beyerdynamic DT-100/16-B

Stereo headphonesThe DT 100 is a handset used worldwide in many recording studios for monitoring purposes. It is also suitable for ENG / EFP use and live-moderation.

The DT 100 offers a high wearing comfort with easy-care head and ear pads made from "Softskin" material. The closed construction of the ear shells ensures excellent isolation from outside noise.

  • Transducer principle dynamic, closed
  • Impedance 16 Ohms
  • Sound pressure 94dB / IEC
  • Frequency response 30-20 KHz
  • Circumaural
  • Weight 340 g
  • Delivery includes: Cable (K100.07-3,0m) with a 6.3 mm stereo plug
  • Colour: Black

Further information

Design / Construction Over-Ear
System Closed Back
Impedance 16 Ohms
Frequency range 30 Hz – 20000 Hz
Adapter No
Replaceable Cable Yes
7 customer ratings:
  • 5
  • 4
  • 3
  • 2
  • 1
4.6 / 5.0
  • sound
  • comfort
  • quality
4 written ratings Read all reviews
Total
sound
comfort
quality

Great Workhorse

B Boy, 18.10.2017
Coming from a radio background the DT-100 series from Beyerdynamic are pretty much the industry standards across the whole sector. The obvious advantage of the DT-100/DT-150 is the fact that you can get replacement parts for every aspect of these headphones making them a long term investment. We have DT-100's here in our Radio Station that have been in use for up to 8 years.
The sound isolation that the DT-100's provide is second to non. In a radio environment our DJ's are always in close proximity to our live microphones, these DJ's have been on the go for many years now and some of them have developed hearing problems. So inevitably they tend to turn their DT-100's up to 11. And even still there is no sign of audio feeding back.

The sound quality of the DT-100's is excellent for voice work but I would always recommend upgrading for the better low end frequency response of the DT-150's when working with musicians.
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Total
sound
comfort
quality

The sound

WFL, 10.07.2011
This is a high-end headset that I own for several years and that I use regularly in my home studio. It will be noted, supported by a design of excellent invoice, a faithful reproduction of the sound. Indeed, where other helmets of lower range can give the illusion of a sonorous quality by their original destiny to the only listening "Hi-Fi", this one opens the doors of the domain of the studio by restoring the Sound reality of the recordings. Many times I have seen differences between a mix listened to the headphones or monitors. But the DT-100 has allowed me to make this difference insignificant and thus greatly improve my productions thanks to its excellent definition.
Of course, it is always possible to find better, but probably for another price.
Of solid design, I will cite a flat: the system of adjustment of the head size since for me it is complicated to hold the helmet.
Despite this detail, I highly recommend it.
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