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Keeley Mod Workstation

Multi-Effects Pedal

  • Overdrive / Modulation
  • Includes the Keeley 1962 / Katana and Oxblood overdrives
  • 8 Modulation effects, including: Tremolo, Harmonic Tremolo, Oscillating and Random Filter, Phaser, ADT (Automatic Double Tracking), Analog Chorus / Vibrato, Flanger and Leslie Rotary Speaker
  • MOD section controls for Depth, Rate, Morph, Level, FX Select
  • DRIVE section controls for Level, Drive, and Tone
  • Toggle switch for switching between "Phat" & "Normal" Drive modes
  • DRIVE / BOOST section controls for Level, Tone, and Drive
  • Toggle switch for switching between "1962" & "Katana" Drive / Boost modes
  • 3 Bypass foot switches, one per section
  • Metal housing
  • True bypass
  • Status LEDs
  • 6.3 mm Mono jack in-/ output
  • 6.3 mm Input for external Tap Tempo control signal
  • 6.3 mm TRS effects loop - Tip (Send); Ring (Return)
  • Power supply via 9 V battery or 9 V power supply (not included, corresponding power supply available under Article Nr 108096)
  • Power consumption: 117 mA
  • Dimensions (L x W x H): 99 x 120 x 53 mm
  • Weight: 425 g
No JavaScript? No Audio Samples! :-(

Sound samples

  • Blues Wha-Boost
  • Funk Wha-Boost
  • Metal Flange-Boost
  • Prog Chorus-Drive
  • Synth Phase-Boost
  • Organ 1 Off-On
  • Prog Off-On
  • E-piano Off-On
  • Show more

Further information

Effect Types Modulation
2 customer ratings:
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4.5 / 5.0
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Then I say hat low ...
This pedal is so great that I wonder if I will not order another one again "in case ...." of the times that Keeley decides one day not to do it again.
Frankly, for the blues man, it's the foot.
I use it to exploit a little more thoroughly the big possibilities of my Roland Blues Cube Hot, which unfortunately does not have tremolo nor muscular overdrive.
The Katana offers a good dose of boost when one passes for example in full solo or when one switches a humbucker in singles for example, very practical.
The 1962 is a very versatile overdrive, very effective in rhythm or lead.
The Oxblood, ben, what to say if it is the worst distortion of Keeley and suddenly to play the big sounds that angry at AC DC, ZZ Top or Alter Bridge is the foot . I ventured to tease Metallica or the Dream Theater with, it nevertheless sounds a bit too vintage for this style, but I LOVE!
And the effects to finish ... I love the tremolo and the Rotary speaker, I almost never use the chorus or flanger but they sound great ... the Oscillating and Random Filter did not convince me , That's why I play it with my Dunlop mini Wah because I did not manage to have sounds of Autowah convincing with ....
The Automatic Double Tracker can sound a bit like a delay, it's very effective.
But then there happens the BIG flat of this pedal: one can not save its settings from one effect to another.
It's a shame, because in general when I play the blues I like to have tremolo in its clear on my intros, a little chorus on my rhythm and delay to give a little body when I'm in Lead on my solos.
Here the settings are very effective, and the knobs have a different function according to the effects selected: suddenly, the settings I found nickel for my tremolo give me a not terrible sound in AVT and this forces to touch his knobs in Full middle of a piece. It's a shame.
In any case, and despite this bias of not inserting memory, this pedal sounds just TERRIBLE.
I made a mini pedalboard with my mini wah from Dunlop and my minitune from TC.
I love traveling light ....
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357 €
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