Soundcraft GB2-12.2R

Live Mixer

  • 12 Mono inputs
  • 2 Stereo inputs
  • 4-Band EQ with 2x parametric mids
  • 6x Aux (2x pre fader, 2x pre/ post fader switchable, 2x post fader)
  • 2-Segment LED meter (signal + peak)
  • 48V Phantom power, switchable per channel
  • 2 Subgroups, stereo paired
  • Muteswitch
  • Position of connector field changeable for desktop or rack mount application
  • Integrated power supply
  • Dimensions (WxHxD): 53.5 x 44.1 x 20.8 cm
  • Incl. rack mounts
  • 4-Pin lamp socket (Article Nr 149160)

Further information

Incl. Effects Unit No
19" Rack Compatible Yes
Mic Preamps 12
Stereo Inputs 2
Aux 6
Phantom power Yes
Integrated Power Supply Yes
Parametric Yes
Digital Interface No

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If you order this product together with others as part of a bundle, you can save up to 8 % additionally!
EV ZLX 12P 2x + Soundcraft GB2-12.2R + K&M 21436 2x + pro snake TPM 6 2x +
6 more
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7 customer ratings:
  • 5
  • 4
  • 3
  • 2
  • 1
5 / 5.0
  • handling
  • features
  • sound
  • quality
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4 written ratings Read all reviews
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Total
handling
features
sound
quality

Universal compact profile with many applications

marottgeosch, 28.07.2012
Despite the many features of cheaper mixing consoles, these unfortunately always have any quirks, which interfere with the times. Therefore, it was time to procure a mixer from the professional class. The decision on this desk was easy, because it covers exactly our requirements as a 5-member band. However, an additional sub-mixer from Soundcraft is used for drumming, from which 4-channels: bass drums, snare, left and right submixes are delivered to the FOH console. Thus we come out with a Triple Door Rack for the FOH-Platz, which represents a great advantage with small spatial conditions. The individual monitoring for the three singers is also regulated via the console.
For each new mixing console, a familiarization phase is necessary in order to manage its properties. This mixing console seems to have a special peculiarity, namely, that it has none in the positive sense. The different sound properties of the sound sources, such as microphones or guitars, are suddenly transparent. Even better, the EQs per channel provide a very transparent intervention.
The only thing is the level display initially a bit habituation, but this is not a problem if you have practiced the leveling something.
From my site: Buy recommendation!
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Total
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How built for me ...

virage, 26.11.2014
Use the desk primarily for recording purposes as well as for the acceptance of my electric bass via DI-Box. The EQs are designed for practical use, the quality of the low-noise preamps is faultless. The same applies to haptics and built-in electronics. Nothing breaks when switching. Faders run smoothly and absolutely softly and synchronously, no sensible deviation in the individual channels. Number of available inputs and outputs / variability is optimal for my purposes. Above all, I appreciate the high number of available XLR outputs (AUX 1-4, GRP and MIX / MONO) and the individually selectable phatoms supply for each channel. Also an RCA output parallel to the MIX was thought. Of course, the space is limited on the desk, with my little fingers but I manage well with it. Who can use a versatile, high-quality and? Small mixer, for my part a clear recommendation. For me almost a perfect match ?. Only the arrangement of the headphone socket should rethink Soundcraft again.
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Online Guide
Mixers
Mixers
In this guide we’ll concentrate on the functionality of hardware mixers. They are an essential part of any live sound systems and studio setups.
Online guides
Mixers
Mixers
In this guide we’ll concentrate on the functionality of hardware mixers. They are an essential part of any live sound systems and studio setups.
 
 
 
 
 
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