noch am Abschluss - sicher eingepackt sind die einzelnen Scheinwerfer in Transportsäcken für 30 cm große Spiegelkugeln. Diese kosten etwas über 10 Euro und passen genau." data-mt-lang="en-x-mtfrom-de" data-translated="If one were to compare the first "LED Funzeln", which came on the market only a few years ago (and are still offered today) with this spotlight, one can only say that this technique has now grown up. A "true light storm" can be unleashed on the stage for a reasonable price. <br><br> There where now individual PAR 64er colors produced with a lot of electrical energy, now a spotlight with just 60 watt connection power, in order to produce the whole color spectrum perfectly with high light intensity. The quality of the colors should also be assessed as particularly good. Be it yellow, red, blue or ... all colors come very clean. <br><br> The exit angle of the light beam is fortunately so selected that you can illuminate a reasonably large area at a distance of 3 to 4 m - thus better than LED spotlights with a "spot characteristic". <br><br> Conclusion after more than 2 years stage use: <br><br> We own a total of 12 of these headlights, which were used in numerous concerts. They are completely replacing our former colored effect light [16 PAR 64 á 500 Watt => 8.000 Watt connection power]. <br><br> Three-phase current adé! <br><br> With around 700 watts we now create colored effect light in all basic moods. Whether it is "yellow", "orange", "red", "pink", green or "blue", all adjusted color values ??can be clearly defined by our software-supported DMX system. <br><br> The representation of the color "white" compared to halogen or white light LED headlights with this RGB system can only be implemented to a limited extent. The "white light" produced always has an artificial effect and tends towards a slightly "blue - violet" color [skin color shades appear pale and unnatural]. <br><br> During the events, the headlights are only "handwarm" and can therefore be dismantled and packaged immediately after the end of the event. <br><br> On the very important issue of operational safety, it can be said that we had only one failure during a concert in over 2 years of the headlights (and with a total of about 60 - 70 concerts). Unfortunately, we had to send 2 spotlights directly after the purchase again, since they did not function properly in the delivery condition - it was in both cases the color blue defective. As expected, Thomann immediately received (!!!!!!) replacement. Perfect. <br><br> Another point that we noticed is the fact that the headlights can not be "smooth", whether it be from a light console or from a dmx PC system. In both cases, the headlights "jump" immediately after the dmx light value "0" to the dmx light value "1" by at least 10%. Thus, a constant filing and filing is not perfectly possible. <br><br> However, in view of the favorable purchase price, this is acceptable. <br><br> One tip still at the end - the individual headlights are safely packaged in transport bags for 30 cm mirror balls. These cost about 10 euros and fit exactly." > If one were to compare the first "LED Funzeln", which came on the market only a few years ago (and are still offered today) with this spotlight, one can only say that this technique has now grown up. A "true light storm" can be unleashed on the stage for a reasonable price.

There where now individual PAR 64er colors produced with a lot of electrical energy, now a spotlight with just 60 watt connection power, in order to produce the whole color spectrum perfectly with high light intensity. The quality of the colors should also be assessed as particularly good. Be it yellow, red, blue or ... all colors come very clean.

The exit angle of the light beam is fortunately so selected that you can illuminate a reasonably large area at a distance of 3 to 4 m - thus better than LED spotlights with a "spot characteristic".

Conclusion after more than 2 years stage use:

We own a total of 12 of these headlights, which were used in numerous concerts. They are completely replacing our former colored effect light [16 PAR 64 á 500 Watt => 8.000 Watt connection power].

Three-phase current adé!

With around 700 watts we now create colored effect light in all basic moods. Whether it is "yellow", "orange", "red", "pink", green or "blue", all adjusted color values ??can be clearly defined by our software-supported DMX system.

The representation of the color "white" compared to halogen or white light LED headlights with this RGB system can only be implemented to a limited extent. The "white light" produced always has an artificial effect and tends towards a slightly "blue - violet" color [skin color shades appear pale and unnatural].

During the events, the headlights are only "handwarm" and can therefore be dismantled and packaged immediately after the end of the event.

On the very important issue of operational safety, it can be said that we had only one failure during a concert in over 2 years of the headlights (and with a total of about 60 - 70 concerts). Unfortunately, we had to send 2 spotlights directly after the purchase again, since they did not function properly in the delivery condition - it was in both cases the color blue defective. As expected, Thomann immediately received (!!!!!!) replacement. Perfect.

Another point that we noticed is the fact that the headlights can not be "smooth", whether it be from a light console or from a dmx PC system. In both cases, the headlights "jump" immediately after the dmx light value "0" to the dmx light value "1" by at least 10%. Thus, a constant filing and filing is not perfectly possible.

However, in view of the favorable purchase price, this is acceptable.

One tip still at the end - the individual headlights are safely packaged in transport bags for 30 cm mirror balls. These cost about 10 euros and fit exactly.
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Color mixing: RGB
Stairville Stage PAR 18 Tri-Color LED3W
(92)
Stairville Stage PAR 18 Tri-Color LED3W
to the product
119 €

Professional PAR Spotlight With tri-colour LED RGB colour mixing system, 18 Piece tri-color LEDs with 3 W of power each, Very uniform color mixing as the mixed color is emitted directly from the...

  • Construction Type: Studio PAR
  • Number of LEDs: 18
  • power of the single LED: 3 W
  • Color mixing: RGB
  • LED Type: x-in-1
  • Floor housing: No
  • Fanless: Yes
  • remote control: not supported
  • wireless DMX: No
  • Housing Color: Black
Stairville Stage Par CX-3 RGBW 18x8W
(13)
Stairville Stage Par CX-3 RGBW 18x8W
to the product
189 €

Spotlight Equipped with 18 High-Power RGBW 4in1 LEDs, The Multi-Chip LEDs provide unprecedented colour mixing in all spectra, Both pastel colours, vibrant power colours and also white tones can be...

  • Construction Type: Studio PAR
  • Number of LEDs: 18
  • power of the single LED: 8 W
  • Color mixing: RGBW
  • LED Type: x-in-1
  • Floor housing: No
  • Fanless: No
  • remote control: not supported
  • wireless DMX: No
  • Housing Color: Black
Stairville Stage Par CX-2 Rgbaw 15x8W
(17)
Stairville Stage Par CX-2 Rgbaw 15x8W
to the product
198 €

LED PARThe CX LED PAR series brings completely new colour creations to this series of LED spotlamps. The multi-chip LEDs provide unprecedented colour mixing across all spectra. Whether it be pastel...

  • Construction Type: Studio PAR
  • Number of LEDs: 15
  • power of the single LED: 8 W
  • Color mixing: RGBAW
  • LED Type: x-in-1
  • Floor housing: Yes
  • Fanless: No
  • remote control: not supported
  • wireless DMX: No
  • Housing Color: Black
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