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Pioneer Toraiz SP-16

Sampler and Step Sequencer

  • Plays up to 16 samples simultaneously
  • 8 GB memory
  • 2 Jack inputs
  • 1 MIDI input
  • 8 Jack outputs
  • 1 MIDI output
  • 1 6.3 mm jack headphone output
  • 1 LAN port
  • 1 USB A port
  • 1 USB B port
  • Display
  • Dimensions (H x W x D): 74 x 437 x 261 mm
  • Weight: 3.2 kg
  • Suitable bag: Article Nr: 398834 (not included)

Further information

Polyphony 16
Internal Storage Yes
Storage Medium SD Card
File Format Own Format
Time Stretching Yes
Effects Yes
USB-port Yes
Analogue Inputs 4
Analogue Outputs 8
Digital Outputs Yes
Display Yes
Sequencer Yes

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4.8 / 5.0
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de Automatically translated (Show original)
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Laugh a lot, cry even more

Wimast, 04.05.2017
* Sigh * the toraiz did not make it easy for me ..

+ Sound. The sound is a hammer, no coloring (as far as I can judge), no dull fundamental tone, as with the electron devices. This is crystal clear and clean, I was really fascinated.

+ Operation. So really, my little daughter could serve the Toraiz. Touchscreen works exactly, reacts fluently, no very deep menu structure, one finds quickly.

+ Features: Upgrading to 1.30 has brought some major improvements (more effects, LFO, usable MIDI out, ...), the Toraiz would have potential to be the center and control center of a live setup. Would have!

Pads. The pads do not feel right for me personally, have a lot of play and can not be played really reproducibly (but is only a small minus because presumably habituation)

- Sequencer buttons. I'm probably spoiled by my other devices in this regard, but I can not do anything with the buttons. Unclear pressure point, low feedback on velocity. But probably also habit.

And now the reason why the Toraiz goes back:

- Mute function.

So honestly. How can I praise the Toraiz as a live gear and then slip with the mute function so?

1) if a pad is muted, it is also no longer trigger / playable. For example, I've built a nice bassline, then I've taken out the BD, Pad continues ... Then I would like to use the Scale function a variation of the bassline as an outro play and ... it is NOTHING. So either you sacrifice a second track with the same sample but without sequencer - trigger, so you can play variations live, or you just do not play any variations. You could also work with different patterns, but then you have a lot of work to do. I was terribly angry.

2) When mute, the track is cut off immediately. I've made a nice reverb for chord sticks, which goes into the next trigger ... Then I mute the track and - NOTHING. The hall flag is cut off immediately. But not enough. In Un-mute comes immediately the decaying Hall flag of the last (still muted) trigger.

So really, that's not going to happen in my world for live gear.

If you can live with the restrictions in the mute, because more prearranged pattern sequences are subject and the filters or other parameterweeps are more important, the Toraiz probably will have a great pleasure.
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es Automatically translated (Show original)
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An Awesome Samplers Sequencer

I am a producer of electronic music, I do not dedicate to the live, but if I like to produce in live format, go creating patterns, and go throwing tracks at the time of recording, then retouch what is necessary.

The truth was that I decided to decide for something so new in the market, especially for its price, but once in my hands ... I do not know if I can describe in words the simplicity with which things can be done.

Even though I have some "buts", like the little flexibility of the function to transport the sound, it works with a semitone pitch, but the range that allows you is a bit short.

As for the sound quality, I have nothing to say, apart from the samples it integrates and the ability to be able to put a usb with sounds already prepared in folders.

The handling of the touch screen is very simple, the knobs go very thin and everything is placed in place.

If you are looking for something with great quality and versatility, this is your product.
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