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Egnater Rebel-30 112 Mark II

All-tube combo for electric guitar

  • Power: 30 W
  • Components: 1x 12" Egnater Elite-80 speaker by Celestion®
  • Continuously variable wattage, 1-30 W per channel
  • Tube Mix allows you to blend the 6V6 and EL84 power tubes
  • Tubes: 5x 12AX7, 2x 6V6, 2x EL84
  • Clean channel: Volume, Bass, Treble
  • Overdrive channel: Volume, Gain, Bass, Middle, Treble, Tight and Bright voicing switch on each channel
  • Reverb separately adjustable per channel (with reverb)
  • Buffered effects loop
  • Balanced and frequency-corrected DI output (XLR)
  • Ability to turn off the internal speakers for quiet recording
  • Dimensions (L x W x H): 483 x 330 x 381 mm
  • Weight: 15 kg
  • Incl. footswitch (channel/reverb) and cover
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Sound samples

 
0:00
  • Blues
  • Funk
  • Rock

Further information

Power 80 W
Speaker size 1x 12"
Power Amp Tubes 6V6, EL84
Channels 2
Reverb Yes
External FX Loop Yes
Recording Output Yes
MIDI Interface No
Connection for External Speaker Yes
Headphone connection No
Footswitch Yes
Incl. Footswitch Yes
Weight 35,0 kg
8 customer ratings:
  • 5
  • 4
  • 3
  • 2
  • 1
2.9 / 5.0
  • handling
  • features
  • sound
  • quality
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7 written ratings Read all reviews
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Total
handling
features
sound
quality

One for everything!

Thomas044, 04.11.2009
Have now for 14 days my Egnater combo (Rebel 30 112) and can only say: Vollreffreffer. This is for me the first full-bodied 2-channel, with the Clean- and Zerrkanal seamlessly adjoining each other AND equally good sound, impressive! For most amps I know, only one channel is really good at a time, and this is often only a small (gain) range. Say: one finds the one sound, and then adjusts mostly nothing more.

In the Egnater, this has not occurred, because somehow everything sounds good and fun. The clean channel convinces from jazzig over glitzklar to slightly creamy, and also the Zerrkanal can from quasi clean (with a little less headroom than channel 1) to "full metal Bratheimer" everything equally well (even if I do not call the latter). The amp "hangs well on the gas", special features of guitar, stop etc. 1a are depicted. Even the Hall is usable (no 16 algorithms, but one that fits) - and can be dosed separately for both channels.

In addition, the Amp is very lovingly and high-quality processed, and the many small extra sweets such as Bright / Tight switch, tube diaphragm, Power-Potis and the bass reflex opening up (!) Are not only Gimmicks, but all make sense. The loudspeaker-simulating recording output does not replace the microphone in the studio as expected, but for the creation of jam-tracks it is always good.

Conclusion: Guitar, cable, Egnater-Amp - finished, it does not take more for me from now any more! Many thanks - without you I would not have discovered the amp certainly!

Small addition: after the Egnater's all-rounder qualities on the guitar had already surprised me, I just jammed my Fender Fretless Jazzbass - surprise: that he can be outstanding. I use the bass mainly in the studio, so far mostly via a tube preamp directly into the desk. But the Rebel can do better: cleanly defined crunchy lowbass thrust without "Mulm", to goose-skin fretless-purring ... Mr. Egnater has done a lot on once, and I'll soon be selling some!
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de Automatically translated (Show original)
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Total
handling
features
sound
quality

Implementation....

Anonymus00, 20.07.2010
Possess the Rebel a little more than half a year and can only tell the same story of suffering.

Service:
Controls on the amp clearly and clearly assigned to the 2 channels, reverb control on the back (usually not changed during the concert) Massive footswitch for channel change and reverb

Features:
Worth mentioning: 2 different tube types with quite audible difference, individually adjustable on the channels, 30Watt maximum (which provide enough clean-headroom for pro space and gig). Everything quite appealing and usable features. Only the "poweroaks" to reduce the wattage brought by far not the promised effect.

Sound:
Here the Rebel scores with its features ... Both clean and distorted can be almost almost any sound that can not be adjusted in the high range.

Processing:
Joa ... and now comes the hack at the thing ... Had half a year already a complete exchange, which was however also already in the repair. And with this "warranty battle" I am with this amplifier apparently not alone ...

Conclusion:
In itself a good amplifier, in which there is not much to mäckeln both the features and the sound. In the end I would leave him in spite of his sound flexibility and features left and I would rather buy a reliable, solid amplifier and save me the stress.
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