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PSI Audio Active 17M Studio Red

PSI Audio Active 17M Studio Red

PSI Audio Active 17M Studio Red - bi-amped active studio monitor, 80W + 40W RMS, Very large bandwidth in a compact cabinet, Protection circuits with overload indicator, Magnetically shielded for use close to video monitors, Designed for stereo and multichannel monitoring, Very high SPL in a compact cabinet, Optimised directivity by phase coherency, Flat frequency response, Real balanced input, CPR, AOI, ALG, PSC, Frequency response_ 44 - 23000 Hz, Continuous Max SPL, 1m : 104 dB (single), Program Max SPL, 1m : 115 dB (pair), Woofer´s dim. Ext. / Diaphragm : 175 mm / 130 mm, Dimensions cabinet: 200 x 320 x 230 mm, Weight: 8,4 kg

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2 customer ratings:

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5 out of 5 stars
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5 Stars
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Excellentes enceintes multi-tâches

EdwardM, 10.07.2011
Ces enceintes sont de prime abord destinées aux studios et autres pièces de monitoring ou broadcast (radio, télévision...). Leur blindage magnétique leur permet d'être accolées à des moniteurs vidéos sans détériorer nullement l'image visuelle.
De petite taille, elles en imposent de par leur qualités audio, à savoir qu'elles ont une énorme dynamique (104dB par enceinte) et une attaque extraordinaire de rapidité et de finesse. Mais elles ne sont pas à utiliser exclusivement comme des enceintes de monitoring, elles peuvent tout à fait sonoriser des petites soirées (50 personnes en extérieur). L'ajout d'un caisson de basses n'est pas nécessaire dans un premier temps, les 50Hz sont très bien restitués. Leur linéarité à +/- 2,5dB s'étend de 50 Hz à 20'000 Hz. Maginfiques !
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Das beste was man in der Preisklasse bekommen kann!

Werner702, 08.03.2012
Ich suchte Nahfeldmonitore zum Mastern von Aufnahmen vornehmlich akustischer Instrumente (Pop, Folk usw.) und hatte mir eigentlich ein Limit von ca. 600 EUR gesetzt. Hab mir dann viele Boxen zwischen Köln und München angehört und fand heraus, dass es einen Qualitätssprung gibt so um die 1000 EUR. Zar wurden hier fast alle Nahfeldmonitore mit 4-5 Sternen bewertet, aber das kann fast nicht sein wenn man sich die Zeit nimmt und die Boxen mit genügend Zeit und geeigneter Musik anhört und miteinander vergleicht. Als ich anfing damit, hatte ich auf meiner Liste die Yamaha HS 80, die KRK VXT6, KRK Rokit Serie, die Adam A7X, A8X sowie die Neumann KH-120A. Man hat mir dann zunächst "zum Vergleich" die PSI Audio 25M vorgespielt und das hat und er Tat mein Hörempfinden verändert. Ich habe nie zuvor Musik gehört mit einer solchen dreidimensionalen räumlichen Auflösung und mit soviel Detailreichtum! Die 17M ist die etwas kleinere Version dieser Serie, für die ich mich dann letztlich entschieden habe (das bessere ist eben der Feind des guten! und so hab ich mein selbst gesetztes Preislimit über Bord geworfen). Ich betreibe die Boxen nun an einem Fireface 800 und bin regelmässig platt von der Qualität. Es macht Riesen Spass mit den Boxen Musik zu "hören", 3D verhalten ist super und Detailreichtum auch. Wenn man etwas aufdreht spürt man den Druck und der Bass stimmt auch! Ich habe die Boxen in Ohrhöhe stehen, ca. 1,5m auseinander und jeweils 1,5 m Entfernung vom Ohr. Ich höre oft leise ab und die Boxen rauschen kein bisschen! erst wenn man mit dem Ohr ganz an die Kalotten dran geht hört man wenig Rauschen des Hochtöners. Daher absolute Kaufempfehlung für diese Boxen. In der gleichen Kategorie habe ich noch die Nahfeldmonitore Focal Solo 6 Be gefunden. Bei diesen Boxen hatte ich ein ähnliches Hörerlebnis. Letztlich haben mir die PSI Audio 17M jedoch besser gefallen.

Ein/Aus-Schalter befindet sich auf der Rückseite. Ebenfalls zwei Drehregler zum verändern der Höhen und Bässe falls man dies wegen ungünstigen Räumlichkeiten ändern muss (was ich aber nicht brauchte, obwohl mein Abhörraum nur ca. 3 x 3 Meter hat.)
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1.649 €
Price includes VAT and free shipping (where applicable)
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item number 241674
sales unit 1 piece
available since January 2010
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in this category Rank 359
at thomann.de Rank 83601
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