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SaxRax Akai Ewi Wind Synth Stand

SaxRax Wind Synth Stand for Akai Ewi 4000 and 5000 models, can hold the USB without modification. Saxrax answered the call of players of this unique instrument to design a stand that can be used in a studio or on the road at a gig

6 customer ratings:
  • 5
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4.7 / 5.0
  • stability
  • handling
  • quality
5 written ratings Read all reviews
Total
stability
handling
quality

Very useful, balanced and reliable

02.10.2016
This stand is very well balanced, sturdy, quick to put together and pack away (in the supplied bag) and easy to use. I play both bass and ewi 4000s and find it very easy to pick up and put down the ewi, even one-handed, while wearing the bass. The design footprint allows me to tuck it into a corner beside my bass pedal, so it's not in my way or anyone else's. It looks good, too!
The only reason for one star lost on the 'quality' rating is that the top 'holder' is made of foam, albeit quite robust feeling, without any extra protection, so I'm not sure how that will stand up to long-term use; the bottom 'holder' is the same material, but in a metal frame, which also takes the weight of the instrument. In use, however, it feels very secure, and I feel confident that it will last a long time.
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Total
stability
handling
quality

Fits!

Opeongo, 23.04.2016
In summary: if at all, then there is only complaining at the highest level. Buying recommendation!

Use with me: at home, for EWI 5000.
The stand is thus not often moved and even less mounted or disassembled. Sure, you can store the anyway very easy EWI also well on the music desk, a shelf or elsewhere, but I decided to buy the rack, because I had no desire to give me a defined, specific, mobile, stable and aerial rack To build itself.

So far, I can only judge the suitability for the house use, and there is the best grade.

But I also see no real problems for the frequent transport and assembly cases. The part is optimally adapted to the EWI. Both with regard to the support pad consisting of a fairly hard moss rubber (?), As well as the mechanical stability and quality of the parts. The concept itself, namely a complete disassembly of the crossfoot, which must be screwed to the construction, might be somewhat unfavorable, because one has to transport two separate parts. But the rack comes with a - unpadded - plastic bag, so no problem. For transport in a gig bag it is light enough, but too big.

Features:
The two locking screws consist of threaded rods pressed into the plastic heads. Certainly not a "premium solution", but completely OK, since due to the low weight to be weighed in each case no high locking forces are required.
The body consists of a metal profile to which the cushion carriers and the angle adjustment are riveted.
The lower pad is designed so that the condensation drain is exposed from the EWI when the instrument is placed. In addition, the holder is open to the human being, so that any cables connected, if necessary, need neither be peeled nor bent. Only "threading" requires attention.
The upper upholstery covers the instrument with little play, which I in principle find good, but I occasionally also the one or other extra second in the "threading" has cost. Perhaps relevant for the case of rapid instrument change.
The shape of the upper "upholstery clip" is very specific. Since this is not outwardly clad with eg a metal, I could imagine that with the hectic handling, for example, while clearing a stage with somewhere stuck there and one of the rubber boots tear. Admittedly, this is very speculative and the rubber very firm - but whether there is replacement for it? On the other hand, moss rubber can be glued outstandingly with UHU Kraft ...

The whole rack is designed straight ahead and in its quality optimal for the EWI. Since certainly not produced in high quantity also goes the price in order.
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74 €
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