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Beyerdynamic TG V90

Ribbon Singing Microphone

  • For live applications
  • Robust processing with extremely low feedback capability
  • Directional Characteristics: cardioid
  • Transmission range: 50 - 14 000 Hz
  • Impedance: 330 Ohm
  • Pronounced volume behind the membrane for improved depth reproduction
  • Combination of special acoustics labyrinth and high-tech acoustic fabric for optimal sound adjustment
  • Ribbon treble resonator for silky treble reproduction and as part of the multi-stage pop protection
  • Successor of the legendary M500
  • Incl. Microphone holder

Further information

shockmount included Yes
3 customer ratings:
  • 5
  • 4
  • 3
  • 2
  • 1
4.3 / 5.0
  • features
  • sound
  • quality
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Ribbon for the live!

DamienR, 07.03.2013
I wanted to test ribbon live and looked for a microphone more natural than kms 105 and ksm9 for the artist I work with. The V90r just bluffed me.
A warm, clean, frontal sound, both face and back, less scrawl than with the Neumann and the Shure despite the very big gain required by the Beyer.
Feedback level back, here also the V90r is bluffing. It has a very good rejection (for ribbon is crazy), easier to work than the ksm9.
This microphone is really very good, better for my taste than the static microphones reference (for live), but I did not keep it.
He has several "weak" points that have meant that for this artist and these conditions of touring, I did not want to take "risk".
It is still a bit heavy, it takes a little too much solidien vibrations what is due to the tape (vibration of the microphone foot with the sub, not to wear ring if you hold it by hand, ...).
The effect of proximity is not negligible, and can become troublesome. And especially ... I do not know how the microphone ages. That said ribbon said fragile. The microphone is sturdy in appearance, but live is a bit daring. Moisture, wind, the risk of a microphone falling during a tray change, or a phantom power supply in case of a patch error (even if beyer says the microphone supports 48v).
In short, I prefer to remain cautious and not risk to have to do the after-sales after 4 dates, I stay for the moment at ksm9 and wait a little, time to have a little more opinion of Users, because we do not read much about this microphone.
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Ralf529, 15.03.2013
Have already tried many live mics from dynamic to condenser!
The Tgv90r from Beyerdynamic the only handheld live mic on the market!
Had already heard a lot about ribbon microphones like silky heights and brighter as well as natural close-up effect never sharp etc. Tests I had also read a few! Paper is patient !!! So the thing bought and tasted. The total disappointment! Pop and Zischlaute without end totally brezzelig and sharp. Totally unusable I thought, send back! What nobody had told me, however, that the preamplifier at Bändchen is decisive. Had the Tgv attached to my mindprint envoice (eigangsimpedanz 10kohm). Then tried at the mixer input (3kohm) and see there wonder another microphone! The whole has left me no peace and then called at Beyerdynamic itself. The whole functioned only in the system one has answered me! The input impedance from the preamplifier is the A and O. Optimal for tapes would be 7 x the output impedance from the microphone. (1400 ohm). I tried with a borrowed amplifier! Excellent ! Excellent ! Warm bass clear center, soft treble. But now also understand why Beyerdynamic is the only company that offers such a microphone. Conclusion the part bought and another 1500 euros for the appropriate amplifier bluffled.
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379 €
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