Electro Harmonix Pitch Fork Pitch Shifter

Pitch Shifter

  • Transposes via +/- 3 octaves
  • 3 Shift modes: Up, Down or Dual
  • Knobs for selecting the 11 transposition intervals
  • EXP input controls pitch shift or glissando by the optional expression pedal (not included)
  • Latch & Momentary modes control the behaviour of the EXP input
  • Operates with power supply or 9 V battery
  • Dimensions (WxDxH): 70 x 115 x 54 mm
  • Incl. Power supply (EHX 9.6 DC-200)
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Sound samples

 
0:00
  • 1 Oct Up
  • Bass 2 Oct Up
  • Major 3rd
  • Major 6rd
  • Stoner 1 Oct Up

Further information

Effect Types Pitchshifter

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Just give EH your money! They deserve it when it comes to the Pitch Fork!!!!

Carnivore, 27.10.2017
Let me start stating that my sound is forged upon three axis: distortion, delay and pitch shifting. For that reason, I have tried, rented, used, purchased or currently own many, many pitch shifters since the 80?s, being witness of the evolution of pitch shifting, as technology evolved, since its very inception.

Today, I?ve got three points in the sound chain with pitch shifting, as follows: Boss PS3 & PS2 MIJ, Digitech Whammy (various incarnations, today the chromed limited edition), EH Slammi (now replaced by the pitch fork), Eventide Pitch Factor, Eventide Ultra Harmonizer, TC Electronic G Major 2 (pitching effects) and POD XT Pro (pitching effects).

So what?s with the Pitch Fork? Quality of sound is very modern, similar to the Slammi I might say, in particular if you do not overdo it. At 35% mix, is smooth and still natural. It handles gives you true bypass capabilities and polyphony with no issue, lags, delays or annoying shimmering, lows are reasonably "analog" sounding, and highs are sharp and not brittle. Loved it. I sincerely believe that, given the market status at present, sound quality is not open to debate. Same goes to building quality. If you ever work with EH small sized pedals, same standards will be found here. 100% capable of handling tours, gigs, rehearsal with the fellas and most certainly your bedroom studio rigors for the next 100 years.

What I would like to address here is my admiration on the design of this effect. Envisioning the ability to select octaves on programs that are based on harmonies (even getting a fantastic chorus effect for free!), the possibility to convert switching from latching to unlatching, the simplicity of controls and (to top it off marvelously!) the added flexibility of an expression pedal in, is difficult to overlook the genius in the concept.

As a tool, everything is inside, Tom Morello, Dimebag Darell, all the sounds are here. Just spend some time with the pedal and you will be flying in no time. If you are not concerned about real state in your pedalboard, adding an expression pedal is a MUST.

Only con? From my perspective, clearly none. This has everything a great effect should have, executed beautifully (damm, it even looks good!). All you need had been included in the price (AC adaptor included!) right from the box and sound, construction, handling and looks are irreproachable.

If you?re in the market for a pitch shifter in stomp ox format, look no further.
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Total
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This thing can do a lot

GoWithTheFloat, 16.04.2018
I play a lot of different types of music. Switching between bands that play in E standard and E-flat standard used to be really annoying considering i mainly play with a guitar equipped with a floyd rose. This pedal immediately eliminated that pain considering I could now simply turn my pedal to m2 down and full wet signal. Sometimes I also play baritone, and would you look at that - P4 down full wet. What if I want to harmonize with myself Lizzy style? M3 up half blend. Really downtuned metal? P5 down full wet.

The intervals that this pedal provides are all very useful, and most importantly they sound great. I frequently plug in an expression pedal and use this pedal as a whammy, and even the 2 octaves up function doesn't sound digital or fake, as I think is the case with a lot of other pedals. This is a tool (1 octave and 2) that you can hear in many different types of music, and is certainly very useful and also a whole lot of fun.

Without an exp pedal the pitchfork is also very easy to use. The latch/non-latch option is very handy if you just want to use an effect for a short period.

Lastly, the interface is very intuitive, looks simple and it's easy to make the pedal do exactly what you want it to do. There is not a single thing that I think is "missing" or a feature that I would like have included. The amount of blend makes it so you can get very precise tones if you for example want a very subtle octave above what you're playing.

I strongly recommend this pedal to everyone because of its versatility, usability and sound.
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Online Guide
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